Timor-Leste has announced the details of its national pavilion for the 2026 Venice Biennale. Titled "Across Words," the exhibition will be directed by curator Loredana Pazzini-Paracciani and feature works by artists Verónica Pereira Maia, Etson Caminha, and Juventino Madeira, focusing on the nation's ethnolinguistic diversity. The pavilion will be located in the Arsenale and run from May 9 to November 22.
Osh Gallery in London is exhibiting 'The Hudson Transparencies,' a collection of 58 original illustrations by Charles Thomas Hudson, a 19th-century educator and amateur scientist. Created for his lectures, these large-scale transparencies (37.8 by 29.5 inches) combine painted paper and perforated pinholes to depict microscopic creatures such as rotifers, algae, protozoa, and marine organisms. When back-lit, the dark, seemingly unfinished images transform into vivid, detailed visions of life invisible to the naked eye, showcasing the intersection of Victorian-era optical innovation and scientific discovery.
Abbiamo intervistato la storica archivista della Pixar: storia e segreti della mitica casa di produzione
Christine Freeman, Senior Historian and Archivist at Pixar Animation Studios, provides an inside look at the evolution of the pioneering animation house. The interview traces Pixar's origins from Ed Catmull’s early work at Lucasfilm and the development of the Pixar Image Computer to the pivotal meeting with animator John Lasseter and the eventual acquisition by Steve Jobs. Freeman details the preservation of early CGI milestones, including the first computer-animated short, 'The Adventures of André & Wally B.', and the transition from proprietary secrets to open-source contributions like RenderMan.
Monica Majoli has opened a solo exhibition at Hoffman Donahue in Los Angeles, featuring new work on view from February 24 through April 4, 2026. The presentation is documented through a series of 17 installation photographs, though specific details about the medium or themes of the artworks are not described in the provided text.
The Richard F. Brush Art Gallery at St. Lawrence University is hosting an exhibition titled "On Parkinson’s: Three Artists’ Journeys" from October 20 to December 11, featuring works by Kristin Rehder, C. David Thomas, and Torrance York. Each artist uses photography and printmaking to explore their personal experiences with Parkinson’s disease: York’s "Semaphore" project uses metaphorical photographs to document her diagnosis in 2015; Thomas’s "FINDING PARKINSON’S, Doing Battle with My Brain" combines MRI scans, selfies, and lithographs; and Rehder’s "TREMOR" employs a slow shutter to transform her body’s tremors into creative energy.
Eduardo Robledo, a Mexico City-based artist from Xochimilco, creates detailed linocuts that celebrate Mexican heritage, community, and spiritual motifs. His work features traditional symbols like skulls, skeletons, and Sacred Hearts alongside regional animals and cultural references such as Xochimilco's canal boats. Robledo also engages in social activism through printmaking, viewing it as a democratic medium for spreading messages about causes he supports. His prints are available at Hecho a Mano in Santa Fe, and he co-founded Lugar de Huida, a gallery in Mexico City that highlights Mexican printmakers.
Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.
Artist Hillary Waters Fayle has developed a unique series titled 'Portraits of Place,' which utilizes foraged botanicals to create intricate cyanotypes. By collecting and drying seeds, petals, and foliage from specific locations like Grace Farms and Maymont Park, Fayle arranges them into symmetrical, mandala-like compositions on UV-sensitive paper. The resulting bright blue prints serve as a botanical record of a specific geography and moment in time.
SMDOT/Contemporary Art in Udine, Italy, presents a two-person exhibition titled "SOUVENIR·SUBVENIRE," featuring previously unseen works by Italian artists Anna Marzuttini and Giovanni Fredi. Marzuttini contributes large canvases and wall-hanging ceramic works, while Fredi's pieces are also on view, with both artists' research expressed through different media but converging on a shared conceptual plane.
Alex Thake presents a solo exhibition titled "I Know This Much is True" at Triangolo gallery in Cremona. The show features new works by the artist, continuing his exploration of material and conceptual themes.
Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.
