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Jeffrey Deitch is co-curating a street art exhibition in Coney Island this summer with Joseph Sitt, head of real estate developer Thor Equities. The show features artists including Crash, Lee Quinones, Futura, Kenny Scharf, Miss Van, Lady Pink, Swoon, and Icy Signs, and will debut alongside Smorgasburg Coney Island with 12 food vendors and live music. Deitch previously organized the controversial 2011 exhibition "Art in the Streets" at the Los Angeles Museum of Contemporary Art, which drew large crowds but faced criticism for prioritizing entertainment over scholarship, and included the censorship of a mural by Blu.

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The sixth edition of the Art Business Conference took place in Midtown Manhattan on May 22, drawing over 200 art professionals including gallery staff, auction-house specialists, and lawyers. Chaired by former Artnet executive editor Julia Halperin and founded by Louise Hamlin, the event featured keynotes and panels addressing the state of the art market, legal challenges, and the impact of tariffs. Christie’s CEO Bonnie Brennan reported a $700 million haul from recent auctions, noting a thin top end but strong activity for female Surrealists and Simone Leigh sculptures. Advisors Megan Fox Kelly and Alex Glauber described the market as 'recalibrating' rather than in crisis, with buyers showing increased selectivity.

Christie’s to hold its first South Asian Modern art sale in London in seven years

Christie's auction house is launching a major sale titled 'Sublime Shadows' in London on June 11, featuring 93 works of South Asian Modern and contemporary art from an anonymous private collection. This marks the auction house's first dedicated South Asian Modern art sale in London since 2019, highlighting a surge in market activity and curatorial interest for the category.

London art market springs back to life in Sotheby's Modern and contemporary evening sale

Sotheby’s Modern and contemporary evening sale in London signaled a resilient recovery for the UK art market, totaling £131 million with fees and achieving a 98% sell-through rate. Despite geopolitical tensions and post-Brexit economic concerns, the auction room was notably crowded, driven by high-profile works from the collection of billionaire Joe Lewis. The evening's top lot was a 1972 Francis Bacon self-portrait, which sold for £16 million, while a major painting by Leon Kossoff shattered the artist's previous auction record.

Michael Joo: Sweat Models 1991–2026

Space ZeroOne in New York will present "Michael Joo: Sweat Models 1991–2026," a solo exhibition of early and newly realized works by Korean American multimedia artist Michael Joo, organized by guest curator Christopher Y. Lew. The show focuses on Joo's 1990s works, which engaged with issues like the AIDS crisis and information technology, and will feature a newly realized large-scale installation, *Concatenations*, first conceived in 1990.

Amy Sherald’s Show Sets Visitor Record at Baltimore Museum of Art

Amy Sherald's traveling mid-career survey, 'American Sublime,' has set a new attendance record at the Baltimore Museum of Art (BMA), drawing 63,000 visitors as of early February with an expected final total of 75,000. This makes it the museum's most-attended show since 2000. The exhibition features nearly 50 grisaille portraits of Black Americans and was previously shown at SFMOMA and the Whitney Museum of American Art.

BMA sets attendance record with 'Amy Sherald: American Sublime' exhibition

The Baltimore Museum of Art (BMA) has set a new attendance record with its current exhibition, 'Amy Sherald: American Sublime,' which has drawn 52,597 visitors since opening on November 2. The previous record was held by the 'Matisse/Diebenkorn' show in 2016-2017 with about 45,700 visitors. The exhibition, a mid-career survey of Sherald's work, runs through April 5 and is projected to reach 70,000 attendees. It originated at the San Francisco Museum of Modern Art and traveled to the Whitney Museum of American Art before arriving in Baltimore, after Sherald canceled its planned stop at the National Portrait Gallery due to censorship concerns.

‘It’s madness’: David Hockney blasts plans to loan Bayeux Tapestry to UK

British artist David Hockney has publicly criticized plans to loan the Bayeux Tapestry from France to the British Museum in London, calling the move “madness.” Writing in The Independent, Hockney argues that the 11th-century embroidery, which depicts the Norman invasion of England, could be damaged during transport across the English Channel, citing risks to its aged linen backing and wool threads. The tapestry is set to be displayed at the British Museum’s Sainsbury Exhibitions Gallery from September 2026 to July 2027 while its home in Normandy undergoes renovations. In response, British Museum director Nicholas Cullinan defended the loan, citing the museum’s expertise in handling ancient artifacts. The UK Treasury will insure the tapestry for an estimated £800 million, and in exchange, British treasures including the Lewis chessmen and Sutton Hoo helmet will travel to Normandy.

