New Contemporaries has announced its 2026 annual exhibition, which will be a touring show presented at the South London Gallery and MIMA in Middlesbrough. The exhibition will feature 26 emerging and early-career artists from across the UK, selected by a panel of established artists.
LA Timpa “Come Back” at Cell Project Space, London
LA Timpa has opened a new solo exhibition, "Come Back," at Cell Project Space in London. The show features a multi-channel video installation and sound work that continues the artist's exploration of the body, technology, and queer identity through digitally manipulated and visceral imagery.
Bel Ami gallery in Los Angeles has opened a new exhibition titled "Everything looks dark now," which takes its name and conceptual framework from Anton Chekhov's play *The Seagull*. The show features a diverse group of artists whose works collectively explore themes of melancholy, reflection, and existential uncertainty, mirroring the atmospheric and introspective mood of Chekhov's text.
A new exhibition at Raven Row in London is dedicated to the work of American artist Christine Kozlov, a key but often overlooked figure in the early Conceptual Art movement. The show focuses on her contributions from the mid-1960s to the late 1970s, revealing the scope of her activity during this formative period.
The artist duo Bárbara Wagner & Benjamin de Burca have opened a new exhibition titled "The Tunnels We Dig" at the Schirn Kunsthalle Frankfurt. The show combines three of their collaborative film and installation works, which are the result of their decade-long practice of working in dialogue with other artists and collectives.
The CAP • Centre d’art de Saint-Fons in Lyon has launched its 40th anniversary season with the exhibition "40+1." The show inaugurates a year-long program celebrating the institution's four-decade history of supporting contemporary art and engaging the public.
The Kunstverein für Mecklenburg und Vorpommern in Schwerin is presenting Adriana Ramić's first institutional solo exhibition in Germany, titled "Confusion model into a butterfly." The exhibition features multimedia installations of video, sculpture, and language that explore hybrid identities and transcultural knowledge.
Marianna Simnett has opened a new multimedia exhibition titled "Circus" at the Secession in Vienna. The show features a combination of light, sound, and sculptural works that delve into her Yugoslav heritage, weaving together personal family history with folklore.
The working collective Atelier dell’Errore has opened a new exhibition titled "PINKING UP" at the Ar/Ge Kunst art gallery in Bolzano, Italy. The show features a collaborative project by a large group of artists, each identified by a pseudonym, presenting a unified artistic statement.
Artist Theodor Nymark presents his solo exhibition "Diversione" at Pachinko gallery in Oslo. The show features works developed from a residency at the Danish Institute in Rome, exploring themes of memory, nature, and mediation through symbolic and physical frames.
Grigoris Semitecolo, a Cycladic artist known for creating plaster reproductions of ancient figurines for souvenir shops and revered as an uncompromising, provocative figure in the 1960s Athens art scene, is the subject of a presentation at Ramiken gallery in New York. The exhibition highlights his work and legacy, bringing his unique practice and influential, deadpan persona to a contemporary international audience.
Stanislava Kovalčíková has opened her first institutional solo exhibition in Germany, titled "Rubigo," at Kunstverein Freiburg. The exhibition features a large-scale installation constructed from red plasticine, which forms an immersive environment housing a series of paintings executed on discarded clock dials salvaged from Prussian church towers.
The HALLE FÜR KUNST Steiermark in Graz is presenting "The Art of Surfacing," a solo exhibition showcasing the diverse work of Austrian artist, musician, and curator Eva Ursprung. The exhibition follows her receipt of the Honorary Prize of the State of Styria for the Fine Arts in 2024, awarded based on a jury's recommendation.
The HALLE FÜR KUNST Steiermark in Graz is presenting "Àdùnní Olórìṣà," a major exhibition of Austrian-Nigerian artist Susanne Wenger. This marks a significant homecoming for Wenger's work, which has not been shown in depth in Austria for over two decades, and features her sculptures, paintings, drawings, prints, and batik textiles.
Artist Bat-Ami Rivlin has opened a new site-specific installation titled 'Untitled (radiators, zip ties)' at Management gallery in New York. The work features an assembly of locally sourced radiators bound by zip ties, presented in a sparse arrangement that transforms the gallery space.
