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art criticism cameron rowland anne imhof

The article reviews several notable art events and exhibitions from 2025, beginning with Cameron Rowland's controversial work "Replacement" at the Palais de Tokyo in Paris, where the French flag was replaced with the flag of Martinique, leading to the artwork being deemed potentially illegal. It also covers Johanna Fateman's review of Rowland's "Properties" at Dia Beacon, Ross Simonini's reflection on Joseph Beuys and the Eaton fire in Los Angeles, John Vincler's critiques of Cady Noland at Gagosian and Nicole Eisenman at 52 Walker, and Fateman's year-end roundup including figures like Anne Imhof, Laura Owens, and Jack Whitten.

art best and worst art of 2025 list

Cultured's art critic reflects on the best and worst of 2025, highlighting standout moments including Salman Toor's 2007 portrait of Zohran Mamdani (now mayor-elect of New York), the posthumous Jack Whitten survey "The Messenger" at MoMA, and Anne Imhof's epic production "DOOM: House of Hope" at the Park Avenue Armory. The article also notes Mamdani's arts-friendly transition committee and the broader resilience of artists amid political turmoil.

art howardena pindell interview white cube show

Howardena Pindell, the 82-year-old artist known for her dot-based abstractions and incisive video works, was honored with a Cultural Leadership Award at the American Federation of Arts’s 2025 Gala. In an interview with Cultured, she discusses her current White Cube show “Off the Grid” in London, which spans her decades-long career from early figurative work to new abstract pieces. The exhibition runs through January 18, and Pindell also reveals upcoming projects: a 50-foot-tall stained-glass mural for the University of Texas at Austin, a Dia Beacon acquisition of her works for long-term display in 2026, and her inclusion as the only living artist in the AFA’s touring exhibition Abstract Expressionists: The Women.

art arne glimcher pace 125 newbury interview

Arne Glimcher, the 87-year-old founder of Pace Gallery, opened a satellite gallery called 125 Newbury in Tribeca in 2021 after his son Marc, Pace's CEO, told him he would have to wait three years for a show slot. The gallery, named after Pace's original Boston address, operates under Pace's umbrella but focuses on experimental, scholarly exhibitions that often feature artists not represented by Pace. Glimcher recently mounted a Kiki Smith show pairing her 1990s paper mannequins with bronze birds, and he continues to take risks, such as funding a pond for Max Hooper Schneider's exhibition. Despite the gallery not being self-sustaining, Glimcher remains committed to supporting original art and connoisseurship.

parties project eats gala lauren halsey dana irwin

Project EATS held its 2025 benefit gala at New York's IAC Building, honoring food writer and former Food & Wine editor-in-chief Dana Cowin and artist Lauren Halsey, a 2025 CULT100 recipient. The event brought together a crowd of artists, patrons, and cultural leaders including Cindy Sherman, Glenn Ligon, Iwan and Manuela Wirth, and Glenn Lowry, with a culinary experience led by chefs Aretah Ettarh and Camari Mick. The evening featured speeches celebrating Cowin and Halsey, and highlighted Project EATS's mission of transforming vacant lots into urban farms and community spaces that provide access to food and culture.

travel guide joshua tree robert goff art food

Robert Goff, a journalist-turned-art dealer and current Deputy Chairman and President of Private Sales at Gurr Johns, launches a new column for CULTURED titled "Out of Office" that explores destinations through the lens of local artists and creatives. The inaugural edition focuses on Joshua Tree and the Yucca Valley, highlighting off-the-beaten-path art experiences such as Rachel Whiteread's concrete casts of 1950s homesteader cabins on Jerry Sohn's private property, the outdoor sculptures of Noah Purifoy, and a memorable outdoor dinner at Andrea Zittel's A-Z West compound organized by sculptor Dan John Anderson, complete with a meal from the acclaimed High Desert restaurant La Copine.

art los angeles gallery show guide

Cultured's gallery show guide highlights five exhibitions in Los Angeles. Lee Lozano's "Hard Handshake" at Hauser & Wirth (through January 18, 2026) features drawings from her first nine years, marking the first major LA show devoted to her work. Puppies Puppies (Jade Guanaro Kuriki-Olivo) presents "Forbidden Colors (Free)(Palestine)(Sudan)" and "Transgender Abstraction to Transgender Conceptualism" at Ceradon (through December 6), transforming the gallery into flags referencing Palestine, Sudan, and trans pride. Sabrina Gschwandtner's "Absinthe, Smoke, Sugar, Choice" at Shoshana Wayne Gallery (through January 10, 2026) uses quilt-making with illuminated film strips to explore female bodily autonomy. Kathleen Ryan's "Souvenir" at Karma (through December 20) debuts concrete peaches with Harley Davidson engines. Ben Sakoguchi's "Chin Music" at Marc Selwyn Fine Art (through December 23) uses historic advertisement motifs to animate history.

