10 Ausstellungen, die Sie zum Gallery Weekend nicht verpassen sollten

The article highlights ten must-see exhibitions during Berlin's Gallery Weekend, curated by the editorial team of Monopol magazine. Featured shows include Jiyoon Chung's installation "Dead End" at Anton Janizewski, which explores perception and anxiety through subtle triggers; Giorgio Griffa's retrospective at Walter Storms Galerie, showcasing his poetic abstract paintings on un-stretched linen; Walid Raad's "Like a Rubber Rung on a Ladder" at Galerie Thomas Schulte, referencing the Lebanese Civil War with a crashed VW Beetle and graffiti; and Thomas Demand's exhibition at Sprüth Magers, where his photographs printed on copper plates reflect on current events like the Gaza war and climate change.

At the Centre Pompidou-Metz, 100 Works to Understand the Double Face of François Morellet

Au Centre Pompidou-Metz, 100 œuvres pour comprendre le double visage de François Morellet

The Centre Pompidou-Metz presents a centenary retrospective of French artist François Morellet (1926–2016), featuring 100 works that explore the dual nature of his practice. Curator Michel Gauthier has divided the exhibition into two mirrored halves—one dedicated to reason and geometric rigor ("the Mondrian side"), the other to disorder and irrationality ("the Picabia side")—reflecting Morellet's own description of himself as the "monstrous son of Mondrian and Picabia." The show traces his evolution from early figurative works and self-taught experiments to his embrace of concrete art, Islamic decorative systems, and systematic absurdity.

Queer art, bowler hats and an Annie Hall script: inside Diane Keaton’s archive as treasures go on sale

Diane Keaton is auctioning a vast archive of personal effects through Bonhams, including a massive collage she created over decades, clothing, scripts, and art. The sales, titled "Diane Keaton: The Architecture of an Icon," span multiple categories—from her menswear-inspired wardrobe to her photographic works and home design objects. Highlights include her original Annie Hall script, a sequined Gucci suit, and works by artists like David Wojnarowicz. The auction will be held live in New York City on 8 June, with previews in West Hollywood.

‘Common ground for me is everywhere I step’: Mohammad Omer Khalil on his five-institution show

Mohammad Omer Khalil, a 90-year-old Sudanese artist and master printmaker, is the subject of a five-institution exhibition titled "Common Ground" spanning New York, Philadelphia, and Michigan. The show brings together six decades of his prints and paintings, along with ephemera from his travels, oral histories, and cultural influences. Khalil, who has lived in the US since 1967, learned printmaking at the EFA Robert Blackburn Printmaking Workshop and has taught at Pratt Institute, the New School, Columbia University, and New York University. He also produces editions with notable artists and has maintained a long connection to the Asilah Cultural Moussem in Morocco.

For Fashion Iconoclast Iris van Herpen, ‘Nature Is the Best Artist’

The Brooklyn Museum has opened "Iris van Herpen: Sculpting the Senses," a major exhibition surveying two decades of the Dutch designer's avant-garde fashion. Curated by Matthew Yokobosky and Imani Williford, the show features over 140 of van Herpen's biomorphic couture pieces, including designs worn by Lady Gaga and Björk, alongside works by contemporary artists like Agostino Arrivabene and Tara Donovan. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, highlights van Herpen's use of cutting-edge technology such as 3D printing and magnetic sculpting, as well as her deep inspiration from natural phenomena like fossils, coral, and water.

Radiohead Brings Its Strange Visual Universe to Life in an Immersive Spectacle

Radiohead has launched "Motion Picture House," an immersive audiovisual installation at Brooklyn Navy Yards in New York, on view through June. The exhibition draws from the band's albums *Kid A* (2000) and *Amnesiac* (2001), featuring glitching televisions, cryptic posters, stick-figure sculptures, and alien landscapes. It culminates in a 75-minute film, *KID A MNESIA*, directed by Sean Evans, originally released in 2021. The show debuted at Coachella Festival and will travel to Chicago, Mexico City, and San Francisco through early 2027.

