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A new exhibition titled "Presence in Absence: The Art of BTS Chapter 2" opens at Taxa Seoul on June 21, featuring 20 fan artists from around the world whose works celebrate the K-pop group BTS. Curated by Jieun Seo and Yvette Wohn of 25th Hour Collective, the show includes artworks created between 2022 and 2025, a period when BTS members were fulfilling mandatory military service, leading fans to channel their devotion into creative expression. The exhibition highlights diverse styles and media, from solo portraits to surreal scenes, reflecting the global reach of BTS fandom.

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Leonard A. Lauder, the billionaire art collector, philanthropist, and cosmetics magnate, has died at age 92. Lauder helped grow his mother Estée Lauder's namesake business into a global cosmetics empire, serving as president, CEO, and chairman. He was also one of the most significant art philanthropists of his era, donating a Cubist art collection valued at over $1 billion—including 78 works by Picasso, Braque, Léger, and Gris—to the Metropolitan Museum of Art in 2014, later expanded with additional works and funding for the Leonard A. Lauder Research Center for Modern Art. He also made the largest gift in Whitney Museum history in 2008, worth $131 million, and amassed a collection of 130,000 historic postcards promised to the Museum of Fine Arts, Boston.

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Christian Marclay's latest supercut film, "Doors," is now on view at the Brooklyn Museum after stops in Boston and Europe. The 50-minute looped video compiles scenes of famous actors opening and closing doors from various movies, following the success of Marclay's 2011 hit "The Clock," a 24-hour video-clock that synchronizes on-screen timepieces with the viewer's actual time. The article critiques "Doors" as a less profound, more self-obsessed work that lacks the emotional resonance of its predecessor.

Theaster Gates gifts David Drake pot from his collection to enslaved ceramicist’s descendants

Artist Theaster Gates has gifted a 19th-century ceramic vessel by the enslaved potter David Drake, known as Dave the Potter, to Drake's descendants. The gesture is part of Gates's exhibition "Dave: All My Relations" at Gagosian in New York, which also features a second Drake pot recently restituted by the Museum of Fine Arts, Boston. Gates pulverized 45 of his own ceramic works to create a plinth for the vessel, framing the act as a "poetic justice" that elevates Drake's legacy above his own.

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Museums across the United States are preparing exhibitions to mark the 250th anniversary of American independence in 2026. The New York Historical will present "Democracy Matters," opening June 19, 2026, exploring voting, free speech, and land rights through works by Thomas Cole, Mel Chin, and Lady Pink alongside historic documents. The Museum of Fine Arts, Boston will debut "America at 250" on the same date, integrating Native and non-Native art with pieces like Gilbert Stuart's portrait of George Washington and a critique by Mohawk artist Alan Michelson. The National Portrait Gallery had planned "Amy Sherald: American Sublime" for September 2025, but Sherald canceled the show over censorship concerns in July 2025. The Philadelphia Museum of Art will host "A Nation of Artists" from April 2026 through September 2027, featuring Frederic Edwin Church's "Pichincha."

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This week's art industry news covers major auction results, gallery changes, and restitution developments. At Christie's Old Masters evening sale in London, Canaletto's "The Return of the Bucintoro on Ascension Day" set a new auction record for the artist at £31.9 million ($43.9 million), leading the sale to a total of £60.8 million. Sotheby's Old Masters evening sale brought in £14.5 million, with three new records including Diana de Rosa's "Salome with the Head of Saint John the Baptist" selling for £317,500. A rare early watercolor by Man Ray, "Nude Playing Musical Instrument" (1913), resurfaced after decades and will be auctioned at Dreweatts. In gallery news, Blum gallery laid off most of its staff and plans to cease brick-and-mortar operations, while Waddington Custot announced a new Paris space, and Company Gallery hired Subhas Kim Kandasamy as executive director. White Cube now represents Firenze Lai, and JD Malat Gallery launched a new initiative for UAE artists. In restitution, the Netherlands returned 119 Benin Bronzes to Nigeria, and the Museum of Fine Arts, Boston, transferred two Benin works to the Oba of Benin.

