The article lists a work titled "Layers of Time (2026)" by artist Vahe Yeremyan as available for sale on the online art marketplace Artsy. No further details about the artwork, price, or context are provided in the brief listing.
Bonner David Galleries will open 'Reverie in Paint,' a new exhibition by artist Francis Livingston, on May 14 at its New York City location. The show features Livingston's abstract, memory-infused interpretations of New York City architecture, including bridges like the Brooklyn, Manhattan, and Queensboro Bridges, rendered in a restrained palette of blues and greens with expressive paint application.
Newcastle Art Gallery in Australia has unveiled two groundbreaking accessibility commissions: a digital guide named Nancy and architectural-scale sculptures by artist Fayen d'Evie. The digital guide offers a 24-stop tour with audio, Auslan-interpreted video, and written descriptions, developed through a 'by community, for community' model involving d/Deaf consultants, Auslan interpreters, and First Nations consultants. The sculptural solution addresses the gallery's original floating staircases, providing safe navigation for visitors who are blind or have low vision. A panel talk and Auslan-interpreted tour on Saturday will highlight these initiatives.
Bildmuseet in Umeå, Sweden, will host the Master's exhibition "Of Love and Care" from the Umeå Academy of Fine Arts at Umeå University, opening on 22 May 2026 with an Art Friday event featuring talks, performances, tours, live music, and a DJ. The exhibition showcases works by ten graduating artists—Christian Abrahamsson, Amanda Angeli Blombäck, Time Bohlin, Renan De Menezes Anan, Elna Dani Liljedahl, Joanne Löfling, Måns Palmberg, Sofia Tien, Fanny Åberg, and Tin Åling—whose pieces explore themes of love, care, mysticism, and the wonder of existence, moving beyond overtly political and consumerist messages. A media preview will be held on 20 May, and the exhibition runs through 23 August 2026.
LewAllen Galleries in Santa Fe presents 'Primal field / Interval,' an exhibition of new paintings and monotypes by San Francisco-based artist Henry Jackson, running from May 15 to June 20, 2026. Jackson’s work blends Bay Area Figuration with Abstract Expressionism, using masonry trowels and scrapers to build and excavate layers of oil paint and cold wax, creating elemental fields where the human figure emerges from abstraction. The show also includes oil-based monotypes derived from spontaneous material happenings on the plate.
San Francisco-based artist Ana Teresa Fernández has opened a solo exhibition titled 'Under Pressure' at the National Museum of Mexican Art in Chicago. The four-year project features a range of works, including detailed oil paintings and a sculptural piece, all centered on the theme of water and climate change. A key performance element involved Fernández leading hundreds of participants on Chicago's lakefront to form a giant S.O.S. signal using mirrors, a 'social monument' she previously staged in California.
Researchers at the Fitzwilliam Museum in Cambridge have discovered a 3,300-year-old form of corrective fluid on an Ancient Egyptian papyrus. Analysis of a 'Book of the Dead' created for a royal archivist named Ramose revealed that a mixture of huntite, calcite, and yellow orpiment was used to paint over a jackal figure to make it appear slimmer. This 'ancient Tipp-Ex' was specifically tinted to match the cream-colored papyrus, demonstrating a sophisticated level of aesthetic correction and attention to detail by Egyptian craftspeople.
Monica Rodriguez's exhibition "Californiana" at the de Saisset Museum explores the colonization of California from 1542 to 1846, focusing on the missionization period (1769–1833) when Native Californians were forced into labor within the Alta California Mission system. The installation features twenty-one adobe bells planted with native California plants, architectural plans, and photorealist drawings of historical texts from the Mission Library Collection, all critiquing the colonial mindset and its enduring impact on the land and people.
The article reports that the Art x Climate Gallery has achieved a notable success at the Smithsonian Institution, though the specific details of the triumph are obscured by a security verification page that blocks access to the full content. The gallery, which likely focuses on the intersection of art and climate change, appears to have been recognized or celebrated within the Smithsonian's prestigious museum network.
French artist JR was arrested at the opening of his solo exhibition at the Brooklyn Museum in New York. Known for his large-scale photographic installations on buildings and public spaces, JR was taken into custody during the event, though details of the charges remain unclear. The arrest occurred in front of attendees and museum staff, drawing immediate media attention.
The article examines the impact of the first 100 days of Donald Trump's second term on the U.S. cultural sector, detailing executive actions that force museums, libraries, and arts institutions into ideological conformity. Orders targeting diversity, equity, inclusion, and gender threaten funding from the National Endowment for the Arts and the National Endowment for the Humanities, while the Smithsonian Institution and Kennedy Center face direct political oversight. The administration also redirects funds toward patriotic projects like a sculpture garden of 'American Heroes,' and private institutions such as the Rhode Island School of Design and Creative Capital face pressure over pro-Palestinian expression and diversity-focused programs.
