filter_list Showing 722 results for "Woman" close Clear
search
dashboard All 722 museum exhibitions 367trending_up market 114article news 65article culture 54article local 32person people 26candle obituary 20rate_review review 17article policy 14gavel restitution 11article event 1article museums 1
date_range Range Today This Week This Month All
Subscribe

In pictures: meet the ghosts of the US’s East Coast

Photographer Anastasia Samoylova presents her latest exhibition and photobook, "Atlantic Coast," at the Norton Museum of Art in West Palm Beach. The project documents a road trip along the old US Route 1 on the East Coast, inspired by Berenice Abbott's 1954 journey. Through her lens, Samoylova captures a country in transition, juxtaposing decaying Americana with modern structures and political commentary, including images of a statue of John C. Calhoun being removed after the George Floyd protests and the collapsed Francis Scott Key Bridge. She draws parallels between her work and Paul Thomas Anderson's film "One Battle After Another," both centering on road trips and shared anxieties.

New exhibition explores how Max Beckmann's hard-edged signature style first emerged in his drawing

An exhibition opening at Frankfurt's Städel Museum focuses on Max Beckmann's drawings, featuring 80 works that trace the emergence of his hard-edged signature style. Curated by Regina Freyberger, Stephan von Wiese, and Hedda Finke, the show spans from before World War I to the artist's final years in the US, including loans from major collections. It highlights how Beckmann's drawing evolved from preparatory studies to autonomous artworks, with key pieces like a 1928 portrait of his wife Quappi and the eerie watercolor 'The Murder' (1933).

In 1960s New York, three single mothers bought a house together and turned it into a thriving live/work space

A new documentary film, *Artists in Residence*, premiered on November 14 at the DOC NYC film festival, telling the story of three single mothers—painters Lois Dodd and Eleanor Magid and the late sculptor Louise Kruger—who bought a former factory in New York's East Village in 1968. Denied a mortgage because single women could not apply for credit until 1974, they secured a loan from their landlord and transformed the building into a live/work space where they raised their children and pursued their art. The film, produced by Katie Jacobs, explores how each woman prioritized her creative practice while contributing to the city's cultural fabric.

The Woman Question 1550–2025 The City of Women

The Museum of Modern Art in Warsaw (MSN Warsaw) will launch two concurrent exhibitions, "The Woman Question 1550–2025" and "The City of Women," running from November 21, 2025, to May 3, 2026. Featuring nearly 200 women artists from around the world—spanning from Artemisia Gentileschi and Frida Kahlo to Yoko Ono and Tala Madani—the shows aim to present five centuries of art by women, curated by Alison M. Gingeras and a team of researchers including Julia Bryan-Wilson, Michalina Sablik, Vera Zalutskaya, Karolina Gembara, and Wiktoria Szczupacka. The exhibitions include works borrowed from major international institutions such as the Uffizi Gallery, Mathaf: Arab Museum of Modern Art, and the Nasjonalmuseet.

Dublin’s Monumental Picasso Exhibition Showcases 60 of the Artist’s Masterpieces

The National Gallery of Ireland, in partnership with the Musée national Picasso-Paris, has opened a major exhibition titled "Picasso: From the Studio," featuring 60 works by Pablo Picasso. The show spans five decades of the artist's career, including Cubist portraits, sculptures, still lifes, and rarely seen pieces, with immersive photographic and audio-visual elements that evoke his creative environments in Avignon and the Côte d'Azur. The exhibition runs until February 22, 2026.

‘A love letter to drawing’

Harvard Art Museums has opened a fall exhibition titled “Sketch, Shade, Smudge: Drawing from Gray to Black,” featuring around 120 works from the 19th to 21st centuries by artists including Pablo Picasso, John Singer Sargent, Edgar Degas, Piet Mondrian, and Georges Seurat. The show focuses on drawings in chalk, charcoal, graphite, and crayon, curated by conservator Penley Knipe and curator Miriam Stewart, who spent over a year selecting rarely seen pieces from the museum’s collection. Highlights include a fragile Degas charcoal drawing, “After the Bath, Woman Drying Herself,” which underwent conservation treatment, and a display of materials such as a box of vine charcoal owned by Sargent. The exhibition also features videos of the curators experimenting with historical techniques, like erasing with bread, and includes a hands-on drawing area styled after a 19th-century academic studio.

