‘My Father’s Shadow’: Now You See Me

Clive Chijioke Nwonka reviews Akinola Davies Jr.'s film *My Father's Shadow* (2025), a semi-autobiographical story of two adolescent brothers traveling through Lagos with their estranged father during the 1993 Nigerian presidential elections. The film, selected for the Cannes Official Selection, employs a metaphysical narrative style rooted in the Nigerian oral tradition, blending literal and spiritual worlds to explore diasporic identity, memory, and cultural preservation.

Mary Lovelace O’Neal, painter and activist, 1942–2026

Mary Lovelace O’Neal, the American painter, professor, and civil rights activist, has died at age 84. Born in Jackson, Mississippi, she was a co-founder of the Non-Violent Action Group while a student at Howard University, later earning an MFA from Columbia University. Known for monumental abstract works on soot-black surfaces, she developed her signature technique through the Lampblack series (1960s–70s) and continued evolving her practice through series such as Whales Fucking (1970s–80s) and Panthers In My Father’s Palace (1980s–90s). In 1985, she became the first African American woman to receive tenure in the Department of Art Practice at the University of California, Berkeley, where she taught for nearly three decades and served as chair from 1999 until her retirement in 2006.

Somali artists and culture workers express concern over Somalia Pavilion in Venice

Somali artists, cultural workers, and organizations have published multiple open letters and statements expressing concern over the Somalia Pavilion at the Venice Biennale. The pavilion, announced in March for the 2026 edition, is titled 'SADDEXLEEY' and features Somali-Swedish artist Ayan Farah, Somali-Danish poet and filmmaker Asmaa Jama, and Somali-British writer Warsan Shire, curated by Stockholm-based Mohamed Mire and Italian project manager Fabio Scrivanti. Critics, including the Somali Arts Foundation and the queer collective Warbixinta Cidda, allege that the pavilion was organized without meaningful consultation of artists and organizations based in Somalia, and object to the appointment of an Italian co-curator given Italy's colonial history in Somalia. An anonymous open letter further alleges intimidation and coercive pressure against critics, and demands Scrivanti's removal, calling for a boycott if demands are not met.

Dries Verhoeven on Representing the Netherlands at the 61st Venice Biennale

Dries Verhoeven will represent the Netherlands at the 61st Venice Biennale (2026) with a new work titled *The Fortress*, installed in the Dutch Rietveld Pavilion in the Giardini. The 25-minute performance piece transforms the sunlit pavilion into a darkened bunker, featuring a raw vocal composition using only false vocal cords. Verhoeven describes the work as a meditation on transition and self-preservation, reflecting a Western society caught between its enlightened self-image and a dark vision of the future. The piece responds to geopolitical unrest outside the Biennale grounds and is designed to be melancholic and confrontational, contrasting with the main exhibition's theme, *In Minor Keys*.

EAT/ART Space to inhabit ETSU's Tipton-Ashe Galleries

EAT/ART Space, a collaborative project merging food and visual art, will take over ETSU's Tipton-Ashe Galleries. The initiative transforms the gallery into an interactive environment where visitors can engage with art through culinary experiences, blurring the lines between gallery viewing and dining.

Somali Cultural Organizations Unhappy With Somalia Pavilion at the Venice Biennale

Somali artists and cultural organizations are protesting the Somalia pavilion at the 2024 Venice Biennale, arguing it excludes artists based in Somalia and relies on diaspora figures and an Italian co-curator, which they view as colonial. The Somali Arts Foundation issued a statement condemning the lack of consultation, while the queer arts collective Warbixinta Cidda criticized the appointment of Italian curator Fabio Scrivanti. Somali American poet Ladan Osman boycotted the pavilion, calling it "anti-indigenous."

Lakefront Festival of Art Returns June 12–14 with 145 Artists, Live Music, Local Food, and New Extended Evening Hours

The Lakefront Festival of Art returns to the Milwaukee Art Museum campus from June 12–14, 2026, featuring 145 juried artists from Milwaukee and across the country. Presented by Bank of America, the three-day event includes live music from acts like The Belle Weather, Field Report, and Brett Newski, local food vendors, hands-on artmaking at Kohl's Art Studio, and a Silent Auction Tent with works by participating artists. New this year, extended evening hours until 7 p.m. on Friday and Saturday allow visitors to enjoy after-work outings and sunset views. The festival is organized by Friends of Art, the museum's longest-running volunteer support group, and serves as an annual fundraiser for acquisitions and programs.

The BFA exhibit at Krannert Art Museum begs you to touch stuff

The 2026 BFA Exhibition at the Krannert Art Museum, featuring work from University of Illinois School of Art & Design students, emphasizes interactivity, inviting visitors to physically engage with the displays. Highlights include Dhanvi Puttur's "The Third Showing," which explores film communities through an interactive prompt, and Venya Naidu's "The Last Maharaja of Mysore," a vibrant piece blending history and vintage advertising aesthetics. The exhibition runs through May 16, 2026, and is free to the public.

