Dr. Dimitrios Tsivrikos, an academic psychologist at University College London, describes how he reads people's personalities and emotional states through the art they choose to display in their homes. In an interview with Artsy, he explains that the visual and emotional enrichment of one's environment—whether through expensive artworks or simple posters—reveals deeper psychological insights about the individual.
Paris-based artist Léo Forest creates high-energy pencil drawings that capture the chaotic and dramatic nature of domestic cats. Drawing inspiration from the feline's predatory instincts and internet meme culture, Forest utilizes blurred motion and flailing limbs to depict cats in various states of action, from grooming to brawling.
Kelly Akashi presents her first exhibition with Lisson Gallery in New York, titled 'Heirloom,' featuring a new body of work that explores loss, grief, and absence through sculpture. The exhibition includes bronze, Corten steel, flame-worked glass, and carved stone pieces, many inspired by her garden and personal artifacts like an inherited stone ring and her grandmother's lace tablecloth. It coincides with her participation in the 2026 Whitney Biennial and a commission for John F. Kennedy International Airport's New Terminal One.
Brooklyn-based architecture studio Peterson Rich Office has completed the redesign of five gallery spaces at the Metropolitan Museum of Art in New York, known as the Condé M Nast Galleries. The project transformed 12,000 square feet of a former courtyard into gallery and auxiliary rooms, revealing historic brickwork and facades from the 19th-century buildings by architects Richard Morris Hunt, Arthur Lyman Tuckerman, and Calvert Vaux. The spaces include the Orientation Gallery, High Gallery, Low Gallery, and Finale Gallery, each blending contemporary design with exposed historic materials. The first exhibition in the High Gallery is the Costume Art show, timed to coincide with the annual Met Gala.
South Korea's only media art fair, Loop Plus, was held from April 23 to 26 at the Grand Josun Busan Hotel in Haeundae, Busan. The fair transformed 26 hotel rooms on the 13th floor into exhibition spaces, featuring media artworks from 19 international galleries including Tang Contemporary Art, Esther Schipper, Chiwen Gallery, and Baek Art. Highlights included a 38-minute video installation by Russian artist group AES+F titled *‘Inverso Mundus’*, presented by Tang Contemporary Art, which humorously subverts societal absurdities. The event also included artist booths for Kang Lee-yeon and Lucia Levolino, and institutional booths for the Justice Foundation and Gwangju Media Art Platform. A related festival, Loop Lab Busan 2026, runs until June 28 across multiple venues in Busan.
Volume Gallery is relocating to a larger space at 1700 West Hubbard Street in Chicago, opening in February with a group exhibition titled 'The Heresy of Legacy.' The Museum of Contemporary Photography announced a solo exhibition by MacArthur Fellow Tonika Lewis Johnson for fall 2027. Elise Seigenthaler Gallery will open in West Town on January 9, while Christina Vassallo is leaving Cincinnati's Contemporary Arts Center to join the Pew Center for Arts & Heritage. Additionally, Novak Construction is set to buy the southern portion of Lincoln Yards, and a River North office building will be converted into apartments.
NEXTpittsburgh's June gallery guide highlights a packed month of art events across Pittsburgh, including the Dollar Bank Three Rivers Arts Festival (June 5-8) with 191 artists, a Juried Visual Arts Exhibition at SPACE Gallery, and a rare photography exhibit by May Pang documenting John Lennon's "lost weekend" at Atithi Studios. Other openings include ceramicist Philip Soucy's solo show, painter Caroline Heckman's portraits at Revel, Stephanie Gonzalez's cosmic "Nebulas" at BoxHeart Gallery, the Fiberart International 2025 triennial at Contemporary Craft and Brew House Arts, and Natalie Westbrook's "Corners of My Mind" at ZYNKA Gallery.
Deux Boucher pour le Prado
The Museo del Prado in Madrid has acquired two significant early pendant paintings by François Boucher, titled 'La Naissance et La Mort d'Adonis.' The works were purchased from a French private collection through the Madrid gallery Ana Chiclana, using funds from the bequest of the late department head Juan José Luna. The paintings have been restored and are currently on public display in the Goya's Majas room, awaiting the reopening of the museum's renovated 18th-century galleries.
