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rafik greisss photo paris new talent

Dublin-born Egyptian artist Rafik Greiss discusses his practice and recent work in an interview conducted at a Paris café. Greiss, who recently presented a solo show titled “The Longest Sleep” at Galerie Balice Hertling in Paris, creates photographs and films that explore themes of loneliness, urban space, and religious experience. His 12-minute film *The Longest Sleep* (2024), shot in Cairo, depicts Sufi rituals and deserted fairgrounds, informed by neurotheology. Greiss prints his black-and-white photographs on thick Japanese paper, emphasizing the tactile signature of his lens-based work. He is currently considering exhibition invitations from institutions around the Mediterranean and plans to travel to Egypt to make new work.

lucia painted her own myth

The article profiles Lucia Wilcox, a nearly forgotten Surrealist painter born in 1899 who lived an extraordinary life—raised in Beirut, partying with Surrealists in Paris, fleeing to New York in 1938, and becoming a doyenne among expatriate artists in the Hamptons. She painted joyful, mythical women and was shown by major dealers Sidney Janis and Leo Castelli, but after her death in 1974 she faded into obscurity. Now, a tightly curated exhibition titled "Lucia Wilcox: LUCIA" at Berry Campbell in New York (through June 28) reintroduces her work, focusing on over 20 paintings from the 1940s, including the vibrant "Untitled (Jungle)" (1944).

londons art scene saturation point

London Gallery Weekend (LGW) returned for its fifth edition from June 6 to 8, 2025, drawing art enthusiasts across 126 participating spaces despite dark clouds and drizzle. The event showcased cutting-edge performances, digital experiments, and bold textile art, but faced challenges as several trendy younger galleries—including Union Pacific, Guts Gallery, The Sunday Painter, and Xxijra Hii—chose not to participate this year. The weekend also overlapped with the debut London edition of South by Southwest (SXSW), a tech and arts conference that brought 20,505 pass-holders from 77 countries, including King Charles III, and featured visual art offerings such as LDN LAB curated by Alex Poots. While SXSW included works by Andy Warhol and Beeple, coordination between the two events was minimal, though a hastily planned SXSW VIP gallery tour occurred before LGW officially began.

beijing china gallery weekend art season recap

Beijing concluded its inaugural "Beijing Art Season" from May 22 to June 1, comprising the long-running Gallery Weekend Beijing and two local art fairs, Beijing Dangdai and Art021 Beijing. The event took place shortly after a diplomatic breakthrough in U.S.–China tariff tensions, but amid China's economic slowdown, the atmosphere was subdued: the Visiting Sector for international galleries and the large-scale group show were scrapped, and satellite events were fewer. Despite this, collectors, curators, and institutional directors from Germany, the UK, Korea, and Japan attended, with some noting China's strategic importance due to its deep collector base. French billionaire Laurent Dassault reported better market sentiment in Beijing than in Europe, while Berlin galleries PSM and Galerie Thomas Schulte made their first appearances at Beijing Dangdai, collaborating with Hua International for a "Berlin Section." The fair grew from 32 galleries in 2018 to 87 this year, reflecting local collectors' appetite for international and experimental contemporary art.

auudi dorsey expo chicago

Expo Chicago opened on Thursday at Navy Pier Festival Hall, featuring 20 exhibitors from South Korea in partnership with the Galleries Association of Korea. The fair, acquired by Frieze in 2023 alongside the Armory Show, balances regional character with an increasingly international feel. In the 'Exposure' section spotlighting emerging artists, New York-based Palo Gallery devoted its booth to New Orleans artist Auudi Dorsey (b. 1992). By opening day, Dorsey's painting *Rumble* (2025), depicting a Black boxer, sold for $14,000. The work belongs to his 'Gunslinger' series, named after the Louisiana State Penitentiary's boxing team and inspired by boxer Clifford Etienne. Dorsey's booth, designed with wood-like wallpaper to evoke boxing gyms, drew praise. His recent group show at the San Francisco Museum of Modern Art, 'In The Game: Sports, Art, Culture,' and a forthcoming solo exhibition at Palo Gallery, 'Southern Whips' (opening May 15), underscore his rising profile.

The Netherlands is confronting its history of Nazi occupation – but many stolen objects remain unreturned

Arthur Brand, a Dutch art detective, was contacted by a man who discovered that his family descended from Hendrik Seyffardt, a high-ranking Nazi collaborator, and that a painting looted from Jewish art dealer Jacques Goudstikker remained in their possession. The painting, Toon Kelder's *Portrait of a Young Girl*, had hung in a relative's home near Utrecht for years. The family, who changed their name after WWII, handed the painting to Brand after the story broke in Dutch media, expressing shame and outrage over the silence surrounding their history.