Stefan Edlis and Gael Neeson built an unforgettable collection defined by humanity and humour

Christie's will auction over 40 works from the collection of the late Stefan Edlis and his wife Gael Neeson, beginning with the 21st Century Evening Sale on 19 November and the Post-War & Contemporary Art Day Sale on 20 November in New York, with additional offerings continuing through 2026. The collection, housed in the couple's Chicago residence, includes iconic pieces by artists such as Ed Ruscha, Urs Fischer, Jeff Koons, Cindy Sherman, and Diego Giacometti, reflecting a blend of avant-garde, Pop, and Art Deco design.

Exhibition spotlights civic engagement of artists

The Cantor Arts Center at Stanford University has opened a new iteration of its Archive Rooms series, featuring two concurrent exhibitions: "Archive Room: Ester Hernandez" and "Archive Room: Ruth Asawa." The Hernandez exhibition showcases seldom-exhibited artwork, ephemera, writing, and family photographs from the artist's archive, including her iconic print "Sun Mad" (1982) addressing pesticide contamination, alongside materials documenting her community-based practice and activism. The Asawa exhibition highlights her arts advocacy through teaching materials, photographs, and projects from the Alvarado School Arts Workshop, an artist-in-residence program she co-founded in 1968 that operated in 50 San Francisco public schools.

Despite external chaos, Frieze Seoul soldiers on

The fourth edition of Frieze Seoul (3-6 September) took place alongside the Korea International Art Fair (Kiaf) at the Coex convention centre in Gangnam, amid economic concerns and a slower art market. Despite a modest 0.8% expected growth in South Korea's economy and fewer Western exhibitors, the fair saw strong institutional attendance, including curators from M+, the Museum of Modern Art, and the San Francisco Asian Art Museum, as well as celebrity visitors like BTS members and Blackpink's Lisa. Galleries reported cautious but steady sales, with a notable presence of Asian collectors, particularly from Japan, and a Stand Prize awarded to Kohesi Initiatives for a politically charged booth by Timoteus Anggawan Kusno.

Baltimore Museum of Art to Host Amy Sherald Show After Artist’s Smithsonian Withdrawal

Amy Sherald has moved her touring exhibition "American Sublime" to the Baltimore Museum of Art (BMA) after withdrawing it from the National Portrait Gallery (NPG) over censorship concerns. The show, previously at the Whitney Museum of American Art, will open at the BMA on November 3 and run until April 5, 2026. Sherald pulled the exhibition from the Smithsonian-affiliated NPG after she said the institution wanted to replace her painting "Trans Forming Liberty" (2024), which depicts the Statue of Liberty as a trans woman, with a video providing context on transgender issues. The BMA, which had already planned to honor Sherald with its "Artist Who Inspires" award, will feature works including her portrait of Michelle Obama, "Breonna Taylor" (2020), and the contested painting.

Amy Sherald Withdrew 'American Sublime' Exhibition From Smithsonian National Portrait Gallery, Citing 'Culture of Censorship'

Amy Sherald has withdrawn her exhibition 'American Sublime' from the Smithsonian's National Portrait Gallery, citing a 'culture of censorship' after the museum raised concerns about including her painting 'Trans Forming Liberty' (2024), a portrait of a trans woman posed like the Statue of Liberty. The show, slated to open in September, would have been the first solo exhibition of a Black female artist at the museum since it opened in 1968. Sherald stated that institutional fear shaped by political hostility toward trans lives influenced the museum's request to remove the work, and she decided to cancel the show to preserve the integrity of her vision.

To help preserve her works, Cindy Sherman is offering to destroy and reprint old photographs

Photographer Cindy Sherman has launched the Cindy Sherman Legacy Project (CSLP), a formal initiative to preserve her photographic works by offering to destroy and replace damaged prints with new, artist-approved reprints. The project, announced on June 16, includes condition assessments, a controlled replacement process, and an online catalogue raisonné. Collectors can submit works for evaluation at a New York facility; eligible prints are destroyed and replaced with mint-condition reprints signed by Sherman, with a $10,000 administrative fee plus production costs. The fee is waived for non-profit institutions.