Ornamental Carpets Release Wild Animals in Debbie Lawson’s Provocative Sculptures

Debbie Lawson presents a solo exhibition, "In a Cowslip's Bell I Lie," at Sargent's Daughters in New York, featuring her signature large-scale sculptures of life-size animals cloaked in ornamental Persian carpets. Using wire mesh, masking tape, and Jesmonite resin, she meticulously wraps each limb in carpet, creating the illusion that the animals have emerged from the textiles themselves. The show includes works such as "Wild Dog Sundown" (2025), "Red Eagle" (2026), and "Black Cougar" (2025), and draws its title from Shakespeare's *The Tempest*.

Museum of Contemporary Art Detroit reopens, with the local community front and centre

The Museum of Contemporary Art Detroit (Mocad) reopened on 25 April after over a year of renovations, unveiling upgrades to its 22,000-square-foot Midtown space—including a new learning space, air conditioning, and a large street-facing window—just in time for its 20th anniversary. The main building has been renamed after co-founder Julia Reyes Taubman. Co-directors Marie Madison-Patton and Jova Lynne have repositioned the institution as a civic space, emphasizing community engagement and local artists, with exhibitions such as Olayami Dabls: Detroit Cosmologies, Martha Mysko's Retail Therapy, and Carole Harris's This Side of the River.

Secretive LA art dealer Larry Gagosian to be subject of 'juicy' unauthorized doc

An unauthorized documentary about mega-gallerist Larry Gagosian is in the works, directed by Barry Avrich, who previously helmed the Netflix hit "Made You Look: A True Story About Fake Art." Titled "Shadow Man: Inside The Secret World of Larry Gagosian," the film promises to feature former employees and artists sharing insider stories about Gagosian's empire. Avrich has a track record of documentaries on high-profile figures, including Lew Wasserman and Harvey Weinstein.

First Look: See What’s Inside the Met Gala’s “Costume Art” Exhibition

Vanity Fair art and style correspondents Nate Freeman and José Criales-Unzueta preview the Metropolitan Museum of Art's Costume Institute spring exhibition "Costume Art," which inaugurates the Condé M. Nast Galleries. The exhibition arrives amid controversy over the Met Gala being sponsored by Lauren Sánchez Bezos and Jeff Bezos, leading to boycott calls and New York Mayor Zohran Mamdani skipping the event. Despite this, Anna Wintour and Met director Max Hollein announced the gala raised a record $42 million. Head curator Andrew Bolton presents fashion as art, pairing garments with artworks like Warhol's Skull and Sarah Lucas's Nud Cycladic 9.

‘Surfers say, that board is so sick!’ The French artist redesigning the surfboard like you’ve never seen before

French designer and musician Lucas Lecacheur is creating wildly unconventional yet functional surfboards and skateboards, including a split board resembling crab pincers, a stingray-like shape, and a Brutalist board. Currently in Australia for Melbourne Design Week, Lecacheur is living and working out of At The Above gallery in Fitzroy, where he is crafting new boards like the cowboy boot-nosed Château Rouge. His designs, made with traditional materials like fiberglass, push the boundaries of surfboard norms while remaining rideable.

With new Costume Institute exhibition and galleries, the Met makes powerful statement about fashion's place in museums

The Metropolitan Museum of Art has opened a major new Costume Institute exhibition titled "Costume Art," which runs until January 10, 2027, in the newly designed Condé M. Nast Galleries by Peterson Rich Office. Curated by Andrew Bolton with Stephanie Kramer, Ayaka Iida, and Emily Mushaben, the show features nearly 400 objects from all 19 of the museum's collecting departments, organized around body typologies such as the "Classical Body" and "Aging Body." The exhibition marks a significant institutional commitment to fashion as a central curatorial concern, with the 12,000-square-foot space adjacent to the Great Hall.

