The Metropolitan Museum of Art in New York has introduced nine new mannequin bodies for its costume displays, replacing older models to better showcase fashion exhibitions. The new mannequins feature more diverse and realistic body shapes, including different skin tones and poses, aiming to modernize the museum's presentation of historical and contemporary garments.
Artist Koh Sang-woo's solo exhibition "Still Breathing" opened at the Savina Museum of Contemporary Art in Seoul, featuring paintings of wounded, abused, and endangered animals. The show includes portraits of spotted seals from a project with WWF Korea, works from a partnership with Cheongju Zoo (including a vulture named Hana and a zebra named Sero), and a rabbit blinded in cosmetic testing. Koh uses a signature blue-inversion technique, and the exhibition is curated by museum director Lee Myung-ok.
Carlo D'Anselmi's solo exhibition 'Secrets and Mountains' opens at Fabienne Levy in Lausanne, Switzerland. The show presents a new body of work created during the artist's first stay in Switzerland, overlooking the French Alps, where he observed the transition from winter into spring. His dreamlike paintings blend figures, animals, and landscapes, exploring memory, light, nature, and the shifting boundary between reality and fiction. D'Anselmi holds an MFA from the New York Studio School and is represented by Thierry Goldberg Gallery in New York.
Jule Korneffel's third solo exhibition at Spencer Brownstone Gallery in New York, titled 'In Search of Lost Light,' presents a series of paintings that capture the quiet, liminal moments just before dawn. Using artist-mixed natural pigments, Korneffel shifts from her previous twilight-focused work to explore the anticipation of daylight, with pieces like the titular painting (2025) standing out for its playful, musical composition. The show also includes a mural in the gallery's back patio that blends colors into a grey neutral tone reminiscent of early-morning skies.
Taiwan has revoked the National Award for Arts from Indigenous artist Sakuliu Pavavaljung after his sexual assault conviction was upheld by the Supreme Court. The Ministry of Culture and the National Culture and Arts Foundation announced the withdrawal on 17 April 2025, and Pavavaljung must return the NT$1 million prize. The conviction stems from a February 2021 incident involving a woman under his artistic mentorship; he was sentenced to four years and six months in prison. Allegations first surfaced in December 2021 via social media, prompting further accusations. Pavavaljung had previously been dropped from representing Taiwan at the Venice Biennale and suspended from Documenta 15.
The 2026 Met Gala, scheduled for May 4, will serve as the fundraiser for the Metropolitan Museum of Art's Costume Institute, with a theme inspired by the new exhibition "Costume Art." The event is co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with lead sponsorship from Jeff Bezos and Lauren Sánchez Bezos, and will inaugurate the museum's new Conde M. Nast Galleries.
The Costume Institute at The Metropolitan Museum of Art will debut 25 new mannequins for its 2026 Met Gala exhibition, "Costume Art." The mannequins are modeled on a diverse range of real body types, including individuals with disabilities, and are intended to challenge the fashion industry's historical reliance on standardized, thin display figures.
Bobby Rogers, a graduate of the Minneapolis College of Art and Design, has been appointed as the head of design and editorial at the Minneapolis Institute of Art (MIA). In this role, he oversees the museum's visual identity, exhibition design, and marketing, aiming to make MIA a more engaging and innovative space for visitors. Rogers previously worked as head photographer at the Walker Art Center and as a senior art director at Target.
Maximilien Durand, aged 50, has been reappointed for a three-year term as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum in Paris. He has been preparing the department's opening since 2022. Durand previously served as director of the Musée des Tissus in Lyon and deputy director of collections at Paris Musées. His role includes overseeing collections, acquisitions, loans, and exhibitions, as well as a national expertise mission. Separately, Sophie Jugie moved to the Musées de France service after her non-renewal as head of the Sculptures department.
The Musée des Tissus (Museum of Fabrics) has opened its doors, marking the return of a specialized textile museum in Paris. The article also covers several other art-world developments: American Rousseau works returning to Paris, the outsourcing of museum reception services as a growing model, the New Museum's expansion, and Art Brussels adapting to contemporary trends.
La nouvelle entrée du Louvre
The article, titled "La nouvelle entrée du Louvre," reports on the upcoming redesign of the main entrance to the Louvre Museum in Paris. It also covers several other art-world stories: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, the troubled Musée des Tissus project, and Art Brussels adapting to contemporary trends.
