filter_list Showing 2666 results for "Stan" close Clear
dashboard All 2666 museum exhibitions 1270article news 392article culture 240trending_up market 226article local 170article policy 122person people 92rate_review review 61gavel restitution 52candle obituary 38article school 1article museums 1article event 1
date_range Range Today This Week This Month All
Subscribe

top auction moments of 2025 2712941

Artnet News rounds up the standout auction moments of 2025, highlighting both triumphs and disappointments. M.F. Husain's *Untitled (Gram Yatra)* (1954) smashed expectations at Christie's, selling for $13.8 million—more than double the artist's previous record and the first South Asian Modern work to exceed $10 million. In contrast, Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) fell short of its $50 million estimate at Christie's, missing the artist's auction record, while Alberto Giacometti's *Grande tête mince* (1955) failed to sell at Sotheby's despite a $70 million asking price, underscoring market volatility.

most expensive lots sold at auction in 2024 2592965

Artnet News analyzed the 10 most expensive lots sold at auction in 2024, drawing on the Artnet Price Database. The top lot was René Magritte's *L'Empire de Lumières* (1954), which sold for $121.2 million at Christie's New York in November, setting a new auction record for the artist and becoming the only work to break nine figures this year. Other notable sales included Ed Ruscha's *Standard Station, Ten-Cent Western Being Torn in Half* (1964) at $68.3 million, Claude Monet's *Nymphéas* (1914–17) at $65.5 million, and Jean-Michel Basquiat's *Untitled (ELMAR)* (1982) at $46.4 million. Seven of the top 10 lots sold in New York, with Hong Kong, London, and Vienna also represented.

yun fei ji james cohan 2722254

Chinese artist Yun-Fei Ji presents a new body of work in the exhibition “Riding the Tiger” at James Cohan Gallery in New York. The paintings draw on archetypes from Chinese folklore and the 16th-century novel *Journey to the West*, blending fantastical imagery with recognizable human scenes to explore the psychological and spiritual dimensions of migration. Works such as *The Sweep Up of Animal Spirits* and *The Round Up #1* directly reference the persecution of immigrants by government agencies, using symbols like tigers, buddhas, and livestock to critique power structures.

tristan unrau 2719288

Tristan Unrau, a 36-year-old Los Angeles-based painter originally from Canada, creates works that deliberately avoid a singular style, instead copying or channeling a vast range of art historical sources—from Old Masters and Modernists to cartoons and photorealism. His pluralistic approach has earned him a dedicated following, and David Kordansky Gallery announced representation of the artist this fall, planning a major solo exhibition in Los Angeles in March 2026. Unrau, who earned his MFA at UCLA, is currently preparing for that show in his East Hollywood studio, producing paintings that reference artists such as Bruegel, Jean-Luc Godard, František Kupka, Emil Nolde, and Willem de Kooning.

american arts conservancy venice biennale 2719076

The Trump administration has selected Mexico-based sculptor Alma Allen to represent the United States at the 61st Venice Biennale, with the pavilion organized by curator Jeffrey Uslip and sponsored by the newly formed American Arts Conservancy (AAC). The AAC, founded in July 2024 and based in Tampa, is run by executive director Jenni Parido, a pet foods entrepreneur with no prior art-world experience, and its board includes figures from construction, conservative media, and high-end event planning, raising questions about its qualifications for this high-profile role.

david shrigley selling old rope 2713134

British artist David Shrigley has created "Exhibition of Old Rope," a work consisting of 10 tons of salvaged rope arranged on the floor of Stephen Friedman Gallery in London, priced at £1 million ($1.3 million). Shrigley and assistants spent months collecting discarded rope from beaches, cruise ships, climbing schools, tree surgeons, and wind farms, then cleaned and assembled it into a large pile. The work plays on the English idiom "money for old rope," which originally referred to the resale value of used ship rope in early 19th-century Britain.

art abu dhabi focus nigeria turkey 2712901

Abu Dhabi Art returns in 2025 with 142 galleries from 34 countries, introducing two new Focus sectors: Focus: Nigeria Spotlight and Focus: Modern Türkiye. The Nigeria section, curated by Tola Akerele, features seven galleries including kò, SOTO Gallery, and O’DA Gallery, showcasing artists like Samuel Nnorom, Bara Sketchbook, and Rufus Ogundele. Focus: Modern Türkiye, curated by Doris Benhalegua Karako, presents modern masters such as Fahrelnissa Zeid, Burhan Doğançay, and Gülsün Karamustafa through Istanbul-based galleries including DG Art Gallery and Projects, Art on Istanbul Gallery, and BüroSarıgedik.

