Isabel Nolan’s Work Challenges Everything We Think We Know About Creativity

Artist Isabel Nolan recently discovered she has aphantasia, a rare neurological condition that prevents her from visualizing mental images. Despite this, Nolan has built a successful career creating abstract sculptures, drawings, and tapestries, and her work is featured in the Irish Pavilion at the Venice Biennale. Her exhibition, "Dreamshook," explores themes of imagination versus reality and draws inspiration from late medieval history and the printer Aldo Manuzio.

alserkal art month dubai art week expansion art dubai 2026

Alserkal Avenue in Dubai is expanding its traditional Art Week into a five-week "Art Month" running from April 18 to May 18. This strategic extension includes 16 gallery exhibitions, over 100 public events, and a new commercially focused group show featuring 12 UAE-based galleries. The initiative aims to provide a more sustainable platform for the local art ecosystem, especially as the Art Dubai fair has been rescheduled to mid-May and adapted in response to regional instability.

How Mumok’s New Director Plans to Make Museums Feel Alive Again

Fatima Hellberg, the newly appointed director of Vienna's mumok (Museum Moderner Kunst Stiftung Ludwig), has outlined her inaugural exhibition program and curatorial philosophy. Her first season, launching in June, will feature Kate Millett's newly acquired 1972 installation 'Terminal Piece,' an installation by scenographer Anna Viebrock, and a project by artist Tolia Astakhishvili.

Peter Halley Continues to Probe the ‘Crisis in Geometry’

American artist Peter Halley is presenting his first solo show in Austria in two decades at Galerie Nikolus Ruzicska in Salzburg. The exhibition, titled 'Peter Halley: Six Paintings for Salzburg,' features six new works created specifically for the occasion, showcasing his mature exploration of geometric abstraction using his signature 'Cells,' 'Prisons,' and 'Conduits.'

warren isensees pulsating abstractions put the act of looking to the test

Warren Isensee's new paintings at Miles McEnery Gallery in Chelsea, New York, explore optical structure with loosened rules, where warm and cool tones trade dominance across repeating frameworks. On view through February 14, 2026, the exhibition is the artist's third solo outing with the gallery and includes a fully illustrated publication with an essay by Stephen Westfall. The works interrupt their own logic, introducing irregular breaks that reroute the eye, creating a test of looking rather than a display of visual effects.

mernet larsen cover painting art in america

Mernet Larsen, whose painting *Getting Measured* (1999) appears on the cover of the Winter 2025 issue of *Art in America*, discusses the work's origin and evolution in an interview from her home in Tampa, Florida. She explains how the painting marked a turning point from abstraction to a representational style inspired by 12th-century Japanese narrative painting and the parallel perspective technique used by architects, while also incorporating elements from her own abstract works and a self-portrait titled *Indecisive Woman*.

drapery contemporary artists

A new exhibition titled “Drop, Cloth,” co-curated by Glenn Adamson and Severin Delfs, explores how contemporary artists have reimagined drapery over the past 50 years. The show features 30 works by 25 artists, spanning two Chelsea galleries—Hollis Taggart (through January 10, 2026) and Susan Inglett Gallery (through January 30, 2026). Works range from Sam Gilliam’s seminal *Little Dude* (circa 1972) to recent pieces by Kennedy Yanko, Jenny Morgan, and Chellis Baird, alongside historical pieces by Nina Yankowitz, Lynda Benglis, and Rosemary Mayer. The exhibition traces a lineage of drapery as both subject and material, including shaped canvas, paint skin, ceramic, metal, embroidery, and weaving.

art words of the year

Artnet News critic Ben Davis presents his annual "art words of the year" for 2025, a curated list of terms that capture prevailing moods and ideas in the art world. The list includes "antimemetics" (from writer Nadia Asparhouva and internet fiction), "cyniserity" (coined by art writer David Colman to describe Anne Imhoff's work), "delightmare" (a horror-adjacent feeling linked to overconsumption and AI art, exemplified by Beeple's Art Basel installation), "elite capture" (from philosopher Olúfẹ́mi O. Táíwò's book, now a tool for critiquing identity politics in art), and "K-shaped" (an economic term describing divergent recovery, applied to gallery closures versus record auction sales).

