Florian Krewer

German artist Florian Krewer, known for dreamlike paintings that blend memory and fantasy, has opened a solo exhibition titled 'Cruel The Night Café' at a former London pub, the Blue Lion on Gray's Inn Road. The show features new works and works on paper inspired by New York's evening hours. The pub was recently purchased by The Perimeter, a neighboring foundation, and will be redeveloped into an adjoining exhibition space. The article also includes a studio visit interview where Krewer discusses his South Bronx workspace, his solo practice, and his unusual Primer brush tool.

5 Artists on Our Radar in December 2025

Artsy's December 2025 edition of "Artists on Our Radar" highlights five emerging visual artists who have gained attention through new gallery representation, exhibitions, auctions, or art fairs. Featured artists include British painter Imogen Allen, known for gauzy, nature-inspired works with a Gerhard Richter-like blur effect; Brazilian painter Elian Almeida, who reimagines marginalized figures in Brazilian visual culture through vibrant, narrative paintings; and nomadic American artist ektor garcia, who works with unconventional materials like wire, clay, and leather. The article details their recent exhibitions, gallery affiliations, and career milestones.

The best art books of 2025, as picked by The Art Newspaper’s editors

The Art Newspaper’s editors have selected their top art books of 2025, featuring a diverse range of titles. Highlights include "Kerry James Marshall: The Histories," a catalogue from the Royal Academy of Arts exhibition surveying the American artist’s large-scale history paintings centered on Black figures; "Minimal, edited by Jessica Morgan," which reassesses overlooked Minimalist artists; and "Lee Miller," the Tate Britain exhibition catalogue exploring the photographer’s multifaceted career. Other notable picks include monographs on Celia Paul, Shahzia Sikander, and Edward Gorey, as well as a comprehensive overview of Middle Eastern art from 1900 to now.

The art world's most infamous toilet is heading to New York auction for US$10m – and the starting bid moves with gold

Maurizio Cattelan's solid-gold toilet sculpture, *America* (2016), will be auctioned at Sotheby's New York on 18 November 2025 as part of the Now & Contemporary Evening Auction. The work, weighing 223 pounds of 18-karat gold, has a raw material value of around US$10.2 million based on current gold prices. In a first for auction history, the starting bid will fluctuate with live gold prices until bidding begins. The sculpture was previously installed at the Guggenheim Museum, where over 100,000 visitors used it, and later made headlines when the Guggenheim offered it to the Trump White House as a loan alternative to a Van Gogh painting. One edition was stolen and never recovered, making this the only surviving example.

Walk the auction: your guide to Christie’s 20th and 21st Century Art sales in NY this November

Christie’s is holding its 20th and 21st Century Art auctions in New York this November, featuring masterpieces by David Hockney, Mark Rothko, Pablo Picasso, Lucian Freud, and Richard Diebenkorn. The sales include works from distinguished private collections such as The Collection of Robert F. and Patricia G. Ross Weis, Elaine: The Collection of Elaine Wynn, the Edlis | Neeson Collection, and the Arnold and Joan Saltzman Collection. A free public exhibition runs from 7–20 November at Christie’s Rockefeller Center galleries, with live auctions on 18 and 20 November, including an Impressionist & Modern Works on Paper Sale and a Post-War & Contemporary Art Day Sale. Highlights include Edgar Degas’ pastel *Danseuses sur la scène* (c. 1879), a Joan Miró from 1942, and a Frida Kahlo painting with a storied exhibition history.

Kerry James Marshall offers a fresh lesson in art history at his London retrospective

Kerry James Marshall's retrospective 'The Histories' opens at the Royal Academy of Arts in London, featuring over 80 works spanning his career. The exhibition, co-curated by Mark Godfrey and Adrian Locke, includes early pieces like 'A Portrait of the Artist as a Shadow of His Former Self' (1980) and recent paintings exploring African history and the transatlantic slave trade. After London, the show travels to Kunsthaus Zürich and the Musée d'Art Moderne in Paris, timed to Marshall's 70th birthday.

Adam Dressner’s Portraits Are for the People

Adam Dressner, a self-taught former corporate lawyer, opened his debut solo gallery exhibition "Hello Stranger 2" at 1969 Gallery in Tribeca. The show features large-scale oil paintings and a salon wall of 60 small acrylic portraits, many painted live in public spaces like Washington Square Park and Grand Central Terminal. Subjects range from celebrities like Joyce Carol Oates and Anna Delvey to everyday New Yorkers such as a neighborhood waiter and a 90-year-old park acquaintance. Dressner painted 18 works on-site in the days before the opening, continuing his practice of wheeling an "art cart" of supplies to make expressive plein-air portraits.

