Guernsey artist Tiffany Anna, who began painting during the Covid-19 lockdown in 2020, is hosting her first solo exhibition at the JARO Gallery in St Helier, Jersey, running until 25 May 2025. Anna, who previously worked as a photographer, started with a simple bee painting and now has over 200,000 Instagram followers, using her vibrant, positivity-themed works to inspire others to take up art.
The Herndon Gallery at Antioch College is opening a group exhibition titled 'Rightstarter: Resistance, Rap and the Golden Era,' curated by artist Joshua Whitaker. The show, launching with a reception on May 9, explores the rap counterculture of the late 1980s and early 1990s, featuring works by artists from Dayton and beyond. It includes drawings, paintings, sculpture, installations, video, and performance, with a live jazz performance by G. Scott Jones and the Freedom Ensemble. The exhibition highlights how hip-hop served as a platform for social commentary against the backdrop of Reaganomics, the crack epidemic, the war on drugs, and the AIDS crisis.
The Oxford Community Arts Center recently hosted the opening of "Changing Climate, Changing Communities," an exhibition organized by Engaging for Climate in Oxford (ECO). The show features a diverse range of media, including paintings, sculptures, and graphic works created by professional artists, Miami University faculty, and local elementary students. Notable works include Tara Trueblood’s abstract painting "The Flood," which explores the tension between crisis and hope, and imaginative drawings of undiscovered animals by sixth-grade students from Ridgeway Elementary.
A group exhibition titled 'Wild, Ordinary, Enchanting, Excruciating Beauty' is on view at Thapar Contemporary in New Delhi until June 21. Curated by Vaibhav Raj Shah in collaboration with Jasone Miranda-Bilbao, the show brings together eleven contemporary artists—including Amitabh Kumar, Bhrigudev Ranade, Chandrashekhar Koteshwar, Harmeet Singh Rattan, Harsha Durugadda, Jagadeesh Tammineni, Madhurjya Dey, Raj Jariwala, Vanshika Babbar, Vasudha Kapadia, and Yogesh Ramkrishna—whose works in sculpture, installation, drawing, and moving image explore the blurred boundaries between personal anxiety and collective crisis.
Tehran-born artist and human rights lawyer Sanam Ghandehari is presenting a new body of work in Paterson, New Jersey, against the backdrop of escalating military conflict in Iran. Her multi-layered pieces reflect the duality of the current crisis, juxtaposing the hope for democratic liberation with the immediate trauma of seeing her childhood home bombarded.
The Jameel Arts Centre in Dubai has been forced to implement rigorous emergency protocols, including 'shelter in place' procedures, following a series of missile and drone strikes across the UAE. Director Antonia Carver, managing operations remotely from the UK due to travel disruptions, describes a new reality where staff must balance the physical safety of visitors with the institution's role as a sanctuary for the community. Despite a recent conditional ceasefire, the center remains on high alert while supporting a workforce deeply affected by regional instability.
UNESCO has expressed serious concern over recent Russian attacks damaging cultural heritage sites in Ukrainian cities including Odesa, Lviv, and Kyiv. The winter bombardment has targeted power grids and infrastructure, complicating the work of museums and cultural institutions. The Kyiv-Pechersk Lavra, a World Heritage Site, suffered its first military damage since WWII, and the historic center of Odesa, already on UNESCO's endangered list, saw its Holy Dormition Monastery severely hit.
An exhibition titled '[Face] Value' will be on view from February 6 to March 14, 2026, curated by graduate students from the Fall 2025 Curatorial Practicum. The show examines portraiture conventions, exploring how portraits uphold tradition, shift hierarchies, and showcase communities, featuring works from the museum's collection selected and researched by each student.
The Ballarat community has launched the 16 Days of Activism campaign to end violence against women, beginning on the International Day for the Elimination of Violence Against Women (November 25) and running until Human Rights Day (December 10). The campaign includes a '16 Ways for 16 Days' trail map with daily activities, and features the 'Transforming Pain into Power' art exhibition at Ballarat Library, Barkly Square, and Art Space Ballarat, showcasing works by local artists speaking out against gendered violence. Survivor Marita Forsyth's artwork depicts her perpetrators in a burning car, symbolizing her empowerment.
The article reports on the 'Ghosts of the Hunt' exhibition, a photography show hosted by Greyhound Welfare SA (GWA) in Cresta, Johannesburg. The exhibition features two photographic series: one by Dean Bush, founder of GWA, documenting greyhounds rescued from the Yat Yuen racetrack in Macau, China—a facility that killed 20,000 dogs over 54 years before closing in 2018—and another by professional photographer Warren Johnson, focusing on locally rescued greyhounds. The article also highlights ongoing controversies, including a recent auction in Bela Bela, Limpopo, where SA breeders paid R2.4 million for 65 greyhounds destined for international racing, and lobbying by the Amaphisi Hunters' Association to decriminalize dog hunting in South Africa.
