Whitney Biennial 2026: Care, Catastrophe, and Private Gestures

The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.

national gallery artemisia gentileschi provenance

The National Gallery in London is preparing to unveil Artemisia Gentileschi's 'Self-Portrait as Saint Catherine of Alexandria,' a major 2018 acquisition. However, the museum has quietly added the painting to its list of works that could have been looted during the Nazi era due to a gap in its provenance from 1615 to the 1940s, specifically concerning its ownership by the French Boudeville family during the war.

madrid court spanish count pay sale goya portrait

A Madrid court has ruled that Fernando Ramírez de Haro, 10th Marquess of Villanueva del Duero, must pay his brother Íñigo Ramirez de Haro, Marquis de Cazaza in Africa, €853,732 from the proceeds of the 2012 sale of Francisco de Goya's portrait *Portrait of Valentín Belvís de Moncada* (ca. 1795–1800). The painting, inherited from their father, was sold for €5.8 million to billionaire Juan Miguel Villar Mir via Sotheby's. Íñigo sued Fernando for failing to distribute shares of the sale to siblings as agreed in a 2014 family settlement, alleging fraud, document falsification, and that Fernando's wife, former Spanish minister Esperanza Aguirre, abused her office by not registering the work as national heritage.

guy wildenstein resigns wildenstein gallery president

Guy Wildenstein has resigned as president of Wildenstein & Co., the prestigious art gallery founded by his family in 1875, after 35 years in the role. He is succeeded by his son David Wildenstein, who previously served as vice president overseeing investment and real estate, while his daughter Vanessa Wildenstein becomes vice president and director of the New York location. The announcement was made to the Art Newspaper, which first reported the news. Wildenstein, 80, was convicted of tax fraud in 2024 in a high-profile French case involving the concealment of masterworks to avoid inheritance taxes, receiving a four-year prison sentence with house arrest and a €1 million fine.

bowman sculpture joanna allen subconcious playground

British sculptor Joanna Allen is the subject of her debut solo exhibition, “Subconscious Playground,” at London’s Bowman Sculpture, on view through May 30, 2025. The show features works in bronze, marble, clay, and plaster that explore the terrain between conscious and unconscious mind, moving between morphed figuration and pure abstraction. Allen discusses the influence of Surrealism, particularly the 100th anniversary of André Breton’s Surrealist Manifesto, and cites mid-century artists like Picasso, Bacon, and Giacometti as inspirations for her raw, psychologically rooted practice.

Thinking small and dreaming big in Isabel Nolan’s imaginary world

Dublin-born artist Isabel Nolan discusses her Ireland pavilion exhibition "Dreamshook" at the Venice Biennale, developed with curator Georgina Jackson. The show explores the liminal state between dreaming and waking, weaving a fictional narrative around Renaissance humanist Aldo Manuzio, who popularized portable books. Nolan draws on late Medieval and early Renaissance visual language, using intimate forms like textiles to tackle big ideas about cosmology, religion, and humanism. She describes her ambivalent relationship with European cultural inheritance and the need to recover occluded voices.

'I do believe in love at first sight': plastic surgeon Charles Boyd on why his heart rules his head in matters of art

Plastic surgeon Charles Boyd, based in Michigan and deeply involved in the Detroit art scene, discusses his art collection and passion for visual art in an interview with The Art Newspaper. Boyd chairs the board at the Museum of Contemporary Art Detroit, serves on the board of the Detroit Institute of Arts, and is on the acquisitions committee of the Studio Museum in Harlem. His collection, which began in earnest in 2004 after inheriting art from his father, includes works by prominent Black American artists such as Ming Smith, Kerry James Marshall, Titus Kaphar, Deborah Roberts, and Sanford Biggers. He shares stories about his first purchase (a sculptural work from Côte d'Ivoire), his most recent acquisition (by the late Cuban artist Belkis Ayón), and a regret over not buying a Norman Lewis painting when he was a resident.

Exhibition | Kelly Akashi, 'Heirloom' at Lisson Gallery, 508 West 24th Street, New York, United States

Kelly Akashi presents her first exhibition with Lisson Gallery in New York, titled 'Heirloom,' featuring a new body of work that explores loss, grief, and absence through sculpture. The exhibition includes bronze, Corten steel, flame-worked glass, and carved stone pieces, many inspired by her garden and personal artifacts like an inherited stone ring and her grandmother's lace tablecloth. It coincides with her participation in the 2026 Whitney Biennial and a commission for John F. Kennedy International Airport's New Terminal One.

Artists take a satirical look at the financial crisis in a new London show

Three emerging artists—Jenna Bliss, Buck Ellison, and Jasmine Gregory—present a multi-media exhibition titled 'Genuine Fake Premium Economy' at London’s Institute of Contemporary Arts (ICA). The show satirically examines the societal and economic fallout of the 2008 financial crisis, using works that critique capitalism, inheritance, and art-world stereotypes. Gregory repaints Patek Philippe ads to expose class structures, Bliss films a fictional art fair that blurs reality and fiction, and Ellison creates lightboxes for a fictional private bank, manipulating corporate language and philosophy.

