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joan mitchell foundation 2026 artists in residence 1234770065

The Joan Mitchell Foundation has announced the 31 artists selected for its 2026 residency program at the Joan Mitchell Center in New Orleans. The residencies, lasting six or 14 weeks across three seasons, will host no more than nine artists at a time, beginning February 2. The cohort includes 17 local New Orleans artists and participants from cities such as New York, San Francisco, Chicago, Boston, and Atlanta, ranging in age from 27 to 75. Notable participants include Edra Soto, who also won a United States Artists Fellowship, and two leaders of New Orleans’s Black Masking Indian tradition, Kelly Pearson Boles and Efrem Z. Boles. The selection was made by a jury of artists, curators, and academics.

Cy Twombly | Untitled | Art & Prints

This article is a listing for Cy Twombly's artwork "Untitled" (1960-61), a graphite and wax crayon on paper piece offered at Christie's. It provides a detailed biography of the artist, noting his birth in Lexington, Virginia, his studies at the School of the Museum of Fine Arts, Boston, the Art Students League of New York, and Black Mountain College, and his permanent move to Rome in 1957. The listing includes his major exhibitions, such as retrospectives at MoMA and the Whitney Museum, and highlights his high auction record of $70.5 million for "Untitled" (1970) at Sotheby's in 2015.

Kate McNamara Named Director of Harvard’s Carpenter Center for Visual Arts

Harvard University's Carpenter Center for the Visual Arts has officially appointed Kate McNamara as its John R. and Barbara Robinson Family Director. McNamara, who had been serving in the role on an interim basis since last year, is the founder of the experimental art space ODD-KIN and has held leadership positions at Providence College Galleries, Otis College of Art and Design, and Boston University Art Galleries.

napoleon jones henderson africobra artist dead 1234765902

Napoleon Jones-Henderson, a key member of the AfriCOBRA collective known for creating art during the Black Power era, died in Boston on December 6 at age 82 after battling cancer. Jones-Henderson was part of the Chicago-based group founded in 1968 by artists including Jeff Donaldson, Wadsworth Jarrell, and Barbara Jones-Hogu, which synthesized African styles with Black American expressions. Despite the group's historical significance, their work was largely overlooked by major museums until recent years, with Jones-Henderson receiving his first major survey at the Institute of Contemporary Art Boston in 2022.

boston midtown hotel ai art warhol 2735290

Boston's Midtown Hotel has sparked outrage after decorating its newly renovated space with AI-generated artwork that mimics Andy Warhol's style to depict local celebrities like David Ortiz and Barbara Walters. Guest Alex Steed publicly criticized the hotel on social media, noting the art's uncanny valley quality and the placard proudly stating the works were entirely created by artificial intelligence. The complaint went viral, drawing thousands of views and comments condemning the hotel for choosing AI over hiring local artists in a city known for its art schools and museums.

The Rembrandt robber: five takeaways from an insider’s book on a notorious art thief

Myles Connor, an experienced career criminal, stole Rembrandt's "Portrait of Elsbeth van Rijn" from the Museum of Fine Arts, Boston on April 14, 1975, using the painting as leverage in another crime. In his new book "The Rembrandt Heist," Anthony Amore—director of security at the Isabella Stewart Gardner Museum—analyzes Connor's motivations and methods, presenting five key takeaways from the heist.

6 gripping museum exhibitions to view this winter

Six major museum exhibitions opening across the U.S. this winter are profiled, including 'Austrian Expressionism and Otto Kallir' at LACMA, which features a newly acquired Gustav Klimt painting and works by Egon Schiele; 'Divine Color: Hindu Prints from Modern Bengal' at the Museum of Fine Arts, Boston, the first U.S. exhibition to explore how lithography transformed Hindu devotional art; 'Frida: The Making of an Icon' at the Museum of Fine Arts, Houston, examining Kahlo's rise from local painter to global brand; 'Conversation Pieces: Stories from the Fashion Archives' at the Denver Art Museum, showcasing garments from its permanent collection; and 'Grandma Moses: A Good Day’s Work' at the Smithsonian.

