ArtReview Podcast | Episode 3: Noémie Goudal
The ArtReview Podcast released its third episode featuring an interview with artist Noémie Goudal. Hosted by ArtReview editor J.J. Charlesworth, the conversation explores Goudal's practice through three selected artworks, touching on VR technology, the representation of time in photography, and the concept of 'immersiveness' in contemporary art.
The French National Assembly has unanimously passed a landmark bill designed to streamline the restitution of cultural property looted during the colonial era between 1815 and 1972. While the legislation fulfills a long-standing promise by President Emmanuel Macron to return African heritage, the debate revealed deep political divisions; critics noted the bill avoids the word "colonialism," while conservative factions expressed concerns about depleting national museum collections.
The 2025 edition of TEFAF Maastricht has opened with 277 dealers from 24 countries, showcasing 7,000 years of art history despite significant geopolitical instability in the Middle East. While the fair remains a premier destination for Old Masters and high-end antiques, exhibitors are navigating logistical hurdles caused by regional conflicts and airport closures in major transit hubs like Dubai.
Senators Whitehouse and Schumer Call for ‘Proactive Measures’ to Protect Philip Guston and Ben Shahn Murals
Senators Sheldon Whitehouse and Chuck Schumer have publicly called on the General Services Administration (GSA) to take immediate steps to protect significant New Deal-era murals by artists Philip Guston and Ben Shahn. Their letter expresses urgent concern over the potential sale or demolition of the Wilbur J. Cohen Federal Building in Washington, D.C., which houses these artworks, and questions the GSA's ability to safeguard the pieces once the building transfers to private ownership.
The Museo de Arte Moderno de Bogota (MAMBO) has fired its artistic director, Italian curator Eugenio Viola, who held the position since 2019. Viola stated his dismissal followed his decision to raise concerns with the board about deteriorating working conditions, while the museum called the move part of a "comprehensive review." Separately, German sculptor Henrike Naumann, who was set to represent Germany at the upcoming Venice Biennale, has died at age 41 after a short, serious illness.
The British Museum successfully raised £3.5 million ($4.8 million) to acquire the 'Tudor Heart,' a unique 16th-century gold pendant linked to Henry VIII and Katherine of Aragon. The funds came from over 45,000 public donations and major contributions from the Julia Rausing Trust, the Art Fund, the American Friends of the British Museum, and the National Heritage Memorial Fund, ensuring the artifact remains on public display.
A trustee at the Art Gallery of Ontario (AGO), Judy Schulich, advised the museum's acquisitions committee not to acquire a Nan Goldin video installation, *Stendhal Syndrome* (2024), due to Goldin's pro-Palestine statements and criticism of Israel's war in Gaza. The AGO had planned to purchase the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the AGO withdrew after internal concerns were raised. The controversy led to the resignation of two committee members and one curator, and the museum promised a review of its acquisition process.
Brown University terminated both curators at the David Winton Bell Gallery—Kate Kraczon, director of exhibitions and chief curator, and Thea Quiray Tagle, associate curator—on December 4, as part of broader layoffs and austerity measures amid a financial crunch. The university eliminated 55 vacant positions and laid off 48 staff across campus, but has not publicly commented on the curators' terminations, which were confirmed via an internal message shared with ARTnews. Faculty members expressed surprise and frustration, saying they received no clear explanation beyond budget cuts, and it remains unclear who will handle future programming at the gallery.
France’s Bayeux Tapestry will be loaned to the British Museum in 2026, with the UK Treasury providing an indemnity guarantee of approximately £800 million ($1 billion) to cover potential damage or loss during transport and display. The guarantee, part of the UK government’s indemnity scheme, is a contingent liability—no upfront payment is required unless something goes wrong. The tapestry will travel by truck via the Channel Tunnel in a specially designed crate, displayed behind protective screening, and remain in London until July 2027. The loan is part of a broader cultural agreement between Britain and France, announced by President Emmanuel Macron during his July state visit to London.
