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golden thread show textile art 2633487

New York art dealers Karin Bravin and John Lee of BravinLee Programs have mounted "The Golden Thread II" at 207 Front Street in South Street Seaport, a historic 1797 building. The exhibition brings together 60 artists, including 10 new site-specific installations, with works spanning textile techniques such as needlework, embroidery, felting, quilting, and weaving. Highlights include Tura Oliveira's "Wheel of Fortune" (2025), a bloodred humanoid figure tangled in a historic grain hoist. Prices range from a few hundred dollars to $70,000. The show runs for a month, coinciding with the Frieze fair, and is curated with input from Elissa Auther, deputy director of curatorial affairs and chief curator at the Museum of Arts and Design.

5 artists gallery weekend beijing 2025 2650974

Gallery Weekend Beijing (GWBJ) returned for its ninth edition from May 22 to June 1, 2025, adopting a new invitation-only model that emphasizes curatorial integrity. The event expanded beyond the 798 Art District into neighboring areas including 751 district, Caochangdi, and the Beijing Free Trade Zone Art District. A committee of five gallerists selected participants, aligning with an inaugural 'Beijing Art Season' that also includes Beijing Dangdai and Art021 Beijing. The article spotlights five emerging local artists: Cheng Xinyi, Liao Wen, Guo Cheng, and others, highlighting their exhibitions and market traction.

From YBAs to McQueen: Tate Britain’s New Exhibition Reframes the Creative Explosion of the 1990s

Tate Britain has announced a major new exhibition, *The 90s: Art and Fashion*, opening in autumn 2026, which will be the first to examine the intersection of contemporary art, photography, and fashion during the 1990s in Britain. Featuring over 100 works by nearly 70 artists, photographers, and designers—including Sarah Lucas, Alexander McQueen, Tracey Emin, and Steve McQueen—the show explores the decade's raw experimentation, anti-establishment energy, and the rise of the Young British Artists. Curated with input from Edward Enninful, the exhibition also highlights subcultures, nightlife, and the work of figures who challenged dominant narratives around race, identity, and class.

New US exhibition explores power of monuments – with help from Rocky

The Philadelphia Museum of Art has opened a new exhibition titled "Rising Up: Rocky and the Making of Monuments," which uses the iconic Rocky Balboa statue as a focal point to explore the power and meaning of monuments across two millennia of boxing and celebrity culture. Curated by Paul Farber, co-founder of Monument Lab, the show features ancient sculptures, 19th-century works, images from boxing's golden age, and contemporary pieces by artists including Andy Warhol, Keith Haring, Jean-Michel Basquiat, and Glenn Ligon. The Rocky statue, placed on the museum's steps in 1982, attracts an estimated 4 million visitors annually, rivaling the Statue of Liberty.

Aboriginal art unfurls its colors and coded messages in a major exhibition in Lodève

L’art aborigène déploie ses couleurs et ses messages codés dans une grande expo à Lodève

A major exhibition of Aboriginal art has opened at the Musée de Lodève in France, featuring over one hundred works primarily from the collection of Alison and Peter Klein. The show presents paintings, painted totems, and trunks, showcasing the rich colors, hypnotic dot painting techniques, and coded symbolism characteristic of this art form.

‘Step Outside’ packs Philly’s street art scene into one unique gallery space

Philadelphia's underground street art scene is stepping into the spotlight with a two-day pop-up exhibition titled 'Step Outside' at Huddle gallery in Fishtown. Organized by street artists Doomed Future and Red Hound Heavy Hammer, the show features over 75 outdoor and graffiti artists, including works by the anonymous artist Blur. The event includes live wheat-pasting, installations, and a large submission wall, aiming to replicate the subversive energy of creating art outdoors within a gallery setting.

