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Attend Colorado Governor’s Art Show & Sale 2026 Opening Night Gala

The Colorado Governor’s Art Show & Sale, now in its 35th year, will introduce a special one-time award called the 250/150/35 Governor’s Legacy Art Award during its Opening Night Gala on April 24, 2026. The award, presented by Governor Jared Polis, recognizes a participating artist whose work reflects Colorado’s past, present, and future, coinciding with America’s 250th anniversary and Colorado’s 150th anniversary. The exhibition runs from April 25 to June 6, 2026, at the Loveland Museum, featuring 65 Colorado artists working in various media, with sales supporting local Rotary Club community programs.

Polis presents Governor’s Legacy Award at Loveland art show

Colorado Governor Jared Polis presented the one-time 250/150/35 Governor’s Legacy Award to Longmont sculptor Parker McDonald at the Loveland Museum during the annual Governor’s Art Show. McDonald’s mixed-media sculpture “Compadres,” depicting a bison with a small bird on its back, was selected for telling a distinctly Colorado story. The award commemorates three milestones: the nation’s 250th anniversary, Colorado’s 150th anniversary, and the show’s 35th year. The juried exhibition features over 60 Colorado artists and is jointly sponsored by the Loveland and Thompson Valley Rotary clubs.

‘Prolific V: The Lost Gallery’ Brings Immersive Art, Music, and Tech to St. Thomas

On Saturday, the Virgin Islands Council on the Arts on St. Thomas will host “Prolific V: The Lost Gallery,” an immersive exhibition blending visual art, music, and interactive technology presented by Eliana B. Artistry. Curated by St. Croix native and Air Force veteran Eliana L. Schuster-Brown, the event features augmented reality elements, an original animation co-produced with Kirk Rojas, and soundscapes by AJ Ventura. Artists include Lucien Downes, Elwin Joseph, Indira Lovely, Chunikwa George, Amy Gibbs, and Kanda Burges. The exhibition runs for two weeks afterward, with all artwork for sale and tickets available on Eventbrite.

"Free Little Art Gallery" to open in Joshua Tree with new mural

A new "Free Little Art Gallery" will open in downtown Joshua Tree on Saturday, April 25, inviting artists and art lovers to trade their work. Artist Dominique Bass-Terpstra will debut a new mural at the opening event, which also features the local non-profit cat rescue "Mojave Felines" with adoptable cats. The gallery is part of a worldwide network of Free Little Art Galleries, and the event takes place at the Joshua Tree Village from 10:00 a.m. to 5:00 p.m.

Michael Jackson Accessories Hit the Market Amid Biopic Buzz

GWS Auctions is offering nine pieces of Michael Jackson memorabilia in a May 2 sale, including a signed pair of the late singer's Florsheim loafers. The auction features 734 items from the collection of Prince Lorenzo de' Medici, with highlights such as a crystal-studded white glove from Jackson's 1984 Victory tour and Swarovski-embellished socks from his Dangerous tour. The loafers, authenticated by Jackson's assistant Rosemary Chavira, carry a starting bid of $7,500, and the sale coincides with the record-breaking opening weekend of a new Michael Jackson biopic.

Art Publisher Owes $102.2 Million in Damages for Late Robert Indiana Works

A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.

$102 Million Verdict Over Robert Indiana Artwork May End Years-Long Legal Battle

A Manhattan federal jury awarded $102 million in damages to the Morgan Art Foundation in its lawsuit against art publisher Michael McKenzie, finding him guilty of making and selling unauthorized Robert Indiana artworks. The verdict, delivered on April 23, follows a complex legal battle that began just before Indiana's death in 2018, involving accusations of exploitation, fraud, and copyright infringement. McKenzie and caretaker Jamie Thomas were also accused of taking advantage of the elderly artist. The case has cast doubt on the authenticity of some late Indiana works and affected his market, with his auction record remaining at just over $4 million since 2011.

A Long-Running Case Centering on Alleged Robert Indiana Forgeries Is Resolved with a $102 M. Settlement

A New York jury has awarded $102.2 million in damages to the Morgan Art Foundation in a long-running copyright and forgery case against art publisher Michael McKenzie. The jury found that McKenzie created unauthorized and altered versions of works by Pop artist Robert Indiana, including multiple iterations of Indiana's iconic LOVE prints and sculptures, as well as works such as *The Ninth American Dream* (2001), *USA FUN* (1965), and a sculpture titled *BRAT*. The lawsuit, which began in 2018 shortly before Indiana's death at age 89, alleged that McKenzie and others sought to isolate the artist and profit from selling forged works. McKenzie's lawyer indicated he may appeal.

South Carolina Artist Aldwyth Dies, The Box Closes in LA, and More: Morning Links for April 27, 2026

A New York federal jury has awarded the Morgan Art Foundation $102.2 million in damages after finding that art publisher Michael McKenzie isolated artist Robert Indiana near the end of his life and created unauthorized versions of his iconic "LOVE" works. Separately, South Carolina collage artist Aldwyth (Mary Aldwyth Dickman) has died at age 90, known for intricate assemblages made in a treehouse studio. In Los Angeles, influential gallery The Box, founded by Mara McCarthy with her father Paul McCarthy, announced it will close after 19 years. Other news includes the dismantling of the Armand Vaillancourt fountain in San Francisco, preservationist concerns over Trump's Lincoln Memorial Reflecting Pool project, and a new JR installation in Venice inspired by Veronese's "The Wedding at Cana."

Artspace111 Opens Call for 2026 Texas Juried Exhibition

Artspace111 in Fort Worth, Texas, has opened the call for its 2026 Texas Juried Exhibition, organized by the nonprofit Love Texas Art Foundation. The annual show invites artists from across the state to apply by June 1, with juror Terri Provencal, publisher of the Dallas Arts District Guide and Patron magazine, selecting participants. Prizes include the $10,000 Edmund Craig Memorial Award, a solo or group exhibition opportunity in 2027, and cash awards totaling thousands of dollars, with every selected artist receiving a $150 honorarium.

The Many Forms of Marcel Duchamp

The New Yorker's Hilton Als reviews "Marcel Duchamp," a major retrospective at the Museum of Modern Art (MoMA) in New York, running through August 22, 2026. Curated by Matthew Affron, Michelle Kuo, and Ann Temkin, it is the first North American retrospective of Duchamp's work since 1973, organized in collaboration with the Philadelphia Museum of Art. The exhibition spans MoMA's entire sixth floor, showcasing Duchamp's shape-shifting practice—from iconic works like "Nude Descending a Staircase (No. 2)" (1912) and "Bicycle Wheel" (1951) to his readymades and conceptual pieces—emphasizing his rejection of commodification and embrace of intellectual freedom, play, and queer sensibilities.

Appropriation Culture: Richard Prince and Arthur Jafa

An upcoming exhibition at ArtReview pairs artists Richard Prince and Arthur Jafa to explore the ethics and aesthetics of image appropriation. Jafa's work, such as the video "Love is the Message, The Message is Death" (2016), uses found footage of police violence and Black cultural icons, while Prince's "Girlfriends" series rephotographs amateur snapshots from biker magazines. Jafa has cited Prince as a key influence on his own practice of transposing images across contexts.