The United Nations World Food Programme (WFP) has launched a traveling exhibition titled "Gaza: Stories of Hope and Resilience," featuring over 40 paintings by Gazan artist Ahmed Muhanna. Muhanna created the works on WFP aid boxes and paper over three intense months under constant threat of bombings, using the boxes as canvas due to a lack of art materials. The exhibition opened on 15 September in Brussels and will tour nine European cities before closing on 23 October, with funding from the EU.
A new exhibition titled "Mindscapes" has opened in St Helier, featuring the work of two local neurodivergent artists, Emilie Knight and Chris Addy. Knight explores identity, crisis, and transformation through mixed media paintings following her recent autism diagnosis, while Addy uses etching, woodcut, and acrylic to depict a darker, disorientating inner world. The exhibition is held in a multi-sensory space at the Connect With Art gallery (formerly Studio 18), owned by multidisciplinary artist Yulia Makeyeva, and runs until 2 October.
A group of about 40 artists from Easthampton, Massachusetts, have mounted a new exhibition titled “Cottage Street Studios, Past and Present” at Easthampton City Arts, nearly a year after rising rents forced many of them out of their longtime studio building at One Cottage Street. The former factory, owned by nonprofit Riverside Industries, had housed a mix of painters, potters, and woodworkers for half a century, but a management change led to rent increases that doubled some tenants’ costs, prompting roughly half of the 80 artists to leave. Fiber artist Andrea Zax organized the show as a defiant act of community reconnection, while artists like Piper Foreso and Matthew Simons described the scattering as devastating to their creative ecosystem.
London-based artist Vivienne Schadinsky presents "Into the Seeds of Time" at the newly expanded OmVed Gardens in Highgate, a private urban garden and the UK's first centre for food, ecology and creativity. The exhibition, running until 3 August, features ink paintings, films, sculptures and prints created during Schadinsky's year-long residency, focusing on the life cycles of three bean varieties—puy lentil, Essex pea bean and gaia soybean—as a metaphor for climate resilience.
Bow Arts, a UK charity founded in 1994, has acquired two buildings in east London to create permanently affordable studio spaces for artists. The purchases include a site in the Hackney Yards development, developed in partnership with housing association Notting Hill Genesis and supported by Arts Council England and the London Legacy Development Corporation, which will provide 38 studios by 2026, and the Brutalist Lakeside Centre in Thamesmead, already housing over 40 artist studios. This follows Bow Arts’ first owned building, Three Waters, acquired in 2022 on a 999-year lease with 70 studios. The charity now owns three of the 28 buildings it manages across London, with an annual turnover of £5.1 million, most of which is reinvested into the creative community.
Artist Daniel Montoute will present "Living in Tents," an exhibition of paintings, found objects, and mixed media works at the Shirley Stiles Gallery in Kansas City starting August 18, 2025. The show depicts the realities of homelessness in the Kansas City area, featuring imagery of tents, shopping carts, and people sleeping in alleyways. Montoute, who moved to Kansas City in 2023 to join the Pendleton ArtsBlock artist community, was struck by the prevalence of homelessness. All exhibition pieces will be donated to reStart Inc., an emergency shelter, and auctioned at its annual fundraising gala on September 11.
Meloni über Venedig-Biennale: "Habe den Überblick etwas verloren"
Days before the opening of the Venice Biennale, the entire international jury resigned in protest over Russia's participation despite its war against Ukraine. The jury had previously excluded Russia and Israel from prize consideration due to International Criminal Court warrants against their leaders. Italy's Prime Minister Giorgia Meloni admitted she had "lost track" of the situation, while the government sent inspectors to Venice. Biennale organizers responded by postponing the Golden Lion awards until November and introducing two audience-choice awards that will include Russian and Israeli entries.
Berlin's finance senator Stefan Evers (CDU) has been appointed to temporarily lead the city's cultural administration, marking the third change in leadership within a year. This follows the resignation of Joe Chialo in May 2025 and the departure of his successor Sarah Wedl-Wilson on the previous Friday, after months of controversy over the approval of funding grants. Evers will hold both finance and culture portfolios until the Berlin state election on September 20, 2025. The decision was made by CDU district chairpersons after initial talks with former justice senator Thomas Heilmann fell through.
Démission du jury de la Biennale de Venise
The entire jury of the Venice Biennale has resigned. The mass resignation follows internal disputes over the selection process for the next edition's artistic director, with jurors citing a lack of transparency and interference from the Biennale's board.
Les écoles d’art privées traversent une zone de turbulence
A wave of bankruptcies and judicial reorganizations is hitting the private art education sector in France. Following the closure of the École d’art de Montreuil, the Académie des arts appliqués (AAA) in Dijon and the École supérieure de design in Troyes have both entered receivership. These institutions are struggling with severe financial deficits, unpaid staff, and a sharp decline in student enrollment, with some schools seeing their student bodies shrink by two-thirds in just four years.