The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

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Powerhouse Arts, a nonprofit creative production facility in Brooklyn’s Gowanus neighborhood, has appointed Liz Munsell as its new Vice President of Curatorial and Arts Programs. Munsell, who previously held senior curatorial roles at the Jewish Museum and the Museum of Fine Arts, Boston, succeeds Diya Vij following Vij's appointment as New York City’s cultural affairs commissioner. Alongside Munsell, the organization hired Constanza Valenzuela, formerly of High Line Art, as associate curator to support the expansion of its exhibition and residency programs.

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John P. Axelrod, a prominent art collector and retired lawyer, was killed in a hit-and-run incident on January 3 in Boston's Back Bay neighborhood while walking his dog. The suspect, William Haney, 42, allegedly drove onto a pedestrian mall and struck Axelrod before fleeing; he has been charged with murder and animal cruelty. Axelrod, 79, was a longtime collector of American painting, African American and Latin American art, and decorative arts, and was listed on the ARTnews Top 200 Collectors list from 1997 to 2000.

celebs turn out in force for lacma gala climate activist who targeted degas works gets jail time and more morning links for november 3 2025 1234759857

The Los Angeles County Museum of Art (LACMA) held its 14th annual Art+Film Gala on November 1, drawing nearly 600 celebrities from art, film, fashion, and entertainment. The event honored artist Mary Corse and filmmaker Ryan Coogler, featured a performance by Doja Cat, and set a new fundraising record of nearly $6.5 million to support LACMA's integration of film into its curatorial programs. Separately, climate activist Timothy Martin received an 18-month prison sentence for smearing paint on a Degas sculpture case at the National Gallery of Art in Washington, D.C., in 2023—a punishment critics called disproportionate. Other news includes the permanent installation of Gaetano Pesce's final public artwork in Boston, Antony Gormley's new installation in South Korea, and a report on shifting fortunes in the Islamic art market, where a rare Safavid carpet failed to sell at Christie's London.

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KAWS (Brian Donnelly) has been named Uniqlo's first-ever artist-in-residence, tasked with expanding the brand's "Art for All" philosophy. He will curate art events across Uniqlo stores worldwide and collaborate with the company's museum partners, including the Museum of Modern Art in New York, Tate Modern, the Louvre, and the Museum of Fine Arts, Boston. His first collection with Uniqlo is scheduled for Fall/Winter 2025.

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Curtis Yarvin, a computer engineer and far-right political thinker, has proposed a controversial US Pavilion for the 2026 Venice Biennale centered on Titian's *Rape of Europa* (1559–62), on loan from the Isabella Stewart Gardner Museum in Boston. Yarvin is collaborating with Dutch Egyptian artist Tarik Sadouma on the concept, which he describes as "rape-themed," though he notes room for feminist perspectives. The proposal, first reported by the *New Yorker* and detailed further by *Vanity Fair*, includes alternative plans such as forging and burning the painting or using AI if the loan is denied. Applications for the pavilion close July 30, with a final decision expected later in the summer.

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Praise Shadows Art Gallery, a respected contemporary art gallery, is relocating from Brookline to a 2,000-square-foot downtown Boston storefront in the Leather District. The move was facilitated by Boston Mayor Michelle Wu and the city's Space for Creative Enterprise Downtown initiative, which helped founder Yng-Ru Chen secure a 10-year lease. The gallery opens on March 13 with a group show titled "Summoning" and has a slate of solo shows planned for Boston-based artists in 2026.

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Artnet News highlights the top photography moments of 2025, including Sara Cwynar's exhibition of search-engine images at ICA Boston, Inuuteq Storch's debut at MoMA PS1 showcasing his Greenlandic hometown, and Dietemar Busse's Polaroid portraits celebrated at Amant, New York. The year also saw Wolfgang Tillmans' blockbuster farewell exhibition at the Centre Pompidou before its five-year renovation, and Marian Goodman Gallery's inaugural show of Ana Mendieta's work, "Back to the Source," featuring her iconic photographs and performances. Mendieta's work was also spotlighted at Art Basel Miami Beach, with her piece "Sandwoman" (1983) drawing emotional responses from visitors.