Detroit art institutions, including the Detroit Institute of Arts and the Museum of Contemporary Art Detroit, are actively resisting political pressures and legislative challenges aimed at rolling back diversity, equity, and inclusion initiatives. The article details how these organizations are reaffirming their commitments to diverse programming, hiring practices, and community engagement despite a broader political climate that has targeted DEI efforts in the arts and education sectors.
Amy Sherald, the acclaimed portraitist known for her official portrait of Michelle Obama, is expanding her practice beyond painting. The article reports that she is branching out into new creative territories, though she reassures audiences that painting remains central to her work. Details of her new projects or media are not specified in the provided text, but the headline signals a shift in her artistic output.
The Lucas Museum of Narrative Art has announced details of its inaugural Cinema exhibition, titled 'Star Wars In Motion,' set to open on September 22. Curated by George Lucas and Mellody Hobson, the exhibition will feature vehicle designs, props, costumes, and illustrations from the first six Star Wars films, including Luke's Landspeeder and General Grievous's Wheel Bike. The museum, located at Exposition Park in Los Angeles, will launch with over 30 installations tracing visual storytelling from ancient sculptures to modern cinema, drawing from a founding collection of more than 40,000 works.
Art collector Christoph Müller has gifted approximately 200 works on paper—drawings, prints, and watercolours—to the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin. The gift is being presented in four successive exhibitions at the Gemäldegalerie under the title "Das alles bin ich" (I am all that!), with the final installment, "Leaf by leaf – A life with art," running from 10 March to 14 June 2026. The works span five centuries and originate from Germany, Italy, the Netherlands, and France, covering themes such as nature, portraits, landscapes, history, and everyday life.
Sharjah Art Foundation has announced details for the 17th edition of the Sharjah Biennial, titled “What remains, sits restive,” running from January 21 to June 13, 2027. The large-scale contemporary art event will feature 109 participants across multiple sites in the emirate, including Sharjah City, Al Dhaid, Khor Fakkan, and Kalba. Confirmed artists include Anri Sala, Hassan Khan, Ibrahim Mahama, Oscar Murillo, Zina Saro-Wiwa, and Angela Ferreira. The biennial will be curated by Angela Harutyunyan and Paula Nascimento, each presenting separate sections under a shared theme examining how past political and cultural histories shape present-day realities through time, memory, and space.
The article describes the author's evolving impression of the newly opened David Geffen wing at the Los Angeles County Museum of Art (LACMA), designed by architect Peter Zumthor. Initially visiting at 11am, the author found the $724 million, 110,000 sq ft building to be a "dismal, dated, inelegant brute," with thick bronze windows, dark concrete slabs, and bunker-like galleries. However, returning at 4pm, the author experienced a transformation: golden afternoon light warmed the concrete, illuminated the interiors, and revealed the building as a "brilliant innovation and true gift to the city." The article details the building's 20-year design evolution, challenges including fossil discoveries on site, and Zumthor's public frustrations with the compromised details.
An exhibition titled 'The Eames Houses' opened at Triennale Milano during Milan Design Week 2026. It offers a comprehensive look at the residential architecture of Charles and Ray Eames, featuring scale models of eight house projects, archival materials, and two full-scale pavilion structures built using a modular system developed with Kettal. The show runs from April 20 to May 10 and is accompanied by a newly published volume on the Eames' residential work.
Christie’s has highlighted ten of Banksy’s most iconic works following a dedicated online auction held in March 2026. The selection spans the artist's career, featuring famous motifs such as the 'Flower Thrower Triptych'—originally sold through his Gross Domestic Product pop-up shop—and 'NOLA,' a commentary on the aftermath of Hurricane Katrina. Other notable entries include his 'Pulp Fiction' parody featuring bananas and the globally recognized 'Girl with Balloon,' which continues to command high prices on the secondary market.
The curatorial team for the 61st Venice Biennale has unveiled the details for the 2026 exhibition, titled "In Minor Keys." The project follows the vision of the late Koyo Kouoh, the first African woman appointed to curate the Biennale, who passed away in May 2024. The exhibition will feature 111 artists and collectives, with a significant focus on the Global South and themes such as Shrines, Schools, and the Creole Garden. The team emphasized that the show is designed as a "collective score" rather than a traditional commentary on world events, prioritizing spiritual rest and radical social connection.
The Philadelphia Art Museum has announced its slate of exhibitions for 2026, prominently featuring Marcel Duchamp's iconic mixed-media work "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . (Given: 1. The Waterfall, 2. The Illuminating Gas . . . ), 1946-1966." The announcement includes details about the work's complex media assemblage and its acquisition history as a gift from the Cassandra Foundation in 1969.