Serpentine Galleries announces its first-ever Hockney exhibition

Serpentine Galleries has announced its first-ever exhibition dedicated to David Hockney, set to open at Serpentine North from 12 March to 23 August 2026. The show will feature the monumental 90-metre-long frieze *A Year in Normandy* (2020-21), inspired by the Bayeux Tapestry and depicting seasonal changes at the artist’s former Normandy studio, alongside iPad images created during the pandemic, the *Moon Room* series, and digital paintings from his *Sunrise* body of work. Separately, Annely Juda Fine Art will inaugurate its new London gallery in Hanover Square with a Hockney exhibition opening 7 November, showcasing recent paintings exploring reverse perspective.

55 years. Berggruen Gallery

Berggruen Gallery in San Francisco announces its 55th Anniversary Exhibition, a group show running from June 26 to August 14, 2025. The exhibition features paintings, works on paper, sculpture, film, and archival ephemera from the SFMOMA Library and SFAI archive, showcasing museum-quality works by contemporary and historical artists. Many pieces are on loan from private collections and rarely exhibited publicly. The gallery, founded by John Berggruen in 1970 on Grant Avenue, quickly became a nationally recognized force in shaping the West Coast art scene, bridging New York and international artists with local collectors.

6 Shows Celebrating Asian American Artists This AAPI Heritage Month

Artsy Editorial highlights six exhibitions across the U.S. celebrating Asian American and Pacific Islander artists during AAPI Heritage Month 2025. Featured shows include "Painting As Method" at Alisan Fine Arts, presenting works by Mimi Chen Ting, Yifan Jiang, and Kelly Wang; Ellie Kayu Ng's "Bloom!" at LATITUDE Gallery New York; and Yunfei Ren's "Latitude Unknown" at Jonathan Carver Moore in San Francisco. The article also notes Art for Change's monthlong print spotlight and describes the diverse media and themes—from hyperreal fashion-inspired paintings to ceramic sculptures and abstract landscapes—that reveal the breadth of contemporary AAPI art.

Can a Play Capture an Artist as Enigmatic as Henry Darger?

Can a Play Capture an Artist as Enigmatic as Henry Darger?

A new play, *Bughouse*, is attempting to portray the life of reclusive artist Henry Darger on stage at New York's Vineyard Theater. The one-man show, starring John Kelly, draws from Darger's own lengthy autobiography to depict his traumatic childhood, institutionalization, and decades of solitary life in Chicago, where he secretly created his vast, fantastical artwork and writings.

Richard Lewer Wins 2026 Archibald Prize

The Art Gallery of New South Wales (AGNSW) named Richard Lewer the winner of the 2026 Archibald Prize on May 8. Lewer, a New Zealand-born, Melbourne-based artist and six-time finalist, won the AU$100,000 prize for his life-size portrait of Pitjantjatjara elder, senior artist, and traditional healer Iluwanti Ken. The jury of AGNSW trustees selected the work unanimously from 59 finalists culled from 1,034 entries. Additional prizes were awarded: Gaypalani Waṉambi won the Wynne Prize for The Waṉambi tree, Lucy Culliton won the Sulman Prize for Toolah, artist model, and Sean Layh won the Packing Room Prize for his portrait of actor Jacob Collins.

As Her Venice Biennale Opens, Koyo Kouoh Foundation Launches in Memory of Late Curator

The Koyo Kouoh Foundation has launched in Basel, Switzerland, coinciding with the opening of the 2026 Venice Biennale, which features the late curator Koyo Kouoh's main exhibition "In Minor Keys." The foundation aims to continue Kouoh's work supporting contemporary African cultural production globally, including plans for the Koyo Kouoh Prize and a permanent home for the Koyo Kouoh Collection. It is led by her partner, saxophonist Philippe Mall, and includes board members such as artist Alfredo Jaar, curator Adrienne Edwards, and former Kunstmuseum Basel director Josef Helfenstein.

Claude Monet’s Market Triumph: 12 Record‑Smashing Paintings That Define an Era

Claude Monet's market dominance is analyzed through twelve record-breaking paintings sold at auction over the past decade, led by *Meules (Haystacks)* (1890), which achieved $110.7 million at Sotheby's New York in 2019—a record for any Impressionist work. The article highlights key sales including *Le Bassin aux Nymphéas* (1919) at $80.45 million, *Nymphéas* (1906) at $54 million, and *Le Pont du chemin de fer à Argenteuil* (1873–74) at $41.4 million, tracing how Monet's serene yet radical landscapes have consistently commanded top prices across Christie's and Sotheby's.