Salon review – like getting to know fascinating guests at a fabulous party

The article reviews a salon-style exhibition curated by Matthew Higgs, director of New York's White Columns gallery, at an unnamed gallery space. The show features 43 paintings by a diverse group of artists including Denzil Forrester, Andrew Cranston, Kaye Donachie, Merlin James, Margot Bergman, Gillian Carnegie, Bill Lynch, and Adam Keay, arranged around mismatched chairs facing white windows painted on the walls. The reviewer describes moving through the space, engaging with individual works, and highlights the eclectic, unthemed curation that prioritizes personal taste and conversation over academic or political messaging.

LR Vandy’s Rope Sculptures Disentangle Histories of Colonialism and Transportation

London-based artist LR Vandy has opened her first solo museum exhibition, "Rise," at the Yorkshire Sculpture Park. The show features a series of sculptures crafted from nautical materials like Manila rope, ship's helms, and hull-shaped wooden forms, many of which were created in her studio at the Chatham Historic Dockyard. The works explore the complex intersections of maritime history, trade, and the labor systems that powered the Age of Discovery.

Artist Nathaniel Mary Quinn, admired by the Rolling Stones and Leonardo DiCaprio, returns with hometown show

Artist Nathaniel Mary Quinn, known for his distinctive collage-like composite portraits, is opening his first solo exhibition in his hometown of Chicago at the National Public Housing Museum. Titled "A Love Letter to My Mother," the show honors his late mother and includes a replica of his family's living room in the Robert Taylor Homes public housing project. Quinn, who is represented by Gagosian, has seen his work acquired by major institutions including the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Art Institute of Chicago. His art will also appear on the cover of the Rolling Stones' forthcoming album "Foreign Tongues."

Can Digital Art Ever Truly Replicate the Gallery Experience?

The article explores whether digital art platforms can replicate the experience of visiting a physical gallery. It acknowledges the impressive progress of virtual exhibitions—global accessibility, VR tours, AR overlays, and high-resolution zoom—and notes that 35% of UK adults digitally engaged with the arts in 2024/25, up from 27% in 2021/22. However, it argues that something essential is lost without physical presence: the tactile encounter with a painting's texture and scale, the serendipity of in-person discovery, and the spatial awe of standing before a Rothko in a white cube.

Inside New York’s Rogue Project Spaces

A digital cover story profiles New York City's rogue project spaces—artist-run venues like U-Haul Gallery, Desnivel, Spielzeug, Catbox Contemporary, and 95 Gallon Gallery—that operate in unconventional locations such as trash bins, moving trucks, bodegas, laundromats, buses, and cat towers. The article features interviews with founders including Maria De Victoria (Desnivel), James Sundquist and Jack Chase (U-Haul Gallery), and others, highlighting how these spaces counter the bureaucracy of institutional exhibitions by prioritizing artist freedom, intimacy, and community engagement.

RocioSantaCruz : Ouka Leele : Barcelona 1978-1980

RocioSantaCruz gallery in Barcelona presents the exhibition "Ouka Leele : Barcelona 1978-1980," showcasing previously unseen photographs and texts by the late Spanish photographer Ouka Leele (Bárbara Allende Gil de Biedma). The show focuses on her formative years in Barcelona from 1978 to 1980, including her seminal series "Peluquería" and other works from that period, drawn from over 600 negatives and contact sheets studied by her daughter María Rosenfeldt, head of the Ouka Leele archive. The exhibition also features unpublished poems and texts from the magazine Ajoblanco, highlighting the artist's deep connection to the Catalan capital.

The Artist Who Turned Kim Kardashian Into a Living Sculpture Has an Exhibition in Paris

The Sceners Gallery in Paris is hosting “Forms and Temptations,” an exhibition of works by British Pop Art pioneer Allen Jones, coinciding with Kim Kardashian wearing a Jones-inspired fiberglass breastplate at the 2026 Met Gala. The show features Jones’s eroticized female mannequins and sculptures, including “Red Refrigerator” and “Cover Story 4/4,” displayed alongside high-end decorative furniture from designers like Carlo Bugatti and Émile-Jacques Ruhlmann. Jones, now 88, collaborated with Kardashian on her Met Gala look, which re-edited a cast from 1967/68.

How Sweden Built One of Europe’s Most Stable Art Markets

The article examines Stockholm's art scene and its role in building one of Europe's most stable art markets. It highlights Market Art Fair, the city's main contemporary fair founded in 2006 by Nordic galleries, which has become the leading commercial art fair in the region and the anchor of Stockholm Art Week. The piece profiles several galleries, including Steinsland Berliner and ISSUES Gallery, and artists such as Linnéa Sjöberg and Arvida Björström, whose work explores identity, digital culture, and emotional labor. The scene is described as small but lively, with galleries collaborating closely and collectors showing patience.

