Nigeria is preparing for its return to the Venice Biennale in 2028 with a fundamentally different approach, framing its participation as a structural intervention rather than mere inclusion. Curator Richard Vedelago, in conversation with Suzette Bell-Roberts, outlines a strategy focused on ownership, authorship, and building a self-sustaining cultural ecosystem, moving beyond seeking validation from global art structures.
Thyssen-Bornemisza Art Contemporary (TBA21) Academy has opened its 2026 program at Ocean Space in Venice with the exhibition 'Tide of Returns'. Developed by the Repatriates Collective, the show features artists, filmmakers, and Indigenous communities from across the globe, transforming the former Church of San Lorenzo into an immersive environment. It moves beyond conventional restitution debates by presenting repatriation as a living, tidal process expressed through ritual, memory, and community care, using materials like sand from Anindilyakwa Country and returned shell dolls.
The Fundación Botín has opened applications for its 2026–2027 Art Grants program, offering six grants of €23,000 each to support individual artistic projects. The nine-month grants fund research, training, or production, with selected artists' work to be featured in the Itinerarios exhibition at Centro Botín. Applications close on 8 May 2026.
Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.
The Curatorial Program for Research (CPR) has announced an open call for its 'Hello New York!' artist residency, an intensive two-week professional development program based in Brooklyn. Scheduled for April 2026, the residency will select up to 20 local and international artists to engage with the New York art ecosystem through workshops, studio visits, and mentorship from industry professionals. The program is tuition-free and prioritizes artists from underrepresented backgrounds or those addressing critical social and environmental themes.
The Tulsa Artist Fellowship has announced an open call for its 2027–2029 award cycle, seeking ten artists and arts workers for a three-year residency in Oklahoma. Selected fellows receive a comprehensive financial package totaling over $150,000 in stipends, plus housing and relocation support, in exchange for committing to live and work in Tulsa. The program, established by the George Kaiser Family Foundation, emphasizes long-term community engagement and the development of ambitious, site-specific projects.
Hangar – Centro de Investigação Artística in Lisbon has launched an open call for its Longitudes Residency programme. The call invites artists, writers, curators, researchers, and musicians from diverse disciplines to apply for stays of one to three months. The programme is process-based and non-prescriptive, encouraging participants to develop projects in response to Lisbon's environment or to pursue research within its cultural context.
Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.
Photographer Rahim Fortune has opened a new exhibition titled 'Between A Memory and Me' at the Museum of Fine Arts, Houston. The show presents a series of photographs that map memory, land, and Black life across the American South, creating a lyrical cartography where landscape and personal lineage intertwine.
Ugandan artist Acaye Kerunen presents her first solo museum exhibition in Germany, titled 'Apoi,' at the Kunstmuseen Krefeld. The show, installed across the modernist spaces of Haus Lange and Haus Esters, features handwoven textiles, sculpture, sound, and film that draw on Indigenous knowledge systems and intergenerational exchange. It is part of the museum's ongoing 'HL HE Dialog: What Comes After Art' series.
Marc Brandenburg's solo exhibition '20th Century Debris' is on view at the Berlinische Galerie in Berlin until September 14, 2026. The show features approximately 150 works, including early drawings from the 1990s, recent pieces, video, photography, and tattoo editions, all exploring spectral cityscapes and the debris of contemporary life through a process of tonal reversal and inversion.
Henry Taylor's major exhibition 'Where Thoughts Provoke' has opened at the Musée national Picasso-Paris. The show is a survey of nearly four decades of his work, featuring paintings, sculpture, and installation that focus on portraiture, observation, and the politics of looking.
The exhibition 'Kinship & Community' has opened, drawing from the Texas African American Photography Archive to present a living archive of everyday gestures and images of Black life. The show positions photography as both a witness to and a participant in the formation of community memory, focusing on themes of care and continuity.
The Museum of Contemporary Art Chicago has opened 'Dancing the Revolution: From Dancehall to Reggaetón,' a major exhibition exploring dance as a political language. It features over forty artists working across installation, video, sculpture, and sound, tracing the cultural trajectories of dancehall and reggaetón from the Caribbean diaspora to global contexts.
Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.
Peterson Kamwathi's exhibition 'Tabula Rasa: The Geometry of the Collective' opened at the Nairobi Contemporary Art Institute. The show features his work exploring how individual bodies accumulate and dissolve into larger social and political formations, mapping the dynamics of crowds, protests, and collective identity.
Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) and the University of the Western Cape (UWC) have launched an open call for their fully funded 2027 Museum Fellowship Programme. The year-long initiative offers emerging African art professionals a combination of practical museum training and postgraduate academic study, aiming to develop the next generation of curators, researchers, and arts professionals on the continent.
Unpublished Africa has launched an open call for African photographers to submit work exploring the theme of leadership in their local contexts. The initiative seeks visual narratives that reflect everyday, creative, and collective expressions of leadership across the continent's diverse communities and environments.
The Sharjah Art Foundation has launched the ninth cycle of its Short Film Production Grant 2026, issuing an open call for applications from filmmakers worldwide. The grant provides financial support, with a total fund of AED 120,000 (approx. USD 30,000), for the completion of short films of 50 minutes or less across all genres. Selected projects may also premiere at a future edition of the Sharjah Film Platform festival.
The Studio Museum in Harlem has launched an open call for applications to its 2026–27 Artist-in-Residence programme. The year-long residency, running from November 2026 to October 2027, offers a $50,000 stipend, private studio space, curatorial mentorship, and culminates in a public exhibition for a small cohort of selected artists. The programme is specifically geared toward supporting artists of African and Afro-Latinx descent.