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Komal Shah, a prominent art collector, announced the renaming of her Shah Garg Foundation to the Making Their Mark Foundation, coinciding with a three-day forum in Washington, D.C., scheduled for March 2025. The foundation takes its name from the traveling exhibition "Making Their Mark: Works from the Shah Garg Collection," curated by Cecilia Alemani, which highlights women artists from Shah and her husband Gaurav Garg's collection. The forum, held at the Martin Luther King Jr. Memorial Library, will feature panels, keynotes, and performances organized around themes like Visionary Voices and Changemakers, with Alemani as curatorial director and Loring Randolph as director.

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Ki Smith Gallery in New York is hosting "50 years of PUNK," an exhibition honoring the seminal punk magazine that launched in 1975. Running through January 11, the show features ephemera, new artworks, and issues 24 and 25 of the magazine, which famously covered bands like the Ramones and Lou Reed. The exhibition opened on November 28, marking 50 years since PUNK interviewed Reed and the Ramones at CBGB's. Co-curated by gallery founder Ki Smith and PUNK co-founder John Holmstrom, the show celebrates the magazine's DIY spirit and its role in shaping punk culture.

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Kaari Upson's posthumous retrospective "Dollhouse" has opened at the Louisiana Museum in Copenhagen, Denmark. The exhibition features works such as "Trespass" (2012), a simulated chain-link fence coated in flesh-toned acrylic, and "The Grotto" (2008-09), a faux-rock formation with water features and video projections of sex-doll-like figures. The show explores themes of voyeurism, transgression, and the blurring of public and private boundaries, drawing from Upson's acclaimed "Larry Project" (2005-12), which involved breaking into a neighbor's abandoned home.

Jarvis Cocker Is Bringing His Eclectic Eye to the Hepworth Wakefield

Musician Jarvis Cocker and his wife, creative consultant Kim Sion, will curate an exhibition titled “The Hodge Podge” at the Hepworth Wakefield in the U.K., opening in May 2027. The show will feature artworks selected by the couple that challenge conventional definitions of art, spanning diverse media and time periods, with artists including Peter Doig, Barbara Hepworth, Jeremy Deller, and Emma Kunz. The exhibition will be bookended by an immersive Dreamachine, a 1959 light-art device by Brion Gysin and Ian Sommerville. Cocker and Sion have outlined their curatorial philosophy in a Hodge Podge Manifesto, celebrating beauty in chaos and disorder.

On Curating Carnage

On Curating Carnage

The Berlin-based art journal *OnCurating* published a September 2025 issue titled "Let’s Talk About… Anti-Democratic, Anti-Queer, Misogynist, Antisemitic, Right-Wing Spaces and Their Counter-Movements." The article critiques this publication, arguing it uses the language of feminism, anti-racism, and anti-Semitism as a political tool to unconditionally support Israel and demonize the Palestinian cause, thereby aligning with German state policy and a specific strain of leftist thought known as Antideutsch.

These Are the Exhibitions to See During Frieze Los Angeles 2026

Frieze Los Angeles 2026 has sparked a city-wide surge of artistic activity, characterized by large-scale artist-led group shows and the creative reclamation of non-traditional spaces. Key highlights include the transformation of a massive abandoned 99 Cents Only store into a chaotic exhibition featuring over 120 artists, a sprawling video art installation across six floors of a historic vaudeville theater, and major collection surveys focusing on influential women and artists of color.

50 Women Artists You Absolutely Should Know

50 artistes femmes que vous devriez absolument connaître

Beaux Arts Magazine is publishing a multi-part series throughout March highlighting 50 historically significant but often overlooked women artists. The series profiles figures like Impressionist painter Marie Bracquemond, whose career was curtailed by her husband, pioneering Spanish photographer Mey Rahola, and Brazilian modernist Tarsila do Amaral, who will be the subject of a major exhibition at the Musée du Luxembourg in 2024.

David Geffen Settles Divorce With David Armstrong After Bitter Legal Fight

Billionaire art collector and entertainment mogul David Geffen has reached a private settlement with his estranged husband, David Armstrong, ending a contentious legal battle. The divorce proceedings gained significant public attention due to the absence of a prenuptial agreement and serious allegations of exploitation and psychological manipulation leveled by Armstrong. While the financial terms remain confidential, the settlement concludes months of litigation over spousal support and asset division following their two-year marriage.