Texas State University (TXST) canceled a scheduled appearance of the Black History 101 Mobile Museum at its San Marcos campus for Black History Month 2026, prompting a First Amendment challenge from the American Civil Liberties Union (ACLU) of Texas. The museum's founder, Khalid El-Hakim, had been invited by a campus activities director on October 13, 2025, but the invitation was rescinded on October 28 after consultation with supervisors and leadership. The ACLU's letter to TXST president Kelly Damphousse cited a 2023 Texas Senate bill banning DEI programs at public universities and the state's political climate as reasons for the cancellation, though the university denied the DEI ban was the cause.
The chairman of Abu Dhabi's department of cultural tourism, Mohamed Khalifa Al Mubarak, revealed at a recent briefing that the Guggenheim Abu Dhabi, designed by Frank Gehry and set to open in 2026 on Saadiyat Island, will feature Western masters like Jean-Michel Basquiat, Jackson Pollock, Mark Rothko, and Andy Warhol alongside lesser-known contemporary artists from Asia, Africa, and the Arab world. The museum, originally announced two decades ago and delayed multiple times, will also incorporate augmented reality and artificial intelligence to enhance visitor engagement, and will include music, food, and dance as part of its civic space concept.
Sotheby’s Paris raised €18.6 million ($21.5 million) from two live sales of the Manny Davidson collection this week, with a third online sale still ongoing. The collection, spanning nearly 500 lots, included rediscovered Old Masters, 18th-century gold enamel, and an automaton clock by James Cox. Highlights included Michael Sweerts’s *A young man wearing a turban holding an upturned roemer: the fingernail test* (1648–52), which sold for €1.6 million, and Joshua Reynolds’s *Self-Portrait, in doctoral robes* (ca. 1770), which fetched €838,200. The evening sale achieved 83% sell-through by lot, with most buyers from Europe and a third from the US.
Barack Obama discussed the Obama Presidential Center, set to open spring 2025 on Chicago's South Side, in a New York Times interview. The four-building complex will include a museum, library, auditorium, basketball court, gardens, and commissioned works by 25 artists, including Julie Mehretu, Maya Lin, Nick Cave, Jenny Holzer, Kiki Smith, and Richard Hunt. Designed by Tod Williams and Billie Tsien Architects, the centerpiece is an eight-story granite museum nicknamed "the Obamalisk," featuring an 83-foot-tall abstract glass work by Mehretu. Obama emphasized the center's role as a public space to inspire community action, not a presidential mausoleum.
A new report reveals that the University of Tasmania's RA Rodda Museum kept and displayed 177 human remains without family consent, collected from coroners' autopsies between 1966 and 1991. The remains were removed from public display in 2018 after a curator raised concerns in 2016, and the university has since apologized and met with affected families. Separately, the late art patron Leonard Lauder's estate includes a Gustav Klimt painting, *Portrait of Elisabeth Lederer* (1914), valued at over $100 million, expected to be the top lot this auction season at either Sotheby's or Christie's.
Sotheby's Upper East Side headquarters at 1334 York Avenue faces financial uncertainty after its tenant, Weill Cornell Medicine, scaled back plans for a research center due to federal healthcare budget cuts. The National Institutes of Health funding freeze has reduced Weill Cornell's projected grants from over $300 million in 2024 to $130 million this year, leading to potential layoffs and halted construction. S&P Global estimates the building has lost nearly half its value since 2020, now worth $443 million, and has assigned Sotheby's a speculative B- credit rating amid declining global art sales. Separately, Italy's culture minister Alessandro Giuli demanded historian Ernesto Galli della Loggia resign from the Council of National Committees after he criticized the government's cultural policies, sparking a public feud. Art Basel Miami Beach announced 285 exhibitors for its 2025 edition, and a UK report showed only one percent of artworks with deferred export licenses were acquired by museums in 2024-25, a sharp decline from previous years.
The Centre Pompidou-Metz in France has canceled a planned survey of Caribbean and Guyanese art titled “Van Lévé,” curated by Guadeloupean curator Claire Tancons. The exhibition, scheduled to open in October 2026, was to feature artists including Gaëlle Choisne and Pol Taburet. Museum director Chiara Parisi cited budgetary constraints in an email to Tancons, but Tancons disputed this, noting that the Ford Foundation had already contributed $500,000. A group of artists and curators, including Zineb Sedira and Tabita Rezaire, issued a statement condemning the cancellation and questioning whether bias played a role.