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Blanche Lazzell (1878–1956), a pioneering American Modernist artist and printmaker largely forgotten today, is featured in the exhibition “Herself: American Artists of the 20th Century” at New York’s Lincoln Glenn Gallery. The show brings together 30 women artists spanning roughly 90 years, including Alice Neel, Grace Hartigan, Barbara Kruger, Sheila Hicks, and March Avery. Lazzell, who earned her fine arts degree at West Virginia University in 1905, studied at the Art Students League alongside Georgia O’Keeffe, traveled to Paris, and cofounded the Provincetown Printers, the nation’s first woodblock print society. She is credited with developing the white-line woodcut technique known as the Provincetown Print, and her work is held by major institutions including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the Smithsonian American Art Museum.

trump administration removes pride flag from stonewall monument mfa boston to create people in culture position and denies targeting minorities in layoffs morning links for february 11 2026 1234773075

The Trump administration removed the rainbow Pride flag from the Stonewall National Monument in New York City, citing a federal order that only the U.S. flag or official government logos can fly on National Park Service property. The move has sparked widespread outrage from politicians and LGBTQ+ advocates, who see it as an attempt to erase history and community pride.

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Artist and children's book illustrator Oliver Jeffers held a dip performance two days before the opening of his solo show at Praise Shadows gallery in Boston, where he destroyed a portrait of Japanese artist and cancer survivor Yuri Shimojo by submerging it in enamel paint. The invite-only audience watched in silence as the image disappeared, a ritual Jeffers describes as both a death and a birth, exploring themes of memory, loss, and hidden variables. His exhibition also features his "Disaster Paintings," which treat serious subjects like climate change and violence with absurdist humor.

Two Renoir exhibitions at Musée d’Orsay explore the joy of human connection

Two Renoir exhibitions at Musée d’Orsay explore the joy of human connection

The Musée d’Orsay in Paris is opening two concurrent exhibitions dedicated to Pierre-Auguste Renoir, titled 'Renoir and Love: A Joyful Modernity (1865-85)' and 'Renoir Drawings'. The shows focus on the first two decades of his career, featuring major works like 'Luncheon of the Boating Party' and rarely seen pieces from private collections, such as 'Confidence'. The exhibitions will later travel to the National Gallery in London and the Museum of Fine Arts in Boston.

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The article reveals that Emily Sargent (1857–1936), sister of famed portraitist John Singer Sargent, was a dedicated and original watercolorist whose extensive body of work remained hidden for decades. In 1998, a family member discovered a trunk containing 440 of her watercolors, and after nearly 25 years, the Sargent family has begun donating these works to major museums in the U.S. and U.K., including the Museum of Fine Arts, Boston (45 works), the Tate, London (29), the National Gallery of Art in Washington, D.C. (24), the Metropolitan Museum of Art (22), and the Brooklyn Museum (20).

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Nicole Wittenberg's new painting series "Ain't Misbehavin'" is on view at Maison La Roche in Paris through July 19, 2025. The exhibition, a collaboration between Massimo De Carlo and Fondation Le Corbusier, features large floral works that eliminate depth and press blossoms against the picture plane, creating a dialogue with Le Corbusier's purist modernist architecture. Wittenberg, a San Francisco-born artist who studied at the San Francisco Art Institute, has work in the collections of the Solomon R. Guggenheim Museum, the Boston Museum of Fine Art, and the Albertina.

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Artnet News highlights the enduring public fascination with Vincent van Gogh, 135 years after his death, by compiling 10 recent stories that demonstrate "Van Gogh Mania." Examples include the National Gallery in London's major exhibition "Van Gogh: Poets and Lovers," the Museum of Fine Arts in Boston's "Van Gogh: The Roulin Family Portraits," and a legal dispute over the garden that inspired his final painting, Tree Roots (1890). Other stories cover a van Gogh portrait kept in a chicken coop for over a decade and Lego's release of a Sunflowers-themed building set in collaboration with the Van Gogh Museum.

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A reproduction of Rembrandt's stolen masterpiece, *Christ in the Storm on the Sea of Galilee* (1633), appears in the new Netflix film *Knives Out: Wake Up Dead Man*. The painting, one of 13 works stolen from Boston's Isabella Stewart Gardner Museum in 1990, is seen briefly in a character's study. The museum confirmed the use was not a collaboration, noting the image was used without permission.

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The Museum of Fine Arts Boston has opened "Van Gogh: The Roulin Family Portraits," the first exhibition dedicated to Vincent van Gogh's portraits of the Roulin family—the local postman Joseph Roulin, his wife Augustine, and their children. The show brings together 14 of Van Gogh's 26 depictions of the family, including loans from the Van Gogh Museum in Amsterdam, the Museum of Modern Art, the Metropolitan Museum of Art, the Philadelphia Museum of Art, the National Gallery of Art, and the Museum Boijmans Van Beuningen. The exhibition was inspired by a 2018 conversation between curators Nienke Bakker and Katie Hanson, who realized no show had ever focused on this working-class family that was so central to Van Gogh's portraiture.