art market minute dec 15

The article reports on the state of the art market at the end of 2025, noting that while it has been a difficult year with three years of contraction, there are signs of improvement. Recent sales in Miami and $2.2 billion in marquee auctions in New York last month have boosted optimism. Factors such as lower interest rates and easing geopolitical tensions are contributing to a slightly rosier outlook for 2026, though the article warns that some sectors will recover while others may not for some time.

jacob hashimoto miles mcenery gallery

Jacob Hashimoto presents a new solo exhibition at Miles McEnery Gallery in New York, featuring his signature constructions of screen-printed paper discs assembled into layered, three-dimensional compositions that blur the line between painting and sculpture. The show, his third with the gallery, includes works such as "The Promise of Other Inventions (that worked better)" (2025) and "No, No My Friends, We Will Not" (2025), and is accompanied by a fully illustrated publication with an essay by art critic and professor David Pagel.

lita albuquerque the sea is within me buffalo bayou park cistern houston

Artist Lita Albuquerque staged a 25-minute performance titled "The Sea Is Within Me" in the Buffalo Bayou Park Cistern, a 1926 underground reservoir in Houston, during the inaugural edition of Untitled Art, Houston. The piece featured Albuquerque's daughter and dancer Jasmine Albuquerque, vocalist Carmina Escobar, and double bassist Laura Dykes, guiding small groups through a meditation and a dramatic call-and-response between the vocalist and dancer, exploring themes of joy, despair, and symbiosis.

acquavella harumi klossowska de rola

Acquavella Galleries, a blue-chip gallery known for secondary market sales, has taken exclusive US representation of Swiss sculptor Harumi Klossowska de Rola. The artist, daughter of painter Balthus and ceramicist Setsuko Klossowska de Rola, creates bronze and alabaster animal sculptures that blend fine art and design. Her works, priced from under $100,000 to over half a million dollars, are cast in small editions and meticulously reworked by hand. Acquavella discovered her work at the Palm Beach home of collector Peter Brant. Her first show with the gallery opened in Palm Beach, accompanied by a Rizzoli book, with new works planned for Art Basel Paris and a major solo exhibition at Acquavella's New York space in 2026.

sothebys barbara gladstones personal collection may sales

Sotheby's will auction 12 works from the personal collection of the late art dealer Barbara Gladstone this May, with a combined estimate exceeding $12 million. Highlights include Richard Prince's *Man Crazy Nurse* (2002–03) estimated at $4–6 million and a black *Flowers* painting by Andy Warhol estimated at $1–1.5 million. The stand-alone sale precedes the May 15 evening contemporary auction and marks the first public offering from Gladstone's estate.

walter swennen dead

Walter Swennen, a Belgian artist who began his career as a poet before turning to painting, has died at age 79. His death was announced by his gallery, Xavier Hufkens, without specifying a cause. Swennen was known for his playful, language-infused paintings that combined cryptic phrases, comic-book-like figures, and unconventional materials such as found wood and metal. He rose to prominence in Belgium alongside other painters interested in materiality, but his work stood out for its freewheeling humor and destabilization of meaning. A major retrospective at WIELS Contemporary Art Centre in Brussels in 2013 helped revive his career, leading to later shows at Gladstone Gallery in New York and a growing international following.

andres serrano us pavilion venice

Andres Serrano has publicly proposed to represent the United States at the 61st Venice Biennale in 2026 with an installation expanding his ongoing project "The Game: All Things Trump," a collection of Trump-themed memorabilia acquired largely from eBay. The proposal includes a site-specific iteration of the work at the U.S. Pavilion in Venice's Giardini, potentially incorporating his controversial film "Insurrection" about the January 6 riots. The U.S. State Department is accepting submissions through July 30 and will announce its choice on September 1, leaving the winner only eight months to prepare.

