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Pepperdine Closes Exhibit Featuring “Overtly Political” Art

Pepperdine University in Malibu, California, closed the exhibition “Hold My Hand In Yours” at the Frederick R. Weisman Museum of Art on October 6, after artists discovered their works had been removed or altered for being “overtly political.” The show, curated by museum director Andrea Gyorody, explored the imagery of hands in relation to labor and care. One artist found her video turned off at the university’s request, and a sculpture was modified to hide text reading “Save the Children” and “Abolish ICE.” The affected artists requested their pieces be removed, and others withdrew in solidarity. University officials cited a policy to avoid overtly political content consistent with its nonprofit status, and offered apologies while honoring compensation agreements.

Iran Pushes Back on Venice Biennale Withdrawal Reports: ‘We’re Still Coming’

Iran has pushed back against reports that it withdrew from the 2024 Venice Biennale, with Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture, stating that the country never withdrew and is still in negotiations to participate. Tehrani told the Iran Students News Agency that Iran submitted a plan for a pavilion and is awaiting a final response, despite unresolved issues including sanctions, high rental costs, and the ongoing war with Israel and the US. Meanwhile, a separate unofficial pavilion called the Hyperstitional Pavilion of Iran, curated by Pouya Jafari and Nazli Jan Parvar, has been announced, featuring works by Iranian artists and organized by Finland-based nonprofit Perpetuum Mobile.

Nature is healing? Seagull lays eggs in the Giardini during Venice Biennale preview

During the VIP preview of the Venice Biennale, a seagull laid three eggs near the entrance of the Polish Pavilion in the Giardini. Pavilion staff built a protective barrier around the nest and warned visitors to avoid the protective bird, which one Italian collector called "the main attraction."

lincoln center mural kicks off project improve access damrosch park 1234781277

Lincoln Center for the Performing Arts has unveiled a new large-scale mural titled "The Future We Create" by Spanish artist Vanesa Álvarez and local artist Derval Fairweather. Installed on construction fencing along Amsterdam Avenue, the vibrant public artwork was produced in collaboration with the nonprofit ArtBridge. The design was informed by community workshops involving local residents and students, transforming a temporary urban barrier into a celebratory visual narrative.

Joyce Awards to Relaunch After Yearlong Pause with $100,000 Unrestricted Grants for Great Lakes Artists

The Chicago-based Joyce Foundation has announced the relaunch of its Joyce Awards after a year-long hiatus, introducing a significant shift in its funding model. Starting with the 2026 cycle, the program will move from project-based grants to providing four artists annually with $100,000 in unrestricted funds, alongside a $40,000 grant for a partner nonprofit. The awards will now operate on a biennial rotation between specific Great Lakes states and allow for self-nominations for the first time.

Arts organisation enlists celebrities in fight to save Manhattan church

West Park Presbyterian Church on Manhattan's Upper West Side, a designated landmark, is seeking permission from the city's Landmarks Preservation Commission to demolish its building, citing financial hardship due to an estimated $26.6 million in repair costs. The church's sole tenant, the arts nonprofit The Center at West Park, was evicted last year and is now leading a fierce opposition campaign, arguing the building is financially viable through leasing and air rights sales.

Ancient Roman Cargo Lost for 2,000 Years Resurfaces in Swiss Lake

A team of Swiss archaeologists and the nonprofit Octopus Foundation have recovered a 2,000-year-old Roman cargo from Lake Neuchâtel. The haul consists of approximately 600 remarkably preserved artifacts, including stacks of brand-new ceramic plates, bowls, goblets, weapons, tools, chariot wheels, and a wicker basket, dating from between 50 B.C.E. and 50 C.E. The ship itself was not found.