A new exhibition at the Stanley Spencer Gallery in Cookham, titled *Revealing Genius, Conserving Art: Stanley Spencer’s Final Masterpiece*, offers visitors a rare chance to watch conservator Olivia Leake work on Spencer’s unfinished painting *Christ Preaching at Cookham Regatta*. The large canvas, which Spencer labored over for over a decade but left incomplete at his death in 1959, has been lowered from its usual high hanging for live conservation. Using UV light and paint analysis, Leake has discovered surprising details: extremely thin paint layers, a green water area later overpainted in blue, and multiple changes to underdrawings—contradicting anecdotes that Spencer never altered his initial drawings.
A new book by Canadian art historian James King, titled "Our Little Gang," examines the Vorticist movement, highlighting its toxic internal dynamics and the marginalization of its female pioneers. King details how Wyndham Lewis, the movement's self-appointed leader, belittled followers like Jessica Dismorr and Helen Saunders, even painting over one of Saunders' works. The book also explores the movement's artistic tensions, balancing abstraction with representation, and features works by Lewis, David Bomberg, and Saunders.
A new exhibition titled "Print" opens at Awen gallery in Llanfyllin, Wales, running from October 23 to November 30, 2025. The show features the debut of Seren Morgan Jones, known for detailed portraits of Welsh women exploring social and political themes, alongside emerging artist Angharad Smith, who presents stained glass works including "Nid Yw Cymru Ar Werth." Notably, the exhibition includes three rare pieces by the renowned artist duo Gilbert & George, held in private collections since the 1970s.
This article from The Straits Times, dated October 3, highlights a series of cultural events in Singapore during the first week of October. It details a literary conference hosted by Nanyang Technological University's English department from October 3 to 5, featuring public talks by notable writers including Singaporean author Amanda Lee Koe, Malaysian novelist Tan Twan Eng, graphic novelist Sonny Liew, and American poet Alice Lyons. The article also covers a new dining theatre experience called 'Rasa' at Dempsey, which combines 12th-century Sanskrit poetry, bharatanatyam dance, live Carnatic music, and a curated vegetarian menu. Additionally, it announces an exhibition at the Museum of Contemporary Art at Tanjong Pagar Distripark, organized by Lianhe Zaobao and Qiu Zhai Art Studio, celebrating the 35th anniversary of diplomatic relations between Singapore and China, featuring 368 works by Singaporean and Chinese artists.
The UK government has selected sculptor Martin Jennings to create a statue of Queen Elizabeth II for St James’s Park in London, as part of a larger memorial designed by Norman Foster's architecture firm. The memorial will also include a figurative sculpture of the Queen alongside Prince Philip at Birdcage Walk and a Prince Philip gate. Jennings, known for his bust of the Queen Mother and his coin effigy of King Charles III, describes the project as a work in progress, with a provisional construction budget of £23m–£46m. Final design details are expected next year.
The Trinidad Express Newspapers published an article titled 'Art for the animals’ sake,' which appears to cover an art-related event or initiative benefiting animals. The specific details of the event, such as the artists involved, location, or date, are not provided in the given text, but the title suggests a charitable or awareness-raising focus combining visual art with animal welfare.
Andrew Lambirth's new book, *The Uglow Papers*, takes an unconventional approach to the monograph on British painter Euan Uglow (1932-2000). Instead of a traditional narrative, Lambirth compiles around 30 personal memoirs, papers, and contributions from friends, students, and colleagues—gathered through interviews, phone calls, emails, and letters. These firsthand accounts, paired with a concise introduction and a glossary of names, offer intimate recollections of Uglow's rigorous studio practice, his teaching methods, and his social life, including details about his Sunday night open houses and shared meals. The book also traces Uglow's artistic development from his studies at Camberwell School of Arts and Crafts and the Slade School of Fine Art, through his mentorship under William Coldstream, to his own distinctive geometric and emotionally charged works like *The Diagonal* (1971-77) and *Pyramid* (1993-96).
Oregon artist Sherrie Wolf opens a new exhibition of large-scale still life paintings at the Pendleton Center for the Arts on August 21, 2025. The show features works from the collection of Jordan D. Schnitzer and his family foundation, marking the center's eighth collaboration with the foundation and its first showcasing an Oregon artist. Wolf will attend the opening reception, and a coffee table book of her retrospective will be available for purchase.
George Lucas made his first-ever appearance at Comic-Con on July 27 to reveal new details about the Lucas Museum of Narrative Art, a $1 billion institution set to open next year in Los Angeles. The panel, moderated by Queen Latifah and featuring Guillermo del Toro and Doug Chiang, included a video narrated by Samuel L. Jackson showcasing the 300,000 sq. ft building designed by Ma Yansong, along with highlights from Lucas and Mellody Hobson's collection of 40,000 objects, ranging from comic art to works by Frida Kahlo and Norman Rockwell.