Botticelli Painting Banned from Export Will Stay in the UK

A Botticelli painting, *The Virgin and Child Enthroned* (1470s), previously placed under an export ban to keep it in the UK, has been acquired by the Klesch Collection. The work, valued at £10.2 million, will remain in England through a three-year loan to the Ashmolean Museum at the University of Oxford. The painting was bought in 1904 by Harriet Sarah Jones Loyd (Lady Wantage) from Italian dealer Elia Volpi, who had acquired it from the Magherini Graziani family.

Advocates Try to Save Brutalist Fountain in San Francisco, José Aparicio Painting Returns to Prado Museum: Morning Links for April 30, 2026

This ARTnews Morning Links roundup covers multiple art-world stories from April 30, 2026. A new Banksy sculpture appeared in London's Waterloo Place, depicting a suited man marching off a plinth with a flag covering his face, though Banksy had not confirmed the work. Italian Culture Minister Alessandro Giuli ordered inspectors to the Venice Biennale headquarters amid intensifying scrutiny over Russia's participation, following internal emails suggesting sanctions were circumvented. Obituaries note the deaths of German 'total artist' Timm Ulrichs at 86 and Japanese sculptor Shigeo Toya at 78. A José Aparicio painting, 'The Year of the Famine in Madrid' (1818), returned to the Prado Museum after 150 years. In San Francisco, a group called Friends of the Plaza filed an appeal to block dismantling of the Vaillancourt Fountain. A feature in Cultured Magazine explores Bucharest's ambitions as a global arts hub through the Romanian Art Dealers fair.

An Inside Look at Realizing Koyo Kouoh’s Venice Biennale Exhibition and More: Morning Links for April 29, 2026

The article reports on the 2026 Venice Biennale proceeding without its curator Koyo Kouoh, who died last May from liver cancer. Her husband Philippe Mall and son Djibril Schmed agreed with Biennale president Pietrangelo Buttafuoco to continue the exhibition, which opens to the public on May 9. Elsewhere, a Chicago judge sentenced Robert Dunlap to 23 years for a cryptocurrency scam claiming to be backed by artworks by Picasso, Dalí, and van Gogh. A Renoir painting once owned by the Duchess of Alba is returning to Spain, and a robot docent named R1 debuted at Palazzo Madama in Turin.

$60 M. Lichtenstein Comes to the Block at Christie’s, Potentially Joining His Priciest Works at Auction

Christie’s will offer Roy Lichtenstein’s 1964 painting *Anxious Girl* from the collection of legendary New York collector-dealer Holly Solomon and her husband Horace, with an estimate of $40–60 million. If it reaches its high estimate, it will become the artist’s second-priciest work at auction, trailing only *Nurse* (1964), which sold for $95.4 million in 2015. The work leads Christie’s 20th-century evening sale on May 18, amid a flurry of high-value consignments as both Christie’s and Sotheby’s aim to sustain momentum after posting improved 2025 results.

Edvard Munch Paintings for a Chocolate Factory Go on View in Norway

The Munch Museum in Oslo will open an exhibition titled “Edvard Munch and the Chocolate Factory” in May, featuring a series of large-scale paintings by Edvard Munch created in 1923 for the canteen of the Freia chocolate factory. Known as the Freia Frieze, these works depict summer life in a Norwegian coastal town and have never before been shown to the public outside the factory. The exhibition runs from May 21 to November 10 and includes related sketches from the museum’s collection.

Christie’s to Offer $35 M. Renoir Painting Owned by Whitney Family For Nearly a Century

Christie's will auction Pierre-Auguste Renoir's 1876-77 painting 'La femme aux lilas (Portrait de Nini Lopez)' in its 20th Century Evening Sale on May 18, with an estimate of $25 million to $35 million. The work has been owned by the Whitney Payson family since 1929 and is being sold from the collection of the late Lorinda Payson de Roulet, daughter of the original buyers, Joan Whitney Payson and Charles Payson.

AI Model Reveals New Information About Authorship of 17th-Century El Greco Altarpiece

A team of scientists from Case Western Reserve University has developed a new AI model named PATCH that analyzes tiny sections of paintings to identify the number of artists involved in their creation. The model was applied to two works by El Greco, suggesting that 'The Baptism of Christ,' long thought to be a collaborative workshop piece, may have been painted primarily by the master himself.