ai art market revolution

A survey by PwC found that 88% of U.S. companies plan to increase AI budgets, and the art world is following suit. The article explores how AI is infiltrating the art market beyond controversial authentication and IP issues, covering topics like autonomous agents, data privacy, logistics partnerships (Carpenters Workshop Gallery with Convelio), and new AI-powered search tools being developed by Artnet using Google's Gemini. It also notes that collector Jorge Pérez used AI assistance to acquire 24 works at Art Basel in Basel.

chen fei bad taste interview

Chinese artist Chen Fei discusses his first institutional solo exhibition in Europe, “Grand Lobby,” at the Consortium Museum in Dijon, France. The show features large-scale still-life paintings that blend Flemish floral traditions with contemporary Chinese symbols like VOSS water bottles and IKEA price tags, using gold leaf and red lacquer to critique class aspiration and visual culture. Chen’s studio, located outside Beijing, is where he creates detail-rich canvases inspired by film storyboarding, aiming for a cinematic, narrative-driven reading experience.

rafik greisss photo paris new talent

Dublin-born Egyptian artist Rafik Greiss discusses his practice and recent work in an interview conducted at a Paris café. Greiss, who recently presented a solo show titled “The Longest Sleep” at Galerie Balice Hertling in Paris, creates photographs and films that explore themes of loneliness, urban space, and religious experience. His 12-minute film *The Longest Sleep* (2024), shot in Cairo, depicts Sufi rituals and deserted fairgrounds, informed by neurotheology. Greiss prints his black-and-white photographs on thick Japanese paper, emphasizing the tactile signature of his lens-based work. He is currently considering exhibition invitations from institutions around the Mediterranean and plans to travel to Egypt to make new work.

galleria continua shilpa gupta

Mumbai-based artist Shilpa Gupta (b. 1976) presents a solo exhibition at Galleria Continua in San Gimignano, on view through September 7, 2025. The show features a range of works from her career, including the large-scale embroidered piece *Untitled (Rectangles on flags of the world)* (2021–25), the monumental sculpture *Truth* (2025), and *100 Hand-drawn Maps of Italy* (2007–2023). Through video, installation, performance, and sculpture, Gupta explores themes of censorship, migration, borders, control, and resilience, engaging viewers with multisensory works that question societal norms.

3 key insights from the art business conference new york

The sixth edition of the Art Business Conference took place in Midtown Manhattan on May 22, drawing over 200 art professionals including gallery staff, auction-house specialists, and lawyers. Chaired by former Artnet executive editor Julia Halperin and founded by Louise Hamlin, the event featured keynotes and panels addressing the state of the art market, legal challenges, and the impact of tariffs. Christie’s CEO Bonnie Brennan reported a $700 million haul from recent auctions, noting a thin top end but strong activity for female Surrealists and Simone Leigh sculptures. Advisors Megan Fox Kelly and Alex Glauber described the market as 'recalibrating' rather than in crisis, with buyers showing increased selectivity.

the view from paula tsai

Paula Tsai, a key figure in Asia's art market, discusses the evolving landscape of collecting in the region, focusing on mainland China and Korea. She notes a surge of new buyers from China, many of whom are young entrepreneurs, while the Korean market remains more mature and stable. Tsai addresses the impact of tariffs on importing art, particularly for Chinese collectors, but asserts that passionate collectors will continue to buy, adjusting timing rather than abandoning purchases. She also highlights the growing Thai market and the complexity of the Chinese market, where established collectors are cautious but new entrants keep activity high.

by the numbers christies 21st century sale edges out estimate aided by bounty of guarantees

Christie’s 21st-century art sale on Wednesday achieved $96.5 million in total sales, a 20 percent increase over the same sale last year. The auction featured 43 lots, with four withdrawn before the sale, and a sell-through rate of 83.7 percent (92.3 percent after withdrawals). The top lot was Jean-Michel Basquiat’s *Baby Boom* (1982), which sold for $23.4 million. The sale was heavily supported by guarantees—24 lots were guaranteed, including 18 with third-party guarantees—accounting for 75 percent of the total presale low estimate. Auctioneer Yü-ge Wang faced cautious bidding, prompting playful remarks as collectors tested lower increments.

