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At TEFAF New York, the Masterpiece Market Had Plenty to Celebrate

TEFAF New York returned to the Park Avenue Armory with record attendance on its Collector Preview day, May 14, featuring 90 exhibitors showcasing modern and contemporary masterpieces, antiques, decorative arts, and jewelry. Dealers reported strong sales across price tiers, including an Andy Warhol Mao sold by ML Fine Art within the first hour, a Lucio Fontana *Concetto Spaziale* for $2.3 million at Mennour, and works by Giorgio Morandi, Giosetta Fioroni, and Meret Oppenheim sold by Galleria d’Arte Maggiore g.a.m. A new secondary-market partnership, Pace Di Donna Schrader Galleries, debuted with a booth anchored by a 1956 Rothko, signaling renewed confidence in the market.

You Can’t Drive It; You Can Only Look At It: A Conversation with Heidi Vaughan

Houston gallerist, secondary market art broker, and fine art appraiser Heidi Vaughan discusses her gallery Heidi Vaughan Fine Art (HVFA), the recent opening of McKay Otto's show 'GOLD,' and her multifaceted role in the art world. Vaughan represents established Houston artists like McKay Otto and Thedra Cullar-Ledford, as well as emerging painter Afi Lane, and offers services ranging from valuation and authentication to collection management and liquidation. She also hosts a radio show, 'The Houston Hour,' on 90.1 KPFT HD2, and is a prominent advocate for the arts in Houston.

If fashion is art, why doesn’t CNZ fund it?

Creative New Zealand (CNZ) explicitly states on its website that it does not fund fashion design, classifying it as primarily part of the commercial creative industries. The article highlights the contradiction that while major institutions like The Dowse Art Museum, Auckland Art Gallery, and World of WearableArt treat fashion as art, CNZ denies funding to fashion designers, with rare exceptions for non-commercial, cross-cultural, or collaborative projects. Fashion designer Doris de Pont, founder of The New Zealand Fashion Museum, notes that even when her trust received CNZ support, it was for the art connection, not the fashion itself.

Figurative Painter Solo Exhibitions

The Lisa Yuskavage exhibition has opened at David Zwirner's 533 West 19th Street location in New York, running from May 14 through June 26, 2026. The show features new and recent paintings, works on paper, and a body of collages made on green Color-aid paper, incorporating pastel, egg tempera, gouache, and pasted elements. Many paintings expand on the theme of the artist's studio, with recurring figures appearing across compositions. This marks Yuskavage's tenth solo exhibition with David Zwirner, twenty years after her first show with the gallery in 2006. The exhibition follows her first comprehensive museum presentation of works on paper, 'Lisa Yuskavage: Drawings,' at The Morgan Library and Museum in New York from June 2025 through January 2026.

Iris Van Herpen’s Groundbreaking Work Presented in New Exhibit at Brooklyn Museum

The Brooklyn Museum opens "Iris Van Herpen: Sculpting the Senses," a mid-career retrospective of the Dutch fashion designer known for pioneering 3D-printed garments. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, features over a decade of van Herpen's work, including her first 3D-printed garment from 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new works such as an algae dress grown from 125 million living organisms. Organized by senior curator Matthew Yokobosky, the show spans eleven themes exploring van Herpen's fusion of traditional craftsmanship with technology, science, and nature.

Seattle Art Museum continues Alexander Calder exhibition series

The Seattle Art Museum (SAM) has announced a new exhibition, "Monochrome: Calder and Tara Donovan," as part of its ongoing Calder at SAM initiative. Opening May 13, 2026, and running through January 17, 2027, the show is co-curated by artist Tara Donovan and Catharina Manchanda, SAM's Jon and Mary Shirley Curator of Modern and Contemporary Art. It explores how both Alexander Calder and Donovan use monochrome—particularly black—to examine materials, movement, and perception. Donovan's works from five series, including installations made from tar paper and Mylar, will be displayed alongside two of Calder's matte black pieces: the mobile "Jacaranda" (1949) and the stabile "Mountains" (1976).

