ARTIUM RECOVERS THE SILENCED DISSIDENCE OF JUANA CIMA

Artium museum in Vitoria, Spain, has opened a retrospective exhibition titled "Juana Cima: Una mirada disidente" dedicated to Cuban-born artist Juana Fernández Cima (b. 1951). The show traces her career from the late 1970s through the 1990s, highlighting her pioneering work on identity, gender, and ecology, which was progressively marginalized from the dominant artistic narrative. The exhibition is organized around five conceptual territories—Bilbao, mythical ecofeminist landscapes, insular identity, spirituality via India and Buddhism, and mountain retreat—and runs until August 30, 2026.

CAB EXPLORES LANDSCAPE AS LIVING MEMORY IN MATIAS ERCOLE S WORK

The CAB / Centro de Arte Caja de Burgos in Spain has opened "Me olvidé de mis ojos" (I Forgot My Eyes), an exhibition by Argentine artist Matías Ercole. The show explores landscape as a living memory, blending Latin American and European visual traditions through the artist's signature sgraffito technique, which reveals hidden layers of light and color. The works are arranged as architectural elements, guiding viewers through a reflective journey on identity, memory, and cultural construction.

Robert Zhao Renhui: After Control @ Kyoto City University of Arts Gallery @KCUA

ロバート・ザオ・レンフイ「アフター・コントロール」@ 京都市立芸術大学ギャラリー@KCUA

The Kyoto City University of Arts Gallery @KCUA is hosting a solo exhibition by Singaporean artist Robert Zhao Renhui titled "After Control" (アフター・コントロール), running from May 16 to July 12, 2026. The exhibition presents works from Zhao's long-term projects on Christmas Island, Singapore, Tokyo, Hampi (India), and Phuket (Thailand), exploring environments shaped by human intervention and the complex interplay between nature and artificiality. Zhao, known for his participation in major international exhibitions including the Thailand Biennale Phuket 2025, the 60th Venice Biennale (2024), and the Gwangju Biennale (2023), uses photography, video, and installation to critically examine how ecosystems transform under human control.

David Sainsbury’s £90mn gift heralds a boom in museum mega-donations

David Sainsbury, the supermarket heir and philanthropist, has donated £90 million to fund the renewal of the Sainsbury Centre in Norwich. This gift is the latest in a series of substantial donations to UK museums, signaling a surge in mega-donations from wealthy individuals supporting cultural institutions.

Taiwanese artist Wu Chia Yun on home and homeland

Taiwanese artist Wu Chia Yun discusses her work and the themes of home and homeland in an interview with the Financial Times. She reflects on how family and nation have become inescapable questions in her life, shaping her artistic practice.

A morning with Shoair Mavlian, director of The Photographers’ Gallery

Shoair Mavlian, director of The Photographers’ Gallery in London, is the subject of a profile that follows her through a typical morning, discussing her leadership strategies amid challenges facing the arts sector. The article explores how she navigates pressures from AI-generated imagery, government funding cuts, and cultural backlash against progressive initiatives, while maintaining the gallery's relevance and financial stability.

A feminist history of collage

The article explores a feminist history of collage, highlighting how women artists have used the medium to challenge traditional representations of womanhood. It examines works where striking juxtapositions call attention to the tensions and conflicts inherent in female identity, from domestic life to societal expectations.