anne imhof sculpting bronze

Anne Imhof, the German artist known for her provocative multimedia performances, is presenting new bronze relief sculptures at the TEFAF art fair (May 9–13) at New York's Park Avenue Armory, the same venue where her performance "DOOM: House of Hope" recently premiered. The works, which debuted in her 2024 exhibition "Wish You Were Gay" at Kunsthaus Bregenz, mark a shift from her signature tech-infused performances to sculptural forms inspired by ancient Greek friezes and Renaissance reliefs. Priced at €250,000 each, the bronzes depict intertwined nude figures, skulls, animals, and apocalyptic imagery, reflecting themes of love, death, and the afterlife.

Whitney Biennial 2026

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, has received generally lukewarm responses from critics, a notable shift from the more intense takedowns and boycotts that characterized recent editions of the exhibition. Left-oriented critics have criticized the curatorial framework as indeterminate and evasive, particularly in light of the Whitney Museum's controversial board decisions, including the recent closure of the museum's Independent Study Program.

Thousands of Strips of Silk Undulate in Kenny Nguyen’s ‘Deconstructed Paintings’

Kenny Nguyen, a Vietnamese-born artist based in Charlotte, North Carolina, creates large-scale wall works using thousands of hand-cut strips of silk. Drawing on his background in fashion design, he employs techniques like pinning, weaving, sewing, and layering to produce what he calls “deconstructed paintings.” Each piece is built around an imaginary body, with creases and undulating forms that evoke movement. Though the works appear fixed, they are malleable—their shape changes depending on pin placement during installation. Nguyen’s work is currently on view in the group exhibition *Textile Art Redefined* at Saatchi Gallery in London.

Where to go this weekend?

Wohin am Wochenende?

This week's art tips from Monopol magazine highlight exhibitions and events across Germany and Europe. In Berlin, the Helmut Newton Museum reopens with a new immersive film space and a fresh presentation of its collection, while the Neue Nationalgalerie showcases Ernst Ludwig Kirchner's iconic painting "Potsdamer Platz" in the exhibition "Ruin und Rausch. Berlin 1910-1930." In Bozen, Chinese artist Evelyn Taocheng Wang presents new works at Museion, blending painting, textiles, and installation. The Art Brussels fair returns with a reduced lineup of 138 galleries, focusing on Belgian and neighboring markets. In Duisburg, Anish Kapoor receives the Wilhelm-Lehmbruck Prize, accompanied by a solo exhibition at the Lehmbruck Museum.

Gardar Eide Einarsson Leaves You in the Dark

Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.

Notes from New York: Rotting Meat

Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'

Newcastle Art Gallery’s stunning new exhibitions open up a multiverse

Newcastle Art Gallery has opened three new exhibitions following its February reopening with the blockbuster show 'Iconic Loved Unexpected'. The new presentations include Tiyan Baker's solo show 'Mouth Mnemonica', 'The Mordant Family Gift' featuring 25 works donated by philanthropists Simon and Catriona Mordant, and Brian Robinson's 'Multiverse'. The exhibitions collectively showcase a diverse range of national and international artistry, with works by artists such as Gemma Smith, Tim Silver, Alasdair Macintyre, and Rafael Lozano-Hemmer. Baker's solo exhibition focuses on preserving the Bidayǔh language through multimedia works including autostereograms and video installations.

Roni Horn Returns to London with Seizure of Hope at Hauser & Wirth

Roni Horn returns to London for her first solo exhibition in a decade, titled *Seizure of Hope*, at Hauser & Wirth. The show features over 45 works on paper centered on the repeated phrase "I am paralyzed with hope," drawn from a performance by comedian Maria Bamford, alongside a cast-glass sculpture *Untitled ("What happens to the hole when the cheese is gone?")* (2022). The drawings explore language, repetition, and the instability of meaning, with words shifting between clarity and abstraction through wax crayon layering. A limited-edition artist book of the same title will be released by Hauser & Wirth Publishers.