Louis Vuitton revives Keith Haring collaboration at lavish New York show

Louis Vuitton staged a lavish fashion show at the Frick Collection in New York, reviving a collaboration with the estate of artist Keith Haring. The collection, designed by Nicolas Ghesquière, featured Haring's signature motifs on classic LV handbags and was presented in the museum's marble galleries. The event also marked a three-year sponsorship deal, with Louis Vuitton funding exhibitions, public access, and a curatorial position at the Frick, including rebranded free entry evenings as Louis Vuitton Free Fridays.

Marian Goodman’s $35.1 M. Richter ‘Candle’ Leads Christie’s Tepid $162.7 M. Trio of Postwar and Contemporary Sales

Christie’s New York held a trio of postwar and contemporary art evening sales on Wednesday night, totaling $162.7 million with fees, just meeting expectations. The auction was led by a Gerhard Richter painting, *Kerze (Candle)*, which sold for $35.1 million, and featured a collection of eight Richter works from the estate of revered dealer Marian Goodman, which collectively hammered at $66 million. Other highlights included a Donald Judd stack from the estate of collector Henry S. McNeil, selling for $12.8 million, and a Richter *Mohn (Poppy)* that achieved $20.1 million. Only one lot, an Ed Ruscha canvas, failed to sell.

Gerhard Richter ‘Candle’ From Estate of Revered Dealer Marian Goodman Falls Short of a Record at $35.1 M.

A Gerhard Richter painting, *Kerze (Candle)* (1982), from the estate of the late dealer Marian Goodman sold at Christie’s on Wednesday evening for $35.1 million (with fees), falling short of the artist’s $46.3 million record set over a decade ago. The lot, estimated at $35–$50 million, was guaranteed by a third party and drew a hammer price of $30 million after less than two minutes of subdued bidding. Goodman, who represented Richter for decades until he left for David Zwirner in 2022, had purchased the work directly from the artist in 1989 and held it for nearly 40 years. The painting was one of eight Richter works from Goodman’s estate offered in the combined “Marian’s Richters & 21st Century Evening Sale.”

Behind Christie’s $1 B. Blockbuster Result, the Market Still Looks Uneven

Christie’s New York achieved over $1 billion in sales during a two-part evening auction, led by Jackson Pollock’s *Number 7A, 1948* which sold for $181.2 million. The sale, the first billion-dollar night since the Paul G. Allen collection in 2022, also saw records for other works and active bidding from a small group of buyers, including dealer Jeffrey Deitch. However, the blockbuster results mask a more cautious middle market, where works priced between $100,000 and $1 million remain slow to sell.

Sold-out Phillips auction in New York brings in $115.2m, more than double 2025 result

Phillips’s marquee spring auction in New York achieved a sold-out result, bringing in $91.73 million hammer ($115.2 million with fees), more than double the equivalent sale from a year ago. The top lot was Andy Warhol’s *Sixteen Jackies* (1964), which sold for $13.5 million ($16.2 million with fees), while a Jackson Pollock drip painting that had failed to sell in a previous auction found a buyer at $7.4 million. Fierce bidding occurred for contemporary works by artists with tightly controlled primary markets, such as Salman Toor, whose *Two Friends* (2020) surpassed its high estimate.

Watching You, Watching Me: On Panteha Abareshi and the Spectacle of Illness

Hayward Gallery announces major Nan Goldin exhibition.

The Hayward Gallery in London has announced a major solo exhibition of American artist and activist Nan Goldin, titled "You Never Did Anything Wrong." Running from 24 November 2026 to 7 March 2027, the show will mark Goldin's first institutional exhibition in the UK since 2002, featuring her intimate photographs and slideshows that document personal relationships, addiction, and queer communities over five decades. The exhibition rounds off the Southbank Centre's 75th anniversary year and includes works such as "Flowers with cup and Gaja" (2024) and "Diana in the bath" (2024).

Where to go on Pentecost weekend?

Wohin am Pfingstwochenende?