The Ukrainian Pavilion’s Deer Seen Around the World

Zhanna Kadyrova's concrete sculpture "The Origami Deer" (2019) is prominently displayed at the entrance to the Giardini during the 61st Venice Biennale, part of her project "Security Guarantees" in the Ukrainian Pavilion. Originally installed in Pokrovsk, eastern Ukraine, the work was removed in 2024 as Russian forces advanced, then traveled through Vienna, Warsaw, Prague, Berlin, and Paris before reaching Venice—a journey mirroring the displacement of millions of Ukrainians. The sculpture, shaped like a deer and evoking folded paper, references the 1994 Budapest Memorandum, in which Russia, the UK, and US guaranteed Ukraine's security in exchange for its nuclear disarmament—guarantees that proved worthless after Russia's invasions.

All 3.5 Million Pages of the Epstein Files Are Now on View at This Pop-Up Exhibition

The Institute for Primary Facts has transformed New York's Mriya Gallery into the Donald J. Trump and Jeffrey Epstein Reading Room, a pop-up exhibition displaying all 3.5 million pages of the released Epstein files in 3,437 bound volumes. Open from May 8 to May 21 in Tribeca, the installation is the group's first live project, requiring visitors aged 16 and over to book appointments via a platform called Trumpsonian. Only accredited press, Congress, law enforcement, and victims' advocates may open the volumes, due to the Department of Justice's failure to properly redact victims' names.

Nazi-Looted Portrait Surfaces in Home of Descendants of Dutch SS Leader

A Nazi-looted painting, *Portrait of a Young Girl* by Dutch artist Toon Kelder, has been discovered in the home of descendants of Hendrik Seyffardt, a Dutch SS collaborator who aided the Nazis during World War II. The work, stolen from the renowned Goudstikker collection, was allegedly displayed for decades by Seyffardt's family. An anonymous descendant contacted art detective Arthur Brand after learning of his family's past and seeing the painting in the hallway of Seyffardt's granddaughter. The family member told Dutch newspaper *De Telegraaf* that he feels "deep shame" and insists the painting must be returned to the Jewish rightful heirs.

25 years later, artist David Adey continues to push the envelope

Artist David Adey is the subject of a mid-career survey, “David Adey: Sacrificial Bodies,” opening April 25 at the Oceanside Museum of Art. The 70-piece exhibition, curated by gallery owner Mark Quint in collaboration with Adey, spans 25 years of his career and includes a 2026 re-creation of his 2001 piece “The Lamb,” which features a reconstructed lamb carcass. Adey, now 53, originally created the work as a graduate student at Cranbrook Academy of Art. The show also features pieces like “Gravitational Radius” and “2,127 Rounds,” a sculpture made by firing an AR-15, Glock 34, and shotgun into cedar.

Winfred Gaul | May (1969) | For Sale

A screenprint titled "May (1969)" by German Abstract artist Winfred Gaul is being offered for sale through RoGallery Auctions on Artsy. The work, edition 6/100, was originally featured as the image for May in the 1969 Domberger calendar, which included screenprints by 12 prominent artists. The print is signed and numbered in pencil, with an estimated value of $600–$900 and a starting bid of $250. The listing includes a biography of Gaul, noting his studies at the University of Cologne and the Academy of Fine Arts in Stuttgart, his first solo exhibition in 1956 at Gurlitt Gallery in Munich, and his participation in Documenta 2 in 1959. His work is held in major museum collections including MoMA, the National Gallery of Art, and the Art Institute of Chicago.

Art Notes, May 13

Artist and teacher Jamie Jarka, creator of the popular Milo the Seagull mascot for Long Beach Island, has expanded her merchandise to Ron Jon Surf Shop in Ship Bottom, selling prints, stickers, magnets, and nightlights. Jarka will also teach weekly summer art classes at three Island venues: Bayview Park in Brant Beach, Firefly Gallery in Surf City, and Sea Shell Resort and Beach Club in Beach Haven, with schedules and pricing detailed for each location. Additionally, the article covers the 51st annual Art in Bloom movement, with events at Pine Shores Art Association's Stafford gallery and the Long Beach Island Foundation of the Arts and Sciences (LBIF), where garden club members create floral arrangements inspired by artworks. Other news includes the PSAA Tuckerton Art Center's "Blooming Spring" show, a "Glimpses of America" exhibition at Beach Haven Borough Gallery, and a call for South Jersey photographers to submit work for an LBIF photography exhibition and fundraiser celebrating LBI lifeguards.