Artist Offers Haunting Meditation on the 2025 L.A. Fires for the Whitney Biennial

Artist Kelly Akashi has created a major installation for the 2026 Whitney Biennial titled 'Monument (Altadena)', a 13-foot-tall chimney and walkway made of clear glass bricks. The work is a direct response to the 2025 Los Angeles wildfires, which destroyed her home and studio, leaving only the original brick chimney standing. She collaborated with mason Christian Inga to meticulously reconstruct this remnant in a new, spectral form.

Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

A Degas for London

Un Degas pour Londres

The National Gallery in London has acquired a pastel by Edgar Degas through the UK's 'acceptance in lieu' scheme, which allows heirs to settle inheritance taxes by transferring important works of art to public collections. The artwork depicts ballet dancers not in performance, but in a state of exhaustion and idleness backstage, capturing a raw, unglamorous moment.

Where Thoughts Provoke and Truths Take Form.

Henry Taylor's major exhibition 'Where Thoughts Provoke' has opened at the Musée national Picasso-Paris. The show is a survey of nearly four decades of his work, featuring paintings, sculpture, and installation that focus on portraiture, observation, and the politics of looking.

sharon stone rogues gallery

Sharon Stone has created a new series of figurative paintings titled "Rogues Gallery," which she describes as channeling the spirits of historical figures from different eras and locations, including an enslaved individual who drowned in the East China Sea and Iranian freedom fighter Mahsa Amini. The works, made in 2025, mark a shift from her earlier abstracted landscapes and floral motifs, and were produced in her Los Angeles home studio. Stone, who began painting seriously around 2020 and has previously exhibited at C. Parker Gallery, Allouche Gallery, and Galerie Deschler Berlin, approaches the portraits as a medium for healing and confronting difficult histories, including her own family's potential involvement in enslavement.

switzerland reject inheritance tax billionaires collectors

Swiss voters overwhelmingly rejected a proposed inheritance tax on Sunday, with 78% voting no. The tax, introduced by the Social Democrats, would have applied a 50% rate to inheritances and gifts exceeding 50 million Swiss francs (about $62.3 million). Billionaire Peter Spuhler threatened to leave the country if the tax passed, and Swiss wealth managers warned that other ultra-wealthy individuals would follow, citing their mobility and options to optimize taxes.

antonio solario stolen painting returned

A British woman, Barbara de Dozsa, has voluntarily returned a stolen Renaissance painting by Antonio Solario to the Civic Museum of Belluno in Italy, more than 50 years after it was stolen in a 1973 heist. The work, a Madonna and Child, was purchased by her late ex-husband, Baron de Dozsa, shortly after the theft and later inherited by her. Although UK law allowed her to keep it legally, she was persuaded by art recovery specialist Christopher Marinello to return it on moral grounds, citing the painting's status on the Interpol database and the museum's role as a guardian of cultural heritage.

In plane sight: how the gilded elite live – in pictures

Photographer Will Vogt's second monograph, *Behind the Hedges*, offers an intimate glimpse into the lives of America's gilded elite, featuring images of his own social circle at hunting estates, weddings, exclusive club lunches, and golf weekends. The book, published by Schilt Publishing, includes quotes by Vogt and text by editor Jennifer Garza-Cuen from her essay 'Posture of Privilege,' capturing a world of inherited wealth and tradition.

When archaeology was dominated by men | Letters

A reader named Elke Bachler writes a letter to The Guardian challenging a sentence in a review of Thomas Laqueur's book *The Dog's Gaze*. The review described a prehistoric scene as showing "a boy and a dog" standing together in wonder before cave art. Bachler argues there is no evidence the child was a boy, noting that archaeology has historically been dominated by men who interpreted evidence through contemporary gender roles.

What the Art Market Still Gets Wrong About Next-Gen Collectors

Art market expert Georgina Adam's new book, 'NextGen Collectors and the Art Market,' analyzes the industry's struggle to attract and retain younger buyers like millennials and Gen Z. She examines the difficulty in defining this demographic, their shifting tastes away from traditional blue-chip artists, and their volatile, less loyal market behavior.

Newly Unearthed Letter Reveals Edvard Munch’s Influence on Paula Rego

A newly discovered 1951 letter reveals that a teenage Paula Rego was profoundly impressed by an Edvard Munch exhibition, specifically citing 'The Scream' and 'Inheritance.' This formative experience directly influenced her early work, such as her 1952 painting 'Drought,' which echoes Munch's style and themes. The letter, written to her mother, documents a pivotal artistic encounter she never publicly discussed.

liebermann resituted gurlitt auction

Max Liebermann's painting *Two Riders on a Beach* (1901), recently restituted to the Rosenburg family from the Cornelius Gurlitt hoard, will be auctioned at Sotheby's in London on June 24, with an estimated price of up to £500,000 ($850,000). The work is one of the first two artworks returned from the trove discovered in Gurlitt's Munich apartment in 2012; the other, Henri Matisse's *Woman with a Fan* (1932), was also handed back to the Rosenburg family last week.

