The Figge Art Museum in Davenport, Iowa, is celebrating its 100th anniversary with a new exhibition titled "100 Years of Collecting," opening September 13 and running through January 11, 2026. The show highlights major gifts and donations that have shaped the museum's collection, including American, Haitian, Spanish Colonial, and contemporary works, tracing back to founder Charles August Ficke's initial 334-piece donation in 1925.
Artist and illustrator Eric Telfort is the subject of a solo exhibition titled *Child's Play*, on view through June 28 at AS220 in Providence, Rhode Island. The show features paintings that draw on Telfort's childhood memories, his upbringing in Little Haiti, Miami, and his experiences in a conservative Catholic household. Telfort, a classically trained artist who earned his BFA in Illustration at RISD and his MFA at the New York Academy of Art, combines smooth, academic technique with inventive, narrative-driven imagery. The exhibition also includes photographs by his cousin Greg Almonord.
A selection of 15 pieces from the Waterloo Center for the Arts' Haitian art collection—the largest publicly held collection of its kind in the United States—is now on display at the Des Moines Art Center through summer 2025. The exhibition, titled "Light with Ourselves: Haitian Art in Iowa," includes paintings, metalwork, ritual objects, and beaded sequined banners called drapo, co-curated by Elizabeth Gollnick of the Des Moines Art Center and Chawne Paige of the Waterloo Center for the Arts. The collection began with a donation from F. Harold Reulin and his wife and has grown to over 2,000 pieces since 1977.
Internationally acclaimed Miami-based artist Edouard Duval-Carrié has been selected to represent Haiti at the 2026 Venice Biennale, the 61st International Art Exhibition of La Biennale di Venezia. Ahead of the May 9 opening, Duval-Carrié hosted a behind-the-scenes preview event at his Little Haiti studio in Miami on April 24, 2026, where he discussed his conceptual approach. His installation draws on themes of history, politics, and spirituality in Haiti and the Caribbean, reflecting evolving perspectives on the nation's past and present. Duval-Carrié collaborated with Vanessa Selk, founding artistic director of the Tout-Monde Art Foundation, to frame Haiti's presence as both a national showcase and a reflection of diasporic influence and Caribbean identity. The exhibition runs through November 22, 2026.
Haitian-American artist and curator Edouard Duval-Carrié has been selected to represent Haiti at the 61st Venice Biennale, titled "Smaller Keys." Ahead of the exhibition, he is opening his Little Haiti studio for a rare one-night preview on Friday, April 24, organized alongside the Tout-Monde Art Foundation. The preview includes a conversation with art historian Erica Moiah James and features works that were not sent to Venice but share the same themes of Haitian history, African connections, and diaspora. Duval-Carrié's Biennale theme centers on the question, "What did Africa bring to the world?" His selection was posthumously confirmed from the notes of chief curator Koyo Kouoh, the first African woman appointed to the role, who passed away last year.
The Greater Miami Convention & Visitors Bureau (GMCVB) has announced a full slate of programming for its Art of Black Miami (AOBM) initiative during 2025 Miami Art Week, marking the program's 11th year. The lineup includes exhibitions, performances, film screenings, culinary experiences, and artist talks, with highlights such as Asser Saint-Val's "Yellow Elder" sculpture in Coconut Grove and events at venues across neighborhoods including Historic Overtown, Little Haiti, and Little Havana. Featured events include the Peter London Global Dance Company, Woody De Othello's exhibition, the Point Comfort Art Fair, and the Museum of Contemporary Art North Miami's Art of Transformation program.
Winterthur Museum in Delaware has opened a new exhibition titled "Almost Unknown: The Afric-American Picture Gallery," which brings to life a fictional gallery imagined in 1859 by Black writer and schoolteacher William J. Wilson, writing under the pseudonym Ethiop. In a series of columns for the magazine "The Anglo-American," Wilson described an imaginary museum of Black history and art, featuring works like a depiction of a slave ship, a bust of poet Phillis Wheatley, and images of Crispus Attucks and Haitian Revolution heroes. Curator Jonathan Square has transformed Wilson's fantasy into an immersive, haunted-attraction-style exhibition using objects from Winterthur's collection, with dark lighting, sound effects, and false walls that evoke a carnival ride inspired by Jordan Peele films and "The Shining."
Les Yeux du Monde presents 'GROUNDING,' the final show of 2025 featuring new oil paintings by Annie Harris Massie that explore light, memory, and place through landscapes and botanical studies of her Lynchburg, Virginia surroundings. Other December exhibitions include Randall Stoltzfus's 'To Hold The Light' at Angelo Jewelry, Judith Ely's paintings at Botanical Fare, and 'All That Glitters' by Natalie Darling at C’ville Arts Cooperative Gallery. The Fralin Museum of Art at UVA hosts three shows: 'Haiti’s Time' from the Sullivan collection, 'In Feeling: Empathy and Tension Through Disability,' and 'The World Between: Egypt and Nubia in Africa.' The Kluge-Ruhe Aboriginal Art Collection features works from the Spinifex Arts Project and Robert Fielding, while the Jefferson School African American Heritage Center presents 'Finally Remembered: The Black Patriots of Central Virginia.'
