Several galleries announced new artist representations and expansions. Patron Gallery added painter Miao Wang, who will appear at Expo Chicago; Jessica Silverman added Neo-Pop painter Koak; Anat Ebgi added painter Veronica Fernandez; and Sundaram Tagore Gallery opened a new London space. Additionally, Open Restitution Africa launched an AI-powered database to assist with restitution processes.
American artist Liza Lou discusses her recent shift in practice, moving from her famous large-scale bead installations to a new body of work that fuses oil painting with glass beads. After years of collaborative work in South Africa and focusing on monochrome tones, Lou has returned to a solitary studio practice in a windowless warehouse in the San Fernando Valley. This new phase is defined by a "headlong love affair with colour," inspired by the hallucinatory palette of the Mojave Desert and a transition from logical drawing to a more intuitive, freestyle process.
Artist Nicola Turner has unveiled a site-specific installation titled "Time’s Scythe" within an 18th-century chapel at the Yorkshire Sculpture Park. The work features massive, creature-like forms made from hand-stitched recycled wool and horsehair that appear to crawl and surge through the building's architectural openings, spilling from balconies and wrapping around the exterior.
Kyoto-based textile house HOSOO has announced a collaborative exhibition with American artist Theaster Gates titled “Glorious Robe,” scheduled to run from April 11 to August 30, 2026. The showcase centers on the “Dashikimono,” a hybrid garment merging the West African dashiki with the Japanese kimono, alongside ceramic vessels and traditional obi sashes. These works incorporate motifs from the American Civil Rights Movement, including tributes to Martin Luther King Jr. and Malcolm X, woven directly into the fabric using HOSOO’s centuries-old Nishijin techniques.
The High Museum of Art in Atlanta has launched a major retrospective titled “Isamu Noguchi: ‘I am not a designer,’” exploring the prolific career of the Japanese-American artist. Curated by Monica Obniski, the exhibition features over 200 objects including sculptures, stage sets, furniture, and architectural models. A central highlight is the connection to Atlanta’s own Piedmont Park, which houses "Playscapes," the only artist-designed playground Noguchi completed in the United States, currently celebrating its 50th anniversary.
A Milano puoi suonare gratis con la tua band in uno studio di registrazione aperto al pubblico all’HangarBicocca
Pirelli HangarBicocca in Milan has transformed its exhibition space into a functional recording studio as part of a major retrospective for artist Rirkrit Tiravanija. Titled "A Retrospective: The House That Jack Built," the show invites local musical acts to book time slots to perform and record their music live within the gallery. This interactive installation allows the creative process to unfold in front of museum visitors, blurring the lines between a static art display and a community hub.
The High Museum of Art in Atlanta has launched a major retrospective titled “Isamu Noguchi: ‘I am not a designer,’” featuring nearly 200 objects that span the artist's prolific career. The exhibition showcases Noguchi’s diverse output, including his iconic Akari paper lanterns, furniture for Herman Miller, the Radio Nurse baby monitor, and his extensive stage set collaborations with choreographers like Martha Graham and Ruth Page.
The Figge Art Museum in Davenport, Iowa, is hosting a special Art History Talk on April 30 focused on the work of the late Cuban-American artist Félix González-Torres. The event is organized in conjunction with the museum's current presentation of the artist's iconic installation "Untitled" (L.A.). The lecture will explore González-Torres's unique approach to conceptual art, characterized by the use of commonplace materials, audience interaction, and the intentional instability of the art object.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a Curator in the Department of Photographs. Joining from the Museum of Modern Art (MoMA), Onabanjo will focus on 20th-century and contemporary photography with a specific emphasis on international practices from Africa and Asia. Her responsibilities include overseeing the stewardship of the recently acquired Walther Collection and developing a major exhibition for 2028.