Art Card: Helen Frankenthaler at the Milwaukee Art Museum (Hand Signed by Helen Frankenthaler) , 1985

A rare, hand-signed offset lithograph invitation card from a 1985 Helen Frankenthaler exhibition at the Milwaukee Art Museum has surfaced on the market. The two-sided card, which served as an invitation for the show "Frankenthaler, Works on Paper, 1949-1984," was signed by the artist in ink during her talk at the opening reception on October 3, 1985. It is currently presented in a double-sided frame to preserve the integrity of the signature and the exhibition text.

K-POP, FUNGI, AND TERRACE RAVES: Art Basel Hong Kong 2026

Art Basel Hong Kong 2026 commenced against a backdrop of global economic uncertainty and geopolitical tension, yet the city's local scene demonstrated remarkable resilience. The week was characterized by a surge of grassroots activity, including the debut of three alternative art fairs and the opening of several new gallery outposts. Key highlights included the launch of GOLD, a cross-disciplinary salon in Wong Chuk Hang, and the expansion of Shanghai’s Antenna Space into the city, signaling a shift toward more flexible, community-oriented art spaces.

Beyond Art Basel Hong Kong, Cyborgs, Neon Abstractions and More

Art Basel Hong Kong's return to full scale has catalyzed a surge of satellite exhibitions and gallery openings across the city. High-profile shows include major presentations of cyborg-themed works, neon-infused abstractions, and a focus on both established international names and emerging Asian voices. The city's art hubs, from the H Queen’s building to the Wong Chuk Hang industrial district, are hosting ambitious projects that coincide with the fair's VIP preview week.

Did Van Gogh’s Yellow House turn blue after his death?

New historical evidence suggests that Vincent van Gogh’s iconic 'Yellow House' in Arles underwent a dramatic color change before its destruction. While Van Gogh famously painted and cherished the building for its yellow facade in 1888, two recently highlighted paintings from the late 1930s by artists Willy Guggenheim (Varlin) and George Tomaziu depict the structure with a blue exterior. This discovery, brought to light by Ukrainian artist Yuri Pikul, indicates the building had been repainted while serving as a café-bar called the Civette Arlésienne.

What’s on now at San Francisco museums, March 2026

San Francisco’s museum landscape is undergoing a significant seasonal shift with several high-profile openings and closings scheduled for Spring 2026. Major highlights include the de Young Museum’s 'Monet and Venice' exhibition, Chiharu Shiota’s debut at the Asian Art Museum, and a major rehang of the Fisher Collection at SFMOMA. However, the scene faces a somber note as the Mission Cultural Center for Latino Arts has suspended operations due to financial or structural difficulties, prompting calls for city intervention.

Renowned Mexican art collection to be managed by Spanish bank

Banco Santander announced on 21 January that it will manage 160 works from the Gelman Collection of 20th-century Mexican art, following a long-term agreement with the Zambrano family, which acquired the collection in 2023. The newly branded Gelman Santander Collection will debut this summer at Faro Santander, the bank's new venue in Cantabria, Spain. The collection, started by Russian-born film producer Jacques Gelman and his wife Natasha, includes major works by Frida Kahlo, Diego Rivera, Rufino Tamayo, and others, but has been largely out of public view since 2008 amid inheritance disputes. The agreement is complicated by Mexican law, which designates many works as National Artistic Monuments, restricting their permanent export and requiring oversight by the Instituto Nacional de Bellas Artes y Literatura (INBAL).

MENA Artists Are Having a Market Moment That’s Built to Last

Auction sales for artists from the Middle East and North Africa (MENA) region rose 9.4% to $33.2 million in 2025, driven by increased activity from international auction houses and the emergence of new hubs like Riyadh. The Sotheby's 'Origins' sale in Saudi Arabia achieved $17.3 million, setting artist records, while works from Lebanon, Egypt, and Iraq saw particularly strong gains, indicating a market rebalancing.