In dreamy photographs, the artist Widline Cadet tells the complex story of her family’s migration

Artist Widline Cadet, who was separated from her mother for six years as a child during her family's migration from Haiti to New York, has spent nearly a decade creating a multimedia "living archive" of photographs, video, sound, and sculpture. Her largest solo exhibition to date, "Currents 40: Widline Cadet," is now on view at the Milwaukee Art Museum, exploring themes of diaspora, memory, and familial connection through dreamlike, often fragmented imagery.

The San Juan Islands Museum of Art Summer 2026 Exhibitions include Photography, etching, glass sculpture and feather sculpture

The San Juan Islands Museum of Art (SJIMA) in Friday Harbor, Washington, will present three exhibitions from June 11 to September 14, 2026, featuring photography, etching, glass sculpture, and feather sculpture. The exhibitions include "Convergence & Divergence: The Family Aesthetic" in the Nichols Gallery, showcasing the work of Imogen Cunningham, Roi Partridge, and Rondal Partridge together for the first time, with over 100 photographs and prints spanning nearly 110 years. Also on view are "Feathered Masterpieces: The Artistry of Chris Maynard" in the North Gallery, featuring intricate feather carvings, and a glass sculpture by Raven Skyriver.

Exhibition | Byoung Cho, 'WHEN SPACE BECOMES PAINTING' at BB&M, Seoul, South Korea

BB&M gallery in Seoul presents "When Space Becomes Painting," a solo exhibition of leading Korean architect Byoung Cho, organized in partnership with Jiyoon Lee of SUUM Project. The show traces Cho's 30-year engagement with space across painting, installation, maquettes, and drawing, exploring how his architectural thinking translates onto canvas. Central to the exhibition is Cho's concept of "mahk," inspired by Korean traditional ceramic maksabal, embracing spontaneity and imperfection as a guiding philosophy. The exhibition shifts from viewing artworks to experiencing them, with paintings that function as performative inquiries into existence rather than static images.

Pamela Bryan and Julia Campbell Carter Bring New Orleans Rhythm to London

Pamela Bryan of Octavia Art Gallery in New Orleans and London-based curator Julia Campbell Carter have organized "Rhythm in the Blues," a contemporary group exhibition at 14 Percy Street, London, running from May 11 to 20. The show features five international artists—Alia Ali, Aigana Gali, Azadeh Ghotbi, Naomie Kremer, and Lucille Lewin—whose works in painting, sculpture, and mixed media explore themes of memory, migration, resilience, and identity, with music serving as an atmospheric and structural influence rather than a literal subject.

May Art And Culture Calendar: Every Exhibit, Live Performance, And Concert Worth Your Visit

This article is a curated calendar of art and culture events in Delhi and Mumbai for May and June 2026. Highlights include a photography exhibition of Satyajit Ray by Nemai Ghosh at DAG, a documentary photography show by Jyoti Bhatt at Gallery Vayu in collaboration with LATITUDE 28, a candlelight concert tribute to A.R. Rahman at Le Méridien, a group exhibition titled 'Slow Rot' at Method Delhi exploring vulnerability and the grotesque, and a dance performance celebrating Rabindranath Tagore at NCPA.

75 Years of Making Art in Ardsley

The Ardsley Art Commission is presenting a unique exhibition featuring the works of mother-and-son artists Valda Hancock Wagner and Rich Wagner, spanning 75 years of artistic creation. The show includes oil and acrylic paintings, watercolors, drawings, etchings, and wood block prints, ranging from traditional realism to abstraction. Valda studied with notable artists such as Reginald Marsh, Robert Rauschenberg, and Robert Beverly Hale, and later taught art in inner-city New York. Rich studied at the Art Students League, the Royal Academy of Arts, and the Royal Drawing School, and has participated in over 80 exhibitions. The exhibition is on view at Ardsley Village Hall through October 1.

Gallery 14 Fine Art Photography features two members and a guest artist

Gallery 14 Fine Art Photography in Hopewell, New Jersey, will host a group exhibition from May 16 through June 14, featuring two member artists and one guest artist. The show includes John Stritzinger's series 'Trees Find A Way,' which captures trees in urban and rural settings; Dutch Bagley's 'What In The World,' a self-taught photographic exploration of environment and diversity; and guest artist Elvira Peretsman's 'The Fractured Perspective,' which uses experimental in-camera techniques to reveal abstract geometric forms. A meet-the-artists reception is scheduled for Sunday, May 17 from 1 to 3 p.m.

Exhibition | Daniel Crews-Chubb, 'Pareidolia' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

MASSIMODECARLO Pièce Unique in Paris presents 'Pareidolia,' an exhibition of new paintings by London-based artist Daniel Crews-Chubb. The show explores the psychological phenomenon of pareidolia—the brain's tendency to see faces in random patterns—through heavily layered works created with hands, ink, oil, sand, and collage. Three paintings are featured: 'Immortal XXXVIII' and 'Immortal XXXIX' (2026), large-scale works drawing on cultural memory of ancient sculpture, and 'Mask XXIV' (2026), which tests the minimal cues needed for facial recognition. Crews-Chubb's process involves building up and tearing back surfaces over weeks, with charcoal lines added last to define emergent figures.