Camille Pissarro show at Denver Art Museum is both ambitious and exhaustive

The Denver Art Museum has opened "The Honest Eye: Camille Pissarro’s Impressionism," a comprehensive retrospective of the Impressionist painter featuring over 100 works from nearly 50 international museums and private collections. Co-organized with the Museum Barberini in Potsdam, Germany, the exhibition is the first major U.S. museum survey of Pissarro in 30 years, curated by Clarisse Fava-Piz, Claire Durand-Ruel, and Nerina Santorius.

Art Review | Impressionist Field Day

The Santa Barbara Museum of Art (SBMA) is hosting a major traveling exhibition, "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art," alongside its own companion show, "Encore: 19th-Century Art from the Santa Barbara Museum of Art." The exhibition features works by Monet, Matisse, Pissarro, Berthe Morisot, and others, including rare pieces from SBMA's permanent collection such as Monet's "Villas in Bordighera." The show marks the 150th anniversary of the first Impressionist exhibition and includes related movements like Post-Impressionism, Pointillism, and Fauvism.

Arts Playlist: Delaware Art Museum's 'Imprinted: Illustrating Race'

The Delaware Art Museum has opened 'Imprinted: Illustrating Race,' an exhibition co-curated by University of Delaware professor Robyn Phillips-Pendleton that examines how race and identity have been depicted in popular illustration over more than a century. The show, which previously ran at the Norman Rockwell Museum, features works from books, magazines, advertising, trade cards, posters, and even a cookie jar, tracing the evolution of racial representation in American visual culture. It includes a notable shift by Norman Rockwell, who after decades of depicting predominantly white family scenes for the Saturday Evening Post, turned to socially relevant topics like civil rights in the 1950s.

A rare jewellery box identified in Vermeer paintings sheds new light on the artist’s connections

New research by curator Alexandra van Dongen of Rotterdam’s Boijmans Van Beuningen Museum reveals that a rare Indo-Portuguese jewellery casket depicted in two Johannes Vermeer paintings—Mistress and Maid and A Lady Writing (both 1664-67)—is a real, surviving object. Van Dongen tracked down the sole known example in the Távora Sequeira Pinto collection in Porto, with help from Amsterdam dealer Dickie Zebregs. Her findings, published in the book De tastbare wereld van Johannes Vermeer, suggest the casket likely belonged to Vermeer’s patron Maria de Knuijt, a wealthy Dutch East India Company shareholder who may have asked the artist to include it in her paintings.

Extravagant Munich museum dedicated to Symbolist Franz von Stuck to reopen after €13.5m renovation

Munich's Museum Villa Stuck, the former home of Symbolist artist Franz von Stuck, reopens on 18 October after a €13.5m renovation. The project upgraded infrastructure, restored the facade, and renewed historical rooms, including music and reception salons with restored Pompeii-inspired wall paintings and new silk curtains. The museum's display of Stuck's paintings has been reconfigured, with fresh exhibits such as a recently donated work, and the total number of Stuck paintings on view has increased. The reopening coincides with a contemporary art exhibition, 'A Song of Ascents,' featuring Manchester-based artist Louise Giovanelli.

Gwen John: Strange Beauties

The article announces 'Gwen John: Strange Beauties,' a major exhibition running from July 30 to November 28, 2027, that brings together the artist's celebrated oil paintings with rarely seen drawings and watercolors. Spanning her early student days to her immersion in French modernism, the show is the most comprehensive survey dedicated to Gwen John in over 40 years, organized by Amgueddfa Cymru in partnership with National Galleries of Scotland, the Yale Center for British Art, and the National Museum of Women in the Arts.