ARTES DE LA TIERRA
The Guggenheim Museum Bilbao has inaugurated "Artes de la Tierra" (Arts of the Earth), a multidisciplinary exhibition curated by Manuel Cirauqui that examines the relationship between contemporary art and the soil. Spanning from the mid-20th century to the present, the show integrates visual arts, architecture, and ancestral Basque knowledge to explore themes of composting, terraforming, and ecological repair. Featured artists include pioneers of Land Art and Arte Povera such as Ana Mendieta, Fina Miralles, and Meg Webster, whose works are presented alongside archival materials and architectural models.
The Philadelphia Museum of Art has announced a rebranding to "PhArt," following the discovery of a long-lost Marcel Duchamp readymade—an early prototype of a whoopee cushion titled "Le rire"—in its archives. The institution is dropping "Museum" from its name to signal a commitment to art that transcends traditional boundaries, and the new branding will be featured prominently on social media.
The 10th edition of the British Art Show, titled 'A Chorus of Strangers,' has announced its theme and a roster of over 30 participating artists. Curated by Ekow Eshun and organized by Hayward Gallery Touring, the exhibition will explore the relationship between the individual and the 'other' through three thematic lenses: 'Moments of Being,' 'Ways of Living,' and 'States of Nature.' The show is scheduled to launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead.
German artist Kerstin Brätsch has opened a comprehensive solo exhibition titled "MƎTAATEM" at Kunstmuseum Bonn. The presentation features a vast array of works that document her experimental approach to painting, including her signature use of glass, marbling, and collaborative processes that challenge the traditional boundaries of the medium.
The 2026 Whitney Biennial features artists using technology to explore themes of surveillance, data extraction, and the unsettling blur between human and machine. Works like Cooper Jacoby's AI-generated piece, which scrapes data from deceased individuals' social media, and Isabelle Frances McGuire's 3D-scanned witch figures, confront the ethical and existential implications of biometrics and digital quantification.
The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.
A major exhibition at the Metropolitan Museum of Art is dedicated to the work of Senegalese modernist painter Iba Ndiaye. The show, "Iba Ndiaye: The Studio of the World," presents a comprehensive look at his career, tracing his journey from Senegal to Paris and his unique synthesis of global artistic traditions.
Il libro d’arte più grande, più pesante e più costoso al mondo arriva a Venezia. In donazione alla Biblioteca Marciana
The Alberto Peruzzo Foundation has donated a copy of "Modern Art – Revolution and Painting" to the Biblioteca Nazionale Marciana in Venice. Described as the world’s largest, heaviest, and most expensive art book, the volume weighs 35 kilograms and measures 70 x 100 centimeters. It features 544 hand-bound pages with 25-color lithographs reproducing over 250 masterpieces from the 19th and 20th centuries, including works by Picasso, Chagall, and Fontana.
Claudio Parmiggiani’s seminal 1970 portfolio, "Atlante," is the focal point of a new exhibition at Thomas Dane Gallery in Naples. The show highlights a pivotal moment in 1968 when Parmiggiani began experimenting with cartographic imagery, including painting continents onto cows and encasing globes in glass, all documented through the lens of fellow artist Luigi Ghirri.
White Columns, New York’s oldest alternative nonprofit art space, has launched a unique fundraising exhibition titled “Art (by) Dealers.” The show features works created by over 90 art dealers and gallery professionals rather than the artists they represent. Organized by Kathy Huang and Will Leung, the exhibition presents uniform 12-by-9-inch works priced at $500 each, sold anonymously to benefit the nonprofit's programming.
The Musée de l'Orangerie in Paris has launched a landmark retrospective titled "A Painter’s Ambition," dedicated to the self-taught artist Henri Rousseau. Featuring 50 paintings and personal correspondence, the exhibition highlights Rousseau’s relentless struggle to transcend his "naive" label and gain acceptance from the French art establishment. Key highlights include the rare grouping of his masterpieces—The Sleeping Gypsy, The Snake Charmer, and The Hungry Lion Throws Itself on the Antelope—alongside evidence of his calculated efforts to market himself to government officials.