On Wednesday in Paris, Sotheby's auctioned a collection of Napoleonic artifacts from the private collection of prominent French antiques dealer Pierre-Jean Chalençon, generating €8.7 million ($9.6 million) against a €6 million estimate. The 112-lot sale included imperial furniture, Old Master paintings, and personal relics such as Napoleon's worn stockings and a copy of his marriage certificate. Highlights included a portrait by Jean-Baptiste Mauzaisse that sold for €863,600 (20 times its estimate) and the only surviving remnant of Napoleon's first will, which fetched €482,600. However, Napoleon's bicorne hat underperformed, selling for €355,600 against a €600,000 low estimate, amid provenance questions raised by French newspaper Le Figaro.
The Museum of Contemporary Art Los Angeles (MOCA) has extended the closure of its Geffen Contemporary space through the weekend as National Guard troops continue to confront anti-ICE protesters nearby. The museum cited safety concerns for staff and visitors, and also halted Pussy Riot member Nadya Tolokonnikova's durational performance 'POLICE STATE,' which had continued even after the initial shutdown on June 8. In other news, two Frenchmen—expert Bill Pallot and carpenter Bruno Desnous—were sentenced to suspended prison sentences and fines for selling fake 18th-century furniture, including chairs falsely attributed to Queen Marie Antoinette, duping the Château de Versailles and a Qatari prince. Meanwhile, President Donald Trump was booed by the audience at a Kennedy Center performance of Les Misérables, and Tamara de Lempicka's painting 'La Belle Rafaëla' (1927) is headed to auction at Sotheby's London with a high estimate of £9 million.
Hilda Trujillo Soto, former director of the Frida Kahlo and Diego Rivera museums in Mexico City, has publicly accused the trust overseeing these institutions of years of mismanagement. In a blog post published in early April, Soto alleged that trustees failed to address discrepancies in records, with Kahlo and Rivera works possibly missing and later appearing in private U.S. collections. She also claimed that materials from Kahlo’s personal diary and artworks catalogued in 1957, including *Frida in Flames* and *The Abortion*, have been misplaced or illegally sold. The trust, established by Rivera in 1955 and now administered by Mexico’s central bank Banxico, denied Soto’s claims, stating she never officially reported concerns during her tenure from 2009 to 2020.
The Andy Warhol Foundation for the Visual Arts and the Helen Frankenthaler Foundation have announced an $800,000 fund to support 80 visual arts programs at small and mid-sized organizations across the United States. Each recipient, previously funded through the National Endowment for the Arts' Challenge America initiative, will receive $10,000 to advance projects stalled after the Trump administration suspended that federal program. The announcement comes amid broader cuts to federal arts funding, including the departure of all 10 NEA grant directors and the termination of grants for organizations like n+1, SculptureCenter, Queer Art, and A.I.R. Gallery, which received notices citing misalignment with the administration's priorities.
The activist collective Halt Action Group (HAG) organized a second 'Dear Ivanka' protest in New York City as Ivanka Trump prepared to move to Washington, D.C. Protesters marched from Grand Army Plaza to Trump’s Park Avenue residence, carrying symbolic moving boxes labeled with social and political concerns such as women's rights, affordable healthcare, and freedom of the press. The event featured prominent art world figures and utilized visual metaphors, including a disavowed Richard Prince artwork, to urge Trump to act as a moderate influence on her father’s administration.
France's historic loan of the Bayeux Tapestry to the British Museum has sparked controversy over the proposed £800 million ($1.1 billion) insurance cover, which critics argue is unsuitable for such a fragile, 950-year-old textile. Art historians and conservators have raised concerns that the U.K.'s Government Indemnity Scheme does not cover damage from preexisting conditions or inherent vice, and that no sum can adequately insure an irreplaceable heritage object. A French petition calling on President Emmanuel Macron to cancel the loan has garnered over 75,000 signatures, but the U.K. government has proceeded with plans, including a practice "dry run" using a facsimile and a custom crate designed to minimize vibrations.