Introducing Erich Heckel, the unsung driving force of Die Brücke

The Neue Galerie in New York is opening the first US museum exhibition dedicated to German Expressionist artist Erich Heckel (1883-1970), running from October 9, 2025 to January 12, 2026. Heckel was a co-founder of the influential group Die Brücke in 1905, alongside Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, and Fritz Bleyl. Unlike the more flamboyant Kirchner, Heckel was introverted and avoided scandal, but he served as the group's organizational driving force, organizing key exhibitions and transforming Die Brücke into a promotional platform. The show features around 40 works from 1905 to 1920, including loans from the Harvard Art Museums and the Metropolitan Museum of Art.

In a new biography, Vanessa Bell is cast as the Bloomsbury Group's leading light—and as central to 20th-century visual culture

Wendy Hitchmough’s new biography, *Vanessa Bell: The Life and Art of a Bloomsbury Radical*, argues that Vanessa Bell (1879–1961) was a central figure in 20th-century visual culture, both as an artist and designer. The book details how Bell navigated sexism through collaboration and anonymity, with works like *Dancing Couple* only attributed to her in 1999. Hitchmough, a former curator of Charleston, presents Bell’s life with a matter-of-fact tone, weaving in the complex personal and professional entanglements of the Bloomsbury Group, including her relationships with Clive Bell, Roger Fry, and Molly MacCarthy.

11 must-see works in MAM's new Bradley Collection exhibition

The Milwaukee Art Museum (MAM) has opened a new exhibition titled "The Bradley Collection of Modern Art: A Bold Vision for Milwaukee" in the Baker/Rowland Galleries, celebrating the 50th anniversary of Peg Bradley's donation of nearly 400 works to the museum. The show features highlights from the collection, including pieces by Wassily Kandinsky, Raoul Dufy, and Ernst Ludwig Kirchner, alongside works by American artists like Georgia O'Keeffe and Andy Warhol. The exhibition offers visitors a chance to see these works in a new setting and learn more about Bradley as a collector and philanthropist.

Princeton University Art Museum Announces Inaugural Exhibitions in New Building

Princeton University Art Museum will open its new building on October 31, 2025, with two inaugural exhibitions: *Princeton Collects* and *Toshiko Takaezu: Dialogues in Clay*. *Princeton Collects*, curated by director James Steward and the museum’s curatorial team, features approximately 150 works donated during a “campaign for art” that began in 2021, including pieces by Sean Scully, Willem de Kooning, Joan Mitchell, and Zanele Muholi. *Toshiko Takaezu: Dialogues in Clay* highlights the pioneering ceramic artist and longtime Princeton professor, showcasing her “closed forms” alongside works by her teachers and contemporaries.

Marina Abramović to have historic solo exhibition at Venice’s Galleria dell’Accademia in 2026

Marina Abramović will have a historic solo exhibition at Venice’s Galleria dell’Accademia in May 2026, during the art biennale. Titled "Transforming Energy," the show first debuted at the Modern Art Museum (MAM) Shanghai in 2024 and is inspired by her 1988 walk across the Great Wall of China with former partner Ulay. Abramović becomes the first living female artist to exhibit solo at the Accademia in its 250-year history, following her 2023 milestone as the first woman with a solo show at London’s Royal Academy of Arts and her 1997 Golden Lion win at the Venice Biennale. Curated by MAM artistic director Shai Baitel in collaboration with the artist, the exhibition will feature historic performances such as Rhythm 0 (1974) and Imponderabilia (1997), alongside newer works incorporating precious stones and a photograph of Pietà (with Ulay) (1983) displayed alongside Titian’s Pietà.