The first Art Basel Qatar heralds a new model for art fairs in the region

Art Basel has launched its first fair in Qatar, adopting a novel format distinct from its other global events. The fair, featuring 87 galleries, requires each to present only one artist and is spread across multiple venues in Doha's Msheireb cultural district, with an open-plan, museum-like layout and special commissioned projects. Artist Wael Shawky serves as artistic director, emphasizing curatorial coherence over commercialism.

Must-see New York City museum openings and exhibitions in 2026

The article previews major New York City museum exhibitions opening in 2026, including a Carol Bove survey at the Solomon R. Guggenheim Museum (March 5–August 2), the first U.S. Marcel Duchamp retrospective since 1973 at the Museum of Modern Art, the New Museum's inaugural show in its OMA-designed expansion titled "New Humans: Memories of the Future," and a Goya exhibition at the Hispanic Society Museum & Library tied to the 250th anniversary of the United States. Each show highlights significant artistic milestones, from Bove's scrap-metal sculptures to Duchamp's readymades and Goya's war commentaries.

Observer’s 2025 Art Market Recap: Recovery After a Year of Recalibration

After a turbulent start marked by gallery closures and market contraction, the art market in 2025 rebounded decisively, driven by a secondary-market surge in high-quality consignments. Major auction houses reported strong year-end results: Sotheby's projects $7 billion in consolidated sales (up 17%), Christie's expects $6.2 billion (up 7%), and Phillips reported $927 million (up 10%). Key sales included the $272 million Leonard & Louise Riggio collection at Christie's, the $527.5 million Lauder collection at Sotheby's (led by a $236.4 million Gustav Klimt), and the $136 million Karpidas sales. The year began quietly but gained momentum after summer, with deep bidding and strategic pricing driving a 26% increase in Sotheby's auction revenue and an 11% overall rise in fine art sales across Old Masters, Impressionist, Modern, Post-War and Contemporary categories.

The Best Miami Art Exhibitions of 2025

The article surveys the best art exhibitions in Miami during 2025, highlighting a diverse range of shows from major museums to underground galleries. Key exhibitions include "Art and Life in Rembrandt's Time" at the Norton Museum, featuring Dutch Golden Age masters like Rembrandt and Vermeer for the first time in Florida; "Black Mans Shadow Work" at Queue Gallery, a duo show with New York-based artists Torrance Hall and Karryl Eugene; and "Dreams Without Riders" at Homework Gallery, an immersive installation by German-Nicaraguan artist Brigette Hoffman. The piece also notes the ongoing influence of private collections and the role of alternative spaces like Tunnel Projects in shaping Miami's art scene.

Five forces that reshaped the art market in 2025

In 2025, the art market faced significant challenges, including gallery closures and unfavorable auction results in the first three quarters, driven by geopolitical pressures such as US President Donald Trump's tariffs. However, a rebound occurred in autumn, with buoyant fairs like Frieze London and Art Basel Paris, and strong November auctions in New York totaling over USD 2 billion, carrying momentum to Art Basel Miami Beach. Key events included Gustav Klimt's *Portrait of Elisabeth Lederer* selling for USD 236.4 million at Sotheby's, a record for a Modern work, and a Frida Kahlo self-portrait setting a new record for a work by a woman. Meanwhile, several galleries closed, including Blum, Venus Over Manhattan, Clearing, Kasmin Gallery, Tilton Gallery, and Perrotin and Pace's Hong Kong outposts, while others expanded, such as Thaddaeus Ropac in Milan and Hauser & Wirth in Sicily.