design amalia ulman home

Artist Amalia Ulman shares a personal inventory of 44 objects from her home, ranging from a pigeon-shaped oven mitt and a 1920s Austrian bronze cat figurine to a telephone-shaped lamp bought from a subway vendor and a graphite portrait of her late dog Holga. The list includes quirky functional items like a cane that turns into a stool, a wooden chair that transforms into a ladder, and sentimental keepsakes such as a red pompom from Holga's casket and a bag of gravel from the dog park. The objects reflect her daily life, travels, and memories, blending humor with melancholy.

art meg webster land art minimalism

Artist Meg Webster, now 80, is receiving overdue recognition for her contributions to Land art and Minimalism. Nine of her sculptures—made from moss, beeswax, salt, and other natural materials—recently went on long-term view at Dia Beacon in Upstate New York. Webster, who worked as Michael Heizer's studio assistant in her late 30s, has spent decades creating intimate, urban-sited Land art in downtown Manhattan, challenging the movement's reputation as a macho, remote, monumental practice. She will also feature prominently in a Minimal art group exhibition at the Bourse de Commerce in Paris this October.

art criticism new york upper east side guide

The article presents a walking tour of art exhibitions on Manhattan's Upper East Side, led by a critic. It highlights Jeffrey Gibson's monumental bronze sculptures "The Animal That Therefore I Am" (2025) installed on the Metropolitan Museum of Art's façade, depicting four anthropomorphized Hudson Valley animals. The tour also covers Alix Cléo Roubaud's first solo show outside France, "Correction of perspective in my bedroom" at Galerie Buchholz, featuring intimate black-and-white photographs from 1979–1983, and Nancy Holt's work at Sprüth Magers, including a historic photograph of her in the Sun Tunnels.

art untitled fair houston collectors

Cultured magazine profiles Houston collectors Leigh and Reggie Smith as the city's Untitled Art Fair opens. The couple, who have collected contemporary art for over 30 years, discuss their diverse collection spanning international and local artists, including works by Yinka Shonibare, Francis Picabia, and overlooked mid-century women artists. They highlight Houston's collaborative art ecosystem, public art funding, and the distinct character of its scattered venues.

art armory week diary new york september

The article is a first-person diary chronicling the author's experiences during Armory Art Week in New York City in September. It begins at the Fulton Transit Center for the launch of artist Chloë Bass's public sound work "If you hear something, free something," presented by Creative Time and MTA Arts & Design, which features recorded announcements in five languages playing across 14 subway stations. The author then visits galleries in Chinatown, including Matthew Kirk's show at Fierman and Ohad Meromi's exhibition at 56 Henry, encountering notable art-world figures like Jerry Saltz, Issy Wood, and Naomi Fry along the way.

art ambera wellmann company hauser and wirth

Ambera Wellmann is preparing for two concurrent New York exhibitions opening on September 5, one at Company gallery and her debut at Hauser & Wirth's Wooster Street space. The shows mark a new joint representation model where the artist works with both a smaller, queer-focused gallery and a mega-gallery simultaneously. Wellmann's hallucinatory, collage-like paintings feature bodies, sex vignettes, and semi-mythic imagery, though she recently considered moving away from figuration due to frustrations with the "queer figuration" trend and its market co-optation.

art new york exhibition guide september

The article, published by Cultured, serves as a curated guide to September's art exhibitions in New York, highlighting both ongoing and closing shows. It recommends balancing the frenzy of fair week with slower, more meaningful experiences, pointing to specific exhibitions like EJ Hill's silent kneeling performance at 52 Walker, Lisa Yuskavage's drawing show at the Morgan Library, the Stettheimer Dollhouse at the Museum of the City of New York, and MoMA's presentation of Hilma af Klint's nature notebooks. It also notes upcoming must-see shows, including a Cady Noland exhibition at Gagosian, and mentions the Gaza Biennial, Nancy Holt, Raúl de Nieves, and Kahlil Robert Irving, along with future features on Ambera Wellmann and Sophie Calle.

art august gallery exhibition guide new york

This article from Cultured magazine is a gallery exhibition guide for New York, highlighting four major shows in the Hudson Valley, Meatpacking District, and Tribeca. It features Stan Douglas's retrospective at the Hessel Museum of Art, Cameron Rowland's "Properties" at Dia Beacon, Christine Sun Kim's mid-career survey "All Day All Night" at the Whitney Museum, and EJ Hill's endurance performance at 52 Walker. Each entry includes a brief critical description of the artist's work and themes, with details on dates and locations.

