Galerie Templon in Brussels is presenting a solo exhibition of Claude Viallat, celebrating the 60th anniversary of his signature bone-shaped motif. The show features around thirty recent experimental canvases and objects from 2024 to 2026, exploring his practice of repetition and variation on diverse fabrics and found materials.
Auswärtiges Amt rügt Goethe-Institut für Ausstellung
The German Foreign Office has formally reprimanded the Goethe-Institut for its involvement in an exhibition in Vilnius, Lithuania, featuring Palestinian-American artist Basma al-Sharif. The ministry stated that events organized by German cultural intermediaries must leave no doubt about the government's firm rejection of antisemitism and hatred of Israel, and demanded greater care in planning and conceptualizing such events with partners. The exhibition, "Bells and Cannons - Contemporary Art in Times of Militarization," was a collaboration between the Goethe-Institut Vilnius, the Contemporary Art Centre Vilnius, and the Berlin Academy of Arts.
The article explores a growing trend in contemporary art where artists like Pierre Huyghe, Nina Katchadourian, and Marge Monko create works that blur the line between art objects and sentient beings. These works incorporate human performers, animals, AI, and smart devices, prompting viewers to question whether these entities possess or simulate personhood, and forcing an examination of our instinct to anthropomorphize.
The article reports that the contemporary art gallery at the Cathedral of Angers has been well received. It highlights the cathedral's new exhibition space dedicated to contemporary works, marking a notable integration of modern art within a historic religious site.
German artist Kerstin Brätsch has opened a comprehensive solo exhibition titled "MƎTAATEM" at Kunstmuseum Bonn. The presentation features a vast array of works that document her experimental approach to painting, including her signature use of glass, marbling, and collaborative processes that challenge the traditional boundaries of the medium.
The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.
The exhibition "Parallax(e): Perspectives on the Canada–US Border" at The Reach Gallery Museum in Abbotsford, British Columbia, brings together archival materials from the Northwest Boundary Survey (1857–62) with new works by five Indigenous artists. The show features photographs, maps, and watercolors from British and American surveyors alongside commissions by Dr. Shawn Brigman, Dr. Michelle Jack, Deb Silver, Xémóntalot Carrielynn Victor, and Dr. T’uy’t’tanat Cease Wyss, who respond to the legacy of the border's creation through canoe culture, transboundary identity, and place-based knowledge.
Dans l’atelier d’Abdelkader Benchamma, cartographe des mondes invisibles
French-Moroccan artist Abdelkader Benchamma is preparing for his upcoming solo exhibition, "Signs and Wonders," at Galerie Templon in Paris. Working from his sun-drenched studio in Montpellier, Benchamma has transitioned from his signature black-and-white ink drawings to large-scale canvases that incorporate celestial blues and earthy mineral tones. The new body of work draws inspiration from 15th and 16th-century manuscripts, specifically the Kitab al-Bulhan and the Book of Miracles, creating a "giant book" of visual narratives that blur the lines between abstraction and figuration.
The Metropolitan Museum of Art has announced its 2026 exhibition "Costume Art," which will inaugurate the new Condé M. Nast Galleries. Curator Andrew Bolton explains the show will focus on the dressed body's connection to art history, emphasizing materiality and corporeality over visuality. A key preview piece is a Y/Project suit from FW22, designed by Glenn Martens and Jean Paul Gaultier, featuring a trompe-l'oeil nude male figure that will be displayed alongside a 1st–2nd century CE marble statue of Diadoumenos. Other sections include "The Naked Body," "The Aging Body," and "The Anatomical Body."
Spanish artist Jaume Plensa has opened a major exhibition at the Denver Botanic Gardens, titled *Jaume Plensa: A New Humanism*, which includes both outdoor sculptures and indoor gallery works. The show features iconic pieces like the 11-foot-tall steel sphere "Self-Portrait with Music" and a retrospective spanning from 2002 to the present, including portrait heads, a door inscribed with the Universal Declaration of Human Rights, and letter-based sculptures. Plensa describes the hybrid setting as a first for him, where children interact freely with the art.
Four Indianapolis-based artists—Salma Taman, Alejandra Carrillo, Bailey Jörk, and Iryna Bondar—are creating work that directly responds to contemporary political and social crises, including the war in Gaza, immigration, and political division. Their art, ranging from Taman's Arabic calligraphy painting promoting forgiveness to Carrillo's digital drawing protesting a migrant detention center, serves as a form of personal and communal expression in a fraught global climate.