The Art Diary May 2026 – Revd Jonathan Evens

The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.

Venice off the beaten track

The article highlights collateral exhibitions at the 2024 Venice Biennale that take place beyond the main venues of the Giardini and Arsenale, offering visitors unexpected discoveries in historic Venetian palazzos and warehouses. Featured shows include Hernan Bas's 'The Visitors' at Ca' Pesaro, exploring tourism's contradictions; 'Turandot: To the Daughters of the East' at Palazzo Franchetti, a group exhibition of women artists from Central Asia; and Amoako Boafo's first solo show in Italy at Palazzo Grimani, presented by Gagosian.

Ursula Launch: Celebrating Firelei Báez and Issue 16 with Casa Dragones

Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'

designboom's ultimate guide to the venice art biennale 2026

Designboom has published a comprehensive guide to the 2026 Venice Art Biennale, featuring a curated list of must-see exhibitions, installations, and events across the city. Highlights include Miet Warlop's "IT NEVER SSST," Michael Armitage's "The Promise of Change" at Palazzo Grassi, and DRIFT's "Shy Society" at Palazzo Strozzi, alongside works by Lotus L. Kang, Lida Abdul, and Kan Yasuda. The guide also points to collateral shows in Pietrasanta and Berlin, offering visitors a broad itinerary beyond the main Biennale venues.

Art Basel’s ‘Basel Exclusive’ Initiative Asks Galleries to Withhold at Least One Work from PDF Previews, and Other News.

Art Basel is launching a new initiative called "Basel Exclusive" for its June 2026 Switzerland fair, asking exhibitors to withhold at least one key work from pre-fair digital PDF previews to encourage in-person viewing. Around 170 of 232 exhibitors, including major galleries like Gagosian, Hauser & Wirth, Pace, and David Zwirner, have already adopted the program. Separately, Tate Britain announced the 2026 Turner Prize shortlist featuring artists Simeon Barclay, Tanoa Sasraku, Kira Freije, and Marguerite Humeau, with the exhibition opening at Middlesbrough Institute of Modern Art (MIMA) in September. The Museum of Sonoma County will also commemorate the 50th anniversary of Christo and Jeanne-Claude's land art installation "Running Fence" with a major exhibition opening June 27.

Forget Masterpieces—Show Me Everything

The Victoria & Albert Museum has launched the V&A Storehouse in East London, a massive open-storage facility housing over 250,000 objects, 1,000 archives, and a vast library. Designed by Diller Scofidio + Renfro in collaboration with Austin-Smith:Lord, the space eschews traditional curated narratives in favor of a dense, immersive environment where visitors navigate four stories of artifacts arranged by cataloging logic rather than art-historical themes.

Did Van Gogh’s Yellow House turn blue after his death?

New historical evidence suggests that Vincent van Gogh’s iconic 'Yellow House' in Arles underwent a dramatic color change before its destruction. While Van Gogh famously painted and cherished the building for its yellow facade in 1888, two recently highlighted paintings from the late 1930s by artists Willy Guggenheim (Varlin) and George Tomaziu depict the structure with a blue exterior. This discovery, brought to light by Ukrainian artist Yuri Pikul, indicates the building had been repainted while serving as a café-bar called the Civette Arlésienne.

5 Artists We Discovered at Felix Art Fair 2026

The eighth edition of the Felix Art Fair returned to the Hollywood Roosevelt Hotel in February 2026, featuring 57 galleries with a significant emphasis on Los Angeles-based talent. The fair maintained its signature intimate atmosphere, utilizing hotel rooms, cabanas, and the iconic David Hockney-designed pool area to showcase a diverse range of contemporary works. This year's iteration saw a high influx of new participants, with over 20 galleries making their debut at the event.

Why yellow was Van Gogh's favourite colour

The Van Gogh Museum in Amsterdam has launched a new exhibition titled "Yellow: Beyond Van Gogh’s Colour," running until May 17. The show explores Vincent van Gogh’s profound obsession with the color yellow, featuring eight of his works alongside pieces by contemporaries like Paul Gauguin and Aubrey Beardsley. It highlights Van Gogh's technical use of chrome yellow pigments to capture the "high yellow note" of the Provencal sun and the symbolic association of the color with modernity and life-giving energy.