MFA Boston returns work by enslaved artist David Drake to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi—podcast

The Museum of Fine Arts (MFA) in Boston has agreed to return two 1857 works by the enslaved potter David Drake to his descendants. One vessel will remain on loan to the museum for at least two years, while the other, known as the "Poem Jar," has been purchased back by the museum for an undisclosed sum, now carrying a certificate of ethical ownership. The episode also covers the opening of the exhibition "Wifredo Lam: When I Don’t Sleep, I Dream" at the Museum of Modern Art in New York, featuring the modernist painter of African and Chinese descent, and discusses Domenico Ghirlandaio's "Adoration of the Magi" (1488) in the context of a new book on Renaissance foundlings.

Praise Shadows’s New Sales Director and Para Site Names Executive Director: Industry Moves for March 18, 2026

Several key personnel changes occurred in the art world this week. Boston gallery Praise Shadows hired Rebecca Hayes as its new Sales Director, while Hong Kong's Para Site appointed curator James Taylor-Foster as its Executive Director. Concurrently, galleries Lehmann Maupin and Jessica Silverman announced a co-representation agreement for artist Guimi You, and London's Timothy Taylor gallery revealed it will close its New York outpost after ten years.

Southeast Asia’s biggest impressionist art show is coming to Singapore

The National Gallery Singapore will host Southeast Asia’s largest exhibition of French Impressionist art, titled “Into the Modern: Impressionism from the Museum of Fine Arts, Boston,” from November 14, 2025, to March 1, 2026. The show features over 100 paintings on loan from the Museum of Fine Arts, Boston, including works by Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Paul Cézanne, Berthe Morisot, and Camille Pissarro, with 17 Monet paintings such as ‘Poppy Field in a Hollow near Giverny’ and ‘Cap Martin near Menton.’ None of the artworks have been displayed in Southeast Asia before.

Southeast Asia’s biggest impressionist art show is coming to Singapore

The National Gallery Singapore will host Southeast Asia's largest exhibition of French Impressionist art, titled "Into the Modern: Impressionism from the Museum of Fine Arts, Boston," from November 14, 2025, to March 1, 2026. The show features over 100 paintings on loan from the Museum of Fine Arts, Boston, including works by Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Paul Cézanne, Berthe Morisot, and Camille Pissarro, with 17 paintings by Monet alone. None of the artworks have been previously displayed in Southeast Asia.

Required Reading

This week’s roundup of essential art reading highlights a diverse range of global initiatives, from the development of a new arts center in Compton by formerly incarcerated painter Mr. Wash to a mural project for displaced children in Lebanon led by artist Abed Al Kadiri. The report also covers a guerrilla projection protest at the Museum of Fine Arts, Boston, where activists criticized the institution for laying off staff members of color despite a massive endowment, and a poignant look at medical students graduating amidst the ongoing crisis in Gaza.

Nude Performance at MFA Boston Confronts One of Art’s Oldest Tropes

Artist Xandra Ibarra staged her performance "Nude Laughing" (2014–) at the Museum of Fine Arts Boston on April 16, appearing nude except for a breastplate and yellow heels while dragging a nylon stocking stuffed with blonde wigs and fake breasts. She moved through the galleries, laughing hysterically, and ultimately collapsed in front of Paul Gauguin's painting "Where Do We Come From? What Are We? Where Are We Going?" (1897–98). The performance was part of the exhibition "Subvert, Repair, Reclaim: Contemporary Artists Take Back the Nude," which features 12 artists critiquing racial, gender, and power hierarchies in Western art history. The event sparked heated debate on the museum's Instagram, with hundreds of commenters arguing about its legitimacy and obscenity.

Artist Helina Metaferia infuses solo exhibit 'Syntropy' with research and activism

Artist Helina Metaferia presents her solo exhibition 'Syntropy' at Praise Shadows Art Gallery in Brookline, Massachusetts, on view through December 20. The show features her mixed media collages, including a self-portrait titled 'Enthroned (I am an institution; I am an altar; I am an artwork in/of/for progress),' which marks her first self-portrait in years. The exhibition is part of her ongoing socially engaged project 'By Way of Revolution,' which explores the history of activism and civil rights through workshops, performance, and archival research. Metaferia, an Ethiopian American interdisciplinary artist, teaches at Brown University and previously exhibited at the Museum of Fine Arts, Boston.

51st Annual Juried UW Student Exhibition

The 51st Annual Juried UW Student Exhibition is taking place, featuring works selected by juror Lindsay Metivier, a photographer, educator, curator, and gallerist based in Carrboro, North Carolina. Metivier holds degrees from Massachusetts College of Art and Design and UNC Chapel Hill, and has operated Aviary Gallery in Boston and Peel Gallery + Photo Lab in Carrboro.