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Two key staffers have been fired from the Kennedy Center following President Trump's takeover: Kevin Struthers, senior director of music programming, and Malka Lasky, a social impact staffer and coordinator for the free Millennium Stage shows. Meanwhile, Canadian artist Armand Vaillancourt, 96, has sent a cease-and-desist letter to San Francisco officials to block the demolition of his 1971 Brutalist fountain in Embarcadero Plaza, which is fenced off due to structural hazards. Two Nazi-looted still life paintings by 17th-century Dutch artist Ambrosius Bosschaert have reportedly surfaced from an abandoned safety deposit box at an Ohio auction house, and if authenticated, will be returned to the descendants of a Jewish family. Additionally, the Maison Européenne de la Photographie in Paris has fired its director Simon Baker after an internal investigation for psychological harassment.

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Stanford University's libraries and Cantor Arts Center have acquired the archives of Filipina American artist Pacita Abad, who died in 2004 at age 58. The 120-foot-long collection, a gift from her estate managed by her husband Jack Garrity, includes correspondence with artists like Faith Ringgold, photographs from her childhood in Manila, and materials from her global travels and exhibitions. The acquisition comes with a donation to support processing, and is seen as a homecoming for Abad, who left the Philippines in 1969 after student protests and later settled in the Bay Area, where she studied and began her art career.

‘An incredible instinct for contemporary art’: Doris Lockhart, the overlooked figure behind the Saatchi collection, has died aged 88

Doris Lockhart, the US-born art collector who played a pivotal role in shaping the Saatchi collection and championing contemporary art in the UK, has died at age 88. Alongside her then-husband Charles Saatchi, she helped introduce postwar American artists like Andy Warhol, Jasper Johns, and Robert Rauschenberg to British audiences, and was instrumental in recognizing the Young British Artists (YBAs) of the 1990s, including Damien Hirst and Gary Hume. After their divorce in 1990, Lockhart continued collecting independently, backing emerging talents and expanding her interests to architectural models and drawings.

Lorna Simpson’s David Adjaye–Designed Brooklyn Home and Studio Remains On the Market—At a Much-Reduced Price

Artist Lorna Simpson has significantly reduced the asking price for her Brooklyn home and studio, located at 208 Vanderbilt Avenue in Fort Greene. Originally listed for $6.5 million in August 2025, the 3,300-square-foot townhouse is now priced at $5 million following months on the market. The property, which features a double-height great room and floor-to-ceiling windows, was custom-built in 2006 for Simpson and her then-husband, artist James Casebere.

Christine Ruiz-Picasso, Founder of Museo Picasso Málaga and Artist’s Daughter-in-Law, Dies at 97

Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in preserving his artistic legacy, has passed away at the age of 97 in Provence, France. Married to Picasso’s eldest son, Paul, she became a primary advocate for the artist's work following her husband's death in 1975. Her most significant achievement was the 2003 founding of the Museo Picasso Málaga, realized through her donation of over 200 artworks and her persistent collaboration with the Andalusian government.

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Jonas Wood has unveiled a new series of paintings at Gagosian in Beverly Hills that transforms global tennis courts into geometric abstractions. Derived from years of photographing tournament broadcasts and Nintendo games, the works strip away players and equipment to focus on the flat bands of color, white lines, and nets that define the sport's architecture. The collection represents a systematic exploration of the ATP and WTA tours, utilizing the tennis court as a formal vehicle for color theory and composition.

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Iris Cantor, the prolific art collector and philanthropist whose patronage transformed major American institutions, has died at the age of 95 in Palm Beach, Florida. Alongside her late husband, B. Gerald Cantor, she amassed one of the world's most significant private collections of Auguste Rodin sculptures, eventually donating hundreds of works to museums including the Metropolitan Museum of Art and the Brooklyn Museum. Her death marks the end of an era for a donor whose name is synonymous with some of the most prominent gallery spaces and wings in the United States.

