40 year old sculpture demolished battery park city resiliency project

Crews have begun demolishing Ned Smyth's 40-year-old sculpture *Upper Room* in Battery Park City, New York, to make way for the North/West Battery Park City Resiliency (NWBPCR) project. The 20-column concrete colonnade, commissioned in 1986 as the neighborhood's first public art piece, features an elongated table with inlaid chessboards and was appraised at $1.5 million. The demolition is part of a larger plan to install a coastal flood barrier system along the Hudson River waterfront, intended to protect against storms like Hurricane Sandy.

hard truths curator invisibility

The article, presented as an advice column by consultants Chen & Lampert in ARTnews, addresses two anonymous letters from art-world professionals. The first letter is from a curator at a major museum who feels underpaid, invisible, and constrained by an ethics policy that prevents freelance work, while colleagues at smaller institutions enjoy more freedom. The second letter is from a veteran graphic designer and illustrator, active since the 1960s, who laments losing commercial clients to younger, cheaper talent using AI and smartphones. The consultants respond with sharp, critical advice: they tell the curator to consider collective action with colleagues to push for institutional reform, and advise the designer to leverage their legacy and experience rather than accept obsolescence.

sothebys institute of art under federal hcm2 finances

Sotheby's Institute of Art (SIA), a for-profit graduate school in London and New York, has been under the U.S. Department of Education's 'Heightened Cash Monitoring 2' (HCM2) designation since December 2023, a status reserved for institutions with serious financial or compliance concerns. The designation bars the school from receiving federal financial aid in advance, requiring it to front its own funds and seek reimbursement. Public records and financial filings reveal that SIA has fallen below federal 'financial responsibility' baselines, and its UK auditors noted 'material uncertainty' about the school's ability to continue as a going concern, though management asserts it has adequate resources.

us appeals court yuga labs bored ape nfts ryder ripps

A US appeals court overturned an $8.8 million judgement against artist Ryder Ripps and his business partner Jeremy Cahen, who were previously ordered to pay Yuga Labs, creator of the Bored Ape Yacht Club (BAYC) NFTs, for creating copycat NFTs. The 9th US Circuit Court of Appeals ruled on July 23 that Yuga Labs had not sufficiently proven that Ripps and Cahen's tokens would confuse buyers. The case, originally filed in June 2022, alleged trademark infringement, false advertising, and cybersquatting. Ripps and Cahen argued their works were satirical appropriation art, while Yuga Labs denied claims of racism tied to the BAYC imagery. The ruling sends the case back to federal court for a trial on trademark and cybersquatting claims.

wetransfer changes terms licensing rights ai

WeTransfer, the cloud-based file transfer company widely used by art institutions, updated its terms of service on July 14 to include a clause granting the company a perpetual, royalty-free license to use uploaded content for training machine learning models and creating derivative works, which it could monetize without compensating users. After widespread criticism from the art community, including post-production professional Ashley Lynch, who noted conflicts with non-disclosure agreements, WeTransfer removed the controversial language and issued a statement assuring users that it does not use their content to train AI or machine learning models.

remnants enaissance equestrian statue french dig

Archaeologists from INRAP (the National Institute of Preventive Archaeological Research) have unearthed a Renaissance-era limestone equestrian statue in Toul, northeastern France. The statue, broken into 27 pieces, was found buried under a roadway among the remains of a medieval gate demolished around 1700. The largest fragment measures about three-and-a-half feet, and the intact work would have stood over five feet high. The horse's trunk and head are preserved, along with the rider's hips and upper thighs, but the rider's head and limbs are missing, making identification uncertain. INRAP suggests the rider may have been Henry II, King of France, or more likely John III of Lorraine, Cardinal of Lorraine and Bishop of Toul, and that Italian artists may have been involved in its creation.

germany colonial restitution conduct

Germany's culture minister Monika Grütters has released a 130-page code of conduct for museums, titled "Guide to Dealing With Collection Goods From Colonial Contexts," which outlines methods for identifying and confronting colonial-era artifacts in German collections. The guidelines, published by the German Association of Museums, include best practices for provenance research, a list of former and current colonies, and alternatives to full restitution such as long-term loans and joint custody agreements. The release coincides with the Prussian Cultural Heritage Foundation's official ceremony returning nine artifacts to Indigenous Alaskan communities, and follows increased pressure from public outcry over the Humboldt Forum and similar restitution efforts by French president Emmanuel Macron.