alfonso artiaco liam gillick alan charlton 2713185

Naples-based gallery Alfonso Artiaco has opened a dual exhibition pairing British artists Liam Gillick and Alan Charlton for the first time. Gillick, a former Young British Artist associated with relational aesthetics, presents three new aluminum and Plexiglas "elevation" sculptures plus a wall piece titled *Euphoric Production Cycle* (2025). Charlton, known for his lifelong dedication to grey monochrome painting, contributes three works—a circle, square, and triangle—that anchor the show. The exhibition runs through January 10, 2025.

top auction results june 2025 2665014

The summer 2025 auction season concluded with total sales of $85.7 million, a significant drop from $105 million the previous year. The top lot, François-Xavier Lalanne's *Grand Rhinocrétaire II* (2003), sold for $16.42 million at Sotheby’s New York, far below last June’s $29 million top price. Other notable results include Tamara de Lempicka’s *La Belle Rafaëla* (1927) at $10.18 million, two Jean-Michel Basquiat works, and a strong showing by Jacek Malczewski’s *Reality* (1908) at Desa Unicum in Warsaw.

laocoon vatican michelangelo forgery 2620416

On January 14, 1506, Florentine architect Giuliano da Sangallo and Michelangelo Buonarroti witnessed the excavation of the Laocoön Group, a monumental ancient marble statue unearthed in a Roman vineyard. The sculpture, depicting the Trojan priest Laocoön and his sons battling serpents, was quickly acquired by Pope Julius II and installed in the Vatican, where it remains today at the Museo Pio-Clementino. However, art historian Lynn Catterson controversially proposed in 2005 that the statue is not an ancient artifact but a forgery created by Michelangelo himself, citing evidence such as a drawing of a torso resembling the statue's back, bank records of Michelangelo's marble purchases, and his history of producing forgeries like the lost Sleeping Cupid.

rena bransten gallery 2661954

Rena Bransten Gallery in San Francisco is celebrating its 50th anniversary with a series of exhibitions highlighting key moments in its history. The second installment, "RBG at 50: Photo & Video," on view through August 23, 2025, features works by artists such as Dawoud Bey, Sophie Calle, Jim Campbell, and Vik Muniz. The show traces the gallery's expansion beyond its original focus on ceramics, which began in 1979 with a solo exhibition of photographer Judith Golden. Highlights include Sophie Calle's "La Robe de Mariee" (1989) and a photograph by Dawoud Bey documenting a performance by David Hammons.

phillips modern and contemporary art by the numbers 2644759

Phillips held its marquee May auction in New York, achieving $52 million in total sales, down from $86.3 million the previous year. The top lot was a Jean-Michel Basquiat work owned by David Bowie, which sold for $6.59 million. Four lots were withdrawn before the sale, five failed to sell, and the sell-through rate was 77.5 percent. Despite a low-energy room, five artist records were set, including four for women artists: Ilana Savdie, Olga de Amaral, Kiki Kogelnik, and Grace Hartigan, and one for James Turrell.

lucia painted her own myth 2657810

The article profiles Lucia Wilcox, a nearly forgotten Surrealist painter born in 1899 who lived an extraordinary life—raised in Beirut, partying with Surrealists in Paris, fleeing to New York in 1938, and becoming a doyenne among expatriate artists in the Hamptons. She painted joyful, mythical women and was shown by major dealers Sidney Janis and Leo Castelli, but after her death in 1974 she faded into obscurity. Now, a tightly curated exhibition titled "Lucia Wilcox: LUCIA" at Berry Campbell in New York (through June 28) reintroduces her work, focusing on over 20 paintings from the 1940s, including the vibrant "Untitled (Jungle)" (1944).

cracking chinese art market 2656679

Mario Cristiani, co-founder of Galleria Continua, reflects on the gallery's 20-year journey in Beijing, describing how a meeting with three friends united by admiration for artist Chen Zhen led to opening a space in China. He recounts the vibrant early 2000s art scene, the transformative impact of the 2008 Beijing Olympics, and the gallery's initial five years without sales, emphasizing that success in China required credibility, consistency, and genuine cultural integration rather than commercial exploitation.

galerie eva presenhuber franz west 2657381

Galerie Eva Presenhuber in Zurich has opened "Franz West, Die Frühen Werke / Early Works," the gallery's twelfth exhibition dedicated to the late Austrian artist Franz West (1947–2012). The show surveys West's output from 1975 to 1990, highlighting his early sculptures, drawings, collages, and his signature interactive "Passstücke" (Adaptives)—pieces designed to be moved, worn, or played with by viewers. The exhibition runs through October 3, 2025.