A Venice Biennale in Protest

Hundreds of protesters, led by the Art Not Genocide Alliance, blocked the entrance to the Israeli pavilion at the Venice Biennale on May 6, waving Palestinian flags and accusing Israel of operating a "genocide pavilion." Activists from Pussy Riot and FEMEN also staged a pink smoke-filled protest against Russia's participation. Meanwhile, the Biennale jury suddenly resigned, and Israeli pavilion artist Belu-Simion Fainaru made legal threats against the Biennale alleging antisemitism and discrimination. The article also covers exhibitions in Upstate New York, a tribute to Beat Generation icon Jack Kerouac, and obituaries for performance art champion Steven Durland, artist Georg Baselitz, cartoonist Nicole Hollander, and arts patron Doris Fisher.

A Major Martin Puryear Retrospective Reveals an Artist Who Has Never Stopped Evolving

The Cleveland Museum of Art has opened "Nexus," a major retrospective of Martin Puryear featuring over 50 works, the first comprehensive survey of the artist's career in some time. The exhibition includes rarely displayed early pieces from Puryear's personal collection alongside recent works, organized in consultation with the 84-year-old artist. Highlights include the titular 1979 piece "Nexus" made of Alaskan yellow cedar, and other works like "Night and Day" and "Alien Huddle" that showcase his mastery of wood and cold-molding techniques.

Ripple: Furniture Sculpture and Painting after 1982

David Kordansky Gallery is presenting "Ripple: Furniture Sculpture and Painting after 1982," an exhibition of historic works by Swiss artist John Armleder, on view from May 7 to June 13, 2026. The show focuses on Armleder's Furniture Sculpture series from the 1980s, which incorporates functional or decorative objects alongside paintings, exploring the intersection of art, design, and everyday life. Works like FS 156 (1987) and Untitled (FS) (1987) exemplify his interest in collectivity, chance, and the viewer's role in assigning meaning, influenced by experiences such as a prison stint for refusing conscription and his time on a rowing team, as well as the experimental compositions of Erik Satie and John Cage's writings on chance.

8 Must-See Art Exhibitions in Tokyo This May

This article, published by Tokyo Weekender, lists eight art exhibitions opening in Tokyo during May. The featured shows span a range of venues and styles, including a solo presentation by Yayoi Kusama at the National Art Center, a group show of contemporary Japanese photography at the Tokyo Photographic Art Museum, and an installation by teamLab at their borderless digital art museum. Other highlights include a retrospective of the Gutai movement at the Museum of Contemporary Art Tokyo and a showcase of emerging artists at the Mori Art Museum.

Andy Warhol | Original Exhibition Poster (2021) | For Sale

An original Andy Warhol exhibition poster from 2021 is being offered for sale by Baldwin gallery, with locations in London, Miami, and Dubai. The offset lithograph on paper measures 19.7 × 27.6 inches, is in mint condition, unsigned, and includes a Certificate of Authenticity. Priced at £650, the work ships from London with domestic shipping at £45 and international at £55, and is covered by the Artsy Guarantee.

‘Woman Impressionist’ No More: A New Catalogue Raisonné Restores Eva Gonzalès’s Legacy

The Wildenstein Plattner Institute (WPI) has released a new digital catalogue raisonné for French painter Eva Gonzalès, correcting long-standing misattributions and omissions from the 1990 printed edition. The project reattributes works like *Apples in Basket* (previously assigned to Belgian painter Isidore Verheyden) and adds newly discovered pieces, including a portrait of Madame Georges Haquette and Gonzalès’s sketchbooks now held by the National Gallery of Art in Washington, D.C. WPI executive director Elizabeth Gorayeb emphasizes that the digital format allows for iterative updates and brings overlooked figures in Gonzalès’s orbit to light.