art charlie marder east hampton

Cultured magazine's Hamptons issue features an interview between designer Robin Standefer and Charlie Marder, the East End horticulturalist known as the 'tree whisperer.' Marder, who co-founded an eponymous Bridgehampton nursery with his wife Kathleen—dubbed 'a horticultural MoMA' by the New York Times—has assembled a sprawling field of massive geological specimens across from the nursery. The rocks, some weighing 10 tons, are salvaged from development sites and quarries. Standefer, who purchased one of Marder's boulders for her birthday, discusses with Marder the ethics of placement, the personalities of stones, and the human urge to give new life to ancient matter.

the critics table aspen artweek diary matthew barney

The article is a first-person diary of an art critic's trip to Aspen for ArtWeek, centered around Matthew Barney's performance "TACTICAL parallax" (2025) at the Aspen Art Museum. The author navigates travel delays, attends the dress rehearsal, and participates in a whirlwind of events including the Aspen Art Museum's AIR festival, a public conversation with artist Issy Wood, and dinners with art-world figures like MoMA board president Sarah Arison and artists Paul Chan and Aria Dean. The narrative weaves personal observations with the broader art scene in Aspen, touching on themes of the American West and contemporary art.

'V' from 'Hockney's Alphabet' , 1991

This article is a sales listing for David Hockney's limited-edition lithograph 'V' from the 1991 portfolio 'Hockney's Alphabet', offered by Baldwin gallery for £1,850. The work is signed by the artist and editor, comes with a certificate of authenticity, and is printed on Exhibition Fine Art Cartridge paper in an edition of 250. The listing includes a biography of Hockney, noting his iconic California pool paintings, his record-breaking $90.3 million sale at Christie's in 2018, and his representation by major international galleries.

Sotheby’s May Auctions: Rothko’s $100M Masterpiece Headlines

Sotheby's is holding its most ambitious May auction series in New York, headlined by Mark Rothko's monumental painting *Brown and Blacks in Reds* (1957), estimated at $70–100 million. The sales include a dedicated auction for the collection of legendary dealer and collector Robert Mnuchin, valued at over $130 million, featuring works by Rothko, Franz Kline, and Jeff Koons. Other highlights include Jean-Michel Basquiat's *Museum Security (Broadway Meltdown)* (1983), estimated at over $45 million, and Willem de Kooning's *Untitled III* (1975), making its auction debut with a $25–35 million estimate. The series spans Modern and Contemporary art, with additional works by Pablo Picasso and Vincent van Gogh.

Several Eternities in a Day: Form in the Age of Living Materials

The Hammer Museum in Los Angeles presents "Several Eternities in a Day: Form in the Age of Living Materials," a spring 2026 exhibition running from April 5 to August 23. Curated by Jill Spalding, the show features works by artists including Edgar Calel, Guadalupe Maravilla, Carmen Argote, and others, exploring the concept of "Brownness"—a fluid identity rooted in ancestral memory, animal kinship, and a profound connection to living materials. The exhibition is organized into three acts: large-scale installations, paintings and works on paper, and ceramics, offering a visceral and immersive experience that draws on precolonial traditions across the Americas.

Remembering Rauschenberg’s decades in Florida

Robert Rauschenberg (1925-2008), described by critic Robert Hughes as "the most important American artist of the last century," spent four decades in Florida, where materials and collaborators from the state fueled breakthroughs like his scrap-metal sculptures and the Rauschenberg Overseas Cultural Interchange (Roci). As Miami Art Week unfolds, two projects mark his centennial: "Robert Rauschenberg: Real Time" at NSU Art Museum Fort Lauderdale (through April 2026) and the forthcoming book "Out of the Real World: Robert Rauschenberg at USF Graphicstudio." However, the Robert Rauschenberg Foundation announced it will end its Captiva Island residency and sell the artist's home and studio, prompting reflection on how Florida shaped his legacy.

5 Artists on Our Radar in December 2025

Artsy's December 2025 edition of "Artists on Our Radar" highlights five emerging visual artists who have gained attention through new gallery representation, exhibitions, auctions, or art fairs. Featured artists include British painter Imogen Allen, known for gauzy, nature-inspired works with a Gerhard Richter-like blur effect; Brazilian painter Elian Almeida, who reimagines marginalized figures in Brazilian visual culture through vibrant, narrative paintings; and nomadic American artist ektor garcia, who works with unconventional materials like wire, clay, and leather. The article details their recent exhibitions, gallery affiliations, and career milestones.

20th and 21st Century auctions in New York total $965 million

Christie’s New York concluded its 20th and 21st Century Art sales week on November 21, 2025, generating a total of $964.5 million, the auction house’s highest in three years. The sales included the Collection of Robert F. and Patricia G. Ross Weis, which alone brought in $218 million, led by Mark Rothko’s *No. 31 (Yellow Stripe)* at $62.1 million. Other top lots included works by Claude Monet, Pablo Picasso, and David Hockney, each exceeding $40 million. Fifteen artist records were broken, including for Beauford Delaney, Leonor Fini, Firelei Báez, and Olga de Amaral. Bidding was active across all platforms, with the highest online bid ever placed at a live Christie’s auction.