The artist Jack Milroy has launched a new solo exhibition titled 'Bibliophilia' at Shapero Modern in London, featuring his signature 3D cut-out artworks. The 87-year-old artist transforms books and everyday objects, such as sardine tins, into intricate sculptures where illustrated figures like birds and fish appear to escape their physical confines. The show marks Milroy's first collaboration with the gallery, which is uniquely situated beneath an antiquarian bookshop, providing a thematic contrast between preserved rare volumes and Milroy’s "vandalised" artistic interpretations.
The Figge Art Museum in Davenport, Iowa, is hosting a special Art History Talk on April 30 focused on the work of the late Cuban-American artist Félix González-Torres. The event is organized in conjunction with the museum's current presentation of the artist's iconic installation "Untitled" (L.A.). The lecture will explore González-Torres's unique approach to conceptual art, characterized by the use of commonplace materials, audience interaction, and the intentional instability of the art object.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a Curator in the Department of Photographs. Joining from the Museum of Modern Art (MoMA), Onabanjo will focus on 20th-century and contemporary photography with a specific emphasis on international practices from Africa and Asia. Her responsibilities include overseeing the stewardship of the recently acquired Walther Collection and developing a major exhibition for 2028.
The Nasher Sculpture Center in Dallas has launched "Rauschenberg Sculpture," a major exhibition marking the first museum presentation dedicated exclusively to Robert Rauschenberg’s three-dimensional works in three decades. Organized by senior curator Dr. Catherine Craft in collaboration with the Robert Rauschenberg Foundation, the show features over two dozen works spanning the 1950s to the 1990s, including his iconic "Combines," rotating Plexiglas "Revolvers," and experimental clay and metal assemblages.
The High Museum of Art in Atlanta has launched a major retrospective titled “Isamu Noguchi: ‘I am not a designer,’” exploring the prolific career of the Japanese-American artist. Curated by Monica Obniski, the exhibition features over 200 objects including sculptures, stage sets, furniture, and architectural models. A central highlight is the connection to Atlanta’s own Piedmont Park, which houses "Playscapes," the only artist-designed playground Noguchi completed in the United States, currently celebrating its 50th anniversary.
The Westfälischer Kunstverein in Münster is presenting "Voices of Many Voices," a significant exhibition dedicated to the pioneering work of Julia Heyward. The show highlights Heyward’s multidisciplinary practice, which emerged from the 1970s New York performance scene, blending vocal experimentation, monologues, and complex multimedia orchestrations. By juxtaposing music, image, and language, the exhibition captures the artist's unique ability to navigate emotional extremes and the "simultaneity of opposites."
Claudio Parmiggiani’s seminal 1970 portfolio, "Atlante," is the focal point of a new exhibition at Thomas Dane Gallery in Naples. The show highlights a pivotal moment in 1968 when Parmiggiani began experimenting with cartographic imagery, including painting continents onto cows and encasing globes in glass, all documented through the lens of fellow artist Luigi Ghirri.
White Columns, New York’s oldest alternative nonprofit art space, has launched a unique fundraising exhibition titled “Art (by) Dealers.” The show features works created by over 90 art dealers and gallery professionals rather than the artists they represent. Organized by Kathy Huang and Will Leung, the exhibition presents uniform 12-by-9-inch works priced at $500 each, sold anonymously to benefit the nonprofit's programming.
Aileen Murphy's third exhibition at Deborah Schamoni in Munich, titled "Sleeps on the Ceiling," presents five new paintings dominated by rosé and pink tones. The works revolve around a table-like motif, featuring animals, disembodied limbs, and surreal details such as a white cat with red eyes and a yellow snake. Murphy, who completed her studies in 2018, blends abstract gestures with detailed figuration, creating scenes that are both playful and uncanny. The exhibition's title is borrowed from Elizabeth Bishop's poem "Sleeping on the Ceiling" (1946), reflecting a dissolution of domestic interior, urban monument, and psychological landscape.
Basel, Switzerland, is spotlighting two major art exhibitions in spring 2026. The Fondation Beyeler presents a solo show of French painter Paul Cézanne, featuring around 80 works including his celebrated "Bathers" series, running until May 25. On May 1, the museum will host a "Day of the Bathers" where visitors in swimwear receive free admission, inspired by Cézanne and provocateur Maurizio Cattelan. Meanwhile, the Kunstmuseum Basel is showing "The First Homosexuals," an exhibition examining the birth of the word "homosexual" in 1868–69 and its impact on identity and visual representation through over 80 works from the 19th century.