murujuga rock art woodside gas unesco concerns

Australian politicians are pushing back against UNESCO's concerns that ancient rock art in Murujuga, Western Australia, is endangered by the proposed expansion of the Karratha Gas Plant, operated by Woodside Energy. The site contains up to 1 million petroglyphs, some dating back 47,000 years, and UNESCO's advisory body ICOMOS has warned that industrial emissions are a major threat. Australia's environmental minister Murray Watt has disputed ICOMOS's findings, calling them factually inaccurate, while Woodside claims the expansion will help transition away from coal and achieve net zero by 2050.

world press photo foundation suspends the terror of war attribution

The World Press Photo Foundation has suspended the authorship attribution of the iconic 1972 photograph 'The Terror of War' (also known as 'Napalm Girl') from Associated Press photographer Nick Út. The decision follows new research presented in the documentary 'The Stringer' (January 2025) by the VII Foundation, which suggests that the image was more likely captured by stringer Nguyễn Thành Nghệ or Huỳnh Công Phúc. An independent investigation by forensic analysts and media experts, along with separate inquiries by AP and World Press Photo, found insufficient evidence to definitively confirm the original credit, leading to the suspension until authorship can be conclusively determined.

who took famous napalm girl photo

A documentary film titled *The Stringer* has sparked a controversy over the authorship of the iconic 1972 Vietnam War photograph known as "Napalm Girl" (officially *The Terror of War*). Both the Associated Press and World Press Photo conducted investigations into whether the credited photographer, Nick Ut, actually took the image. While the AP decided to maintain Ut's credit due to insufficient evidence to the contrary, World Press Photo stripped his authorship, concluding that the level of doubt is too significant to keep the existing attribution. The organization found that two other photographers—Nguyen Thanh Nghe and Huỳnh Công Phúc—were also present and could have taken the shot, but it could not definitively reassign authorship.

art mimosa echard amant show france

French artist Mimosa Echard presents "Facial," a new exhibition at Amant in East Williamsburg, Brooklyn, running through February 16, 2026. The show features a series of palimpsest-like canvases and a video work of Times Square, inspired by Echard's pedestrian observations of New York City. Key motifs include ginkgo trees—which she links to survival, ancient sexuality, and the city's olfactory character—and the repetitive eye imagery found on beauty salon facades, which she interprets as a form of "sweet surveillance." Echard, who won the Prix Marcel Duchamp in 2022, created the works during a two-month residency in the neighborhood, drawing on her characteristic blend of botanical and digital themes.

In Venice, the Passion of Life and the Ghost of Art

The 2026 Venice Biennale, the world’s oldest art exhibition, has opened with a theme centered on vitality and the celebration of life. The edition is described as both a passionate embrace of energy and a reminder of art’s lingering ghosts, offering a mixed but compelling experience for visitors.

‘As If’ by Isabel Waidner, Reviewed

Isabel Waidner’s latest novel, 'As If', follows the surreal intersection of two actors, Lewis and Korine, who share an uncanny resemblance and wives with the same name. After meeting in a Central London sublet, the pair decide to swap lives: the younger Korine takes over a high-stakes audition for the grieving Lewis, while Lewis assumes Korine’s domestic and financial burdens. Set against the brutalist backdrop of London’s Barbican and Golden Lane estate, the narrative uses this identity swap to explore the thin line between performance and reality.

The Musée d’Ixelles at the Crossroads of Different Perspectives

Le Musée d’Ixelles à la croisée de différents regards

The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.

Michel Bassompierre (1948-2026)

French sculptor Michel Bassompierre has died at age 78. Known for his monumental bronze and marble animal sculptures—polar bears, gorillas, elephants, pandas, and horses—he depicted them in moments of rest and balance, simplifying forms in the tradition of François Pompon. Bassompierre studied at the École des beaux arts de Rouen under René Leleu, taught applied arts, and later worked with foundries including Venturi Arte in Italy. His major exhibitions include "Fragiles colosses" at the Jardin des plantes in Paris (2019) and a show at the Musée Despiau Wlérick (2021). In February 2025, the municipality of Vertou announced plans for a Michel Bassompierre museum, slated to open in 2028. He was named a Chevalier of the Ordre des Arts et des Lettres in 2010, received the Légion d'honneur in January 2025, and was promoted to Officier des Arts et des Lettres on April 1, 2025.