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When the Eaton Fire swept through Altadena in January 2025, artist Diana Thater lost decades of raw footage, master tapes, installation manuals, and ephemera stored in her garage. Her husband, artist T. Kelly Mason, managed to save a server and several hard drives, but much of her earlier archive—never digitized—was destroyed. In the aftermath, Thater began working with the Canyon Media Art Conservation Center (CMACC), a nonprofit conservation lab opening in 2026 that specializes in time-based media art. Led by conservator Cass Fino-Radin, CMACC is helping Thater locate surviving versions of her works in museums and private collections to rebuild and preserve her archive.

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Walton Ford's new series of paintings, on view at Gagosian in New York through April 19, centers on the Marchesa Luisa Casati and her two cheetahs. The works depict the Milanese heiress and Futurist muse in early 20th-century Venice, but the animals—not the glamorous woman—command the focal point. Ford, known for subverting natural history illustration, uses watercolor to balance trompe-l'oeil realism with painterly abandon, developing the characters across multiple canvases with Italian titles referencing literature by Casati's lover, poet Gabriele D'Annunzio.

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Dorothy Vogel, who with her husband Herbert built one of the most celebrated art collections of the 20th century while working as a librarian and a postal clerk, died on November 10 at age 90. The couple amassed thousands of Minimalist and conceptual works by artists such as Donald Judd, Roy Lichtenstein, and Sol LeWitt, housing them in their rent-controlled Manhattan apartment. They never sold any artwork and ultimately donated their entire collection to the National Gallery of Art in Washington, D.C.

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Tim Blum, co-founder of the influential Blum & Poe gallery, is stepping away from the traditional gallery model after more than 30 years. He told ARTnews that the decision was driven by burnout with the relentless cycle of art fairs, openings, and obligations, not by financial strain. His Tokyo and Los Angeles locations will close after summer exhibitions, and a planned New York space may not open as a conventional gallery. Blum will instead pursue a more flexible model involving special projects and collaborations, while continuing to buy and sell art personally.

lorna simpson fort greene brooklyn home art studio hits the market 1234747042

Lorna Simpson's former home and studio in Brooklyn's Fort Greene neighborhood, designed by British architect David Adjaye in 2006, has been listed for sale at $6.5 million. The four-story, 22-foot-wide building at 208 Vanderbilt Avenue, dubbed "Pitch Black," features black polypropylene panels on the front and glass walls at the back opening onto over 800 square feet of garden space. Simpson, who created the space after failing to find a suitable existing property, used it as a combined residence and studio with her then-husband, photographer James Casebere, before relocating to a larger commercial space nearby. The property now serves as archival and storage space and is being marketed by the Corcoran Group.

Cosmic, concrete, earthy: Nancy Holt’s Land Art on show in UK

Nancy Holt (1938-2014), a pioneering land artist who studied biology at Tufts University, is the subject of her first major UK exhibition at the Goodwood Art Foundation in West Sussex. The show includes the first posthumous installation of *Hydra's Head*, an earthwork of six pools aligned with the Hydra constellation, originally sited on the Niagara River in 1974, and *Ventilation System* (1985-92), which extends from the gallery into the landscape. Curated by Ann Gallagher, the exhibition draws on Holt's archives and the Holt/Smithson Foundation, which preserves her legacy and that of her husband Robert Smithson.

From monumental glass sculptures to a lagoon in the sky: what to see beyond the Venice Biennale pavilions

The article highlights several must-see exhibitions and installations beyond the main Venice Biennale pavilions. Patrizia Sandretto Re Rebaudengo's redevelopment of the island of San Giacomo opens on 7 May, transforming abandoned Napoleonic-era powder magazines into exhibition spaces with a solo show by British artist Matt Copson and a group show from her collection. American artist Melissa McGill presents 'Marea', a street-spanning installation of 100 paintings created with local residents and students, addressing climate change and rising sea levels. Dale Chihuly returns to Venice with 'Chihuly: Venice 2026', featuring monumental glass installations along the Grand Canal, including 'Gold Tower' (2025). Wallace Chan unveils titanium sculptures at the Chapel of Santa Maria della Pietà, with a parallel exhibition at the Long Museum in Shanghai.