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Artist Lucy Raven has completed her film trilogy, "The Drumfire," with the release of Murderers Bar (2025). The 42-minute film documents the historic removal of four dams along the Klamath River, capturing the dramatic release of water and the restoration of a river system flowing from Oregon through Northern California. The work is currently on view at the Power Plant in Toronto and is scheduled to travel to the Institute of Contemporary Art Boston in May.

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Brooklyn-based artist Duke Riley has launched a public search for the remains of a goat named Skellig Mór, a former mascot of the USS Vermont battleship in the early 1900s. His campaign involves missing posters, a newspaper ad in the Boston Globe, and a dedicated hotline, forming the centerpiece of his new solo exhibition, "The Repatriation of King Skellig Mór," at Praise Shadows Art Gallery in Brookline, Massachusetts.

20 Must-See Monographic Museum Exhibitions Feature Artists Allan Rohan Crite, Wifredo Lam, Suzanne Jackson, Woody De Othello, Theaster Gates & More

Fall 2025 brings a wave of major monographic museum exhibitions worldwide, featuring artists such as Allan Rohan Crite, Wifredo Lam, Suzanne Jackson, Woody De Othello, and Theaster Gates. Highlights include the first mainstream museum shows for Crite in his hometown of Boston, the first solo museum exhibition for Gates in Chicago, and the first U.S. retrospective for Lam at MoMA. Other notable shows include surveys of Robert Colescott, Coco Fusco, Richard Hunt, Jacob Lawrence, and Cauleen Smith, spanning institutions from the San Francisco Museum of Modern Art to Zeitz MOCAA in Cape Town.

Viral Beeple robot dogs to go on display at Berlin museum.

Viral Beeple robot dogs to go on display at Berlin museum.

A set of robotic dog sculptures by digital artist Beeple, which became a viral sensation online, have been acquired by Berlin’s König Galerie for its permanent collection and will go on public display. The four lifelike, animatronic canines, titled "S.2122," are modeled on Boston Dynamics' "Spot" robots but are weathered and decaying, with exposed wires and organic growths. This marks Beeple's first major physical sculpture series to enter a prominent institutional collection, following his landmark $69 million NFT sale in 2021.

Summer 2025 preview: On display at museums

CBS News Sunday Morning anchor Jane Pauley previews major museum exhibitions opening in summer 2025. The article highlights Amy Sherald's mid-career survey "American Sublime" at the Whitney Museum of American Art in New York, featuring her iconic portrait of Michelle Obama and exploring her signature grisaille technique and confident Black subjects. Other featured shows include "Van Gogh: The Roulin Family Portraits" at the Museum of Fine Arts, Boston; "Monet's Floating Worlds at Giverny" at the Portland Art Museum; "KAWS: FAMILY" at Crystal Bridges Museum of American Art in Bentonville; and "Jeffrey Gibson: the space in which to place me" at The Broad in Los Angeles.

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The Museum of Fine Arts, Boston (MFA) has denied targeting Diversity, Equity, and Inclusion (DEI) staff after laying off 33 employees, including its only Muslim, Native American, and Black curators. The layoffs, effective January 30, 2026, prompted a petition with nearly 2,000 signatures and a demand from 130 staff at the Massachusetts College of Art and Design for the curators' reinstatement. MFA Director Pierre Terjanian attributed the cuts to financial deficits from the COVID-19 pandemic, stating the proportion of staff of color remained unchanged.

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Martin Puryear's 1978 sculpture *Self* opens a survey of his work at the Museum of Fine Arts, Boston, titled “Martin Puryear: Nexus,” which runs through Sunday before traveling to the Cleveland Museum of Art in April. Curated by Emily Liebert, Reto Thüring, and Ian Alteveer, the exhibition argues that Puryear's abstract, craft-intensive sculptures—like *A Column for Sally Hemings* (2021)—are not merely formalist exercises but carry political and historical meanings that are deliberately withheld, challenging viewers to read beyond elegant surfaces.