Tentatively, Photo London's tenth edition moves away from traditional content and crowds

Photo London's tenth edition, under new director Sophie Parker, opened at Somerset House with a deliberate shift away from its traditional focus on established male photographers and celebrity subjects like Kate Moss. The fair eliminated its 'Master of Photography' award and revived the Positions section for unrepresented artists, featuring Palestinian-American Adam Rouhana and British Indian photographer Kavi Pujara. While the main pavilion still showcased familiar names like Sebastião Salgado, newer galleries reported strong early sales, including a £10,000–£15,000 portrait by Chou Ching Hui sold to a Norwegian museum via Taipei's Chini Gallery, and multiple sales at Amsterdam's Hungry Eye Gallery and Paris's Galerie XII.

‘The First Homosexuals’ showcases 300 queer artworks amid ‘rise of homophobic politics’

A major new exhibition, “The First Homosexuals: The Birth of a New Identity, 1869–1939,” has opened at Chicago’s Wrightwood 659, featuring over 300 queer artworks from 125 artists across 40 countries. Curated by Jonathan D. Katz and Johnny Willis, the show includes early photographs of drag, a painting of a late-1700s trans pioneer, and what is believed to be the first same-sex wedding depicted in art, alongside works by iconic figures like Gertrude Stein and James Baldwin. The exhibition, eight years in the making, draws loans from institutions such as the Tate and the Metropolitan Museum of Art, as well as private collections, and runs through July 26.

New Chilean president reverses predecessor’s policies, cutting culture budget

Chile's new president, José Antonio Kast, has implemented a 3% budget cut across all government ministries, including the Ministry of Cultures, Arts and Heritage. This reverses the trend of his predecessor, Gabriel Boric, who significantly increased cultural funding. The new Minister of Cultures, Francisco Undurraga, has stated there is "excessive spending on culture," and the government is seeking an additional $1bn in cuts, requiring ministries to identify alleged abuses in public fund usage.

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ARTnews has announced the winners of its second annual ARTnews Awards, honoring excellence in exhibitions at US arts institutions across six categories. Ralph Lemon received the Lifetime Achievement Award, Claudia Alarcón and Silät won Emerging Artist of the Year, Wafaa Bilal was named Established Artist of the Year, and Jack Whitten took Historical Artist of the Year. Parker Gallery, Los Angeles won Best Gallery Group Show, and “Legacies: Asian American Art Movements in New York City” at 80WSE, New York won Best Thematic Museum Show. Separately, President Donald Trump hosted the 48th Kennedy Center Honors, becoming the first sitting president to do so, amid his ongoing takeover of the institution. Celebrated photographer Martin Parr died at age 73.

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Amy Werntz, a Dallas-based figurative painter, has won the fifth Bennett Prize, the largest art award for women working in figurative painting. The announcement was made at the Muskegon Museum of Art in Michigan, where an exhibition of finalists opened. Werntz, a previous finalist in 2021, received $50,000 and a solo show for her lifelike depictions of elderly people in everyday scenes. For the first time, the winner was chosen by an all-female jury, which included painter Margaret Bowland, artist Angela Fraleigh, and curator Gloria Groom. The runner-up, Nicole Santiago, won $10,000. The traveling exhibition will visit several museums across the United States through 2027.

smithsonian drops wall text mentioning trumps double impeachment 1234769438

The Smithsonian’s National Portrait Gallery has removed wall text referencing President Trump’s two impeachments from its “America’s Presidents” exhibition after installing a new black-and-white portrait of him by White House photographer Daniel Torok. The original label noted Trump’s impeachments for abuse of power and inciting insurrection, but the revised text now identifies him only as the 45th and 47th president and his birth year. The change follows years of contention from the Trump administration, which compiled a list of complaints accusing former director Kim Sajet of political bias; Sajet resigned, and Elliot Gruber now serves as acting director.

louvre director grilled in senate hearing 1234767481

Louvre president Laurence des Cars faced a contentious Senate hearing on Wednesday, where lawmakers pressed her about ignored security warnings that preceded the October theft of $102 million in imperial jewels from the Apollo Gallery. Audits from 2017 and 2018 had flagged structural vulnerabilities, but Des Cars claimed she was not informed until after the theft. She defended the museum's response, citing new cameras, increased security training budgets, and an imminent senior security coordinator appointment. Conservative senators Jacques Grosperrin and Max Brisson demanded her resignation, with Brisson walking out when she declined to answer. Former president Jean-Luc Martinez also testified, saying he had not reinforced windows or balcony due to fire-safety concerns, a rationale security experts rejected.