Artists Anne Imhof and Tyler Mitchell engage in a cross-disciplinary dialogue reflecting on their recent solo exhibitions, "Wish You Were Gay" at Kunsthaus Bregenz and "Wish This Was Real" at C/O Berlin. The conversation explores the intersection of performance, photography, and the choreography of space, with both artists discussing how they manipulate the viewer's physical and emotional presence within an installation.
Los Angeles-based artist Molly Bounds makes her New York solo debut at Mrs. gallery in Maspeth, Queens, with the exhibition "The Light That Loses, The Night That Wins." The show features a series of psychological portraits and cinematic scenes rendered in oil and acrylic, capturing figures in moments of solitude, internal conflict, and escapism. Following her presentation with the gallery at The Armory Show in 2025, this exhibition highlights Bounds' transition from printmaking to complex, mood-driven painting.
The Museum of Nebraska Art (MONA) is hosting "Of Light and Shadow," the first solo museum exhibition for internationally recognized glass artist and Hastings College professor Dr. Brian Corr. The survey spans two decades of Corr’s career, featuring large-scale sculptures and installations that utilize light and shadow as primary materials. A highlight of the show is the U.S. debut of "One," a significant architectural installation originally created for his master’s thesis in Australia.
London-based artist LR Vandy has opened her first solo museum exhibition, titled "Rise," at the Yorkshire Sculpture Park. The show, produced in partnership with London's October Gallery, features a new body of site-specific work installed both indoors and on the park's grounds, including a monumental outdoor sculpture. The exhibition creates an immersive environment where Vandy uses materials like rope and found objects to investigate themes of power, trade, and colonialism.
Auswärtiges Amt rügt Goethe-Institut für Ausstellung
The German Foreign Office has formally reprimanded the Goethe-Institut for its involvement in an exhibition in Vilnius, Lithuania, featuring Palestinian-American artist Basma al-Sharif. The ministry stated that events organized by German cultural intermediaries must leave no doubt about the government's firm rejection of antisemitism and hatred of Israel, and demanded greater care in planning and conceptualizing such events with partners. The exhibition, "Bells and Cannons - Contemporary Art in Times of Militarization," was a collaboration between the Goethe-Institut Vilnius, the Contemporary Art Centre Vilnius, and the Berlin Academy of Arts.
French artist Bertrand Lavier is presenting a solo exhibition titled 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique in Paris. The exhibition centers on a single, sinuous steel sculpture that translates the traditionally flat, expressive painterly gesture into a three-dimensional physical entity. This presentation marks Lavier's sixth solo show with the gallery and continues his decades-long exploration of the boundaries between painting, sculpture, and the readymade.
Sotheby’s London kicked off its Spring 2026 marquee season with a series of high-energy auctions, totaling £154 million across its Modern & Contemporary sales. The week was highlighted by a "white-glove" evening auction that achieved a 100% sell-through rate, led by Francis Bacon’s 1972 Self-Portrait which sold for £16 million. Significant records were set for British masters, most notably Leon Kossoff, whose painting "Children’s Swimming Pool" shattered estimates to reach £5.2 million.
Julien’s Auctions is hosting an online sale featuring over 500 items from the production of the HBO series "And Just Like That…," the sequel to "Sex and the City." The auction includes a wide array of fashion, accessories, and home decor associated with main characters Carrie Bradshaw, Miranda Hobbes, and Charlotte York-Goldenblatt, as well as new additions like Lisa Todd Wexley. Notable lots include Carrie’s hatbox suitcases, Miranda’s wine-red jumpsuit, and various furniture pieces from the characters' apartments, with a portion of proceeds benefiting the foster care charity You Gotta Believe.
Artist Sarah Rosalena has completed a monumental 27-foot tapestry titled "Threading the Boundless: Omnidirectional Terrain" (2025), commissioned for the Los Angeles County Museum of Art’s (LACMA) new David Geffen Galleries. The work utilizes an industrial-scale jacquard-rapier loom to weave complex patterns that distort NASA satellite imagery of Earth and Mars. By blending her Wixárika maternal weaving traditions with computational craft, Rosalena transforms scientific data into a tactile, atmospheric landscape that challenges traditional methods of planetary mapping.
Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.