barbara hepworth stringed sculptures piano nobile 2607574

London's Piano Nobile gallery has opened "Barbara Hepworth: Strings," the first exhibition dedicated to the British sculptor's use of string in her work. The show explores how Hepworth (1903–1975) incorporated string into sculptures, paintings, and drawings from 1939 onward, including pieces never before exhibited in the U.K. Highlights include the rediscovered "Theme on Electronics (Orpheus)," 1956, commissioned by Mullard and long thought lost, and "Pierced Hemisphere (Telstar)," 1963, making its U.K. debut. Curated by Michael Regan, the exhibition draws on Hepworth's letters and archival material to illuminate her innovative approach to tension, space, and light.

How to Feel the Benefits of Art, According to Psychologists

Recent psychological research confirms that engaging with visual art provides significant physical and mental health benefits, including the alleviation of depression, anxiety, and stress. Studies indicate that viewing art can also enhance cognitive functioning and social skills, prompting new initiatives to explore the specific mechanisms behind these wellness improvements.

SFMOMA reimagines our connection to 250 works of art across four floors.

San Francisco Museum of Modern Art (SFMOMA) has unveiled "Reimagined: The Fisher Collection at 10," a major reinstallation of approximately 250 works from 35 artists across four floors. The project was led by project assistant curator Ted Mann and chief education and public engagement officer Gamynne Guillotte, who collaborated to transform how the collection is presented. Changes include rotating galleries, such as the Agnes Martin room, to improve sightlines, and incorporating artists' voices, archival video, and interpretive tools to make abstract works more accessible. The reinstallation marks the tenth anniversary of the Fisher Collection's long-term loan to SFMOMA, originally arranged in 2009 and later extended to 100 years.

Expanded Vocabulary: Revisiting Deborah Kass’ Studio

The article recounts the author's visit to Deborah Kass's Brooklyn studio, which she shares with her wife, artist Patricia Cronin. The visit was prompted by logistical issues related to the author's exhibition "Social Minimalism" (2025). During the visit, the author and Kass revisited themes central to Kass's work over three decades: the exclusion of women from art history, Jewish identity, queer voice, lesbian subjectivity, and postwar American art. The conversation also touched on Kass's series including the Warhol Project, Feel Good Paintings, No Kidding, and the large painting/sculpture installation "Everybody" (2019), which was recently featured in a conversation between Kass and Titus Kaphar in Interview magazine.

Exhibition | Nengi Omuku, 'We Were Like Those Who Dreamed' at Pippy Houldsworth Gallery, London, United Kingdom

Pippy Houldsworth Gallery in London presents 'We Were Like Those Who Dreamed,' the second solo exhibition by Nigerian artist Nengi Omuku. The show features new paintings that explore the politics of green spaces in urban centers, particularly Lagos, where rapid urbanization has created a 'concrete jungle.' Omuku transposes figures from contemporary and archival images of Lagos into lush, Impressionistic landscapes painted with pointillist brushstrokes and a Fauvist palette, using the garden as a radical symbol of equality and resistance. She paints on sanyan, a hand-spun Yoruba cloth, working with local artisans in Ilorin to revive the tradition. Works like 'Dream Logic' and 'One Particular Man' address socio-economic tensions, while 'A quiet nation' captures the dichotomy between urban Brutalist architecture and natural foliage.

FAD News: Serpentine x FLAG Art Foundation Prize Announces Star-Studded Selection Committee

The Serpentine x FLAG Art Foundation Prize has announced its selection committee for the inaugural award, the largest contemporary art prize in the UK given to a single artist. The five-person jury includes Michelle Kuo (Chief Curator at Large and Publisher at MoMA), Venus Lau (director of Museum MACAN), Hans Ulrich Obrist, Jon Rider, and artist Rirkrit Tiravanija. The committee met in London on 23rd April to select the first recipient, who will be announced on 12th May. The prize awards £200,000 biennially over ten years, totaling £1 million across five artists, with each recipient developing a new body of work culminating in exhibitions at Serpentine in London and The FLAG Art Foundation in New York.

A Spring Journey Through the Season’s Standout Exhibitions

This article highlights a curated spring journey through major exhibitions across Europe and the US, focusing on artists represented in the UBS Art Collection. Featured shows include Catherine Opie at the National Portrait Gallery in London, Yin Xiuzhen at the Hayward Gallery, Tracey Emin at Tate Modern, Lorna Simpson at Palazzo Grassi in Venice, and Jean-Michel Basquiat at the Louisiana Museum of Modern Art in Denmark. Each exhibition offers fresh perspectives on the artists' practices, from photography and installation to painting and works on paper.