Picasso painting not seen in 80 years heads to auction in France

A Picasso painting unseen for over 80 years, *Buste de femme au chapeau à fleurs (Dora Maar)* (1943), will be auctioned at the Drouot salesroom in Paris on 24 October by Lucien Paris auction house. The work, depicting the artist's lover and muse Dora Maar, has been held in a private French collection since 1944 and carries an estimate of €8 million. The auction catalogue includes an authentication certificate from the Comité Picasso and notes the painting was documented in *Cahiers d’art* and photographed by Brassaï.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

Amy Sherald's canceled Smithsonian art show comes to Baltimore

Artist Amy Sherald has canceled her scheduled exhibition at the Smithsonian's National Portrait Gallery in Washington, D.C., due to censorship concerns over her painting "Trans Forming Liberty," which depicts the Statue of Liberty as a Black trans woman. The exhibition, titled "Amy Sherald: American Sublime," will instead travel to the Baltimore Museum of Art (BMA), where it will run from November 2, 2025, to April 5, 2026. Sherald will also receive one of the museum's "Artist Who Inspires" awards at its 2025 BMA Ball on November 22. The show is a mid-career survey of Sherald's work, previously shown at the San Francisco Museum of Modern Art and the Whitney Museum of American Art.

A former director at Lower Manhattan galleries goes it alone Uptown

Christiana Ine-Kimba Boyle, a former director at Lehmann Maupin, Canada, and Pace, has launched Gladwell Projects, a nomadic gallery with a staff of one. The gallery's second show, "The Spirituality of Color," opens October 3 in a Harlem townhouse, featuring works by Sam Gillam, Kylie Manning, and others. Its first show, "The Metroplex," was held in collector Christie Williams's Dallas home during the Dallas Art Fair, resulting in acquisitions by the Dallas Art Museum. Ine-Kimba Boyle aims to present blue-chip rigor at a smaller, community-focused scale, part of a "Domestic Interventions" series in private homes.

Meet Elizabeth Catlett in 11 Facts

Elizabeth Catlett (1915–2012) was a sculptor, printmaker, feminist, and social activist whose art was inseparable from her life and politics. Born in Washington, DC, to parents who worked in education, she faced racial discrimination early on—denied a scholarship to the Carnegie Institute of Technology and paid less than white colleagues as a teacher. She became the first Black woman to earn an MFA from the University of Iowa, studying under Grant Wood, and later taught at the George Washington Carver School in Harlem, where she connected with Harlem Renaissance figures. Catlett moved to Mexico, married artist Francisco Mora, and created woodblock and linocut prints for 20 years. She was investigated by the House Un-American Activities Committee, declared an "undesirable alien," and became a Mexican citizen in 1962. Her work centered on Black and Mexican women, and she famously stated, "We have to create an art for liberation and for life."

Australian Aboriginal artist Emily Kame Kngwarreye exhibition at Tate Modern

The Tate Modern in London is hosting a landmark retrospective of Australian Aboriginal artist Emily Kame Kngwarreye (c. 1914–1996), running from July 10 to January 11, 2026. The exhibition features 70 works spanning her career, from early batik designs to her final acrylic paintings, and is organized in collaboration with the National Gallery of Australia, the Utopia Art Centre, and Kngwarreye's descendants. It is the first major solo exhibition of her work in Europe, highlighting her deep connection to her ancestral country and culture.

Museums in New York and Los Angeles receive collection of 63 Modern works

The Henry and Rose Pearlman Foundation has announced the distribution of its 63-work collection of Impressionist, Post-Impressionist, and modern art among three major US museums: the Brooklyn Museum (29 works), the Los Angeles County Museum of Art (LACMA, 6 works), and the Museum of Modern Art (MoMA, 28 works). The collection includes pieces by Chaïm Soutine, Edgar Degas, Amedeo Modigliani, Vincent van Gogh, Édouard Manet, and Paul Cézanne. The foundation, established in the 1950s by Brooklyn-born businessman Henry Pearlman and his wife Rose, had long-term loans to the Princeton University Art Museum and organized traveling exhibitions before deciding to permanently place the remaining works.

