EFG LATIN AMERICA ART AWARD PRESENTA AL ARTISTA NOMINADO EN SP ARTE 2026

The EFG Latin America Art Award, in partnership with ArtNexus, has named Brazilian artist Cristiano Lenhardt as its nominee from SP-Arte 2026. Lenhardt, represented by Fortes D'Aloia & Gabriel, was selected for his work *Lieoe* (2025), a mixed-media piece combining ceramic, embroidery, and cotton fabric dyed by floodwaters from the Guaíba River. The work responds to the environmental tragedy of the May 2024 floods in Rio Grande do Sul, transforming trauma into a tactile, intuitive object. The nomination was made with input from Fernando Oliva, curator of MASP, and Celia Sredni de Birbragher, director of ArtNexus.

EFG LATIN AMERICA ART AWARD PRESENTS THE NOMINATED ARTIST AT SP ARTE 2026

The EFG Latin America Art Award, in partnership with ArtNexus, has named Brazilian artist Cristiano Lenhardt as the nominated artist at SP-Arte 2026. Lenhardt, represented by Fortes D'Aloia & Gabriel, was selected for his work *Lieoe* (2025), a mixed-media piece combining ceramic and embroidery on cotton that responds to the devastating floods in Rio Grande do Sul in May 2024. The selection was made with input from Fernando Oliva, curator of MASP, and Celia Sredni de Birbragher, director and editor of ArtNexus.

The Forgotten of Art: The Story of Architect and Sculptor Pietro De Laurentiis

I dimenticati dell’arte. La storia dell’architetto e scultore Pietro De Laurentiis

The life and legacy of Pietro De Laurentiis, a multifaceted Italian architect, sculptor, and cultural activist, are being rediscovered through a retrospective look at his prolific career. Born into a peasant family in Abruzzo, De Laurentiis rose to prominence in Rome's mid-century art scene, balancing a forty-year teaching career at the Faculty of Architecture with significant public commissions, including bronze panels for the ACEA headquarters and marble works for INPS. His artistic style evolved from rural-inspired figuration to a unique geometric abstraction that blended Cubism with folk traditions.

‘Arte Latinoamericano’ Opens at The Walters with a Full Day of Programming Saturday

The Walters Art Museum in Baltimore opens its first permanent exhibition of Latin American art, titled 'Latin American Art/Arte Latinoamericano,' on May 17. Curators Ellen Hoobler and Patricia Lagarde designed the galleries with accessibility in mind, featuring bilingual children's books, comfortable benches, and sensory elements like incense and musical instruments. The exhibition spans 200 objects representing 40 cultures from North, Central, and South America and the Caribbean, informed by a 12-member community advisory group of local Latino immigrants. The opening day includes a free festival with tours, performances, artist talks, and children's activities, plus a special appearance by Paco the Llama, an ancient effigy vessel turned mascot.

artificial intelligence ai art galleries report 1234777334

A new report by the art industry network First Thursday reveals that 84 percent of commercial galleries are now using artificial intelligence in their daily operations. Despite this widespread adoption for tasks like drafting press releases, translation, and market research, only 8 percent of these institutions have formal policies governing AI use. The study, which surveyed 103 gallery professionals globally, highlights that most AI integration is happening informally through staff using personal accounts rather than through leadership-driven strategy.

Southampton City Art Gallery is getting ready to reopen in March 2026

Southampton City Art Gallery will reopen on Saturday, March 7, 2026, following a successful refurbishment program. The reopening exhibition, 'Levitate Me: Desire, Ecstasy and The Sublime,' is a major solo show by acclaimed British artist Emma Richardson, featuring new oil paintings that explore desire, euphoria, and the natural world through a female lens. Richardson, who was born in Southampton and lived there for much of her life, has also selected works from the city's collection to display alongside her own. Other reopening displays include highlights from the internationally renowned collection (with public input on artwork selection), recently acquired works shown for the first time, rarely seen works on paper digitized during the closure, and photographs of the refurbishment by architectural photographer Joe Low. The project was supported by a £2.23 million grant from the Department for Culture, Media and Sport's Museum Estate and Development Fund (MEND), administered by Arts Council England.

New location for Toi Pōneke Arts Centre announced

Wellington City Council has announced a new location for Toi Pōneke Arts Centre at Market Lane, offering 1,959 square meters of floor space across three levels. The facility will include artist studios, offices, a workshop space, dance and drama rehearsal rooms, a gallery, and a cultural/pōwhiri space. The move is part of the Council's Long-term Plan, with a total budget of $6 million for design and fit-out. Applications for limited-term artist studios, arts offices, and workshop space will open on 27 August 2025 and close on 28 September 2025.

The Tech Bro Problem in Public Art

The article critiques the growing influence of wealthy tech entrepreneurs on public art commissions, arguing that their personal tastes and desire for monumental, often self-aggrandizing works are reshaping civic spaces. It highlights how this trend sidelines professional curatorial expertise and community input, replacing public dialogue with private patronage that prioritizes technological spectacle over artistic depth or social relevance.

Chicago creator honors community with collaborative art exhibition

Chicago artist Brian Sykes is debuting a multidisciplinary exhibition titled “I Heard the City Breathe” at the Beverly Arts Center, running from April 6 through May 1. The project, which includes a short film and gallery-style visual art, serves as a collaborative reflection on the Black experience in Chicago. By blending music, storytelling, and intergenerational community input, Sykes explores themes of identity, memory, and the cultural realities of the city’s South Side.

UWRF hosts annual Juried Student Art Exhibition

The University of Wisconsin-River Falls is hosting its annual Juried Student Art Exhibition from February 23 to March 27 at the Kleinpell Fine Arts Gallery. The free exhibition features works by UWRF students, with a reception and award ceremony scheduled for February 24. The juror for the exhibition is artist Mackenzie Serwa.

L’offre de formation se développe

French art training institutions are expanding their curricula to include provenance research, responding to a 2022 government report that identified gaps in conservator education. The Institut national du patrimoine (INP) now offers seminars on Nazi-era spoliation (1933-1945) and has added a five-day provenance research module for external competition students since 2024-2025. Paris-Nanterre University launched a master's-level diploma in 2022 covering legal, historical, and methodological aspects of provenance research. The École du Louvre now offers a specialized master's in "sensitive goods and provenance research" addressing spoliated works, human remains, colonial acquisitions, and illicit trafficking, while also integrating provenance methodology into its general curriculum from master's level one.

New exhibition features work from UWRF BFA candidates

Seven Bachelor of Fine Arts candidates from the University of Wisconsin-River Falls are set to present their capstone exhibitions at the Kleinpell Fine Arts Gallery from April 13 to May 1. The showcase features a diverse range of media including ceramics, oil painting, photography, and interactive installations, representing the culmination of the students' undergraduate artistic development.