Artnet News asked leading curators and museum directors to share their favorite artworks of all time. Connie Butler of MoMA PS1 chose David Hammons's "Bliz-aard Ball Sale" (1983), praising its connection from Duchamp to AI. Julieta Gonzalez of the Wexner Center selected Hans Holbein the Younger's "The Ambassadors" (1533), highlighting its anamorphic skull as a metaphor for viewing modernity from the margins. Madeleine Grynsztejn of MCA Chicago picked Francisco Goya's "A Pilgrimage to San Isidro" (1819–23) from his Black Paintings cycle, calling it a metaphor for fanaticism.
On December 15, 2025, the Musée du Louvre in Paris was forced to close as approximately 400 of its 2,100 employees went on strike, picketing outside the museum's glass pyramids and turning away visitors. The strike follows a series of crises at the institution, including a $102 million jewel heist in broad daylight two months prior, a flooding incident from a burst water pipe in November, and ongoing concerns about deteriorating facilities, long lines, and substandard restrooms and dining areas. Workers are demanding higher wages and better conditions, with three trade unions—CGT, SUD, and CFDT—warning in an open letter that staff feel like "the last bastion before collapse."
Pilar Tompkins Rivas, chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art in Los Angeles, has left the museum less than a year before its scheduled September 2026 opening. The museum stated it has no immediate plans to replace her, with George Lucas continuing to oversee curatorial direction. This departure follows a series of staffing issues, including the exit of director and CEO Sandra Jackson-Dumont in March 2025, layoffs of 22 staff members in May, and the earlier losses of curator Amanda Hunt and curator-at-large Dan Nadel. The $1-billion museum, first announced in 2017, has faced repeated delays due to the pandemic and supply-chain shortages.
The Museum of Contemporary Art Denver has organized the first exhibition dedicated to conceptual artist Roni Horn's long-standing engagement with water. Titled "Roni Horn: Water, Water on the Wall, You're the Fairest of Them All," the show spans sculpture, photography, drawing, and bookmaking, exploring water's mutability, ecological resonance, and paradoxical purity. Horn, who has received a Ford Foundation grant, Guggenheim Fellowship, and three NEA fellowships, has shown at major institutions including the Menil Collection, Louisiana Museum of Modern Art, Whitney Museum, and Tate Modern, and is represented by Hauser and Wirth.
The Louvre has temporarily closed employee offices and the Campana Gallery in the southern Sully wing due to structural concerns identified in a November 14 building assessment report, which warned of fragile floor beams. The closure affects 65 staff members and a nine-room gallery of ancient Greek ceramics. The museum has launched an investigation and plans repairs, following a year of challenges including a staff walkout in June and a dramatic theft of imperial jewels from the Gallery of Apollo in October.
The Louvre Museum in Paris has announced an architectural competition for a €400 million ($417 million) expansion, which includes a dedicated underground gallery for Leonardo da Vinci's *Mona Lisa* and a new entrance on the eastern facade near the Seine River. The project, dubbed a "New Renaissance" for the Louvre, follows a staff strike over overcrowding and an internal memo from director Laurence des Cars citing crumbling infrastructure. A 21-person international jury will select the winning design in October, with the aim of easing congestion at I.M. Pei's iconic glass pyramid entrance and providing a separate timed-entry space for the *Mona Lisa*.
The American Museum of Natural History in New York City will remove human remains from its public displays over the next eight weeks and update its policies regarding the collection. The decision follows an investigation by Erin Thompson, a professor of art crime at John Jay College, whose report for Hyperallergic raised ethical and legal concerns about the acquisition of approximately 12,000 individuals' remains held by the museum. Museum president Sean Decatur announced the removal as the "right course of action," acknowledging that the remains were collected without consent and often used to advance racist scientific agendas.
Gus Casely-Hayford, the director of V&A East, outlines his vision for the new museum as a collaborative space designed specifically to re-engage young audiences. Highlighting a new commission by Cuban artist Tania Bruguera created with local youth, Casely-Hayford argues that museums must move beyond Victorian-era paternalism toward a model of co-creation. The institution has consulted over 30,000 young people to ensure its galleries, such as the "Why We Make" space, reflect contemporary concerns and community needs.