Massive Cache of 42,000 Pottery Shards Reveals Daily Life in Ancient Egypt

Archaeologists from the University of Tübingen and the Egyptian Ministry of Tourism and Antiquities have unearthed a massive collection of over 42,000 inscribed pottery shards, known as ostraca, at the ancient site of Athribis. The shards, dating from the 3rd century B.C.E. to the 11th century C.E., contain tax receipts, religious texts, school exercises, and personal notes written in Demotic, Greek, Hieratic, Coptic, and Arabic scripts, offering an unprecedented window into the daily lives of ordinary people.

abortion nonprofit claims artwork in malta biennale was censored 1234777129

The second edition of the Malta Biennale is facing accusations of censorship from the abortion rights nonprofit Women on Waves. The organization claims that organizers first demanded the removal of the word "pills" from a banner reading "Need Abortion Pills?" before ultimately attempting to dismantle the installation entirely, citing a failure to meet "aesthetic quality standards." While the Biennale's communications director maintains the work remains in place and frames the dispute as a matter of "curatorial direction," activists provided video evidence of an attempted removal and argue the intervention is a suppression of critical health information.

matthew bogdanos new york antiquities trafficking unit art history 1234772543

The Vilcek Foundation announced the recipients of its 20th annual prizes, honoring Matthew Bogdanos, a former classics scholar, US Marine colonel, and assistant district attorney in New York, with the Marica Vilcek Prize in Art History. Bogdanos, who launched the Antiquities Trafficking Unit in 2017, has overseen the seizure of over 5,000 looted antiquities valued at more than $300 million from museums, auction houses, and private collectors. He declined the $100,000 cash award, directing the foundation to donate the funds to nonprofits of his choosing.

craft as protest 2741909

Craft-based activism is surging in the U.S. as a form of protest against Immigration and Customs Enforcement (ICE) policies and operations under President Trump's second term. Projects include the "Melt the ICE" hat, a red beanie pattern that has sold over 65,000 copies and raised over $600,000 for immigrant-support nonprofits, and origami rabbits for a detained five-year-old boy, drawing direct parallels to historical craft-as-resistance movements like the Norwegian topplue worn against Nazi occupation.

gavin newsom no clue california college of the arts close 1234770279

California College of the Arts (CCA) announced it will close in 2027, shocking students and the art world. Governor Gavin Newsom reportedly had "no clue" and received "no heads up" about the closure, according to text messages reported by the San Francisco Standard. CCA president David Howse disputed this, stating Newsom was notified the Monday before the announcement. A meeting between CCA leadership and the governor's office is scheduled. The school, founded in 1907, is the last nonprofit standalone art school in San Francisco and plans to sell its campus to Vanderbilt University.

san francisco california college of the arts close 2027 1234769731

California College of the Arts (CCA) in San Francisco will close by the end of the 2026-2027 academic year. Founded in 1907, the financially struggling nonprofit art school has entered an agreement to sell its campus to Vanderbilt University, which plans to establish undergraduate and graduate programs there, including art and design, and operate a CCA Institute that will house the Wattis Institute of Contemporary Arts and maintain CCA archives. The closure follows years of financial crisis, including a $20 million budget deficit in 2024 and declining enrollment, despite a $22.5 million gift from Nvidia CEO Jensen Huang's foundation in March 2025.

trump administration withdraws cultural organizations 1234769313

The Trump administration has withdrawn the United States from 66 international organizations, conventions, and treaties, including 31 UN-affiliated bodies, as announced in a presidential memorandum. Among the cultural organizations dropped are the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), the International Federation of Arts Councils and Culture Agencies (IFACCA), the Freedom Online Coalition, and the UN Alliance of Civilizations. The withdrawal follows a review ordered by President Trump in February 2025, with Secretary of State Marco Rubio asserting that many of these groups are "dominated by progressive ideology."

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Researchers from Binghamton University, at the request of an indigenous community group on Easter Island, have created a high-resolution 3D model of the Rono Raraku quarry, where 95 percent of the island's moai statues were carved. Using drone flights and over 11,000 overlapping photographs stitched together via photogrammetry, the model documents the quarry in unprecedented detail, including 133 quarried voids, 400-plus unfinished moai, and evidence of 30 distinct clan-based carving areas. The model is freely available online and was motivated by a 2022 wildfire that threatened the site.

nonprofit russia ukraine icc systematic and organized plunder 1234747902

A French nonprofit, For Ukraine, For Their Freedom and Ours!, has filed a complaint with the International Criminal Court (ICC) accusing Russia of the systematic and organized looting of Ukrainian cultural heritage since the 2022 invasion. The complaint, submitted on July 11, calls for arrest warrants for Vladimir Putin and eight senior Russian officials, alleging that the plunder was planned at the highest state level and constitutes war crimes under international law. The group identified a modus operandi involving Russia's Ministry of Culture, museum directors, and intelligence chief Sergei Naryshkin.