Derrick Adams: Glimpses of Black Leisure

The Institute of Contemporary Art, Boston, is hosting 'Derrick Adams: View Master,' the first mid-career survey dedicated to the multidisciplinary artist. Featuring over 100 works spanning two decades, the exhibition includes painting, collage, sculpture, video, and performance that highlight Adams's unique visual language of pattern and color.

university of north texas victor quinonez exhibition censorship 1234773453

The University of North Texas (UNT) abruptly canceled and removed artist Victor "Marka27" Quiñonez's traveling solo exhibition "Ni de Aquí, Ni de Alla" from its CVAD Gallery, locking the gallery doors and drawing blinds over the windows. The university terminated the loan agreement with Boston University Art Galleries, which originated the show, and scrubbed all mentions of the exhibition from its website and social media without providing a reason to the artist.

mfa boston david drake vessels restitution 1234759453

The Museum of Fine Arts, Boston has restituted two large-scale ceramic vessels by David Drake, an enslaved potter, to his known descendants. The works—a "Poem Jar" and a "Signed Jar," both from 1857—were acquired by the museum in 1997 and 2011 respectively. On October 16, the MFA deaccessioned the jars and transferred ownership to Drake's descendants via the Dave the Potter Legacy Trust. The museum then repurchased the "Poem Jar," which re-entered the collection on October 23, while the "Signed Jar" remains with the family on long-term loan to the museum. The decision followed discussions prompted by the exhibition "Hear Me Now: The Black Potters of Old Edgefield, South Carolina," co-organized with the Metropolitan Museum of Art.

In Karyn Lyons’s Paintings, the Ghost of Girlhood Lingers

American painter Karyn Lyons explores the longing and desolation of adolescent girlhood in her solo exhibition “Day for Night” at Stems Gallery in Paris, which opened ahead of Art Basel Paris. The show features paintings of an adolescent girl in affluent yet lonely settings, which Lyons describes as metaphoric pages from her diary. After studying journalism and working in advertising and fashion, Lyons earned a post-baccalaureate degree from the School of the Museum of Fine Arts in Boston in 2003, but kept her work private for nearly two decades until a creative breakthrough during the pandemic led her to explore her own adolescence more psychologically.

cvad unt canceled exhibition criticizing ice 2745556

The College of Visual Arts and Design Galleries at the University of North Texas abruptly canceled the solo exhibition "Ni de Aquí, Ni de Allá (Not From Here, Not From There)" by artist Victor "Marka27" Quiñonez after it had been fully installed. The show, which includes works from his "I.C.E. Scream" series critically rebranding Immigration and Customs Enforcement as "Inhumane and Cruelty Enforcement," was removed without explanation, and gallery staff ceased communication with the artist.

art karlsruhe 2026 2740272

Art Karlsruhe returns for its 23rd edition from February 5–8, 2026, at Messe Karlsruhe in Rheinstetten, Germany. The fair brings together roughly 180 galleries from 18 countries, spanning 120 years of art history with dedicated halls for classical Modernism and contemporary art. New participants include Boston's Chase Young Gallery and Tehran's Maryam Fasihi Harandi Gallery, alongside a strong German contingent. Special sculpture areas feature works by Robert Schad, Martin Hollebecq, Koloman Wagner, and Sonja Edle von Hoeßle.

washington post art critic sebastian smee laid off 1234772489

The Washington Post laid off approximately 30% of its newsroom staff, including Pulitzer Prize-winning art critic Sebastian Smee, as part of broader cuts to sports, local news, and international coverage. Smee, who joined the Post in 2018 after working at the Boston Globe and The Australian, confirmed his departure in a statement to ARTnews, expressing gratitude to former editor Marty Baron and solidarity with affected colleagues. Another Pulitzer-winning critic, Philip Kennicott, reportedly remains on staff. The layoffs come shortly after the release of a documentary produced by Amazon MGM Studios, owned by Post owner Jeff Bezos.