Holly Stevenson – interview

London-based ceramic artist Holly Stevenson discusses her recent and upcoming projects in an interview with Studio International. She had a joint exhibition, "A Hyena Wore My Face Last Night," at C+N Gallery Canepaneri in Milan, with works titled after Leonora Carrington's short story "The Debutante," and a solo exhibition, "Tracing the Irretraceable," at the Freud Museum in London in collaboration with the Jane McAdam Freud Estate. Stevenson reflects on the resurgence of surrealism, particularly feminist perspectives, and the influence of psychoanalysis on her work, noting coincidental timing with a major Carrington exhibition at Palazzo Reali in Milan.

Georg Baselitz: A Life in Print

The article reviews "Georg Baselitz: A Life in Print," a comprehensive survey of the German painter's printmaking at Kode in Bergen, Norway, running from October 2025 to February 2026. Featuring 244 prints from 1964 to 2024, the exhibition showcases Baselitz's mastery of traditional techniques like etching, woodcut, and linocut, revisiting motifs from his paintings such as deer, eagles, and distorted figures. The show aims to correct the perceived neglect of prints by museums, as Baselitz himself lamented after his 2021 Centre Pompidou retrospective.

The Art World This Week, 19 September 2025

Ocula's weekly briefing reports strong sales at viennacontemporary with 15,000 visitors and six-figure results for Galerie Zimmermann Kratochwill. Sotheby's announced $248 million in pre-tax losses for 2024 but achieved $100 million from the Karpidas collection sale and consigned the Pritzker and Lauder collections for November. Haegue Yang was appointed chair of the executive board at Kunst-Werke Berlin. Yemen's National Museum in Sanaa was damaged by Israeli airstrikes. Gallerist Sebastian Gladstone opened a new Los Angeles space, while L.A. Louver closed its Venice Beach gallery after 50 years. Taymour Grahne Projects opened in Dubai. Samia Halaby won the MUNCH Award, Jennifer Packer and Marie Watt received Heinz Family Foundation awards, and the Henry Moore Foundation distributed £100,000 to UK sculptors.

Meet 6 Visionary Women Shaping the Art World in 2025

This article profiles six visionary women shaping the art world in 2025, beginning with British designer Es Devlin, known for her immersive stagecraft and large-scale installations. It highlights her recent role as global artistic lead of the Women’s Pavilion at Expo 2025 in Osaka, where she created a participatory sound installation. The piece also features Tokini Peterside-Schwebig, founder of ART X Lagos, West Africa's leading international art fair, which celebrates its tenth anniversary in 2025. Peterside-Schwebig is a cultural entrepreneur and collector who has expanded the fair into initiatives like ART X Live!, the Access ART X Prize, and a school program for underprivileged children.

55 years. Berggruen Gallery

Berggruen Gallery in San Francisco announces its 55th Anniversary Exhibition, a group show running from June 26 to August 14, 2025. The exhibition features paintings, works on paper, sculpture, film, and archival ephemera from the SFMOMA Library and SFAI archive, showcasing museum-quality works by contemporary and historical artists. Many pieces are on loan from private collections and rarely exhibited publicly. The gallery, founded by John Berggruen in 1970 on Grant Avenue, quickly became a nationally recognized force in shaping the West Coast art scene, bridging New York and international artists with local collectors.

The Top 3 Japanese ultra-contemporary artists

The article profiles three Japanese ultra-contemporary artists—Miwa Komatsu, Justin Caguiat, and Yukimasa Ida—who are gaining significant traction on the international art market. It details Komatsu's rise from a 2015 Christie's Hong Kong sale to becoming the first Japanese ultra-contemporary artist ranked among the world's top 1,000 sellers, with $2 million in sales in 2022.

Why Helen Chadwick’s earthy, provocative art remains as vital as ever

Nearly 30 years after her death in 1996 at age 42, artist Helen Chadwick is receiving renewed attention with a major retrospective, "Helen Chadwick: Life Pleasures," at the Hepworth Wakefield. The exhibition spans two decades of her provocative work, including iconic pieces like "The Oval Court" (1984-86) and the chocolate fountain "Cacao" (1994). Chadwick was known for using unconventional materials—rotting organic waste, meat, hair, cleaning fluids—to explore identity, gender, and the sensuous body, often with irreverent humor. She was also a influential teacher at the Royal College of Art, Goldsmiths, Chelsea, and Central St Martins, mentoring artists such as Tracey Emin, Anya Gallaccio, Sarah Lucas, and Damien Hirst.