Rome's Galleria Borghese, a 17th-century villa museum housing masterpieces by Caravaggio, Bernini, and Canova, is facing controversy over a privately funded feasibility study for a potential expansion. Sponsored by Italian engineering firm Proger, the €900,000 initiative would fund an international architecture competition to explore adding exhibition and visitor space to the Villa Borghese Pinciana grounds. Museum officials cite operational constraints: the historic interiors limit access to 360 visitors per two-hour slot (about 4,000 daily), reservations require weeks of waiting, many works remain in storage, and accessibility is poor. Visitor numbers hit a record 630,760 in 2025, up from 506,000 a decade earlier. Preservation groups including Italia Nostra Roma and Amici di Villa Borghese have objected to any new construction in the sensitive historic landscape. Director Francesca Cappelletti emphasized at a May 18 press conference that no project exists yet and the museum is only beginning a study process, with a winner possible by year's end.
Hundreds of bottles filled with what appeared to be urine were discovered at the Metropolitan Museum of Art during the Met Gala on May 5, 2026, according to the New York Post. The protest was claimed by the anti-billionaire group Everybody Hates Elon, which targeted the event over Jeff Bezos serving as the gala's chair. The group left the bottles with signs labeling them a "Met Gala VIP toilet" and criticizing Bezos for alleged labor practices at Amazon, where workers reportedly feel forced to urinate in bottles due to lack of bathroom breaks. The group later clarified on Instagram that the bottles did not contain real urine.
Art Basel has announced a new initiative called Basel Exclusive for its flagship Swiss fair in June 2025, asking participating galleries to withhold their most important or expensive works from all pre-fair previews, online viewing rooms, and publicity. Instead, these "marquee works" will be unveiled for the first time during the First Choice VIP preview on 16 June. The initiative aims to restore a sense of surprise and urgency, countering the trend of galleries pre-selling works to clients before the fair opens. Around 170 galleries have already signed up, including major names like Gagosian, David Zwirner, Hauser & Wirth, Pace Gallery, and Sadie Coles HQ.
Art Karlsruhe returns for its 23rd edition from February 5–8, 2026, at Messe Karlsruhe in Rheinstetten, Germany. The fair brings together roughly 180 galleries from 18 countries, spanning 120 years of art history with dedicated halls for classical Modernism and contemporary art. New participants include Boston's Chase Young Gallery and Tehran's Maryam Fasihi Harandi Gallery, alongside a strong German contingent. Special sculpture areas feature works by Robert Schad, Martin Hollebecq, Koloman Wagner, and Sonja Edle von Hoeßle.
Soho Revue in London presents "Behind the Curtains," a group exhibition running from January 14 to February 29, 2026, featuring eight female artists—Lorena Lohr, Lucrezia Abatzoglu, Nettle Grellier, Drea Cofield, Kim Booker, Joline Kwakkenbos, Harriet Gillet, and Abigail McGinley—who reframe feminine sensuality outside the male gaze. The gallery is draped in deep red velvet, creating an intimate, private chamber that echoes Renaissance curtain conventions and the scale of 16th-century portrait miniatures, with each artist working in small formats to slow visual consumption and challenge who controls the frame.
Hope McMath, an artist and art history teacher at Douglas Anderson School of the Arts in Jacksonville, Florida, was removed from the classroom in September 2024 after posting about the assassination of Charlie Kirk on her private social media. An investigation by Duval County Public Schools found only a minor violation for profanity, but the district refused to reinstate her due to a concurrent state education board investigation. McMath is suing the school district, state officials, and Moms for Liberty, alleging her removal was politically motivated and violated her free speech rights.
Several vivid frescoes have been uncovered during the ongoing excavation of Villa di Poppea, an ancient Roman villa in Oplontis near Naples that was buried by the eruption of Vesuvius in 79 A.D. The newly revealed decorations include an intact peacock fresco and fragments of a mask linked to the comedic character Pappus from the Atellan Farce. The discoveries were made in a room now called the Hall of the Peacock, part of the villa's western section, which is being excavated as part of a conservation project. Other finds include four new rooms, tree root casts showing an ornamental garden layout, and two richly decorated cubicula currently undergoing restoration.