'Significant' at D Lan Galleries, Melbourne on 14 May–27 Jun 2026

D Lan Galleries is presenting 'Significant', a major exhibition of secondary-market Australian First Nations art, running from 14 May to 27 June 2026 across its spaces in Melbourne, Sydney, and New York. The show features the Carey Lyon and Jo Crosby Collection, including rare early Papunya paintings from 1971–1972, such as Shorty Lungkata Tjungurrayi's 'Man Dreaming 1972' and Kaapa Mbitjana Tjampitjinpa's 'Honey Ant Travelling Dreaming 1971', alongside later works by Emily Kam Kngwarray, Mirdidingkingathi Juwarnda Sally Gabori, and Nyapanyapa Yunupiŋu.

El Paso Museum of Art reopens with Frida Kahlo exhibition

The El Paso Museum of Art is reopening on Valentine's Day after a $3.5 million infrastructure upgrade. The reopening is marked by the debut of the exhibition "Frida Kahlo–Sus Fotos" in El Paso, featuring 241 photographs from the artist's personal archive, alongside other new shows and the return of the permanent collection.

New York’s Studio Museum—known for championing Black artists—reopens in $300m new home

The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new $300 million, 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The first purpose-built space in the museum's 57-year history, located at its original footprint on West 125th Street, features a dramatic dark-grey precast-concrete facade and includes a $50 million endowment. The reopening comes after architect David Adjaye stepped away from the project in 2023 following sexual assault allegations, which he denies. The inaugural exhibition will highlight works by Tom Lloyd, the first artist shown when the museum opened in 1968.

Turner winner Jasleen Kaur announces first permanent public work

Turner Prize winner Jasleen Kaur has announced her first permanent public artwork, titled *Was.Is.Will.Be*, to be unveiled on 28 November at Southmere Lake in Cygnet Square, Thamesmead, southeast London. The sculpture is funded by housing association Peabody and was selected with input from a creative studio that includes five local residents, among them filmmaker Comfort Adeneye and painter Gonzalo Fuentes. Other project partners include Studio Danmole, Company, Place, and youth culture specialist Joseph Gray. The work incorporates fragments of local conversation and features the phrase 'horses are here' written in the sky.

Amid tariff and economic struggles, the newly rebranded Beijing Art Season persevered

Beijing's art week, rebranded as the Beijing Art Season, ran from 22 May to 1 June, featuring three concurrent events: Art021 Beijing (formerly JingArt) at a new venue in the 798 Art District, Gallery Weekend Beijing (GWBJ), and the fair Beijing Dangdai. The 798 gallery complex merged with the adjacent 751 complex, becoming the 798 751 Art District. GWBJ scaled back this year, suspending its curated selling exhibition and international visiting sector, instead hosting only one pop-up gallery. Organizers cited economic struggles and tariffs as challenges, with gallerists reporting slower sales and cancelled US orders due to new tariffs.

Two Shows, One Desert: “Desert Rinpa” & “Wander” at EPMA

Two concurrent exhibitions at the El Paso Museum of Art explore the Southwestern desert through distinct artistic lenses. "Desert Rinpa" presents Mitsumasa Overstreet's large-scale panels that blend Chihuahuan Desert flora with the classical Japanese Rinpa tradition, using techniques like tarashikomi and metallic leaf to evoke desert light. Upstairs, "Suzi Davidoff: Wander" features nearly 100 works from 1991 to the present, including drawings, prints, and installations made with natural materials like dirt, clay, and charcoal gathered from wildfire sites, emphasizing the physical presence of the desert itself.

Newport Art Museum reopens members’ exhibition after community feedback

The Newport Art Museum is reviving its Members’ Juried Exhibition, titled “Springboard,” after a strategic planning process revealed strong community demand. The exhibition opens January 22, 2026, in the museum’s historic John N.A. Griswold House and runs through May 31, 2026. Julie Keyes, founder of Keyes Art, will serve as juror, and current museum members may submit one to five works created within the past two years. Awards include Juror’s Choice, Emerging Artist Award, and Award for Innovation. The show will feature members’ works alongside pieces from the permanent collection, exploring themes of cultural inheritance, artistic lineage, and collective memory.