Dana Garman Jacobsen and Jim Jacobsen purchased a 1970s West End house in Aspen, Colorado, after Dana felt an irresistible pull toward the property during a ski trip. The home, previously owned by Chicago philanthropist Joan Harris, features a post-and-beam structure reminiscent of their Richard Neutra house in Los Angeles, with a swimming pool integrated into the living space and architectural details that frame mountain views. The couple furnished the interiors with pieces from Dana's collection, including Børge Mogensen sofas and a Biedermeier chaise lounge, and crafted bed frames from a 150-year-old walnut tree.
Architect David Webster's preserved High-Tech design home and office in New York, completed in 1981, has been purchased by countertenor and Opera Philadelphia general director Anthony Roth Costanzo. The apartment, located near the Chelsea Hotel, features an industrial, off-the-shelf aesthetic with repurposed vanity lightstrips, custom iron windows, and a sliding door. Webster and Costanzo discuss the home's history, design details, and the legacy of gatherings that once included writer and AIDS activist Larry Kramer.
Kerry Darlington, one of the UK's most collected and influential contemporary artists, will make a rare personal appearance at Halo Fine Art in Dorchester on Saturday, June 13. The gallery is hosting an exclusive, one-afternoon-only event where visitors can meet the artist, view a new collection of original works, and discuss the folklore behind her signature style of hand-poured resin and 3D details. The guest list is strictly limited and RSVP is required.
The California Museum in Sacramento plans to remove labor leader Cesar Chavez from its California Hall of Fame. This unprecedented action follows a New York Times investigation detailing allegations that Chavez sexually abused multiple girls and engaged in misconduct with women in the United Farm Workers movement during the 1970s.
Two Vancouver-based artists, Emilie Fantuz and Gillian Richards, are showcasing their work in a joint exhibition titled "Liminal City" at the Pendulum Gallery in downtown Vancouver. The show explores the effects of light and shadow in painting, with Fantuz focusing on what she calls "optical debris"—bursts of light and shadows that fracture contemporary vision—while Richards highlights transitional urban spaces and functional architecture, elevating overlooked everyday scenes. Fantuz, who is completing her MFA at Emily Carr University, has shifted from detailed neighborhood paintings to abstract studies of light and perception, often filtered through windows and screens. Richards, a former scenic artist in the film industry, uses photography as a starting point to capture intimate views of utilitarian structures.
This article is a regional arts calendar for Grey Bruce, Ontario, detailing exhibitions and events taking place in May 2026. Highlights include Liz Zetlin's immersive video installation "More Than Human — a year in my garden" at the Tom, John Laughlin's "Lovers and Losers" at Grey Gallery, Tanya Zaryski's mixed-media show at Deep Water Gallery, and a stained-glass exhibition by Chris Malleck at the MAD Gallery. The Durham Art Gallery features Breanne Jeethan's "The System is Broken," and the Southampton Arts Centre presents complementary shows by Brian Hanley and Nancy Cornforth. The article also promotes the BiblioArts print and book arts fair, studio classes at Georgian Bay School for the Arts, and makers markets.
The article lists ten international open calls for artists and creatives to apply for in summer 2026, including residencies, grants, and exhibition opportunities. Featured programs include the Diriyah Art Futures (DAF) Emerging New Media Artists Program in Saudi Arabia, the International Digital Art Contest at the University of Mostar in Bosnia and Herzegovina, and the Collaborative Prototyping Lab at Medialab Matadero in Spain, among others. Each call provides details on deadlines, eligibility, application links, and support.
This article provides a weekly listing of art and museum exhibits in Kenosha and Racine counties in Wisconsin, including details on hours, locations, and current or permanent exhibitions. Featured venues include the Anderson Arts Center, Artists Gallery, Carthage College Art Gallery, Civil War Museum, Dinosaur Discovery Museum, Kenosha History Center, Kenosha Public Museum, Lemon Street Gallery, OS Projects, and Photographic Design Gallery & Framing.
Colossal's monthly list for April 2026 details numerous open calls, grants, and residencies for artists worldwide. Key opportunities include the Earth 2026 Art Awards, the Hopper Prize grants totaling $13,000, and the Fleurieu Biennale Art Prize in Australia, alongside calls for fiber art, gallery exhibitions, and magazine publications.