“I’m just a painter.” An interview with Jim Moir

Comedian Jim Moir, best known as Vic Reeves, has opened a solo exhibition titled 'Neo Fauna' at Cartwright Hall in Bradford. The show features his eclectic paintings and drawings, including watercolours of birds and the 'American Couples' series, where he paints over found family portraits. Moir insists his comedy career was an extension of his art practice, stating he is fundamentally 'just a painter.'

Antony Gormley: ‘Put a sculpture on the moon? No, that would be a bad idea’

Renowned British sculptor Antony Gormley is preparing for a major creative season, marked by two upcoming exhibitions at the Royal Museum of Fine Arts in Antwerp and Galleria Continua in San Gimignano, alongside the release of a new book dedicated to his drawings. Speaking from his David Chipperfield-designed studio in London, the artist reflects on his rigorous daily practice and his background in art history, contrasting his own ascetic, industrial aesthetic with the fleshy opulence of Flemish masters like Rubens.

Forget Masterpieces—Show Me Everything

The Victoria & Albert Museum has launched the V&A Storehouse in East London, a massive open-storage facility housing over 250,000 objects, 1,000 archives, and a vast library. Designed by Diller Scofidio + Renfro in collaboration with Austin-Smith:Lord, the space eschews traditional curated narratives in favor of a dense, immersive environment where visitors navigate four stories of artifacts arranged by cataloging logic rather than art-historical themes.

Artist Lee Bae's solo exhibit questions his understanding of art and interrogates his farming roots

South Korean artist Lee Bae has opened a major solo exhibition titled "En attendant: Waiting" at Museum SAN in Wonju. The show features 39 works, including his signature "Issu du feu" charcoal sculptures and massive 10-meter-tall bronze "Brushstroke" installations placed within the museum's Stone Garden. The exhibition is designed to harmonize with the unique architecture of Tadao Ando, utilizing natural light and the surrounding mountain landscape to create a meditative experience for visitors.

8 Standout Shows to See During Frieze Week in Los Angeles

Los Angeles is hosting a surge of high-profile exhibitions to coincide with the arrival of Frieze Los Angeles and its various satellite fairs. The city's gallery and museum circuit is currently anchored by major debuts and surveys, including Leiko Ikemura’s mystical explorations at Lisson Gallery, Sarah Sze’s immersive video and painting installations at Gagosian, and Alejandro García Contreras’s folklore-inspired ceramics at Anat Ebgi.

Van Gogh’s ‘triple painting’ revealed by discoveries beneath the surface

Conservators at Rotterdam's Boijmans Van Beuningen Museum have discovered that Vincent van Gogh's painting *Poplars near Nuenen* (1885) conceals two earlier compositions: a moonlit view of a church tower and graveyard from July 1884, and a subsequent reworking in Paris in late 1886 that brightened the autumnal landscape. X-ray imaging revealed the original church scene, which Van Gogh painted over after his father's death. The final version, now restored after four years of conservation, goes on display on 7 February.

Fairfield University Art Museum Exhibition to Commemorate 250th Anniversary of the U.S., Opens Jan. 23

Fairfield University Art Museum will open a major loan exhibition titled "For Which It Stands…" on January 23, 2026, running through July 25, 2026, as part of the university's commemoration of the 250th anniversary of the United States. The exhibition features over 70 works by diverse artists from the early 20th century to the present day, all centered on depictions of the American flag, including pieces by Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, Julie Mehretu, Childe Hassam, and a new textile sculpture by Maria de Los Angeles commissioned for the show. Works are lent by private collectors, artists, galleries, and institutions such as the Delaware Art Museum, Yale University Art Gallery, and the Gordon Parks Foundation.

At SLAM, Anselm Kiefer’s Material Transformations

The Saint Louis Art Museum (SLAM) is presenting "Anselm Kiefer: Becoming the Sea," an exhibition of 40 works by the German artist dating from the 1970s to the present, including 20 recent pieces and five monumental site-specific paintings. Curated by museum director Min Jung Kim, the show features Kiefer's characteristically vast, heavy works built from materials like tar, melted lead, and steel, displayed without stanchions and with minimal labels to encourage immersive viewing. The exhibition was inspired by a conversation between Kim and Kiefer about the confluence of rivers—the Rhine in his native Germany and the Mississippi and Missouri in St. Louis—and makes use of SLAM's grand 1904 World's Fair building.