fiat family missing artworks collection investigation

The family behind the Fiat empire, the Agnellis, is under a new investigation into missing artworks and forgeries, as reported by the Times of London. Italian investigators are focusing on 13 works by artists including John Singer Sargent, Pablo Picasso, and Francis Bacon, allegedly missing from the collection founded by Giovanni Agnelli and expanded by his grandson Gianni, who died in 2003. Margherita Agnelli de Pahlen, Gianni’s daughter, claims she is being cheated out of her inheritance by Marella’s children from a previous marriage. Shippers reportedly brought copies of the works to the family’s Rome residence between 2016 and 2018, and Carabinieri are seeking information on the originals.

jackson pollock painting lawsuit molly mcqueen

Molly McQueen, the granddaughter of actor Steve McQueen, is suing South Carolina lawyer Brent Borchert for a Jackson Pollock painting valued at $68 million. The lawsuit, filed in Los Angeles County Superior Court in August, alleges that Steve McQueen transferred the Pollock drip painting to Borchert's parents, Rudolph and Pamela, in exchange for a motorcycle and a property in Latigo Canyon. When the motorcycle was crashed and the property title never changed hands, McQueen demanded the painting back, but the Borcherts failed to return it. Brent Borchert, who inherited the painting along with his sister Bettina after his parents' deaths, told the Mirror that the deal was 'hazy' and that he is open to a reasonable agreement if evidence supports the claim.

unknown pablo picasso painting dora maar for sale

A Pablo Picasso painting of Dora Maar, titled *Bust of a Woman in a Flowery Hat (Dora Maar)*, has been consigned to the Paris auction house Lucien Paris after not being seen publicly for 80 years. Painted in 1943 and last exhibited in 1944, the work was inherited by the anonymous seller from a grandparent. It is currently on view at Hôtel Drouot and will be auctioned on October 24 with an estimate of approximately $9.5 million. Photographic evidence of the painting appears in 1944 photos by Brassaï of Picasso’s studio.

sothebys picasso ceramics

Sotheby's London held a 'white glove' sale of 126 one-of-a-kind ceramics by Pablo Picasso, all from the collection of his granddaughter Marina Picasso. The auction achieved a 100% sell-through rate, generating £12.3 million ($19.4 million), with the top lot—a painted goat-shaped vase titled *Cabri* (circa 1947)—selling for £485,000, nearly quadrupling its estimate.

Matthew Wong’s Grieving Mother Protects His Artistic Legacy

Matthew Wong, a troubled painter whose star was on the rise, died at age 35. His mother, Monita Wong, is now actively working to protect and promote his artistic legacy, ensuring that his work continues to be seen by the public.

‘Transcription’ by Ben Lerner Review: No Phones

Ben Lerner’s latest novel, Transcription, marks a departure from his previous sprawling autofiction like The Topeka School, opting instead for a spare, three-part structure set during the COVID-19 pandemic. The narrative unfolds through three pivotal conversations involving the protagonist, his aging mentor Thomas, a curator, and Thomas’s son Max. Central to the plot is the protagonist’s failure to record a final interview with Thomas due to a broken phone, forcing a reliance on fallible memory and reconstruction.

Luscious Hair Sculptures Sprout Like Branches in a Symbiotic Exhibition

Artists Merryn Omotayo Alaka and Sam Frésquez have created a collaborative exhibition titled "Your Birth is My Birth" at Jane Lombard Gallery in Chicago. The show features synthetic hair sculptures made from Kanekalon, suspended from the ceiling and spread across the floor like organic growths. Five distinct "species" of sculptures—Listening Roots, Hearing Bells, Mother & Child, Stacking Pearls, and Umbra Pods—draw inspiration from epiphytes, non-parasitic plants that grow on host specimens. The works explore themes of symbiosis, interdependence, and genetic inheritance, with mirrored forms emerging within vertical tendrils.

India Art Fair strengthens its role as launchpad for South Asian talent

The 17th edition of the India Art Fair (IAF) in New Delhi is set to be its largest yet, featuring 87 galleries and positioning itself as a crucial launchpad for South Asian artists. The fair highlights the region's growing prominence, evidenced by its role in developing artists now featured in major exhibitions like India's national pavilion at the Venice Biennale.

Newport Art Museum reopens members’ exhibition after community feedback

The Newport Art Museum is reviving its Members’ Juried Exhibition, titled “Springboard,” after a strategic planning process revealed strong community demand. The exhibition opens January 22, 2026, in the museum’s historic John N.A. Griswold House and runs through May 31, 2026. Julie Keyes, founder of Keyes Art, will serve as juror, and current museum members may submit one to five works created within the past two years. Awards include Juror’s Choice, Emerging Artist Award, and Award for Innovation. The show will feature members’ works alongside pieces from the permanent collection, exploring themes of cultural inheritance, artistic lineage, and collective memory.