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sandy rodriguez ringling museum of art exhibition

Los Angeles-based artist and researcher Sandy Rodriguez has opened her most ambitious exhibition to date, "Currents of Resistance," at the Ringling Museum of Art in Sarasota, Florida, running through August 10. The centerpiece is "Resistance Map of the Gulf of Mexico" (2025), a 94.5-inch amate paper map from her ongoing "Codex Rodriguez-Mondragón" series. Rodriguez creates her own pigments from foraged minerals and botanical specimens, and uses handmade amate bark paper from San Pablito, Mexico, a sacred Mesoamerican material once outlawed during the colonial era. The map layers 500 years of cartographic tradition with historic and contemporary acts of resistance, including the Mixtón War, the Calusa resistance, and modern police violence in New Orleans. For this exhibition, she also introduced ocean water from the Gulf of Mexico to thin her pigments, referencing climate change as ongoing colonial aggression.

jane austen sister artist

Jane Austen's older sister Cassandra, a skilled but historically overshadowed artist, is the subject of a new exhibition titled "The Art of Cassandra" at Jane Austen's House in Chawton, England. The show features 10 of her surviving works, including six never before publicly displayed and four newly discovered pieces, such as family portraits, a winter landscape, and copies of existing artworks. The display marks the largest-ever gathering of confirmed works by Cassandra, coinciding with the 250th anniversary of Jane Austen's birth.

black portraiture peregrine tyam letter

A 17th-century British portrait at Claydon House, a National Trust property, depicts Mary Lawley and Peregrine Tyam, a Black enslaved attendant whose identity is known—one of the earliest such examples. Historian Hannah Lee published research in British Art Studies revealing new details about Tyam, including a rediscovered letter he wrote in 1699 to his enslaver John Verney, offering rare firsthand insight into the lives of enslaved people in aristocratic households. The portrait, attributed to the little-known artist Lenthall, was commissioned by Verney to mark his marriage in 1692 and shows Tyam wearing a silver collar, a symbol of enslavement.

work of the week emily kam kngwarray

Artnet News's "Work of the Week" highlights Emily Kam Kngwarray's painting *Desert Storm* (1992), currently on view at Pace London as part of the exhibition "My Country." Painted midway through her career, the work marks a stylistic shift from intricate dotting to broader strokes and expansive color fields. The piece is priced between $1 million and $1.5 million, aligning with the artist's auction record of $1.3 million (AUD $2.1 million) for *Earth's Creation I* (1994), sold at Cooee Art Gallery in 2017. The exhibition is organized with D'Lan Contemporary, which has branches in New York, Melbourne, and Sydney, and 10 percent of proceeds will support the Utopia community, in addition to the Artist Resale Right returned to Kngwarray's estate.

the met taps 3 international craftmakers for new artisan residency

The Metropolitan Museum of Art and Swiss luxury watchmaker Vacheron Constantin have announced the inaugural class of their new Artisan Residency, an 18-month program aimed at nurturing traditional craft techniques while encouraging contemporary innovation. The first cohort includes American furniture maker Aspen Golann, Egyptian ceramicist Ibrahim Said, and Italian jeweler Joy Harvey, selected from a worldwide open call. The artisans will study The Met's collections and work with Vacheron Constantin's master craftsmen in New York and Geneva, with a public presentation of their completed works planned for 2026.

amnh pedro pascal hayden planetarium show

New York's American Museum of Natural History is launching a new film at the Hayden Planetarium titled "Encounters in the Milky Way," narrated by actor Pedro Pascal. Opening June 9, the 30-minute show uses data from the European Space Agency's Gaia observatory and contributions from over 20 academic institutions to map the sun's journey through the Milky Way over billions of years. The project involved astronomers, artists, and science visualization experts, with a score by composer Robert Miller and direction by museum trustee Shawn Levy.

fbi recovers paintings university new mexico harwood museum art

The FBI has recovered two paintings stolen 40 years ago from the University of New Mexico's Harwood Museum of Art in Taos. Victor Higgins's oil painting *Aspens* (c. 1932) and Joseph Henry Sharp's portrait *Oklahoma Cheyenne aka Indian Boy in Full Dress* (c. 1915) were taken in March 1985, when the building housed a public library with a museum on the second floor. The recovery was triggered by a late 2023 tip from investigative reporter Lou Schachter to museum executive director Juniper Leherissey, who then led an Art Recovery Task Force. The paintings had been sold in 2018 by the Scottsdale Auction House under altered titles, and were located, recovered, and returned to the museum on May 12, 2025, with a public unveiling on June 6.