Kyotographie, an independent international photography festival in Kyoto, has announced 'The Edge' as its theme for the 2026 edition, following a focus on humanity in 2025. The festival will feature exhibitions exploring fringes, darkness, and extremes of life, including a posthumous show of Fatama Hassona's 'The Eye of Gaza', a focus on South Africa with works by Lebohang Kganye, Pieter Hugo, and a peripatetic library from A4 Arts Foundation, as well as Ernest Cole's 'House of Bondage' at the Kyoto City KYOCERA Museum of Art—his first exhibition in Japan. Other highlights include Linder Sterling's survey 'Goddess of the Mind' at the Museum of Kyoto Annex and Anton Corbijn's 'Presence' at the Shimadai Gallery.
The Hall Art Foundation is reopening its Vermont campus for the 2026 season with three major exhibitions running through November 29. The centerpiece, "A Farewell to the Western World," is a group show of roughly 70 works exploring global power shifts and political instability, featuring artists such as Ai Weiwei, Aleksandra Mir, and Philip Guston. Also on view are Christian Marclay's video installation "Made To Be Destroyed," which compiles film scenes of artworks being damaged or destroyed, and Piotr Uklański's photographic installation "The Nazis," examining how film and popular culture have shaped representations of the Third Reich. The campus, set on a former dairy farm in Reading, includes converted gallery buildings and outdoor sculptures by Olafur Eliasson, Antony Gormley, Richard Long, and Marc Quinn.
Amy Sherald, the acclaimed portraitist known for her official portrait of Michelle Obama, is expanding her practice beyond painting. The article reports that she is branching out into new creative territories, though she reassures audiences that painting remains central to her work. Details of her new projects or media are not specified in the provided text, but the headline signals a shift in her artistic output.
Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.
The Lucas Museum of Narrative Art (LMNA) has announced its inaugural exhibition schedule, curated by founder George Lucas himself. Opening on September 22, the museum will feature over 30 galleries and more than 1,200 works, exploring human history and the human condition through narrative art forms including illustration, sequential art, and cinema. The exhibitions will showcase production designs, props, and costumes from the Lucas Archives, alongside works by iconic artists such as Frank Frazetta, Boris Vallejo, Maxfield Parrish, N.C. Wyeth, Beatrix Potter, Jack Kirby, Alison Bechdel, Frank Miller, and Mœbius, spanning adventure, fantasy, sci-fi, children's literature, and comics.
The Helmut Newton Foundation at Berlin's Museum für Fotografie is overhauling its permanent exhibition after more than 20 years, introducing a cinematic installation called "Intermezzo" that uses eight video projectors across four screens to present a film portrait of Helmut Newton. The film incorporates previously unreleased material, including personal recordings by his wife June Newton, and features interviews with figures from Newton's world such as Philippe Garner, Carla Sozzani, and Matthias Harder. Alongside the immersive film, the ground-floor gallery displays nearly 100 of Newton's exhibition posters and launches a new curatorial series, "Spotlight: behind the frame," which will focus on iconic photographs by Helmut Newton or Alice Springs, starting with Newton's 1975 "Rue Aubriot" and Alice Springs' 1970 Gitanes advertisement.
Morocco will debut its first-ever national pavilion at the 2026 Venice Art Biennale, presenting a monumental installation titled "Asǝṭṭa" by multidisciplinary artist Amina Agueznay. Curated by Meriem Berrada, the project is housed in the Arsenale's Artiglierie and explores themes of traditional craftsmanship, shared memory, and the symbolic threshold (âatba). The installation, which involves 166 Moroccan artisans and two Venetian collaborators, is conceived as a porous, liminal space that engages with the Biennale's theme "In Minor Keys," curated by Koyo Kouoh.
The inaugural Gregorian Art Exhibition opened on April 25, 2026, at St. Gregory's College, Ikoyi, Lagos, organized by the Old Boys Association to honor renowned Nigerian artist Bruce Onobrakpeya. The three-day event, themed “Celebrating Legacy, Excellence and Continuity,” brought together an intergenerational mix of artists, cultural figures, and stakeholders, featuring speeches from alumni leaders Dr. Michael Omolayole and Francis Oluwole Kudayah, who announced plans for a yearly art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, unable to attend in person, reflected on his decision to remain in Nigeria and credited the school for shaping his artistic identity.
Richard MacDonald, the internationally acclaimed figurative sculptor known for his bronze works of dancers, athletes, and performers, is celebrating his 80th birthday with a two-day event on June 5 and 6, 2026, in Monterey, California. The celebration takes place at his studio and foundry, featuring a private invitation-only evening on June 5 for close friends, family, and leading collectors, followed by a public cocktail event on June 6. Activities include live performances, guided studio and foundry tours, a live bronze pour demonstration, and the unveiling of new sculptures, including a commissioned piece for the Weaver of Change Foundation in Singapore.