The New Costume Institute Show Gets Under the Skin

The Costume Institute at the Metropolitan Museum of Art has opened its 2026 spring exhibition, “Costume Art,” which explores the relationship between clothing and the human body through pairings of couture with artworks spanning 5,000 years. Curated by Andrew Bolton, the show is divided into thematic chapters such as “Nude Body,” “Disabled Body,” “Aging Body,” and “Anatomical Body,” featuring pieces from designers like Dior, John Galliano for Maison Margiela, and Renata Buzzo alongside historical artifacts and contemporary art.

New residency in upstate New York will give Indigenous artists access to neon fabrication studio

Lite Brite Neon Studio in Kingston, New York, has partnered with the Walker Youngbird Foundation to launch Native Neon, a residency program providing Indigenous artists with access to neon fabrication. The inaugural recipient is Sarah Rowe, an enrolled member of the Ponca Tribe of Nebraska and of Lakota descent, who receives $50,000, a $10,000 stipend, and a week-long residency to create an immersive neon environment. The studio, known for collaborations with artists like Glenn Ligon and Jeffrey Gibson, aims to lower the technical and financial barriers to working with neon.

Bharti Kher Commissioned by Powerhouse Parramatta, Australia’s New Cultural Center Opening Later This Year

British-Indian sculptor Bharti Kher has been commissioned to create a monumental sculpture titled 'Tree of Life' for the entrance of Powerhouse Parramatta, a major new cultural center opening later this year in Parramatta, west of Sydney, Australia. The work, made of four stacked bronze and clay heads, is part of Kher's ongoing 'Intermediaries' series, which began in 2016 after she found a collection of broken clay figurines in her Delhi studio. The commission was reported by Art Asia Pacific, and Kher previously installed related public works in Central Park and at Harvard Business School.

New Richard Avedon documentary chronicles how he shaped the evolution of photography

Imagine Documentaries, the nonfiction arm of Ron Howard and Brian Grazer's Imagine Entertainment, premiered a new documentary about photographer Richard Avedon at the Cannes Film Festival on May 17. The film, co-produced by the Richard Avedon Foundation, draws heavily from archival interviews conducted by Helen Whitney for the PBS series *American Masters*, supplemented by new interviews with Avedon's son John, muse Lauren Hutton, Isabella Rossellini, Twyla Tharp, and former *New Yorker* colleagues Tina Brown and John Lahr. The documentary explores Avedon's career, his technique of building rapport with subjects, and his iconic images such as *Dovima with Elephants*, which dealer Larry Gagosian notes sold for $2 million.

Fantastic visions and cosmic rhythms: how Whistler is making me see – and hear – differently

The article explores how the James McNeill Whistler exhibition at Tate in London prompts a reconsideration of the relationship between music and visual art. Whistler titled his works using musical terms like "Arrangement," "Symphony," and "Nocturne," arguing that painting should be abstract and independent of narrative, much like instrumental music. The exhibition, reviewed by Jonathan Jones, highlights Whistler's radical art-for-art's-sake philosophy, which influenced composer Claude Debussy, whose orchestral Nocturnes were directly inspired by Whistler's paintings of light and atmosphere.

Phillips Posts $115.2 Million ‘White Glove’ Sale, Big Gain Over Last Year

Phillips’s evening sale of modern and contemporary art on Tuesday achieved a 'white glove' result, selling all 41 lots for a total of $115.2 million with fees, near the $121.7 million top estimate. The sale marked a 119 percent increase over the same sale last year, driven by strong bidding on works by Salman Toor, Lee Bontecou, P.S. Krøyer, Joseph Yaeger, Helen Frankenthaler, Anna Weyant, and Pat Passlof. Two works were withdrawn before the sale, and about half of the lots had third-party guarantees. Despite some lots hammering below their low estimates, including works by Andy Warhol, Francis Picabia, Henri Matisse, and a Jackson Pollock at the center of a lawsuit, the overall result signals renewed market confidence.