artemisia gentileschi rediscovered works paris

A new exhibition in Paris, "Artemisia Gentileschi: Heroine of Art," at the Musée Jacquemart-André, presents around 40 paintings by the Italian Baroque painter, including four recently rediscovered works. Curator Patrizia Cavazzini deliberately shifts focus away from Gentileschi's rape and trial, instead highlighting her artistic development and achievements. Among the rediscovered pieces are "Virgin of the Annunciation" (c. 1609-10), one of her earliest known works, and a signed portrait of a Knight of the Order of Saint Stephen (c. 1619-20), previously misattributed to Justus Sustermans.

clara peeters only self portrait comes to auction

Sotheby’s London will auction what is believed to be the only known self-portrait by Clara Peeters, a pioneering Flemish still life painter from the early 17th century. The painting, a vanitas still life featuring a presumed self-portrait and a still life of flowers in a glass vase, carries a presale estimate of £1.2 million to £1.8 million ($1.6 million–$2.4 million) and will be offered in the “Old Master and 19th Century Paintings Evening Auction” on July 2. The work was previously downgraded to the artist’s circle but is now accepted as an autograph Peeters, with a provenance dating back to 1767.

rachel ruyschs still lifes dutch toledo pinakothek munich mfa boston

The Toledo Museum of Art has opened the first major exhibition dedicated to Dutch Golden Age painter Rachel Ruysch, organized with the Alte Pinakothek in Munich and traveling next to the Museum of Fine Arts, Boston. The show features Ruysch's vibrant still lifes of fruits and flowers, often animated by insects, and places her work alongside that of her sister Anna Ruysch and other female scientific illustrators like Maria Sibylla Merian. Curator Robert Schindler's rediscovery of Anna Ruysch's work helped inspire the exhibition, which also draws on botanical research to catalog the global plant species Ruysch depicted, reflecting colonial trade networks.

severance dieter rams braun vitsoe

The article examines the use of two iconic minimalist designs—the Vitsœ 620 chair and a Braun wall-mounted hi-fi system—in the Apple TV+ series *Severance*. Both objects were designed by German industrial designer Dieter Rams in the 1960s and appear in the show's dystopian corporate setting, specifically in the lower levels of Lumon Industries where experimental subject Gemma undergoes tests. The production team intentionally selected these pieces to convey themes of power, control, and commerce.

uk museums defend corporate funding

A group of officials overseeing major UK cultural institutions, including the British Museum, the Victoria and Albert Museum, and the National Gallery, have signed a public letter defending corporate sponsorship. Published in the Financial Times, the letter calls for an end to "relentless negativity" around private sector partnerships and is backed by ten organizations, including the Science Museum Group. It follows protests over Baillie Gifford's sponsorship of literary festivals due to its ties to fossil fuels and Israel, which led nine festivals to end partnerships in 2023.

nicolas nahab samy ghiyati ng interview

Nicolas Nahab and Samy Ghiyati, two seasoned art world professionals, have left their high-profile gallery positions to launch NG, an independent art advisory and exhibitions company. Nahab, formerly a director at Mendes Wood DM and previously at Marian Goodman Gallery and Yvon Lambert, will focus on curating, while Ghiyati, who worked at David Zwirner and Kamel Mennour, will handle advising. Their inaugural show will feature a solo exhibition of new work by New York–based Moroccan artist Meriem Bennani in Essaouira, Morocco, opening in December 2025.

bint mbareh sound art palestinian resistance

Bint Mbareh, a Palestinian sound artist and stage name assumed around 2019, creates installations and performances that use water and sound as metaphors for Palestinian experience. Growing up in Ramallah and later studying at Goldsmiths in London, she learned geographically specific Palestinian rain-summoning songs, which she twists and destabilizes using digital technology in works like *Time Flows in All Directions: Water Flows Through Me* (2020). After October 7, 2023, she expanded her practice to include a “choir” of collaborators performing collective grief, with appearances at an Artists for Aid benefit concert in London and at Tate Modern. Recent installation works such as *Bodies of Knowledge* (Royal College of Art) and *What’s Left?* (Sharjah Biennial) incorporate water tanks vibrated by sound, evoking both childhood and displacement.

museum removes maori artist new zealand flag diane prince

The Suter Art Gallery in Nelson, New Zealand, removed an artwork by Māori artist Diane Prince after public outcry. The piece, a new version of her 1995 work *Flagging the Future*, featured the New Zealand flag printed with the words “PLEASE WALK ON ME” and was part of a solo show organized by Pātaka Art + Museum. Local resident Ruth Tipu protested by picking up the flag daily, citing distress over the flag being walked on, especially given her grandfather’s service in the Māori Battalion. The museum cited an escalation in hostile discourse as the reason for removal, while affirming support for freedom of expression.