This article from Monopol presents a curated guide to art exhibitions and events across several European cities for the Pentecost weekend. Highlights include Christina Kubisch's comprehensive survey 'The Emergence of Sound' at the Ludwig Forum Aachen, Pierre Huyghe's solo show at the Fondation Beyeler in Basel, an artist talk with Jorinde Voigt at Galerie Judin in Berlin, the outdoor exhibition 'Ecologies in Motion' in Düsseldorf's Malkastenpark, Elmgreen & Dragset's intervention at the Städel Museum and Liebieghaus in Frankfurt, and 'Eine Stadt als Atelier' at the Kölnischer Kunstverein in Cologne, among others in Ludwigshafen, Warsaw, and Vienna.

Shared Crafting, Touching, and Lying Down

"Gemeinsames Basteln, Anfassen und Hinlegen"

Christie's in New York achieved record auction results, with Jackson Pollock's "Number 7A, 1948" selling for $181.2 million and Constantin Brâncuși's bronze sculpture "Danaïde" reaching $107.6 million, both from the S. I. Newhouse collection. Meanwhile, critic Gesine Borcherdt published a scathing review of the Marina Abramović exhibition "Balkan Erotic Epic" at Gropius Bau Berlin, arguing that museums increasingly demand audience participation—crafting, touching, lying down—under the guise of democracy, which she likens to group therapy and warns carries authoritarian tendencies. In London, makeup artist and designer Isamaya Ffrench opened a hybrid gallery and concept store called Studio Iron, featuring works by Abramović, Paul McCarthy, Kelly Wearstler, and Anne Imhof, aiming to blur boundaries between art, design, and function.

The New York Fairs Are Done. What Remains?

The article reflects on the conclusion of New York's spring art fair season, highlighting TEFAF New York at the Park Avenue Armory and the Independent Art Fair, which relocated to Pier 36. It notes the ongoing Focus fair for emerging Asian art and spotlights specific artists, including Taiwanese painter Tseng Chien-Ying at Kiang Malingue's booth and Frank Gaard at Post Times, describing their works and the fair's atmosphere of discovery.

Tina Kim Gallery announces representation of the estate of Kim Lim.

Tina Kim Gallery has announced U.S. representation of the estate of Kim Lim, the British Singaporean sculptor and printmaker. The gallery will debut Lim's work at Art Basel in June, followed by a solo exhibition in New York in spring 2027—the first solo presentation of her work in the United States. Axel Vervoordt Gallery will continue to represent the artist's estate.

Waddington’s Spring Sale Spotlights Canadian Masters

Toronto-based auction house Waddington's will hold its Major Spring Sale on May 28, 2026, marking its 176th anniversary. The sale comprises three sessions: Canadian & International Fine Art, First Nations Art, and Inuit Art. Highlights include works by Lawren Stewart Harris (Lake Superior Sketch, VI, est. $700,000–$800,000 CAD), David Brown Milne (Heavy Forms, 1913, est. $80,000–$120,000), Rudolf Ernst (Finishing Touches, est. $100,000–$150,000 CAD), Emily Carr (Somewhere, ca. 1942, est. $350,000–$450,000), and Norval Morrisseau (Young Shaman with Powers, 1978, est. $100,000–$150,000 CAD). The sale spans diverse periods and mediums, with a focus on Canadian masters and Indigenous art.

Queer art, bowler hats and an Annie Hall script: inside Diane Keaton’s archive as treasures go on sale

Diane Keaton is auctioning a vast archive of personal effects through Bonhams, including a massive collage she created over decades, clothing, scripts, and art. The sales, titled "Diane Keaton: The Architecture of an Icon," span multiple categories—from her menswear-inspired wardrobe to her photographic works and home design objects. Highlights include her original Annie Hall script, a sequined Gucci suit, and works by artists like David Wojnarowicz. The auction will be held live in New York City on 8 June, with previews in West Hollywood.