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Thieves broke into the Louvre Museum in Paris and stole several pieces of the French Crown Jewels from the Galerie d'Apollon, including a diadem, necklace, earrings, and brooches from the parures of Queen Marie-Amélie, Queen Hortense, Empress Marie-Louise, and Empress Eugénie. Two items—the reliquary brooch and the corsage bow—were dropped and recovered, and a ninth item, Empress Eugénie's crown, was also taken but later recovered. The thieves triggered alarms and fled after a fast, violent break-in, leaving behind a cherry picker; no injuries were reported.

louvre museum reopens despite crown jewel heist investigations 1234758368

The Louvre Museum reopened on Wednesday, October 22, 2025, after a dramatic jewel heist on Sunday, October 19, in which robbers used a cherry picker and angle grinder to steal eight pieces of jewelry worth an estimated $102 million from the Apollo Gallery in just seven minutes. The second-floor gallery housing France’s crown jewels remains closed as investigations continue, and the museum’s security systems—deemed outdated and inadequate in a prior official report—are under heavy scrutiny. Museum director Laurence des Cars was booed by staff and is expected to address questions in a hearing later Wednesday, while the thieves remain at large.

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An intricately carved ivory and wood grasshopper from the Age of Tutankhamun, known as the 'Guennol Grasshopper,' is set to be auctioned by Apollo Art Auctions in July with an estimate of £300,000–£500,000. Egyptian art historians, including German Egyptologist Christian Loeben, have raised concerns that the cosmetic vessel may have been stolen by British archaeologist Howard Carter, who discovered King Tutankhamen’s tomb and allegedly kept some items for his own collection. The auction house states there is no documented evidence linking the object to the tomb, and it has been cleared against the Art Loss Register, but experts like former Met director Thomas Hoving have long connected it to the pharaoh’s burial.

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Artnet News and the Association of Women in the Arts (AWITA) recently launched "Hardwiring Change," an inaugural survey investigating structural barriers for women in the art industry. The report, unveiled at Deutsche Bank’s London headquarters, reveals significant gender disparities in pay and leadership, particularly within larger organizations. Key industry figures, including gallerist Sadie Coles and Bonhams UK Managing Director India Phillips, discussed the data, which shows that over 93% of respondents feel family planning has impacted their professional decisions.

War in Middle East Art Trade

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The escalating conflict between the U.S., Israel, and Iran has cast a shadow over the Middle Eastern art market following missile strikes on key infrastructure in Dubai. With major events like the 20th anniversary of Art Dubai scheduled for mid-April, international galleries and collectors are expressing significant concern over safety and regional stability. Logistics firms like DHL have already warned of shipping delays and rising insurance costs due to restricted airspace and the closure of the Strait of Hormuz.

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The British Museum faced significant criticism from archaeologists and the public after posting images containing A.I.-generated content on its Instagram and Facebook accounts. The posts, which featured a young woman contemplating exhibits, were tagged to an A.I. model and a marketing agency. Following a wave of negative comments, the museum removed the posts approximately six hours later and reportedly unfollowed critics on social media.

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The Victoria & Albert Museum in London removed an image of an artwork depicting the Prophet Muhammad from its website due to security concerns following the Charlie Hebdo terrorist attack. The artwork, a poster made by an Iranian artist around 1990, remains in the museum's collection and is available to scholars by appointment. The decision has drawn criticism from experts who view it as self-censorship that could undermine the study of Islamic art.

What you want from your body? Antony Gormley, iron and crawling

British sculptor Antony Gormley discusses his solo exhibition "What Holds Us" at Galleria Continua in San Gimignano, on view from 9 May to 13 September 2026. The show transforms the gallery's former cinema-theatre into an interactive environment where visitors are invited to crawl through massive cardboard bodies, exploring interior spaces and shifting from passive spectatorship to bodily engagement. Gormley explains that the title connects "hold" and "whole," suggesting that being held—by the ground, the womb, or the body—is essential for growth and wholeness.

After the Afterparty: Berlin Art Tests Its Pulse during Gallery Weekend

Gallery Weekend Berlin took place from late April into early May, drawing large crowds despite ongoing concerns about the city's declining art-market relevance. The weekend kicked off with early previews on Wednesday, including Alex Heide's solo exhibition "the darkroom beams horizons" at the new space Klix, and continued with events at Sprüth Magers, the Between Bridges Foundation, and the hidden venue CHB Fine Arts, which featured works by Nairy Baghramian, Jack O'Brien, Sofia Duchovny, Ilya Lipkin, and Mania Godarzani-Bakhtiari. Friday, coinciding with May Day, saw gallery visits at Molitor and KOW, where Ketuta Alexi-Meskhishvili and Candice Breitz presented solo shows.