cracking the parmigianino code at the frick

The Frick Collection is presenting a single-picture exhibition of Parmigianino's portrait 'Schiava Turca' (circa 1531–34), on loan from the Galleria Nazionale di Parma. The painting, whose title means 'Turkish Slave,' depicts a woman in elaborate headdress and chains, whose identity has long been a mystery. Curator Aimee Ng proposes a new interpretation: that the sitter is the poetess Veronica Gambara, based on her confident demeanor and the Pegasus emblem symbolizing poetic inspiration. The article also recounts Vasari's anecdote about Parmigianino's absorption in his work during the 1527 Sack of Rome, and explores the painting's connection to Mannerist ideals of beauty.

japanese sculptor kunimasa aoki wins 2025 loewe craft prize

Japanese sculptor Kunimasa Aoki won the 2025 Loewe Craft Prize on Thursday evening in Madrid, receiving a €50,000 cash prize. His anamorphic terracotta sculpture “Realm of Living Things 19” was selected by a 12-member jury from 30 shortlisted works on display at the Thyssen-Bornemisza National Museum. The jury praised the work's honest expression of the ancestral coil process and the raw, unfinished form of the material. Two special mentions were awarded: Nigerian artist Nifemi Marcus-Bello for “TM Bench with Bowl” and Studio Sumakshi Singh from India for “Monument.”

frieze seoul 2025 exhibitor list

Frieze Seoul 2025 will bring together 120 galleries from over 30 countries for its fourth edition, running September 4–6 at the COEX convention center with a preview day on September 3. The fair coincides with Kiaf Seoul and is split into three sections: the main Galleries section (90 exhibitors), Focus Asia (10 solo presentations of emerging artists), and Frieze Masters (20 booths covering works from the Middle Ages to the 20th century). Blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, and David Zwirner, alongside leading Korean galleries such as Gallery Hyundai and Kukje Gallery. Five galleries have graduated from Focus Asia to the main section, and 20 first-time participants join the main section.

asian artists under 35 are doing at auction

A new analysis by The Asia Pivot reveals that total global auction sales for Asian artists born between 1990 and 1999 dropped to $9.7 million in 2024, the lowest level in three years. The market for these young artists shows clear signs of cooling, with 696 lots sold out of 1,128 offered, a 62% sell-through rate, and an average price per lot falling 26.5% year-over-year to $13,905. Top-ranked artists like Raghav Babbar and Anna Park saw steep price declines, while a few consistent performers like Yukimasa Ida, Sun Yitian, and Chris Huen Sin-Kan maintained strong market recognition.

art basel paris 2025 exhibitor list

Art Basel Paris has announced the 203 galleries participating in its 2025 edition, set to take place at the Grand Palais from October 24–26, with VIP previews on October 22–23. The fair is divided into three sections: the main Galeries section with 177 dealers, Emergence featuring 16 solo booths for emerging artists, and Premise with nine presentations from 10 galleries challenging the art historical canon. Notable blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, David Zwirner, and top Parisian galleries such as Balice Hertling, Galerie Chantal Crousel, and Mennour. The fair will also bring back its Oh La La! Initiative and public art exhibition in the Jardin des Tuileries.

prado museum clara peeters exhibition

The Museo del Prado in Madrid has opened its first-ever exhibition dedicated to a female artist, "The Art of Clara Peeters," 197 years after the museum's founding. The show features 15 major works by the Flemish still-life painter, active in early 17th-century Antwerp, and is curated by Alejandro Vergara, the museum's Chief Curator of Flemish and Northern School Painting. The exhibition runs from October 25, 2026, to February 19, 2017, and is co-organized with the Koninklijk Museum voor Schone Kunsten in Antwerp.

op ed museums gender and pay

The article examines how gender pay disparities and the fear of a "pink-collar" profession persist in the art museum world, triggered by comments from Meta CEO Mark Zuckerberg about "masculine energy" in the workplace. It recounts a 2020 forum where National Gallery of Art director Kaywin Feldman expressed concern that art museums becoming predominantly female could lower salaries, a remark initially seen as sexist but later contextualized by the author's investigation into the origins of such fears. The author traces the concept to a 2016 New York Times article citing research on how female-dominated fields see pay drops, and explores how even progressive leaders like Feldman can inadvertently perpetuate gender bias.