Qui est Prune Delon, cette créatrice de mode de 24 ans sélectionnée pour une résidence à la Villa Médicis ?
Prune Delon, a 24-year-old fashion designer and Institut français de la mode graduate, has been awarded a prestigious one-month research residency at the Villa Medici in Rome. Moving away from traditional ready-to-wear collections, Delon is using the residency to develop a multidisciplinary project that blends textile art with sculptural installation. Her work at the historic site draws inspiration from the villa's mineral architecture and classical sculptures, as well as her formative experiences studying traditional embroidery and natural dyeing techniques in India.
Julien’s Auctions is hosting an online sale featuring over 500 items from the production of the HBO series "And Just Like That…," the sequel to "Sex and the City." The auction includes a wide array of fashion, accessories, and home decor associated with main characters Carrie Bradshaw, Miranda Hobbes, and Charlotte York-Goldenblatt, as well as new additions like Lisa Todd Wexley. Notable lots include Carrie’s hatbox suitcases, Miranda’s wine-red jumpsuit, and various furniture pieces from the characters' apartments, with a portion of proceeds benefiting the foster care charity You Gotta Believe.
Israel’s foreign ministry has accused the Venice Biennale's jury of politicizing the exhibition after jurors announced they would not consider for prizes countries whose leaders face International Criminal Court charges for crimes against humanity. The jury’s statement, which did not name specific nations, is broadly understood to apply to Israel and Russia, both returning to the Biennale for the first time since the Gaza war and the Ukraine invasion, respectively. The Israeli ministry posted on X that the jury had decided to 'boycott' Israeli sculptor Belu-Simion Fainaru, calling it 'a contamination of the art world.' The Biennale distanced itself from the jury’s announcement, stating the jury acts autonomously, while the Russian pavilion is reportedly set to open only for a limited pre-opening period due to budget constraints amid sanctions.
Nalini Malani's latest installation, *Of Woman Born*, opens at the Magazzini del Sale in Venice during the Venice Biennale. Commissioned by the Kiran Nadar Museum of Art, the work projects hand-drawn animations onto the crumbling brick walls of a 15th-century salt warehouse, creating a cave-like environment where images flicker like ancient cave paintings. The installation draws on tens of thousands of drawings and incorporates mythology, literature, and sound, with a central focus on the myth of Orestes to explore themes of violence, displacement, and gender politics. Malani has also extended her recurring 'Skipping Girl' figure across Venice via posters and public signage to guide viewers to the exhibition.
Artist Walter Price is presenting a solo exhibition titled "Pearl Lines" at David Zwirner’s Hong Kong gallery. Running from March 24 through May 9, 2026, the show features a new body of work that continues Price’s exploration of the boundaries between figuration and abstraction through his signature use of vibrant color and psychological depth.
Kenny Nguyen, a Vietnamese-born artist based in Charlotte, North Carolina, creates large-scale wall works using thousands of hand-cut strips of silk. Drawing on his background in fashion design, he employs techniques like pinning, weaving, sewing, and layering to produce what he calls “deconstructed paintings.” Each piece is built around an imaginary body, with creases and undulating forms that evoke movement. Though the works appear fixed, they are malleable—their shape changes depending on pin placement during installation. Nguyen’s work is currently on view in the group exhibition *Textile Art Redefined* at Saatchi Gallery in London.
8 Kunstfilme, die sich im Mai lohnen
Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.
Contemporary artists continue to grapple with the legacy of Marcel Duchamp, specifically his 1917 readymade "Fountain." This analysis highlights four modern creators who have directly referenced or reinterpreted the iconic porcelain urinal to explore themes of gender, domesticity, and institutional critique.
The European Cultural Centre Italy has announced the eighth edition of its biennial contemporary art exhibition, 'Personal Structures – Confluences,' set to run from May 9 to November 22, 2026, in Venice. Spanning Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, the massive showcase will feature 175 artists from over 40 countries, including high-profile figures like ORLAN, Rashid Al Khalifa, and Hirohiko Araki. This edition introduces 'PS Design,' a new section dedicated to the intersection of art and architecture, and will host the national pavilions of El Salvador and Seychelles alongside a significant collaboration with the Palestine Museum US.