Long Overlooked, Minnie Evans’s Mystical Landscapes Are Finally Getting the Spotlight

Minnie Evans (1892–1987), a self-taught African American artist who worked as a gatekeeper at Airlie Gardens in Wilmington, North Carolina, is experiencing a major resurgence. For over 25 years, she sold her vibrant, kaleidoscopic drawings—made on scrap paper with affordable materials—to visitors from her tiny gatehouse studio. Despite a 1975 retrospective at the Whitney Museum of American Art, her name faded after her death. Now, a touring exhibition is on view at the Museum of Fine Arts, Boston, curated by Colton Klein, and a larger show opens this November at the High Museum of Art in Atlanta, traveling to the Whitney next summer.

Long Overlooked, Minnie Evans’s Mystical Landscapes Are Finally Getting the Spotlight

Minnie Evans (1892–1987), a self-taught African American artist who worked for 25 years as a ticket seller at Airlie Gardens in Wilmington, North Carolina, is experiencing a major resurgence. Long overlooked after her death, Evans created thousands of vibrant, kaleidoscopic drawings featuring florals, animals, and abstraction, often on scrap paper using affordable materials. A touring exhibition, "The Visionary Art of Minnie Evans," is currently on view at the Museum of Fine Arts, Boston, curated by Colton Klein, and a larger exhibition opens this November at the High Museum of Art in Atlanta before traveling to the Whitney Museum of American Art in summer 2026. Evans had a 1975 retrospective at the Whitney during her lifetime but faded from prominence afterward.

Work of late Wilmington artist sees surge of national attention with 2 touring exhibits

The work of late Wilmington artist Minnie Evans is featured in two separate national exhibitions. One show, "The Visionary Art of Minnie Evans," is currently at the Boston Museum of Fine Art after opening at The Gund museum at Kenyon College, while a larger exhibition, "The Lost World: The Art of Minnie Evans," will open at Atlanta's High Museum of Art in November 2025 before traveling to New York's Whitney Museum in summer 2026. Evans, a self-taught artist who worked at Wilmington's Airlie Gardens and died in 1987, gained initial recognition in the 1960s after being discovered by photographer and art historian Nina Howell Starr, but had not been the subject of a major national gallery show since the 1990s.

Liz Munsell Named Vice President of Brooklyn’s Powerhouse Arts

Liz Munsell has been appointed Vice President of Curatorial Arts and Programs at Brooklyn's Powerhouse Arts, a creative nonprofit in Gowanus. She will develop public programming, exhibitions, and community engagement, while overseeing artist residencies and art fairs, including the upcoming Brooklyn Fine Art Print Fair. She succeeds Diya Vij, who left to become New York City's cultural affairs commissioner.

Boston had Isabella Stewart Gardner, and Fitchburg had Eleanor Norcross

The Fitchburg Art Museum is celebrating its 100th anniversary with the exhibition “Kaleidoscope: 100 Years of Collecting for our Community.” The show honors the legacy of founder Eleanor Norcross, a Victorian-era artist and collector who studied under William Merritt Chase and exhibited in Parisian salons. Although Norcross died in 1923 before the museum opened, her estate and personal collection of paintings and decorative arts provided the foundation for the institution, which officially opened in 1929.

Cleveland Museum of Art opening ‘Martin Puryear: Nexus,’ a career survey

The Cleveland Museum of Art has launched "Martin Puryear: Nexus," the most comprehensive survey of the 84-year-old American sculptor’s work in nearly two decades. Co-organized with the Museum of Fine Arts, Boston, the exhibition features approximately 50 pieces, including large-scale sculptures, drawings, and maquettes spanning 50 years of Puryear’s career. A unique feature of the show is the inclusion of diverse interpretations from various artists and architects, though many works are left intentionally open-ended to encourage personal viewer connection.

David Armstrong: Portraits Artists Space New York – Paul Carter Robinson

Artists Space in New York is hosting the first comprehensive U.S. survey of photographer David Armstrong, featuring over 90 works spanning three decades. While often associated with Nan Goldin and the Boston School, the exhibition highlights Armstrong’s distinct evolution from raw black-and-white 1970s downtown portraits to his later blurred landscapes and Renaissance-inspired color photography.

UNT cancels prominent street artist's exhibit on campus featuring ICE-related work

The University of North Texas (UNT) abruptly canceled and removed the exhibition 'Ni de Aquí, Ni de Allá' by street artist Victor 'Marka27' Quiñonez from its College of Visual Arts and Design gallery. The university terminated its loan agreement with Boston University Art Galleries, which organized the show, and covered the gallery windows with brown paper without providing a public reason for the cancellation.