Chinese Dissident Artist Badiucao on His First Solo Gallery Show

Chinese dissident artist Badiucao has opened his first solo gallery show, titled “Disagree Where We Must,” at Goldstone Gallery in Melbourne, Australia, his adopted hometown. The exhibition features nearly three dozen works, including canvases and conceptual pieces that critique developments in mainland China and Hong Kong, as well as geopolitical tensions involving Russia and the Middle East. Badiucao, who has faced threats and censorship for his criticism of the Chinese Communist Party, previously held institutional exhibitions in Europe but had never before had a solo show at a commercial venue.

Denver Art Museum proudly presents Andrea Carlson’s first museum survey, A Constant Sky

The Denver Art Museum (DAM) has announced "A Constant Sky," the first museum survey of artist Andrea Carlson. The exhibition, which marks the museum's centennial of collecting Indigenous arts, features Carlson's bold paintings that challenge colonial narratives and cultural consumption. The show is curated with input from Dakota Hoska, former Associate Curator of Native Arts at DAM, now at the National Gallery of Art, and John Lukavic, Andrew W. Mellon Curator of Native Arts at DAM.

The Met opens reimagined Arts of Oceania galleries showcasing works from the Pacific

New York's Metropolitan Museum of Art is reopening its Galleries of the Arts of Oceania to the public for the first time since 2021, following a major renovation that allowed curators to reimagine the presentation of art from the vast Pacific region. The galleries feature more than 600 artworks from Melanesia, Polynesia, Micronesia, Australia, and New Zealand, including the iconic Kwoma ceiling installation from Papua New Guinea, which has been reconfigured with input from the artists' descendants to accurately reflect clan groupings. The renovation is part of a broader $70 million overhaul of the Michael C. Rockefeller Wing, which also houses collections from the ancient Americas and Africa.

See Inside The Met's New $70M Wing Ahead Of Grand Opening

The Metropolitan Museum of Art's Michael C. Rockefeller Wing will reopen to the public on May 31 after a $70 million renovation. The wing houses the museum's collections of art from Africa, the Ancient Americas, and Oceania, and features a new sloped glass wall, a dedicated gallery for light-sensitive Andean textiles, and over 1,800 works spanning five continents. The reopening day celebration includes live music, art-making activities, and a conversation between Met director Max Hollein and architect Kulapat Yantrasast.

Potatoes Grow on Trees: Hu Yinping Replants Meaning in Making

Beijing-based artist Hu Yinping is presenting three major works in Hong Kong this March, including the installation 'Potatoes Grow on Trees' in the Encounters sector of Art Basel Hong Kong. The works stem from her long-running project 'Hu Xiaofang,' a semi-fictional company that employs women in rural China to create crocheted artworks, redistributing income and visibility to this often-overlooked demographic.

Soft Power: When Textiles Become Compelling Storytellers

The article reviews 'Threading Inwards,' an exhibition at the Centre for Heritage, Arts and Textile (CHAT) in Hong Kong, curated by Wang Weiwei, Eugene Hannah Park, Kurosawa Seiha, and Wang Huan. It features 14 artists from across Asia who use textile as a medium to explore themes of spirituality, memory, and cultural heritage. Works include Han Sang A's 'Threshold' series, Hu Yinping's 'Soul Bottle' series, and pieces by Aziza Kadyri, Mooni Perry, Citra Sasmita, IV Chan, and Chen Zhe, among others.

Exhibition explores connection between textiles and spirituality in Asia

The Centre for Heritage, Arts and Textile (Chat) in Hong Kong has launched "Threading Inwards," an exhibition featuring 14 artists from across Asia who utilize fabric as a medium for spiritual exploration. Co-curated by Wang Weiwei alongside three regional curators, the show features diverse works ranging from Sang A. Han’s ink-stained cotton gates to Aziza Kadyri’s AI-integrated Uzbek folk dance installations. The exhibition emphasizes textiles not merely as material, but as portals to ancestral cosmology and sacred vessels linking the physical and metaphysical worlds.