‘Lust for Life’: The Van Gogh book designed to fit in pockets of US soldiers during the Second World War

Irving Stone's 1934 novel *Lust for Life*, a fictionalized biography of Vincent van Gogh, was published as an Armed Services Edition during World War II for U.S. soldiers. These pocket-sized books, measuring 11cm by 17cm, were designed to fit in uniform pockets and withstand harsh conditions. Over 123 million copies of various titles were printed from 1943 to 1947, with distribution including parachute drops to troops on Pacific islands and handouts to soldiers before the Normandy Landings. The surviving copies are scarce and often damaged, with browned pages and covers marked as U.S. government property, not to be resold.

New tech and old names drive sales at Art Basel Miami Beach

Art Basel Miami Beach (ABMB) saw strong sales and a cautiously optimistic mood, with Pace gallery reporting nearly $5 million in sales including a $1.1 million Sam Gilliam painting. The fair debuted a new digital art section, Zero 10, where a Beeple installation of robotic dogs excreting NFTs sold out within five hours for $1 million total, and generative art from Larva Labs sold for up to $45,000 each. However, the opening day crowd was thinner than in past years, and about 20 galleries did not return, replaced by a record 48 new exhibitors. Dealers noted a slower, quieter pace, with buyers more cautious than during the indulgent pre-pandemic era.

Miami Art Week 2025: Your Essential Guide to the Fairs, Exhibits, and Chaos

Miami Art Week 2025 takes place December 2-7, transforming Miami Beach and Wynwood into a sprawling art hub anchored by Art Basel Miami Beach, which features 281 galleries from 43 countries. The week includes over a dozen major fairs such as SCOPE, NADA, UNTITLED, and Pinta, alongside off-program events like street art battles at the Museum of Graffiti, a collaborative mural by RETNA and El Mac at Wynwood Walls, and David LaChapelle's world premieres at VISU Contemporary. The event follows record-breaking New York auctions totaling over $1.5 billion, including a $236 million Gustav Klimt and a $55 million Frida Kahlo.

One Fine Show: “Anselm Kiefer, Becoming the Sea” at the Saint Louis Art Museum

The Saint Louis Art Museum has opened “Anselm Kiefer: Becoming the Sea,” an exhibition featuring 40 works by the German artist from the 1970s to the present, including over 20 pieces made in the last five years and five monumental site-specific paintings. The show highlights Kiefer's 1991 journey up the Mississippi River during a visit to St. Louis, a formative trip that inspired new works such as the 30-by-27-foot painting *Missouri, Mississippi* (2024), which depicts the artist encountering the Melvin Price Lock and Dam in Alton, Illinois. The exhibition also includes pieces like *Die Milchstraße* (1985-87) and two works dedicated to beat poet Gregory Corso, whose lines about eternal life gave the show its title.

Digital art is going mainstream

Digital art has achieved mainstream acceptance in the art world, ranking third in total spending among high-net-worth collectors after painting and sculpture, according to The Art Basel and UBS Survey of Global Collecting 2025. Over half of the 3,100 respondents purchased a digital artwork in 2024 or 2025, and the average share of digital art in collections rose from 3% in 2024 to 13% in 2025, signaling a maturation beyond the NFT boom of 2022. Art Basel is launching a new section called Zero 10 at Miami Beach 2025, featuring 12 exhibitors including AOTM, bitforms gallery, and Pace Gallery, with an interactive installation by Beeple. Major museums like MoMA, Tate Modern, and Centre Pompidou have hosted significant digital art exhibitions, further boosting collector confidence.

Jenny Saville Is Getting a Landmark Exhibition in Venice

Jenny Saville will be the subject of a major new exhibition at Venice’s International Gallery of Modern Art at Ca’ Pesaro, opening March 28, 2026 and running through November 22, 2026, alongside the 61st Venice Biennale. The show will feature around 30 paintings spanning her career from the 1990s to the present, including seminal works like *Hyphen* (1999) and *Reverse* (2002–13), and will conclude with a new series created in homage to Venice. The exhibition is curated by Ca’ Pesaro director Elisabetta Barisoni and supported by Gagosian.

The elusive artist Cady Noland has made a shock return: will it impact her reputation?