Epstein files reveal Leon Black as a key collector of Van Gogh works

Newly released documents from the Jeffrey Epstein case reveal that billionaire investor and former Museum of Modern Art chairman Leon Black was a major private collector of works by Vincent van Gogh. The files detail his ownership of at least five significant Van Gogh pieces, including the painting 'Quarry near Saint-Rémy' and the drawing 'Garden with Flowers,' with a combined value exceeding $95 million by 2016.

Van Gogh’s ‘triple painting’ revealed by discoveries beneath the surface

Conservators at Rotterdam's Boijmans Van Beuningen Museum have discovered that Vincent van Gogh's painting *Poplars near Nuenen* (1885) conceals two earlier compositions: a moonlit view of a church tower and graveyard from July 1884, and a subsequent reworking in Paris in late 1886 that brightened the autumnal landscape. X-ray imaging revealed the original church scene, which Van Gogh painted over after his father's death. The final version, now restored after four years of conservation, goes on display on 7 February.

What’s on now at San Francisco museums, January 2026

A roundup of current and upcoming exhibitions at San Francisco museums in January 2026 highlights several shows closing soon, including "Manet and Morisot" at the Legion of Honor and "Suzanne Jackson: What is Love" at SFMOMA, both ending March 1. New exhibitions opening include "The art of Cece Carpio" at SOMArts on Jan. 30, and "Trina Michelle Robinson: Open Your Eyes to Water" at 500 Capp Street and Root Division in February. The de Young Museum features "Boom and Bust: Photographing Northern California" and artist Rose B. Simpson's show "LEXICON," part of the newly opened galleries dedicated to Arts of Indigenous America. The Museum of the African Diaspora presents "Unbound: Art, Blackness and the Universe" and "Continuum: MoAD Over Time," while the Asian Art Museum hosts "Jitish Kallat: Covering Letter (Terranum Nuncius)."

BMA sets attendance record with 'Amy Sherald: American Sublime' exhibition

The Baltimore Museum of Art (BMA) has set a new attendance record with its current exhibition, 'Amy Sherald: American Sublime,' which has drawn 52,597 visitors since opening on November 2. The previous record was held by the 'Matisse/Diebenkorn' show in 2016-2017 with about 45,700 visitors. The exhibition, a mid-career survey of Sherald's work, runs through April 5 and is projected to reach 70,000 attendees. It originated at the San Francisco Museum of Modern Art and traveled to the Whitney Museum of American Art before arriving in Baltimore, after Sherald canceled its planned stop at the National Portrait Gallery due to censorship concerns.

Observer’s 2025 Art Market Recap: Recovery After a Year of Recalibration

After a turbulent start marked by gallery closures and market contraction, the art market in 2025 rebounded decisively, driven by a secondary-market surge in high-quality consignments. Major auction houses reported strong year-end results: Sotheby's projects $7 billion in consolidated sales (up 17%), Christie's expects $6.2 billion (up 7%), and Phillips reported $927 million (up 10%). Key sales included the $272 million Leonard & Louise Riggio collection at Christie's, the $527.5 million Lauder collection at Sotheby's (led by a $236.4 million Gustav Klimt), and the $136 million Karpidas sales. The year began quietly but gained momentum after summer, with deep bidding and strategic pricing driving a 26% increase in Sotheby's auction revenue and an 11% overall rise in fine art sales across Old Masters, Impressionist, Modern, Post-War and Contemporary categories.

The Art Market Year in Review

The art market experienced a turbulent 2025, beginning with a 12% decline in sales from 2024, following a 3% drop in 2023, as reported by the Art Basel and UBS Global Art Market Report. Major auction houses Christie’s, Sotheby’s, and Phillips saw average sales fall 6% in the first half of the year. However, the market rebounded by autumn, with strong sales at London and Paris art fairs and a 15% year-on-year increase in auction sales at the three main houses by December, according to Pi-eX. Key events included Sotheby’s failed sale of Alberto Giacometti’s *Grand tête mince* in May, followed by a record-breaking $236 million sale of Gustav Klimt’s *Portrait of Elisabeth Lederer* in November, and a $31.4 million record for François-Xavier Lalanne’s *Hippopotame Bar*.

‘Lust for Life’: The Van Gogh book designed to fit in pockets of US soldiers during the Second World War

Irving Stone's 1934 novel *Lust for Life*, a fictionalized biography of Vincent van Gogh, was published as an Armed Services Edition during World War II for U.S. soldiers. These pocket-sized books, measuring 11cm by 17cm, were designed to fit in uniform pockets and withstand harsh conditions. Over 123 million copies of various titles were printed from 1943 to 1947, with distribution including parachute drops to troops on Pacific islands and handouts to soldiers before the Normandy Landings. The surviving copies are scarce and often damaged, with browned pages and covers marked as U.S. government property, not to be resold.