Hisae Ikenaga ”Anatomies of Use” at KIOSK, Ghent

From April 4, KIOSK in Ghent presents a new solo exhibition by Hisae Ikenaga titled "Anatomies of Use." The Mexican-Japanese artist brings together sculptures, assemblages, and collages that rework industrial materials and everyday objects into hybrid forms, blending ceramic fragments with a visual language that balances functionality and abstraction.

The Irresistible Force of Thinking and Acting Together

Guest curator Greg de Cuir Jr. interviews five prominent artist duos—including Joana Hadjithomas and Khalil Joreige, and OJOBOCA—to explore the mechanics of collaborative practice and shared life. The participants discuss the origins of their partnerships, ranging from the necessity of navigating new environments like Berlin’s analog film scene to the shared political and aesthetic urgency following the Lebanese Civil Wars.

Running from one image to another, from one time to another, from one hope to another: at Circolo, in Milan, an exhibition on the contemporary Lebanese scene

The article reviews "Shifting Crossroads. Beirut Contemporary," an exhibition at Circolo in Milan that surveys the contemporary Lebanese art scene. It features internationally recognized artists like Mona Hatoum and Simone Fattal alongside emerging talents, including works from the Saikalis Bay Foundation, founded in 2024 by Nicole Saikalis and Matteo Bay. The show spans historical-archival investigation, photography, installation, painting, and sculpture, with pieces such as Stéphanie Saadé's "Stage of Life" (2021), Catherine Cattaruzza's "I am Folding the Land" (2022), and Joana Hadjithomas & Khalil Joreige's "Waiting for the Barbarians" (2013) exploring themes of memory, fragility, and geopolitical instability.

Women in Art Fair Returns to London

The Women in Art Fair (WIAF), the UK's leading fair dedicated exclusively to women artists, will return to London's OXO Gallery for its fourth edition from May 7-10, 2026. The event will showcase 80 artists selected from 600 applicants through a blind review process, featuring a program of exhibitions, awards, and events, including a Creative Health & Wellbeing Day.

Amy Sherald Cancels Her Smithsonian Show, Citing Censorship

Amy Sherald, the acclaimed portraitist known for her official portrait of Michelle Obama, has canceled her upcoming solo exhibition at the Smithsonian’s National Portrait Gallery, citing censorship concerns. Sherald stated that the institution imposed restrictions on the content and presentation of her work, which she found unacceptable, leading her to withdraw from the show entirely.

What Faces Do Not Say: Reimagining Portraiture Beyond Recognition.

Curator Yasmin Sarnefors challenges the traditional boundaries of portraiture in the exhibition 'What Faces Do Not Say,' which features artists from Africa and its diaspora. Moving away from the expectation of physical resemblance, the show explores identity through ambiguity, memory, and the use of archives, landscapes, and abstract gestures. By presenting works that obscure or transform the human face, the exhibition highlights the psychological and political dimensions of how individuals are perceived and represented.

Social Malpractice in the Age of Cultural Compliance

Artist Ed Woodham reflects on the evolution and co-option of socially engaged art, using his own projects like 'The Keepers' protests and the Art in Odd Places initiative as examples. He describes a troubling trend where the language and strategies of social practice art, once used to challenge systems, are now being adopted by developers, corporations, and institutions for branding, place-making, and community engagement initiatives that often operate within the very economic structures driving displacement and eroding public space.

'Balance in Motion' at P21, Seoul, South Korea on 14 May–4 Jul 2026

P21 gallery in Seoul, South Korea, presents 'Balance in Motion,' an exhibition running from May 14 to July 4, 2026. The show takes place at the gallery's Itaewon district space, which features two separate facades (P1 and P2) designed for site-specific works. P21, founded in 2017 by Soo Choi, opened with an inaugural exhibition by Choi Jeong Hwa and continues to promote international contemporary art.