artemisia gentileschi masterpiece restored beruit bombing getty debut

The J. Paul Getty Museum unveils Artemisia Gentileschi's long-lost painting *Hercules and Omphale* (ca. 1635–37) after three years of restoration. The work was nearly destroyed in the August 2020 Beirut port explosion, which caused severe damage to the Sursock Palace where it was housed. Senior conservator Ulrich Birkmaier led the delicate process of reassembling the canvas, removing glass shards and debris, and restoring the original colors.

artificial intelligence robot painting

Artist Gretta Louw reflects on her year-long residency with the e-David robotic painting lab at the University of Konstanz, part of the Embodied Agents of Contemporary Visual Arts (EACVA) research group. She describes how the public conversation around AI and robotics in art is inflated and imprecise, noting that terms like "AI painting" are often misapplied to digital outputs rather than physical, materially executed works. Louw details the limitations of robotic painting, including the inability of robots to perform basic tasks like stretching canvases or mixing paints, and argues that much of what is presented as robotic painting is actually pre-programmed performance art.

louise bonnet swiss institute site santa fe

Louise Bonnet, a Los Angeles-based painter known for her cartoonish yet sophisticated depictions of the female nude, discusses her latest work ahead of two major exhibitions. Her two-person show with Elizabeth King, titled "De Anima," opens at the Swiss Institute in New York, focusing on shared approaches to figuration that balance objecthood and liveliness. Bonnet also created a new series for the next edition of the SITE Santa Fe International biennial, opening in June. In an interview with ARTnews editor Emily Watlington, Bonnet explains her shift to tighter cropped compositions emphasizing routine gestures like tying shoelaces or fastening bras, inspired by World War II British spies and films like Rosemary's Baby.

whitney museum breuer building landmarked sothebys

The New York City Landmarks Preservation Commission has designated the former Whitney Museum building at 945 Madison Avenue as both an individual and interior landmark. Designed by Marcel Breuer and completed in 1966, the inverted ziggurat structure with raw concrete interior served as the Whitney's home until 2015, later housing the Metropolitan Museum of Art's contemporary art annex and the Frick Collection during its renovation. Sotheby's acquired the building in 2023 and plans to relocate its global headquarters there, with renovations led by Herzog & de Meuron. Preservationist groups pushed for landmark status amid concerns about commercial alterations, and the designation now legally protects the exterior and key interior elements like the lobby and main staircase.

protesters crash koch plaza opening at the met

The Metropolitan Museum of Art unveiled its new $65 million David H. Koch Plaza on Tuesday, featuring two 48-jet granite fountains, 106 newly planted trees, and shaded seating areas. The dedication ceremony included remarks from Met director Thomas Campbell, outgoing president Emily Rafferty, and trustee David Koch, who funded the project. However, the opening was disrupted by protesters criticizing Koch's climate change denial, leading to police clearing the plaza.

marsha p johnson biography art tourmaline tiny reparations

This excerpt from Tourmaline's forthcoming book "Marsha: the Joy and Defiance of Marsha P. Johnson" (Tiny Reparations, May 20) focuses on Marsha P. Johnson's use of hand-sewn banners and textile art as tools of activism and joy within the gay liberation movement. It describes her creation of banners reading "GAY POOOR PEOPLE" and "Gay Love," the latter borrowed by the Hot Peaches theater troupe, and her broader artistic practice spanning acting, performance, fashion, and songwriting. The text also notes artist Tuesday Smilie's 2018 recreation of Johnson's STAR banner for an exhibit at the Rose Art Museum.

bennett prize after deliberation first all women jury winner announced

Amy Werntz, a Dallas-based figurative painter, has won the fifth Bennett Prize, the largest art award for women working in figurative painting. The announcement was made at the Muskegon Museum of Art in Michigan, where an exhibition of finalists opened. Werntz, a previous finalist in 2021, received $50,000 and a solo show for her lifelike depictions of elderly people in everyday scenes. For the first time, the winner was chosen by an all-female jury, which included painter Margaret Bowland, artist Angela Fraleigh, and curator Gloria Groom. The runner-up, Nicole Santiago, won $10,000. The traveling exhibition will visit several museums across the United States through 2027.

marilyn jackson on trump museums

Marilyn Jackson, president and CEO of the American Alliance of Museums, argues that Americans overwhelmingly trust and support museums, with 96% wanting federal funding maintained or increased. She criticizes the Trump administration's first 100 days for gutting staff and grants at the Institute of Museum and Library Services and other agencies, and for issuing an executive order called 'Restoring Truth' that restricts how museums can portray history, creating fear of retribution for factual research.