Antonio Somera discovered 26 steamer trunks belonging to early 20th-century Filipino migrants in a Stockton, California basement in 2005. The trunks' contents, including a pillowcase embroidered with the phrase "HOW CAN YOU FORGET ME," form the core of the exhibition "How Can You Forget Me: Filipino American Stories" at the Smithsonian's National Museum of American History in Washington DC, offering an intimate look at the lives of the Manong Generation of laborers.
A distinctive bicorne hat belonging to Napoleon Bonaparte, worn during his final exile on Saint Helena, has been rediscovered after more than a century in storage at the Condé Museum. Curators found the beaver pelt hat, made by his official hat-maker Poupard, while preparing for an upcoming exhibition, and its provenance has been confirmed through extensive study.
Researchers using Reflectance Transformation Imaging (RTI) and 3D photogrammetry have uncovered 79 previously invisible graffiti fragments on a 90-foot walled corridor in Pompeii's theater district. Among the discoveries are a dynamic sketch of two gladiators in combat and a love declaration beginning "Erato amat…" (Erato loves…). The work, detailed in Pompeii's e-journal, was conducted by teams from Sorbonne University and the University of Québec at Montréal, who developed a custom 3D-image platform to visualize and digitally annotate the ancient carvings.
In the summer of 2020, a British family discovered a Roman mosaic on their farmland in Rutland, England, depicting scenes from the Trojan War. Archaeologists from the University of Leicester later uncovered three panels showing the battle between Achilles and Hector, dating to the 4th century C.E. The mosaic, named the Ketton Mosaic, is the first known depiction of the Trojan War in a British mosaic and was originally part of a Roman villa's dining room floor.
Researchers from Binghamton University, at the request of an indigenous community group on Easter Island, have created a high-resolution 3D model of the Rono Raraku quarry, where 95 percent of the island's moai statues were carved. Using drone flights and over 11,000 overlapping photographs stitched together via photogrammetry, the model documents the quarry in unprecedented detail, including 133 quarried voids, 400-plus unfinished moai, and evidence of 30 distinct clan-based carving areas. The model is freely available online and was motivated by a 2022 wildfire that threatened the site.
Syria's Ministry of Culture briefly published details of artifacts stolen from the Damascus National Museum, including six Roman-era marble statues of Venus and gold ingots, only to delete the post hours later. The theft occurred on Sunday night and was discovered Monday morning when a broken door was found. International media reported the theft citing anonymous sources, and the Directorate General of Antiquities and Museums (DGAM) confirmed an investigation but provided no further details. The museum, which houses thousands of antiquities, had reopened in January after closing during the civil war and the fall of the Assad regime.
A thief or group of thieves broke into the Oakland Museum of California's off-site storage facility on October 15, stealing more than 1,000 objects including six Native American baskets, 19th-century scrimshaw, daguerreotypes, modernist metalwork jewelry, and historic memorabilia. The museum initially withheld details to aid the Oakland Police Department and FBI Art Crime Team investigation, but later released a statement calling it a crime of opportunity rather than a targeted theft.
The article describes an upcoming exhibition titled 'Cheaper parcel post and paintings' at 1301SW gallery in Melbourne, Australia, running from 23 May to 27 Jun 2026. The exhibition is listed on Ocula.com, an art platform, though the full article text is blocked by a security verification page, preventing detailed reading of the show's content or artists involved.
Artist Marilyn Murray and the Bundaberg Regional Heritage Group have launched 'History in Your Hands,' a specialized exhibition of miniature paintings at the Bundaberg School of Arts Gallery. Part of the Australian Heritage Festival, the show features small-scale artworks that depict the architectural details, textures, and historical landmarks of the Bundaberg region.
Michelangelo’s Sistine Chapel: The Exhibition has officially opened at the Garden State Plaza in Paramus, New Jersey. This immersive showcase features life-size, high-definition replicas of all 34 frescoes from the Vatican’s famous ceiling and altar, including the iconic "The Creation of Adam" and "The Last Judgment."