Southampton City Art Gallery is getting ready to reopen in March 2026

Southampton City Art Gallery will reopen on Saturday, March 7, 2026, following a successful refurbishment program. The reopening exhibition, 'Levitate Me: Desire, Ecstasy and The Sublime,' is a major solo show by acclaimed British artist Emma Richardson, featuring new oil paintings that explore desire, euphoria, and the natural world through a female lens. Richardson, who was born in Southampton and lived there for much of her life, has also selected works from the city's collection to display alongside her own. Other reopening displays include highlights from the internationally renowned collection (with public input on artwork selection), recently acquired works shown for the first time, rarely seen works on paper digitized during the closure, and photographs of the refurbishment by architectural photographer Joe Low. The project was supported by a £2.23 million grant from the Department for Culture, Media and Sport's Museum Estate and Development Fund (MEND), administered by Arts Council England.

Palmer Museum announces call for juried exhibition to celebrate America’s 250th

The Palmer Museum of Art at Penn State has announced a call for entries for a juried exhibition titled "Dreaming American Futures: Invitational 250," running from summer through fall of 2026. The exhibition marks the United States' 250th anniversary and is open to Penn State students, faculty, staff, alumni residing in Pennsylvania, and local artists within 50 miles of State College. Submissions must address themes of activating change, bridging the divide, the pursuit of happiness, and a more perfect union, which were developed from community input gathered during a summer 2025 installation. Digital submissions of up to three works are due by February 15, 2026, with no entry fee, and a jury including artist Folayemi Wilson, curator Janine Yorimoto Boldt, and artist Roberto Lugo will adjudicate the entries.

Three works by artist and sexual abuser Eric Gill withdrawn from UK exhibition after consultation with survivors group

Three artworks by Eric Gill, a sculptor and artist who sexually abused his daughters, have been withdrawn from the exhibition 'It Takes A Village' at the Ditchling Museum of Art and Craft in the UK, opening on 5 July. The works—two depicting his daughter Petra naked in a bath and one of a nude Elizabeth—were removed after the museum consulted with the Methodist Survivors Advisory Group, a group of abuse survivors. The survivors found the pieces offensive and potentially upsetting to visitors. The exhibition will still include Gill's watercolor 'Annunciation' in a separate room, and the museum's director, Stephanie Fuller, emphasized that the decision was led by the survivors' input.

Chicago creator honors community with collaborative art exhibition

Chicago artist Brian Sykes is debuting a multidisciplinary exhibition titled “I Heard the City Breathe” at the Beverly Arts Center, running from April 6 through May 1. The project, which includes a short film and gallery-style visual art, serves as a collaborative reflection on the Black experience in Chicago. By blending music, storytelling, and intergenerational community input, Sykes explores themes of identity, memory, and the cultural realities of the city’s South Side.

‘Arte Latinoamericano’ Opens at The Walters with a Full Day of Programming Saturday

The Walters Art Museum in Baltimore opens its first permanent exhibition of Latin American art, titled 'Latin American Art/Arte Latinoamericano,' on May 17. Curators Ellen Hoobler and Patricia Lagarde designed the galleries with accessibility in mind, featuring bilingual children's books, comfortable benches, and sensory elements like incense and musical instruments. The exhibition spans 200 objects representing 40 cultures from North, Central, and South America and the Caribbean, informed by a 12-member community advisory group of local Latino immigrants. The opening day includes a free festival with tours, performances, artist talks, and children's activities, plus a special appearance by Paco the Llama, an ancient effigy vessel turned mascot.

Explore resilience in new Hartlepool Art Gallery exhibition – and help choose an artist for a future solo show

A new exhibition titled 'Resilience' has opened at Hartlepool Art Gallery, running until July 4, 2025. Featuring 50 artists with ties to Hartlepool, selected through an open call, the show explores themes of personal survival, psychological recovery, community bonds, and overcoming barriers, inspired by the 100th anniversary of the General Strike. Visitors can vote for their favorite artwork from a shortlist of five artists, with the winner receiving a future solo exhibition at the gallery. A companion show, 'Hartlepool’s Resilience,' curated by museum service volunteers, displays objects from the borough council’s collection highlighting local spirit.