Student artwork sells for record $525K at RodeoHouston School Art Auction

The Houston Livestock Show and Rodeo School Art Auction set new records at its 2026 event, with student artworks attracting unprecedented bids from donor groups. The grand champion piece, a painting titled 'Between Boots and Moccasins' by Pasadena Memorial High School senior Joshua Washington, sold for a record $525,000, nearly doubling the previous year's top sale. The auction, held at NRG Arena, showcases artwork selected from a statewide competition involving over 200,000 students, highlighting the program's scale and impact on young Texas artists.

Morris Museum’s Common Ground: NJ Artists Think Monumental, an Ex

The Morris Museum in Morristown, New Jersey, presents "Common Ground: NJ Artists Think Monumental," the 42nd New Jersey Arts Annual. For the first time in the series' history, the exhibition moves outdoors, activating the museum's 8-acre campus with large-scale sculptures. Nine artists were selected from 530 submissions by a jury led by Johannah Hutchinson, Executive Director of the International Sculpture Center. The exhibition runs from May 28 to August 23, 2026, and includes works by Clifford Blanchard, Sunil Garg, Wendy Gordon, Robert Koch, Robert Lobe, Judith Peck, Jill Scipione, Lee Tal, and Josh Urso.

In “El Arte de la Resistencia,” migrant children share their experiences through art

An art exhibition titled "El Arte de la Resistencia" opened in Tucson, featuring artwork created by migrant children who have participated in La Ristra's art therapy program. The show includes life-size paintings, such as a boy's self-portrait with an excavator in his belly symbolizing his deported father's work, and a colorful cactus painted by another child. The exhibition, held in a small gallery near Fourth Avenue and Seventh Street, runs until May 17, 2026, with original pieces for sale to benefit the young artists and prints sold to raise funds for La Ristra, a nonprofit providing emotional support to migrant families.

‘The Little Flowers Are Me, Unbloomed:’ Georgia Foster Teens Find Their Voices Through Art Exhibit

Georgia foster teens have created a traveling art exhibit called the See Me project, sponsored by the nonprofit Georgia Appleseed, which has collected roughly 50 paintings, poems, and sculptures since 2023. The young artists, many first-time participants, explore themes of healing, hope, family, and belonging, often signing their works anonymously. The exhibit has been displayed at the Georgia Capitol, universities, community centers, and law firms, with artists paid $250 for their contributions.

‘Time and Tide’ exhibition reveals Petaluma River through local artists’ eyes

The Petaluma Historical Library and Museum is hosting 'Time and Tide,' a multimedia exhibition running through June 6 that explores the Petaluma River and its wetlands through 90 works including watercolors, photographs, poems, and sketches. The show, subtitled 'An Artful Exploration of Petaluma’s Wetlands,' opened April 9 and features contributions from local artists such as Leslie Ihrig, Zoe Caron, Dan Rogers, David Tomb, Marion Hatcher, and Sonoma County Poet Laureate Dave Seter, alongside taxidermy from the Petaluma Wildlife Museum and a video presentation.

McRae Art Studios kicks off 40th anniversary with open house this weekend

McRae Art Studios, Orlando's oldest and largest professional artist collective, is celebrating its 40th anniversary with a spring open house on April 25 at its 10,000-square-foot converted garage space in urban Orlando. Founded in 1986 by George and Marty Whipple, the studio has hosted over 100 award-winning artists across five locations. The event features studio visits, original artwork sales, live music, and a cash bar, along with a new exhibition of self-portraits titled "The Faces of McRae" created by the current 22 member artists. The collective is also reorganizing as a nonprofit to strengthen the local arts community.