Artist Amy Sherald has canceled her upcoming show at the Smithsonian

Artist Amy Sherald has canceled her upcoming solo exhibition at the Smithsonian's National Portrait Gallery, scheduled to open September 19. The cancellation stems from a dispute over her painting *Trans Forming Liberty* (2024), which depicts a trans woman with pink hair and a blue gown holding a torch. Sherald stated that the museum expressed concerns about including the portrait, leading to discussions about removing it. She claims the Smithsonian planned to replace the painting with a video of people reacting to it, which she opposed as it would debate the value of trans visibility. The Smithsonian denies the painting was to be replaced, saying the video was meant to provide context. Sherald's exhibition, *Amy Sherald: American Sublime*, was organized by SFMOMA and is currently on view at the Whitney Museum.

Pablo Picasso: Private Creative Realms Revealed in Dublin Exhibition

The National Gallery of Ireland presents 'Picasso: From the Studio', an exhibition opening 11 October 2025 that explores Pablo Picasso's private creative spaces across his career. Featuring sixty works, including paintings, sculptures, and ceramics, the show reconstructs the artist's studios from Montmartre's Le Bateau-Lavoir to the Mougins farmhouse, using archival photographs as ghostly backdrops. Key pieces like 'Violin and Bottle on a Table' (1915) and 'Tête de femme' (1931-32) reveal how specific environments—a cramped Parisian garret, a sun-drenched villa in Avignon, a Normandy stable—shaped his stylistic reinventions from Analytic Cubism to postwar ceramics.

‘Why don’t you talk about the hostages?’: Nan Goldin interrupted by protester during Gaza-focused speech at Rencontres d’Arles

American photographer Nan Goldin was confronted by a protester during her acceptance of the 2025 Women In Motion Award at the Rencontres d'Arles photography festival. Goldin used the occasion to speak about the humanitarian crisis in Gaza, describing the conflict as "the first live-streamed genocide" and projecting images of Gaza before and after the Israeli military campaign. A woman in the audience repeatedly shouted, "Why don't you talk about the hostages?" while other audience members chanted "Free Palestine." Goldin responded by acknowledging the 7 October attacks but emphasizing the scale of Palestinian casualties. She also accused the Israeli government of conflating anti-Zionism with antisemitism and of putting drugs in flour delivered to Gaza, a claim not independently verified.

Skeletons, Tears and Lobsters: Schiaparelli Exhibition to Open in 2026

The Victoria & Albert Museum in London will host "Schiaparelli: Fashion Becomes Art" at the Sainsbury Gallery from March 21 to November 1, 2026. The exhibition traces the legacy of founder Elsa Schiaparelli from the 1920s to the present, under current owner Diego Della Valle and creative director Daniel Roseberry. It will feature over 200 objects spanning Paris, London, and New York, including garments, accessories, jewelry, paintings, photographs, and archive material. Highlights include the Skeleton dress (1938) and the Tears dress (1938), created in collaboration with Salvador Dalí. The show also explores Schiaparelli's relationships with clients like Wallis Simpson and artists such as Pablo Picasso, Jean Cocteau, and Man Ray.

football city, art united transforms manchester's aviva studios into a pitch for creativity

Manchester International Festival 2025 presents "Football City, Art United" at Aviva Studios, a group exhibition co-curated by former footballer Juan Mata, curator Hans Ulrich Obrist, and Josh Willdigg. The show pairs eleven international footballers with artists across media—including Ryan Gander with Eric Cantona, Keiken with Ella Toone, and Suzanne Lacy with Vivianne Miedema and Ali Riley—to explore intersections of sport and contemporary art. Works range from a holographic tribute to Diego Maradona by Jill Mulleady to an interactive installation by Stefano Boeri Architetti with Sandro Mazzola. The exhibition runs through August 24, 2025.

New world record for Canaletto as view of Venice sells for £31.9m

A Canaletto painting, *Venice, the Return of the Bucintoro on Ascension Day* (circa 1732), sold for £27.5 million (£31.9 million with fees) at Christie’s in London on July 1, setting a new auction record for the artist. The work, once owned by Britain’s first prime minister Robert Walpole, exceeded its $20 million estimate and was purchased by an anonymous phone bidder. The sale drew five bidders from Asia, Europe, and North America, and the painting was backed by a third-party guarantor.