Thousands Decry Right-Wing “Smear Campaign” Against Misan Harriman

Over 97,000 people have filed complaints with the UK's Independent Press Standards Organisation against right-wing news outlets, including the Telegraph, for articles characterizing Misan Harriman's social media posts as antisemitic. Harriman, a photographer, human rights activist, and chair of London's Southbank Centre, has rejected the accusations, stating he has long championed marginalized communities and that the backlash stems from his criticism of Israel's actions in Gaza. An open letter supporting Harriman has been signed by 245 figures, including Tracey Emin, Greta Thunberg, and Mark Ruffalo, while the Telegraph published two articles scrutinizing his Instagram activity, prompting calls from Labour MP David Taylor for his removal from the board.

The Met’s Frida & Diego Opera Imagines Feminist Revenge from Beyond the Grave

The Metropolitan Opera has opened "El Último Sueño de Frida y Diego," a new opera by composer Gabriela Lena Frank and librettist Nilo Cruz that imagines Frida Kahlo returning from the underworld during Día de los Muertos for a reunion with her husband Diego Rivera. The production features mezzo-soprano Isabel Leonard as Frida, Carlos Álvarez as Diego, and choreography by Deborah Colker, with sets by Jon Bausor that evoke Kahlo's iconic paintings and mirror. The opera explores themes of pain, creativity, and marital strife, granting Kahlo physical freedom denied to her in life while centering her perspective over Rivera's.

The Photographs that Shaped the Black Arts Movement in the Mid-20th Century

The Mississippi Museum of Art will present "Photography and the Black Arts Movement, 1955-1985," an exhibition featuring over 100 photographers whose work shaped the Black Arts Movement. The show includes iconic images such as Ernest Withers's 1968 photograph of Memphis sanitation workers striking with "I Am A Man" signs, Ming Smith's portrait of Sun Ra, and Ralph Arnold's collage critiquing war and violence. Running from July 25 to November 8 in Jackson, the exhibition spans editorial and commercial photography, self-portraits, and mixed-media works that document protest, cultural identity, and resistance during the Jim Crow era.

When Beauty Appears: Lee Mingwei Interviewed by Rhana Devenport

Taiwanese American artist Lee Mingwei presents his largest non-museum exhibition to date, "Lorsque La Beauté Paraît (When Beauty Appears)," at Perrotin in Paris. The show brings together seven invitational projects, including works like *The Mending Project* (2009–) and *The Moving Garden* (2009–). In an interview with Australian curator Rhana Devenport, Lee discusses the political dimensions of beauty, the restorative power of gift-giving, and the courage required for small acts of kindness among strangers. The exhibition is curated by Thierry Raspail, co-founder of the Lyon Biennale and director of the Lyon Museum of Contemporary Art.

Art Basel Qatar Taps Former Mathaf Director Wassan Al-Khudhairi to Shape 2027 Fair

Art Basel has appointed Iraqi curator Wassan Al-Khudhairi as artistic director for the 2027 edition of Art Basel Qatar, succeeding Egyptian artist Wael Shawky who shaped the inaugural edition. The fair will take place January 28–30, 2027, with preview days on January 26–27, at Doha Design District and M7 in Msheireb Downtown Doha. Al-Khudhairi, former founding director of Mathaf: Arab Museum of Modern Art, brings deep ties to Qatar and international curatorial experience from biennials including Gwangju and the Asian Art Biennial.

The art world remembers Valie Export, Austrian pioneer of feminist performance art

VALIE EXPORT, the Austrian pioneer of feminist performance art, died on 14 May, three days before her 86th birthday. Her death was confirmed by her representative, Thaddaeus Ropac. Born Waltraud Lehner in Linz in 1940, she developed a radical artistic language centered on the female body, known for works such as *Tap and Touch Cinema* (1968–1971) and *Body Configurations* (1972–1976). Tributes have poured in from artists, writers, and institutions, including the Neue Nationalgalerie in Berlin and the Belvedere Museum in Vienna, where director Stella Rollig noted their ongoing collaboration on the exhibition *Feminist Futures Forever*.