Adrian Ghenie: Roman Campagna | Exhibition review

Adrian Ghenie's exhibition "Roman Campagna" at a Paris gallery presents a series of paintings and charcoal drawings that subvert the romantic cliché of an artist's transformative encounter with Rome. Ghenie populates landscapes inspired by the Appian Way with grotesque, alien-headed figures hunched over smartphones, urinating on monuments, or weeping at sunsets, using brown and grey tones punctuated by bright colors. The works reference Francis Bacon and William S. Burroughs, and include direct allusions to Bacon's reinterpretation of van Gogh's self-portrait, as well as a copy of a Pompeii mosaic. The show also features large charcoal drawings on paper that reveal Ghenie's process of constructing his contemporary, alienated figures.

Marshall Vernet - all exhibitions and events about the artist

An exhibition titled "Vernet meets Piranesi" opens on May 14, 2026, at Antonacci Lapiccirella Fine Art in Rome, featuring a photographic project by New York-based artist Marshall Vernet. The show presents a dialogue between Vernet's photographs and the Vedute of Giovanni Battista Piranesi, the 18th-century Italian etcher known for his architectural views.

“Containers Love Disorder” at Kunst Halle Sankt Gallen

The group exhibition "Containers Love Disorder" at Kunst Halle Sankt Gallen brings together seven artists and collectives active in Switzerland: Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz, and the collaborative project La Bibliothèque des Ready-Mades, initiated by Anaïs Wenger. The show explores strategies of arrangement, classification, and situatedness through a range of works.

Liliana Moro “| senza | soluzione di continuità” at Platea | Palazzo Galeano, Lodi

Liliana Moro presents a new installation titled “| senza | soluzione di continuità” at Platea | Palazzo Galeano in Lodi. The work is described as a powerful yet subtle artistic gesture that renegotiates the function of the shop window as a public space, emphasizing responsibility and generosity.

GABRIEL CHAILE UNFOLDS HIS ARCHAEOLOGY OF MIGRATION IN LONDON

Argentine artist Gabriel Chaile has opened a new commission titled "Archaeology of Memory" at London's Whitechapel Gallery. The site-specific installation features monumental adobe sculptures that incorporate everyday and decorative objects sourced from the surrounding East End neighborhood. Chaile, who is based in Lisbon, draws on the material traditions of Indigenous communities from northwest Argentina, blending roles as artist, anthropologist, and storyteller to explore themes of migration, identity, and cultural memory.

GABRIEL CHAILE DESPLIEGA SU ARQUELOGIA DE LO MIGRATORIO EN LONDRES

Argentine artist Gabriel Chaile has opened a new commission titled "Archaeology of Memory" at the Whitechapel Gallery in London. The site-specific installation transforms a large gallery space into an archaeological excavation site, incorporating everyday and decorative objects sourced from the surrounding East End neighborhood. These objects are embedded into monumental adobe sculptures that draw on the forms and material traditions of Indigenous communities from northwest Argentina, where Chaile originates. The artist acts as both anthropologist and storyteller, exploring a "genealogy of form" that traces recurring motifs across cultures and time.

The 10th Max Mara Art Prize for Women

第10回マックスマーラ・アート・プライズ・フォー・ウィメン

The 10th Max Mara Art Prize for Women has been awarded to Indonesian artist Dian Suci, marking the first time the prize has been held in Asia. Suci was selected from five finalists for her project "Crafting Spirit: Cultural Dialogues in Heritage and Practice," which examines the intersection of religious craftsmanship traditions and capitalist systems. The prize is organized in partnership with the Museum MACAN in Jakarta. Suci will undertake a six-month residency in Italy, followed by solo exhibitions in 2027 at both Museum MACAN and Collezione Maramotti in Reggio Emilia.

In the heart of Trastevere, an exhibition by an artist paying homage to an ancient Roman goddess

Nel cuore di Trastevere la mostra di un artista che omaggia un’antica dea romana

Diego Gualandris presents 'Floralia,' a solo exhibition at ADA gallery in Rome's Trastevere district, running until May 24, 2026. The show blends painting and music to create a modern homage to Flora, the ancient Roman goddess of spring and fertility. Gualandris displays a series of medium- and small-scale canvases from 2026 alongside a 1970s gramophone playing two original tracks—'The world in a flowerbed' improvised by the artist on piano with saxophonist Francesca Pegurri, his mother. The exhibition also references Hermann Nitsch through works like 'Prinzendorf,' and features playful, erotic botanical compositions that invite viewers to lie down and experience the space through sound and imagery.