The elusive artist Cady Noland has made a shock return with a sprawling exhibition of almost entirely new work at Gagosian’s 555 West 24th Street space in New York. After withdrawing from the public eye for over a decade and becoming infamous for disavowing her own works and suing collectors over attribution, Noland re-emerged with a survey show at Frankfurt’s Museum of Modern Art in 2018, followed by commercial shows at Galerie Buchholz in 2021 and Gagosian in 2023. Her latest exhibition, featuring 38 entries mostly made this year, was a hit, with many works placed with major collectors and institutions.

Out of the wrapper and into the gallery: the art of chocolate

Artist Anya Gallaccio discusses her use of chocolate as an art material, tracing her first experiments in 1992 at Rodolphe Janssen gallery in Brussels, where she commissioned chocolate guns, and her 1994 solo show "Brown on White" at Galerie Krinzinger in Vienna, where she painted gallery walls with melted couverture chocolate. The work invited visceral audience reactions, including licking the walls, and engaged with themes of desire, decay, and the colonial and class histories of chocolate consumption.

A brush with... Cliff Lauson

Cliff Lauson, a curator, participates in 'A brush with...' and shares his personal connection to art, citing Rodney Graham's self-portrait 'My Late Early Styles (Part I, The Middle Period)' as the single work he would live with. He reflects on formative cultural experiences, including working with Northwest Coast First Nations communities at the UBC Museum of Anthropology and seeing the ballet 'Tree of Codes' by Wayne McGregor with Olafur Eliasson and Jamie xx, which inspired his later collaboration on the exhibition 'Infinite Bodies'. Lauson also discusses his recurring engagement with Brian O'Doherty's book 'Inside the White Cube' and his unusual background as a curator who worked on a Star Wars film during his Clore Fellowship at Industrial Light and Magic.

As censorship rises, is there a future for truly political, truth-telling art?

The article examines the growing threat of censorship in the visual arts, focusing on two key incidents. In the US, the Trump administration pressured the Smithsonian Institution to review its holdings for content that contradicts "American exceptionalism," leading artist Amy Sherald to withdraw her entire solo exhibition from the National Portrait Gallery after the museum considered removing her painting *Trans Forming Liberty* (2024), which depicts a transgender person as the Statue of Liberty. Meanwhile, in France, Dutch street artist Judith de Leeuw unveiled a monumental mural in Roubaix showing the Statue of Liberty covering its eyes in shame, protesting global migrant injustice, which went viral online.

Five must-see UK exhibitions this Black History Month

Five must-see UK exhibitions for Black History Month 2025 are highlighted, including 'Nigerian Modernism' at Tate Modern (8 Oct 2025–10 May 2026), which explores the development of Modern art in Nigeria through over 250 works by artists like Ben Enwonwu and El Anatsui; 'Stan Douglas: Birth of a Nation and The Enemy of All Mankind' at Victoria Miro (until 1 Nov 2025), a multi-channel video installation confronting racial perception; and 'Jennie Baptiste: Rhythm & Roots' at Somerset House (17 Oct 2025–4 Jan 2026), the photographer's first UK solo exhibition capturing Black diaspora life. Other shows include works addressing the Caribbean Windrush generation in Cambridge.

Artist Alicja Kwade Opens the Door of Her Berlin Studio Ahead of a Major Solo Show

Berlin-based Polish artist Alicja Kwade opens her studio ahead of a major solo show, revealing the creative process behind her sculptural works that explore time, uncertainty, and reality. Her studio, a historic industrial complex in Oberschöneweide acquired from musician Bryan Adams, houses a team of a dozen full-time employees and up to 30 freelancers, including stone masons, welders, and architects. Kwade's recent high-profile exhibition at Pace Gallery in New York featured suspended stainless-steel cylinders with clocks and distorted reflections, while her best-known works include 2019 sculptures commissioned for the rooftop of The Metropolitan Museum of Art and a contribution to the 2017 Venice Biennale.