The New-York Historical Society has announced a major gift from H.M. Agnes Hsu-Tang and Oscar L. Tang to fund its new Tang Wing for American Democracy, a $175 million expansion set to open in 2026. The 80,000-square-foot wing, designed by Robert A.M. Stern, will add exhibition and classroom space, and will house the American LGBTQ+ Museum on its top floor. Alongside the announcement, the institution is rebranding as the New York Historical, dropping both the hyphen and the word 'Society' to signal a more inclusive identity.
The Vatican Museums have unveiled the final room of the Raphael Rooms in the Apostolic Palace after a decade-long cleaning and restoration. The project revealed that Raphael used a novel mural painting technique, applying oil paint directly to the wall rather than using traditional fresco. Restorers discovered a grid of metal nails embedded in the walls, intended to hold a natural resin surface for the oil paint, confirming earlier reports of this experimental approach. The room, dedicated to the Roman emperor Constantine, was completed by Raphael's students after his death in 1520.
The Louvre in Paris was forced to close on Monday after museum docents, ticket sellers, and security workers staged a spontaneous strike to protest overcrowding and understaffing during the city's busiest tourist season. The walkout, announced during a routine internal meeting, left visitors frustrated and confused. Union representative Sarah Sefian of CGT-Culture said most staff planned to strike for the full day, though some might return to open a limited "masterpiece route" for ticket holders to see the Mona Lisa and Venus de Milo. The museum typically closes on Tuesdays, and workers may return Wednesday.
A team of German archaeologists from Heidelberg University has uncovered a monumental stone relief in the throne room of the North Palace of King Ashurbanipal at Nineveh, near Mosul, Iraq. The slab, measuring 5.5 meters long and 3 meters high and weighing 12 tons, depicts the last great Assyrian ruler alongside the deities Ashur and Ishtar, as well as a mythological fish genius. The discovery was announced by Professor Aaron Schmitt, who noted that no other known Assyrian palace reliefs feature major deities, making this find exceptional. The excavation is part of the Heidelberg Nineveh project, ongoing since 2018.
Hungarian photojournalist János Bődey captures a poignant moment of joy at a retirement home in Páty, near Budapest, featuring two elderly women dressed as a bride and groom for a carnival celebration. The photograph is part of his series "Carnival at the Retirement Home," which documents the resilience and vitality of Hungarian pensioners who maintain a zest for life despite economic hardships and a strained healthcare system.
Iris van Herpen's mid-career retrospective "Iris van Herpen: Sculpting the Senses" has opened at the Brooklyn Museum, marking the designer's first major museum presentation in the United States. Originally mounted at the Musée des Arts Décoratifs in Paris in 2023, the exhibition features over 140 haute couture looks alongside artworks, design objects, fossils, videos, and natural specimens. The show begins with a water-themed section and includes garments made from materials such as glass bubbles, bioluminescent algae, and 3D-printed polyamide, exploring themes of skeletal structures, primordial fear, and cosmic movements. A centerpiece room, the Atelier, displays swatches, prototypes, and experimental materials, highlighting van Herpen's scientific approach to fashion design.
Humberto Moro, deputy director of program at the Dia Art Foundation, discusses his role in expanding the institution's focus to include Latin American artists such as Liliana Porter, Delcy Morelos, and David Lamelas, whose major survey he curated. The interview, published by Cultured, covers Moro's career path from his early painting pursuits to positions at Museo Tamayo, Museo Jumex, SCAD's Museum of Art, and the Park Avenue Armory, and his current work at Dia alongside director Jessica Morgan. Moro also shares his personal interests in science fiction and literature, citing authors Ted Chiang, Cixin Liu, and Mariana Enriquez.
CULTURED magazine asked art collectors to share their strangest negotiation experiences with artists or dealers. Responses range from a late-night studio sale in a dark East Atlanta alleyway to accidentally bidding on a second impression of a Picasso etching at auction. Other tales include haggling over a borrowed frame after a Christie's purchase, a dealer insisting the artwork be displayed in a specific room, and acquiring a Rick Lowe painting sight unseen from Gagosian after seeing it at the Venice Biennale. The survey reveals the quirky, human side of art transactions often hidden behind market mythology.