Christie’s Posts ‘Rock Solid’ Contemporary Sale, Led by Marian Goodman’s Gerhard Richters

Christie’s 21st-century evening auction in New York on May 20 brought in $162.7 million, a 69 percent increase from the same sale last year and the house’s highest New York evening total in the category since 2021. The sale featured 42 lots, including a single-owner collection of Minimalist works owned by Henry S. McNeil Jr. and eight Gerhard Richter works from the collection of the late gallerist Marian Goodman. The top lot was Richter’s photorealistic painting *Kerze (Candle)* (1982), which sold for $35.1 million, falling short of its $50 million high estimate. Other notable results included a Donald Judd Plexiglas stack that sold for $12.8 million and works by Richard Artschwager and Carl Andre that far exceeded their low estimates.

Robert Mnuchin’s Storied Art Gallery Townhouse Lists for $35 Million

The six-story, 17,600-square-foot Upper East Side townhouse that housed Robert Mnuchin's blue-chip gallery for over three decades has been listed for $35 million. Mnuchin and his second wife Adriana bought the 106-year-old property in 1983, and after an 18-month renovation, they lived there for 12 years before the gallery occupied the space from 1992 until Mnuchin's death in 2024. The gallery hosted major shows for artists including Willem de Kooning, Jeff Koons, Ed Clark, and Mary Lovelace O'Neal. The listing comes just months after the announcement that Mnuchin Gallery would close, and four months after Sotheby's sold $166.3 million worth of art from Mnuchin's collection.

Richter and Judd works top Christie's solid if not stellar sale of post-war and contemporary art

Christie’s held a two-part evening sale on May 20, featuring 42 lots from the estate of dealer Marian Goodman and the single-owner collection of Henry S. McNeil Jr. The auction achieved a hammer total of $132 million ($162.6 million with fees), just above the low end of its pre-sale estimate. The top lot was Donald Judd’s untitled plexiglass and copper stack sculpture, which sold for $12.8 million with fees, setting a new record for a Judd stack at auction. A surprise standout was Richard Artschwager’s Two-Part Invention (1967), which hammered at $500,000—more than six times its high estimate. The McNeil collection achieved a white-glove sale, while all but two of the eight Gerhard Richter works from the Goodman collection were guaranteed by third parties.

Heffel’s spring sales, featuring rediscovered royal portrait and E.J. Hughes seascape, tally $16.2m

Heffel's spring auction in Toronto on 21 May achieved a total of C$22.4m ($16.2m), led by E.J. Hughes's seascape *Coastal Boats Near Sidney, BC (1948)*, which sold for C$5.7m ($4.1m)—more than tripling its high estimate and setting a new auction record for the artist. The painting was consigned by Emily Carr University of Art and Design, with proceeds benefiting student awards. Other highlights included works by Mary Pratt, Jean Paul Riopelle, Alex Colville, Takao Tanabe, Tom Thomson, Arthur Lismer, and A.J. Casson, with four lots crossing the million-dollar mark and a 93.75% sell-through rate.

‘I can use it, I can abuse it’: Tony Albert spent decades collecting racist ‘Aboriginalia’. Now he wants to turn yours into art

Tony Albert, a 45-year-old artist of Girramay, Yidinji, and Kuku-Yalanji heritage, has spent decades collecting thousands of objects he terms 'Aboriginalia'—kitsch, caricatured, and often racist depictions of Aboriginal people created by non-Indigenous Australians. His solo exhibition 'Not a Souvenir' opens at the Museum of Contemporary Art (MCA) in Sydney on 21 May, showcasing over 3,000 items from his collection alongside transformed artworks. The MCA is inviting the public to donate additional Aboriginalia items to Albert's collection, which is housed in his Brisbane studio.