Roma: apre a Trastevere un nuovo spazio culturale (c’è anche un radio sull’arte)
A new cultural space called ASIF has opened in Rome's Trastevere district at Via della Lungara 24, launching on May 8 with an exhibition titled "Educazione sentimentale per architetti" by artist and illustrator Chiara Carrer, running until June 20. The space is distinguished by an accompanying radio station that extends its reach through programs exploring art and the city, with a team including Yasmin Rosciglione, Arturo Zanaica, Novella Hoffer, Iacopo Taddia, Monica Dell'acqua, Edoardo Taddia, and Blanca Castro Xiques. The inaugural show, curated by Bonvini 1909 (named Artribune's gallery of the year in 2025), features over sixty works including collages, engravings, and sculptures centered on the theme of dwelling.
Giuria o pubblico? La Biennale non è un algoritmo, ma neppure una liturgia
The article critically examines the proposal for "Visitor Lions" (Leoni dei Visitatori) at the Venice Biennale, arguing that the idea is a fragile, quick-fix response to a deeper crisis. It questions whether replacing expert juries with public voting would truly improve the selection process, noting that both systems have significant flaws: juries are not necessarily neutral, often rushed and filtered, while public voting risks favoring accessible, easily consumable works and reinforcing existing hierarchies.
The Luine Archaeological Park in Valcamonica, Italy, closed on April 1, 2026, after the municipality of Darfo Boario Terme, led by Mayor Dario Colossi, failed to renew the management contract held by Zamenhof Art and ArchExperience. The park, which houses rock engravings dating back to the end of the Paleolithic period (about 13,000 years ago), is a UNESCO World Heritage site and a unique part of the Camunian park system. Weeks after the closure, the park remains in limbo with no clear reopening date, while multimedia installations and digital content created by the former managers are being removed. The story has received little media attention beyond local outlets.
In Trentino una mostra immersiva affronta i temi della sicurezza sul lavoro per coinvolgere su questioni urgenti
The METS – Museo etnografico trentino San Michele is set to launch an immersive exhibition titled "Un lavoro a regola d’Arte" on April 17, 2026. Created by artists Paola Samoggia and Carlo Magrì, the project utilizes seven rooms featuring short films, video art, and multisensorial elements to explore themes of workplace dignity, health, and safety. The exhibition moves beyond mere statistics to address the human reality of labor, incorporating music, dance, and performance to create a reflective space on the risks and rights of workers.
Vedere il mondo con gli occhi dei ventenni. Alle Gallerie d’Italia di Torino le foto degli studenti IED raccontano le urgenze del nostro tempo
The Gallerie d’Italia in Turin is hosting "The Searchlights," a public portfolio review and exhibition featuring the work of 18 photography students from the Istituto Europeo di Design (IED). Part of the EXPOSED Torino Photo Festival, the event showcases photographic projects that tackle urgent contemporary issues including the climate crisis, mental health, and digital memory. Each student presents their work in custom-designed boxes on communal tables, facilitating direct dialogue between the young artists and the public.
Vault Artist Studios, a Belfast-based arts collective with over 100 members including musicians, circus performers, and visual artists, has moved into a temporary hub at Bankmore House on Bedford Street after spending three years at Victoria Street and the Shankill Mission building. The collective, formed in 2017 to transform derelict buildings into affordable studio space, now provides studios for 30 artists plus a gallery and project space, with further space opening soon in a former Masonic Lodge on the lower Newtownards Road. Their first exhibition in the new space, titled 'Mayday Mayday', serves as both a distress signal and a rallying call for workers.
Iranian-born artist Omid Asadi has been appointed as the new artist-in-residence at the University of Salford’s Energy House 2.0 research facility. Running from Spring 2026 through the end of the year, the residency will see Asadi collaborate with researchers at the world-leading climate laboratory, which features two massive chambers capable of simulating extreme global weather conditions. The artist plans to create new installations and sculptures in response to the facility's pioneering retrofit research, specifically focusing on a recreated 1930s-era house.
ART AFRICA has announced an open call for the second edition of its NEW FUTURES ARTS COLLABORATIVE, scheduled for 2026 in Cape Town, South Africa. The residency, titled "De-composition, Extraction and Regeneration," invites artists to collectively explore themes of extractivism, ecological crisis, and social justice, using artistic practice as a tool for transformation and regeneration.
CRÍTICA DE ARTE: ¿CLARIDAD O AUTORITARISMO MORAL?
The article is a critical essay examining the state of contemporary art production in Mexico, arguing it has become a privatized field designed to please wealthy elites and foreign collectors. It contends that art has shifted from being partly publicly funded to being driven by the market and private initiative, leading to a culture of self-censorship, precarity, and a desperate ambition for visibility and sales.
Kirkby Gallery has announced the opening of "ECHO," a solo exhibition by environmental artist Julie Dodd featuring sculptural works crafted from recycled and reclaimed materials. The show marks Dodd's first solo exhibition in a decade and showcases her practice of transforming discarded books and everyday objects into intricate forms that mimic natural patterns. Alongside the main event, the Entrance Gallery will feature "Supporting Households in Crisis," a research-based exhibition by Patricia McDonald-Holmes exploring food insecurity and community resilience in Knowsley.