Los Angeles will open DATALAND, the world's first Museum of AI Arts, on June 20, 2026. Co-founded by Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum is located in Frank Gehry's Grand LA complex within the Grand Avenue Cultural District. Its inaugural exhibition, "Machine Dreams: Rainforest," runs through January 31, 2027, and features the Large Nature Model—the first open-source generative AI model dedicated to nature. The exhibition uses real-time audience biofeedback and ecological datasets to create a shifting digital rainforest, including an Infinity Room that plays the extinct Kauaʻi ʻŌʻō bird's call. Pioneer Memberships are now on sale, offering exclusive pre-opening access and a generative print.
Chilean tattoo artist Felipe Abel (born Felipe Arriagada), who has a background in graphic design and a decade of experience in black-and-grey micro-realism, is preparing to join Noble Art Studio in Brooklyn. He is also developing a new series of oil paintings focused on mythology, theology, and esotericism, expected to debut in a formal exhibition around 2027. Abel, who has held guest spots in over 20 cities across 10 countries including studios like Sasha Tattooing in Paris and The White Whale in Milan, uses chiaroscuro and a recurring floating orb motif in his work, drawing influence from photographer Sebastião Salgado and painter Guillermo Lorca.
Portuguese construction and engineering group DST has opened Muzeu, a contemporary art museum in Braga's historic center, housed in a former courthouse redesigned by architect José Carvalho Araújo. The inaugural exhibition, 'Sejamos realistas, exijamos o impossível' (Let us be realistic, let us demand the impossible), features works by international artists Alex Katz, Nan Goldin, Annie Leibovitz, and Anselm Kiefer alongside leading Portuguese artists such as Ângela Ferreira, Pedro Calapez, and Ana Vidigal. DST CEO José Teixeira, who has built one of Portugal's most significant private art collections, aims to position the museum as a cultural anchor for the city.
Leana Hoadley has opened Hoadley Gallery West in downtown Edmonds, Washington, a boutique gallery specializing in handmade ceramics, jewelry, glass, and sculptural objects. The gallery builds on the legacy of the original Hoadley Gallery in Lenox, Massachusetts, founded over 40 years ago by her aunt and uncle, Stephanie and Thomas Hoadley. After a winding career that included studying at the School of the Museum of Fine Arts in Boston and working as a creative director for an AI company, a 2023 layoff prompted Hoadley to reassess her path and pursue opening her own gallery. The space features works including porcelain vessels by Thomas Hoadley made using the ancient Japanese Nerikomi technique, which are held in collections such as the Smithsonian American Art Museum's Renwick Gallery and the Museum of Fine Arts, Boston.
Casa Miraflores presents the RADAR section titled "Porous Systems" at Pinta Lima 2026, curated by Ilaria Conti. The section features Guatemalan center La Galería Rebelde and artist Angélica Serech, whose textile works draw from Maya Kaqchikel knowledge, alongside artists Diana Eusebio, Luciano Giménez, Alberto Casari, and Carlos Luis "Pajita" García Bes. The exhibition explores permeability, process, and the meeting of inherited knowledge with contemporary languages.
The Tom Thomson Art Gallery (TOM) in Owen Sound is launching two new exhibitions this spring. 'Liz Zetlin: More Than Human – a year in my garden' is an immersive video installation documenting the seasonal cycles of the artist's garden, while 'Emergence 2026' showcases works by regional high school students.
Jean-David Malat, founder of JD Malat Gallery, opened a new outpost in Downtown Dubai in early 2025, expanding from his established Mayfair space in London. The gallery launched with a group show, *Carte Blanche*, and has since hosted solo exhibitions, with plans for a *Made in UAE* initiative that received over 1,000 applications. Malat cites the slowing London market and growing momentum in the UAE as key factors in his decision to invest in Dubai, where he spent a month building relationships with collectors and the local community before opening.
Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu
For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.
Due fotografi hanno provato a raccontare la Toscana oltre i soliti cliché
The article profiles photographers Gioconda Rafanelli and August Kaciuruba, who are contributing to the "How Italy Feels" project curated by Marina Serena Cacciapuoti and Cesare Cacciapuoti of Italy Segreta. The project involves twenty local photographers capturing Italy beyond stereotypes. In the Tuscany chapter, Rafanelli and Kaciuruba present a lived, off-duty vision of the region, blending fashion, architecture, and cinematic influences. They discuss their collaborative process, their shared gaze, and how their work shifts between the fast pace of Milan and the slower rhythms of Tuscany, drawing inspiration from filmmakers like Wong Kar-wai, Stanley Kubrick, Luchino Visconti, and Michelangelo Antonioni.
Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive
The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.