The Pet Food Store Owner Behind the Venice Biennale’s US Pavilion, 400-Year-Old Pendant in English Painting Resurfaces, and More: Morning Links for April 20, 2026

The New York Times profiled Jenni Parido, the 37-year-old commissioner of the upcoming US Pavilion at the Venice Biennale, who has no professional arts background and previously ran a luxury pet food store in Florida. She selected Jeffrey Uslip as curator, and artist Alma Allen will represent the US after other artists reportedly declined.

Jennifer Gilbert Consigns Blue-Chip Works to Sotheby’s to Fund Detroit Arts Space

Philanthropist Jennifer Gilbert is consigning a selection of blue-chip postwar artworks to Sotheby’s this spring to fund Lumana, a new arts nonprofit in Detroit. The auction highlights include Joan Mitchell’s 'Loom II', estimated at $5 million to $7 million, and a significant target-style painting by Kenneth Noland that could set a new auction record for the artist. The collection also features works by George Rickey and Harry Bertoia, emphasizing a cohesive blend of midcentury abstraction and design.

Lorna Simpson’s David Adjaye–Designed Brooklyn Home and Studio Remains On the Market—At a Much-Reduced Price

Artist Lorna Simpson has significantly reduced the asking price for her Brooklyn home and studio, located at 208 Vanderbilt Avenue in Fort Greene. Originally listed for $6.5 million in August 2025, the 3,300-square-foot townhouse is now priced at $5 million following months on the market. The property, which features a double-height great room and floor-to-ceiling windows, was custom-built in 2006 for Simpson and her then-husband, artist James Casebere.

Spain’s Culture Minister Rejects Guernica Transfer, but Basque Leaders Refuse to Take No for an Answer

Spain’s Culture Minister, Ernest Urtasun, has officially rejected a request from the Basque regional government to temporarily transfer Pablo Picasso’s iconic painting, Guernica, to the Guggenheim Museum Bilbao. Citing conservation reports from the Museo Reina Sofía, Urtasun argued that the 1937 masterpiece is too fragile to travel and that his primary duty is to preserve the work for future generations. Basque leaders, led by Lehendakari Imanol Pradales and Senator Igotz López, have challenged this decision, calling for an independent feasibility study and appealing directly to Prime Minister Pedro Sánchez.

Why Filmmaker Ming Wong Is the Ultimate Shape-Shifter

Berlin-based Singaporean artist Ming Wong premiered a new film, *Dance of the Sun on the Water | Saltatio Solis in Aqua*, at London's National Gallery. The work, created during a residency, reimagines Saint Sebastian as a queer, shape-shifting figure, with Asian performers of multiple genders enacting the martyrdom amidst the museum's collection of historical paintings of the saint.

Manitoba Anishinaabe Artist Designs Moon Patch; Uffizi Targeted by Cyberattack

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Anishinaabe artist Henry Guimond has designed a mission patch for Canadian astronaut Jeremy Hansen to wear during the Artemis II lunar mission. The artwork features seven symbolic animals representing the Seven Sacred Laws of Anishinaabe custom, intended as a universal message for humanity that will literally travel beyond Earth's orbit.

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The Cleveland Museum of Art is hosting "Manet & Morisot," an exhibition that explores the deep artistic and personal relationship between Edouard Manet and Berthe Morisot. Moving beyond traditional narratives that cast Morisot as a secondary figure or mere muse, the show highlights her role as a peer who actively influenced Manet’s transition toward modernism. The exhibition features key works such as Morisot’s "View of Paris from the Trocadero" and Manet’s "The Railway," emphasizing their shared motifs and collaborative vision.

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The Penn Museum at the University of Pennsylvania is courting controversy by consigning a major 1891 painting by Ottoman artist Osman Hamdi Bey, titled "At the Mosque Door," to Bonhams London with an estimate of $2.7–$4 million. Although the museum purchased the work directly from the artist in 1895, it was never formally accessioned into the collection, allowing the institution to bypass strict industry regulations that typically prohibit using art sale proceeds for anything other than new acquisitions or collection care. The museum intends to use the funds to establish a permanent endowment for the long-term maintenance of its vast archaeological holdings.

Raphael Met Museum Retrospective Review

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The Metropolitan Museum of Art has launched "Raphael: Sublime Poetry," the first major retrospective of the Renaissance master ever staged in the United States. Curated by Carmen C. Bambach, the exhibition features 237 works, including rare loans of drawings and monumental tapestries that have not left Madrid since the 16th century. While some of his most famous paintings remain in Europe, the show provides an exhaustive look at the artist's development from a teenage prodigy to a papal favorite.