A major 25-year conservation project at Haiti's Citadelle Laferrière, the largest fortress in the Americas and a UNESCO World Heritage Site, is nearing completion. The project, involving the World Monuments Fund, UNESCO, and the Haitian Institute for the Protection of National Heritage, has focused on earthquake reinforcement, waterproofing, and improving visitor access, using traditional 19th-century techniques and local labor.
South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.
Harold Caudio, a Haitian-American artist known for creating portraits from Skittles, is unveiling a new hand-sewn yarn piece titled "Warri-Her" at the Cornell Art Museum in Delray Beach. The exhibition, part of the museum's "Pop Culture" show, also features works by GWAK, Ashleigh Walters, Annina Rüst, and Rogerio Peixoto. On July 19, Caudio will add a portrait of tennis star and local native Coco Gauff to the series, which he plans to gift to her family after the exhibition closes on September 28.
A new public art exhibition titled "Ansamn" (meaning "Together" in Haitian Creole) opens April 25 in Brooklyn, featuring the work of Haitian-American artist Mel Isidor. Her mixed-media collage, part of her "Roots" series, honors her late aunt Yolette and incorporates archival family photos with original photography from a road trip through Haiti. The month-long billboard exhibit, presented by SaveArtSpace and curated by Yvena Despagne of Art x Ayiti, runs during Haitian Heritage Month.
Artist Joanna Tam's solo exhibition "when blue meets blue" opened at the 25/8 Art Gallery on April 13, 2026. The show, presented in partnership with the Harvard Square Business Association and Intercontinental Management, features photographic works and installations exploring the ocean and sky as motifs tied to migration, memory, and the complex duality of nature. Tam, who grew up in Hong Kong and moved to the US, draws from personal experience to create a space for meditation on comfort, freedom, trauma, and tension.
Ligel Lambert, an interdisciplinary artist and doctoral candidate at Columbia University's Teachers College, will present a solo exhibition of 16 large portrait paintings as part of his Ed.D. dissertation. The show runs from October 27 to November 20, 2025, at the Macy Art Gallery, with an opening reception on October 30. Lambert, a former U.S. Marine and adjunct professor at Rocky Mountain College of Art + Design and Hunter College, draws on his experiences living in Haiti, Japan, South Korea, China, and the U.S.
Stephanie Pierre, a Haitian American community developer and placemaker, has opened Kafou, a Haitian art-inspired gallery in East Flatbush, Brooklyn. The gallery launched with an inaugural exhibition titled “Space as Place,” featuring seven artists—including Bianca Allen, Marie Medijne Antoine, Jordan Dubreuil, Wilfrid Ignace, Richard Louissant, Claire Saintil, and Zarita Zevallos—whose works explore themes of space, place, migration, and identity. The opening reception on April 16, 2026 drew strong public interest, prompting the gallery to extend the show through May 17. Kafou operates on a community-centered model, charging artists a reduced commission in exchange for their active involvement in managing and promoting their own work.
A three-day art exhibition titled “Light from the Inner Soul” is being held at Cumilla Shilpakala Auditorium in Bangladesh, showcasing paintings and handcrafted works by eight women with no formal art training. Organized by Jannatul Ferdous Twonni, the exhibition features a range of media including calligraphy, metal art, wax art, glass painting, canvas works, and AI-inspired pieces, with participants ranging from a 16-year-old to a 90-year-old woman.
Orange County Arts & Cultural Affairs and the Haitian American Art Network, Inc. will present an exhibition titled "I Am My Ancestors" by Haitian-born painter Jean Bernard Thomas at the Orange County Multicultural Center Art Gallery in Orlando, Florida. An opening reception is scheduled for May 13, 2026, with the display running through June 16, 2026. Thomas, a co-artistic director of HAAN, creates works blending still life, abstract, and surrealist styles that explore humanity's relationship with nature and Haiti's cultural heritage.
The Coral Springs Museum of Art will host a free opening reception on Thursday, May 7, from 5 to 7 p.m. for its Haitian Heritage Exhibit, featuring the debut of “Continuum: Heritage & Expression,” the inaugural exhibition of the Haitian Women Fine Art Collective (HAWFA). The event will include remarks from city leaders and artists, a tribute to Vice Mayor Nancy Metayer, light bites, beverages for purchase, and a commemorative ribbon art activity. The exhibition will be on view in the Center for the Arts Lobby Hall Gallery through May 29.
Atelier Artist, a new BIPOC-owned and -operated co-working studio in Central Brooklyn, launched its inaugural exhibition titled 'Lakay' on September 14. The show features a dozen artists from the studio's residency program, highlighting emerging and established voices from the Caribbean diaspora. Co-founders Jonathan Pierre Lafleur and Franck Henry Godefroy, along with creative director Mc Alexander Ciceron, emphasize that the space provides affordable 24/7 studio access, monthly exhibitions, and community programming such as healing circles and open mics. The exhibition is hosted at Brooklyn Commons' Clock Tower Loft in Prospect Lefferts Gardens.
The Springfield Museum of Art has launched “Black Lives as Subject Matter III,” a major exhibition featuring over 40 works by more than 20 Black artists from the Ohio region. Curated by the renowned Dayton-based artist Willis “Bing” Davis, the show spans a diverse range of mediums including digital art, photography, and mixed media. Notable works include Jimi Johnson’s tribute to his late daughter and Nathan Conner’s poignant montage addressing the contemporary Haitian experience in Springfield.