‘Depraved in all the right ways’: why forgotten no wave visionary Gordon Stevenson is about to take off

The article profiles Gordon Stevenson, a forgotten visionary of the no wave movement in late-1970s New York, who was an artist, jewelry designer, musician, and filmmaker best known for the notorious film *Ecstatic Stigmatic*. Decades after his death from AIDS, a storage unit full of his lost work has been discovered, including jewelry, mail-art collaborations with Ray Johnson, and clues to a surviving print of his film. His family has also recovered hundreds of letters he wrote to his parents, chronicling his life in downtown New York and his experiences as one of the city's first AIDS patients. The piece traces his journey from a small town in Georgia, where he met his wife Mirielle Cervenka (who later renamed Exene Cervenka), to their punk-era jewelry brand LHOOQ and his lasting influence on gothic fashion.

Inside TEFAF New York’s Annual Wealth Pageant

The 12th annual TEFAF New York fair took place at the Park Avenue Armory from May 15 to 19, attracting wealthy collectors with a mix of blue-chip art, design objects, and jewelry. Highlights included Kathleen Ryan's bejeweled 'Bad Fruit' sculptures at Gagosian, Cai Guo-Qiang's gunpowder paintings at White Cube (which sold 11 of 12 works), Sheila Hicks's textiles at Demisch Danant, and a new David Hockney painting at Annely Juda Fine Art. The fair featured 88 galleries from 14 countries, with VIP previews drawing art advisors and high-net-worth clients.

Dutch Designer Iris van Herpen’s High-Tech Garments Are On View in a Mid-Career Retrospective at the Brooklyn Museum

The Brooklyn Museum is opening a mid-career retrospective titled “Iris van Herpen: Sculpting the Senses,” showcasing the Dutch designer’s high-tech garments. The exhibition features over a decade of van Herpen’s work, including the first 3D-printed garment sent down a runway in 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new collaborations such as an algae dress grown from living microorganisms. Organized by senior curator Matthew Yokobosky, the show originated at the Musée des Arts Décoratifs in Paris and has traveled internationally before arriving in Brooklyn, where it is augmented with objects from the museum’s collections in art, science, and natural history.

Here’s Why the Venice Biennale Main Show Lost One Artist During the Planning Stages

The Venice Biennale's main exhibition, curated by the late Koyo Kouoh, originally included 111 artists when announced in February, but now lists only 110. ARTnews reveals that the removed artist is Bodys Isek Kingelez, a Congolese sculptor known for his colorful cardboard "extreme maquettes" of fantastical cities. A Biennale spokesperson stated that works initially considered for Kingelez were ultimately unavailable. Kingelez, who died in 2015, was to be one of the few deceased artists in the show, alongside figures like Marcel Duchamp and Issa Samb.

Alvaro Barrington takes a road trip to the Venice Biennale

Artist Alvaro Barrington has created a vibrant haulage truck titled "Labor Day Parade ’91" (2026) as his contribution to the 61st Venice Biennale, part of the exhibition "In Minor Keys." The truck, decorated with scenes linked to his background and art historical references, was driven from London to Venice on an epic road trip across Europe. It is now parked in the Giardini next to the Austrian pavilion, with its front tyres punctured to prevent movement. During the preview, the work was admired by artist Julie Mehretu and Dia Art Foundation director Jessica Morgan.

Our pick of the best pavilions at the 61st Venice Biennale

The article highlights standout national pavilions at the 61st Venice Biennale. The Belarus Pavilion features a powerful installation by the Belarus Free Theatre, including a wheat field built by former political prisoners, straw spiders made from prison bars, and a confession booth that runs facial recognition. The Brazil Pavilion presents a joint exhibition by Rosana Paulino and Adriana Varejão, focusing on colonial wounds and trauma through works like Paulino's 'Aracnes' and Varejão's 'Still Life amid Ruin'. The Bosnian Pavilion by Mladen Bundalo invites tactile engagement with themes of diaspora and migration, while the Austrian Pavilion by Florentina Holzinger draws attention with nude performers in water-filled pools.