Pittsburgh’s new $31m Arts Landing combines public art with civic engagement

Pittsburgh's new $31 million public space, Arts Landing, opened on 17 April, just before the NFL Draft and the 59th Carnegie International. Developed by the Pittsburgh Cultural Trust, the project features public artworks by vanessa german, Darian Johnson, Lenka Clayton, Phillip Andrew Lewis, Sharmistha Ray, Mikael Owunna, Marques Redd, John Peña, Shikeith, and the late Thaddeus Mosley. Highlights include Shikeith's neon sculpture *Hold*, part of his *Project Blue Space*, and Mosley's *Touching the Earth* series, originally commissioned by New York's Public Art Fund. The space also includes a playground, bandshell, and artist-designed pickleball courts.

Trump Arts Impact 2025

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The Trump administration has initiated a sweeping overhaul of the American cultural landscape, marked by aggressive oversight of the Smithsonian Institution and the termination of numerous National Endowment for the Arts (NEA) grants. Key actions include the disbanding of the Institute of Museum and Library Services (IMLS), the removal of leadership at the National Portrait Gallery, and the implementation of content audits to remove references to Trump's impeachments and information regarding slavery from federal sites. These moves are part of a broader effort to eliminate Diversity, Equity, and Inclusion (DEI) initiatives and enforce 'American values' in cultural programming ahead of the nation's 250th anniversary.

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Four previously unseen artworks by Stuart Sutcliffe, the original bassist for The Beatles, have gone on display at the Liverpool Beatles Museum. The exhibition includes a collage and a sketch from his student days at Liverpool College of Art, as well as two monochromatic lithographs created later while he was studying in Hamburg after leaving the band.

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A Banksy painting from his 2005 'Crude Oils' exhibition sold for £4.3 million ($5.5 million) at Sotheby’s Modern and Contemporary Evening Auction in London. The work, *Crude Oil (Vettriano)*, came from the collection of Mark Hoppus, co-founder of the pop-punk band Blink-182, who acquired it in 2011. The painting reimagines Jack Vettriano’s *The Singing Butler*, replacing the idyllic beach scene with environmental pollution, including hazmat-suited workers and a sinking container ship. The sale occurred shortly after Vettriano’s death at age 73.

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The Rijksmuseum's 2023 Vermeer exhibition, which brought together 28 of the artist's 34 surviving paintings, was a historic success, drawing 650,000 visitors and inspiring extensive new research. A new book, *Closer to Vermeer*, presents findings from advanced imaging techniques and archival studies, revealing that Vermeer made significant changes to 30 of his paintings. For example, in *The Little Street* (1658–59), the door was originally painted shut, the children were absent, and the woman was positioned differently, showing how Vermeer deliberately opened the scene to viewers. Other alterations include modifications to *The Milkmaid* (1657–58) and *Diana and her Nymphs* (1653–54).

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The Van Gogh Museum will host an exhibition titled "Captivated by Vincent. The Intimate Friendship of Jo van Gogh-Bonger and Isaac Israëls" from September 12, 2025 to January 25, 2026, marking the centenary of Jo van Gogh-Bonger's death. The show features works by Dutch painter Isaac Israëls, who was a close friend of Van Gogh-Bonger and frequently incorporated copies of Vincent van Gogh's paintings into his own compositions. It includes 10 Israëls works inspired by Van Gogh, his portrait of Van Gogh-Bonger (recently restored), and excerpts from her diary, alongside over 100 letters between the two being published in a digital edition.

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Elizabeth Peyton's double portrait of Oasis brothers Liam and Noel Gallagher sold for £1,992,000 ($2.7 million) at Sotheby’s Modern and Contemporary Evening Auction in London, just above its low estimate of £1.5 million. The work, depicting the band in 1996, was backed by a house guarantee and irrevocable bid. The consignor had purchased it in 2011 for $511,640, yielding a positive return. The sale coincided with Oasis's upcoming reunion tour starting July 4.

Wilhelm Sasnal review – his wild juxtapositions are almost obscene

Polish artist Wilhelm Sasnal's new exhibition at Sadie Coles HQ in London presents a disorienting array of paintings. The works juxtapose disparate and often disturbing images, including a grotesque depiction of the Oval Office, portraits of his family, album art for the industrial band Throbbing Gristle, and a forest scene linked to the Holocaust, creating a deliberate sense of fragmentation and broken connections.