The Museum of Contemporary Art, North Miami (MOCA) is celebrating its 30th anniversary in 2026. Founded two decades before Art Basel Miami Beach transformed the city into a global art destination, MOCA began as a small one-room gallery dedicated to contemporary work from South Florida. Under Executive Director Chana Sheldon, who has led the museum since 2018, the institution has fostered connections between local creatives and the international art world, mounting landmark exhibitions such as “AFRICOBRA: Messages to the People” (2018), which later traveled to the Venice Biennale. Current shows include a 15-year survey of Hiba Schahbaz and the first museum exhibition of Diana Eusebio, both curated by women.
Versace has launched its Spring/Summer 2026 campaign, commissioning three photographers—Steven Meisel, Frank Lebon, and Tania Franco Klein—to create distinct visual contributions. Klein, a Mexican photographer based in Mexico City, shot her portion entirely in her home city, using local talent and crew. Her images are intimate, psychological, and reference her own past projects, including a recreation of her grandmother's earthquake-destroyed room. The campaign was directed by Dario Vitale and features a soundtrack by the duo New York.
Allison Sarofim, a Houston-born patron and founder of the clean skincare line Loulu Hawai‘i, is profiled in a CULTURED questionnaire. She recounts her art-collecting journey, which began with a Mark Rothko given by her father to her mother upon her birth, later gifted to her on her 30th birthday. Her first purchase was an Andy Warhol gold-leaf portrait of Stuart Preston. Sarofim serves as a founding board member of Ballroom Marfa, which recently acquired the 75-year-old Auction Sale Barn (the Bull Room) to transform into a performing arts space. She also discusses the inspiration behind her beauty line, rooted in Hawaii's botanicals and the spirit of aloha, and plans for new products in 2026.
Lorenzo Amos, a 23-year-old painter based in New York, held his debut solo exhibition at Gratin gallery last fall. The show featured paintings that blend Abstract Expressionist mark-making with the composed clarity of David Hockney portraits, all rooted in the intimate space of his living room-studio. Amos describes his approach as "Material Realism," where image and paint become inseparable, and his work as "painting about painting." He cites his friend Alex as a key influence, emphasizing the freedom found in imperfection.
Friedrich Kunath, a contemporary artist known for blending German romanticism with pop culture, has a new solo exhibition titled "Aimless Love" at Pace Gallery in Chelsea, New York, on view through December 20. The show marks his first with the mega-gallery since Pace announced representation in May, and his first New York show since 2019. Kunath, who also co-wrote Liam Gallagher's song "Everything's Electric" in 2022, gave an interview from his Los Angeles studio, discussing his creative process, studio habits, and inspirations. The article includes a studio visit format with questions about his routines, influences, and the eclectic environment he works in, featuring vintage cars, a private bar, and multiple rooms each with its own music, film, and scent.
Psychoanalyst Jamieson Webster launches a new column for CULTURED titled "Neurotica," exploring the intersection of psychoanalysis, technology, and sexuality. In the debut installment, she interviews artist and theorist Mindy Seu about her work "A SEXUAL HISTORY OF THE INTERNET," which traces how sex workers were integral to developing digital platforms like chat rooms, e-commerce, and webcams, only to have their innovations co-opted by Big Tech. Webster reflects on how AI, chatbots, and online intimacy are reshaping human desire, pleasure, and relationships, drawing on Freud's pleasure-principle and contemporary anxieties about AI psychosis and digital dependency.
Marat Guelman's exhibition at Ethan Cohen Gallery in New York (April 23–May 30, 2026) features AI-generated monoprints created in collaboration with the Montenegrin digital art group + - Komma. None of the works were painted by Guelman himself; instead, he programmed AI outputs based on historical models by artists like Picasso, Gauguin, Monet, Warhol, Lichtenstein, Turner, Matisse, and Richter. Every piece in the show incorporates an image of an atomic mushroom cloud, a motif Guelman uses to respond to Vladimir Putin's nuclear threats during the Ukraine war.