A semester of SLAM

The St. Louis Art Museum (SLAM) hosted two special exhibitions during the past semester: the annual "Art in Bloom" floral exhibition from February 27 to March 1, 2026, and the solo show "Currents 125: Blas Isasi" opening February 6, 2026. "Art in Bloom" pairs 30 permanent collection pieces with ephemeral floral arrangements created by local designers, featuring a centerpiece by New York-based floral designer Rachel Cho. The exhibition has grown from an invitational event with 7,000 attendees to an open call drawing over 30,000 visitors. Isasi's exhibition, titled "The weight of a gaze (is to listen to the sound of a kilogram)," is part of SLAM's "Currents" series and the WashU Henry L. and Natalie E. Freund Teaching Fellowship, incorporating a Chincha Inka balance from the museum's collection alongside sandstone sculptures and aluminum foil pieces.

You Need To See This Queensland Artist’s New Solo Exhibition

Mitchell Fine Art in Brisbane's Fortitude Valley is hosting a free solo exhibition titled 'Unbound' by Sunshine Coast-based artist Odessa Mahony-de Vries, running from May 5 to May 16, 2026. The show features large-scale abstract expressionist oil paintings, with a launch event on May 8 offering the public a chance to meet the artist. Mahony-de Vries, a finalist in the 2025 Redland Art and 2024 Stanthorpe Art Prize, creates works that balance control and unpredictability, leaving earlier brushstrokes visible to embed the history of each piece.

“Huang, Jackson, & Terry,” May 8 through June 19

A trio of Midwest photographers—Qingjun Huang, Natalie Jackson, and Matthew Terry—will showcase their latest works at the Quad City Arts Center in Rock Island, Illinois, from May 8 through June 19. The exhibition, titled "Huang, Jackson, & Terry," features Huang, a Peoria-based freelancer born in China with international exhibition credits including Christie’s London and the Benaki Museum; Jackson, a portrait and fine arts photographer from Peoria who serves on the board of the Contemporary Art Center of Peoria; and Terry, a Davenport-based contemporary photographer and Academy of Art University graduate whose work has been shown in galleries across the U.S. and Europe.

The Museums That Helped Power Atlanta’s Rise Are Still Pushing Ahead

Atlanta’s cultural landscape is undergoing a significant transformation as its major museums spearhead ambitious expansions and programming shifts. Institutions like the High Museum of Art, the Spelman College Museum of Fine Art, and the Atlanta Contemporary are leveraging the city's economic growth and its status as a hub for Black culture to redefine their roles within the community. These developments include physical renovations, record-breaking acquisitions, and a renewed focus on local and diverse artistic voices.

JoEllen Brydon explores her late mother’s work as an advice columnist in Art Gallery of Peterborough exhibition

The Art Gallery of Peterborough is set to host "Elizabeth Thompson Advises," a multimedia exhibition by Cavan-based artist JoEllen Brydon running from April to June 2026. The show centers on the work of Brydon’s late mother, Jean Armstrong Brydon, who wrote a progressive advice column for The Globe and Mail under the pseudonym Elizabeth Thompson between 1966 and 1978. The exhibition integrates original letters and columns with JoEllen’s bold paintings, audio recordings, and short films to bring these mid-century narratives to life.

Brooklyn Museum Presents Hopi Kachina Dolls: Blessings for a Balanced World

The Brooklyn Museum has announced a landmark exhibition titled "Hopi Kachina Dolls: Blessings for a Balanced World," scheduled to open in October 2026. Featuring over 120 objects ranging from the 19th century to the present, the show draws from the museum's extensive Indigenous art collection alongside contemporary loans of ceramics, textiles, and jewelry. The presentation is uniquely structured around the life stages of Hopi women—from infancy to marriage—and includes newly commissioned video interviews with community members.

Emerging painter shows what it means to be a Maine artist | Column - Portland Press Herald

Dean McCrillis, an emerging painter from Rumford, Maine, is the subject of a solo exhibition titled "Dog Years" at Cove Street Arts in Portland, running through January 17. The show features oil paintings that depict distinctly Maine activities—hunting, fishing, camping—while employing layered, translucent brushstrokes to evoke the ephemerality of time and experience. McCrillis, who also works as a framer at Greenhut Galleries, uses a bright, saturated palette and techniques that make his images appear to simultaneously emerge and dissolve, capturing fleeting moments in the state's rugged landscape.