‘America’s Mona Lisa’: how chance, genius and cheap paint made the masterpiece Whistler’s Mother

James Abbott McNeill Whistler's iconic painting of his mother, Anna, known as 'Whistler’s Mother' or 'Arrangement in Grey and Black No 1', is returning to London for the first time in nearly two generations as part of a Tate Britain exhibition. The article recounts how the portrait was painted in 1871 in Whistler's Chelsea studio during a low point in his career, using cheap paint and a used canvas after a young sitter canceled. The author, who restored the painting for the Musée d'Orsay, details the work's accidental genesis, Whistler's radical minimalist aesthetic, and the initial critical confusion it caused.

Phillips’ $115.2 Million Evening Sale Was a Testament to the Power of Pre-Planning and Priority Bidding

Phillips’ Modern & Contemporary Art Evening Sale on May 19 achieved a white-glove result, totaling $115.2 million across 41 lots—a 122 percent increase from May 2025. The sale saw strong performances from works by Lee Bontecou, Salman Toor, and Cecily Brown, with Bontecou’s 1985 pastel on canvas setting a record for a two-dimensional work by the artist at $4.2 million. Other top lots included Andy Warhol’s *Sixteen Jackies* (1964) at $16.2 million, a Monet landscape at $9.3 million, and a Joan Mitchell at $6.9 million. Notably, less than half of the lots were guaranteed, with Phillips’ Priority Bidding incentive—offering a 4 percent discount on buyer’s premium—contributing to the strong results, as more than half of the lots attracted such bids.

Frieze New York 2026 Reports Major Sales and Acquisitions

Frieze New York 2026 closed its 15th edition at The Shed on May 17, drawing 25,000 visitors from 75 countries and featuring 68 galleries from 26 countries. The fair reported strong sales across market levels, including seven-figure transactions such as El Anatsui's *LuwVor I* sold by White Cube for $2.2 million and Georg Baselitz's *Stunde der Nachtigall* sold by Thaddaeus Ropac for €1.4 million. The inaugural Sherman Family Foundation Acquisition Fund enabled acquisitions by the Brooklyn Museum and the Baltimore Museum of Art, with works by Bettina, Reika Takebayashi, Seba Calfuqueo, and Joanne Burke. Several galleries, including Johyun Gallery and James Cohan, reported sold-out or near-sell-out booths.

New York Art Week 2026 Frieze And TEFAF Report

New York Art Week 2026 featured major art fairs including Frieze New York at The Shed, which drew 25,000 visitors from 75 countries and launched the Sherman Family Foundation Acquisition Fund, placing works by four artists into the Brooklyn Museum and Baltimore Museum of Art. TEFAF New York at the Park Avenue Armory presented over 90 international galleries across historic period rooms, while satellite fairs Independent, NADA New York, and 1-54 Contemporary African Art Fair offered focused alternatives. Auction houses Sotheby's, Christie's, and Phillips opened free spring sale previews featuring highlights such as Roy Lichtenstein's 'Anxious Girl' and the Lewis Collection.

Horst Antes at 90: Major Shows Celebrate German New Figuration Pioneer

German artist Horst Antes, born in 1936, is being celebrated with two major exhibitions timed to his 90th birthday. Galerie Koch in Hannover presents a solo show titled “Horst Antes: Exhibition Marking the Artist’s 90th Birthday,” while the Sprengel Museum Hannover concurrently mounts “A Collection,” featuring roughly 80 works from its holdings. The shows highlight Antes’s pioneering role in New Figuration, particularly his iconic “Kopffüßler” (Head-Footer) character, which appears across paintings, sculptures, and works on paper from 1969 to 2014. The Galerie Koch exhibition also foregrounds his “House Pictures,” which explore architecture through non-hierarchical color planes and ambiguous perspective.

A $433 Million Boost for the Market

Sotheby's May 2026 auctions in New York generated $433.1 million in sales over under three hours, a 132.7 percent increase compared to the same period last spring, despite offering fewer lots. This strong performance signals a top-heavy recovery in the art market after three years of contraction. Separately, the Neue Galerie will merge with the Metropolitan Museum of Art in 2028, and Art Dubai continues despite disruptions from the U.S.-Iran war.