Out and About: Richmond Art Gallery premieres new exhibits

The Richmond Art Gallery has launched two new exhibitions, 'I digress' and 'Side Core: under city'. The latter marks the North American debut of a show exploring the intersection of skateboarding culture and contemporary art in Tokyo, featuring work from artists Takasu Sakie, Matsushita Tohru, and Nishihiro Taishi. The former is a group exhibition curated by Zoe Chan, presenting diverse media from artists Simranpreet Anand, Jo-Anne Balcaen, August Klintberg, Anne Koizumi, Lindsay McIntyre, and Gonzalo Reyes Rodriguez.

Mondialisation and Mondialité: For a Museum of Errantry with Édouard Glissant

The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.

Gold by Serakai Studio’s ‘Certainly’ exhibition leans into unpredictability

Serakai Studio has launched its inaugural exhibition, "Certainly," at its new Wong Chuk Hang space, Gold, in Hong Kong. Curated by Tobias Berger, the show features 50 works by 11 international artists and takes its conceptual cue from La Monte Young’s 1960 Fluxus score, "Draw a straight line and follow it." The exhibition explores the impossibility of perfection and the necessity of embracing unpredictability and experimentation in a volatile global climate.

Gold by Serakai Studio’s ‘Certainly’ exhibition leans into unpredictability

Gold by Serakai Studio has launched its inaugural exhibition, "Certainly," in Hong Kong’s Wong Chuk Hang district. Curated by Tobias Berger, the former head of art at Tai Kwun, the show features 50 works by 11 diverse artists that explore themes of unpredictability and experimentation. The exhibition takes its conceptual cue from La Monte Young’s 1960 Fluxus score, "Draw a straight line and follow it," using the impossibility of that task as a metaphor for navigating global instability.

The Polygon Gallery maps out its 2026 programming

The Polygon Gallery in Vancouver has announced its 2026 exhibition schedule, featuring a diverse lineup of solo and group shows. The year's programming is anchored by photography but includes sculpture, installation, and beadwork, with a strong focus on local and Indigenous artists. Highlights include a major solo show by Tania Willard, a career retrospective for photographer Greg Girard, a two-person exhibition with Jeneen Frei Njootli and Catherine Blackburn, and the return of the Lind Biennial.

Unprecedented Exhibition ‘Echoes of Gen X: The Art of the Fillmore (1980s–2000s)’ Will Open at LA’s Gabba Gallery on February 21

The Gabba Gallery in Los Angeles will open a major exhibition titled 'Echoes of Gen X: The Art of the Fillmore (1980s–2000s)' on February 21. The show will feature a vast collection of deadstock gig posters and ephemera from the iconic San Francisco music venue, representing over 1,000 concerts from the late 1980s through early 2000s, with works by poster artists like Chuck Sperry, Frank Kozik, and Rex Ray.

Open Call Announced for Georgetown Art Center 2027 Exhibitions

The Georgetown Art Center (GAC) has issued an open call for its 2027 exhibition season, inviting U.S.-based artists working in any medium to propose monthlong solo exhibitions featuring work created within the past three years. Submissions will be reviewed by a panel of three artists—Caroline Walker, Mark Greenwalt, and Molly Mansfield—each of whom had solo shows at GAC in 2025. Selected artists receive a $500 honorarium, promotional support, and opportunities for an opening reception, artist talk, and masterclass. The deadline for submissions is February 28, 2026, with a $45 fee.

‘Triptych’ opening brings a trifecta of talent to Grove Gallery

Grove Gallery in Evanston, Illinois, hosted the opening reception of 'Triptych,' a three-person exhibition featuring artists Kate Berry-Brown, Vanessa Filley, and Darren Oberto. The show, on view through January 31, presents a range of media including pencil portraits, figurative photography, and oil paintings, exploring themes of motherhood, belonging, environment, and the cosmos. Gallery owner Sarah Kaiser-Amaral noted a synergy among the artists in their use of geometry and treatment of parenthood, describing a concept of order versus chaos. The gallery is donating 20 percent of sales from the exhibit to Housing Opportunities for Women (HOW), a nonprofit supporting people in Chicagoland experiencing poverty and homelessness.