The exhibition "Plenty more" has opened at the Cherry Hill gallery in Cologne, featuring works by artists Asta Lynge, Jakob Ohrt, and Eleanor Ivory Weber. The show is a reinterpretation of their previous 2024 exhibition "Plenty," held at Astrid Noacks Atelier in Copenhagen, with the curatorial decision to remove or reinterpret existing works rather than add new ones. The exhibition will run until April 18, 2026.
“L’argument du rêve” at Fondation Pernod Ricard, Paris
The Fondation Pernod Ricard in Paris has opened a new exhibition titled "L'argument du rêve" (The Argument of the Dream). The show is curated around the philosophical and communal power of dreams, using them as a lens to explore how shared narratives and consciousness are formed within society.
Artist Julien Bismouth presents his solo exhibition "Exonumia" at Layr gallery in Vienna. The show features new works that explore the transformation of meaning and the imposition of successive interpretations on the fabric of life, as suggested by the accompanying quote from philosopher Simone Weil.
Goldsmiths CCA in London is hosting a retrospective exhibition dedicated to the influential US media collective Paper Tiger Television. The show features a large-scale installation of a shattered television frame as its entry point, evoking themes of media critique and technological disruption central to the collective's work.
Laisul Hoque, winner of the 2025 East London Art Prize, has opened a solo exhibition titled 'The Ground Beneath Me' at the Nunnery Gallery, Bow Arts in London. The show features a new installation, film, and works on paper.
The Address gallery in Brescia is presenting the group exhibition "Tales from Fractured Minds," which explores the psychological concept of dissociation through the work of contemporary artists. The show examines how artists translate this complex mental state, characterized by a separation from reality across memory, identity, and perception, into visual form.
Grey Noise gallery in Dubai has opened the third installment of its exhibition series "The importance of staying quiet," featuring a solo presentation titled "Fahd Burki I." The show presents a new body of paintings by the artist, which engage in a deep exploration of the image through speculative studies of structure and space.
Franco Bellucci's exhibition "Works (c. 2010–2018)" is on view at a. SQUIRE gallery in London. The show features his sculptures, which are composed of knotted, humble, and mass-produced materials like socks, bandages, cables, and plastic bags, reflecting a direct engagement with his immediate surroundings.
Alex Thake presents a solo exhibition titled "I Know This Much is True" at Triangolo gallery in Cremona. The show features new works by the artist, continuing his exploration of material and conceptual themes.
Hannah Black presents her first solo exhibition, "Harsh Muting," at the zaza' gallery in Naples. The show features five circular oil paintings that draw inspiration from the rotating word-play disks in Marcel Duchamp's surrealist film *Anemic Cinema*.
Congolese artist Jean Katambayi Mukendi has opened a solo exhibition titled "RATIO" at the KW Institute for Contemporary Art in Berlin. The show features works that interrogate fundamental dualities such as the natural versus the artificial, growth versus destruction, and the dynamics between resources and power.
Swedish artist Klara Lidén has opened a major solo exhibition, "Kunstwerke," at the KW Institute for Contemporary Art in Berlin. The show features a new, site-specific architectural installation that reconfigures the gallery's main hall, alongside a selection of her existing video and sculptural works that explore urban space and the body's relationship to it.
American artist Maria Kreyn opened her first solo exhibition in Milan, titled "Continuum," at the gallery Robilant+Voena. The show presents a selection of her new paintings, which are characterized by atmospheric renderings that blend figuration with abstract geometry.
Artist Matisse Mesnil has opened a solo exhibition titled "Sutura" at the Romero Paprocki gallery in Milan. The show marks a new phase in his practice, characterized by technical and methodological experimentation focused on metal as his primary material.
The Polygon Gallery in North Vancouver is presenting a major solo exhibition titled "Photolithics" by artist, curator, and scholar Tania Willard. The show, on view from March 7 to May 24, 2026, is a decade-long survey featuring new and existing works that demonstrate Willard's innovative use of photographic printing and presentation techniques.