Tehran's Museum of Contemporary Art has opened an exhibition titled 'Art & War' featuring works by American Jewish artist Peter Saul, amid a fragile ceasefire between Israel and Hezbollah. The show includes Saul's provocative paintings that critique war and political violence, marking a rare cultural exchange in a country where official rhetoric often opposes Israel and the United States.
L.A. Metro opened the first phase of its D Line extension on Friday, May 1, 2026, adding three new underground stations connecting downtown Los Angeles to Beverly Hills: Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. The stations feature nine site-specific public artworks by artists including Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton, and Mark Dean Veca. The competitive selection process began a decade ago, drawing over 1,200 applicants, with finalists judged by a panel of art professionals including curators from Miracle Mile museums. Metro deputy executive officer Zipporah Yamamoto leads the agency's public art program, which is funded by a 0.5% construction budget set-aside.
Tutta la complessità di Cézanne in mostra alla mitica Fondation Beyeler di Basilea
The Fondation Beyeler in Basel has opened a major exhibition dedicated to Paul Cézanne, marking the 120th anniversary of his death. Curated by senior curator Ulf Küster, the show features 80 works—58 paintings and 21 watercolors—drawn from public and private collections across Switzerland, Germany, France, the UK, the Netherlands, Spain, Denmark, and the United States. Highlights include nine versions of Mont Sainte-Victoire, rare comparisons of two watercolor versions of "Boy in a Red Waistcoat," and two versions of "The Card Players" from the Courtauld Gallery and the Musée d'Orsay. The exhibition runs until May 25, 2026, and is accompanied by a catalog published by Hatje Cantz Verlag.
The Museum of Fine Arts, Boston, has opened a new exhibition that challenges traditional gender norms in art history, featuring a dozen artists who disrupt the conventional nude. The show includes Xandra Ibarra's performance "Nude Laughing," where she paraded naked through the museum's European galleries, and works by Betty Tompkins, whose "Fuck Paintings" and "Women Words Painting" series confront misogyny and the male gaze. The exhibition juxtaposes these contemporary pieces with historical works like Jean-Léon Gérôme's "Moorish Bath" to highlight entrenched racial and gender hierarchies in art.
The Metropolitan Museum of Art in New York has opened the new Conde M. Nast Galleries, designed by the Brooklyn-based firm Peterson Rich Office (PRO). The inaugural exhibition, titled "Costume Art," features 200 pieces from various museum departments and will run until January 10, 2027. The 12,000-square-foot space, located off the Great Hall, incorporates historic structural elements and uses subtle lighting and materials to create a quiet backdrop for the display of fragile costumes and art objects.
Photographer Diana Markosian has created a new project titled "Replaced," in which she spent three months recreating intimate moments from her past relationship with an ex-partner. To document the experience of falling in and out of love, she hired an actor to play her ex and traveled with him to locations they once visited together, including Miami, Paris, Naples, Capri, and Nice. The series blurs documentary and fiction, using staged reenactments to process grief, heartbreak, and healing.
TEFAF New York returns to the Park Avenue Armory from May 15-19, featuring 88 dealers and galleries from 14 countries across four continents. The fair distinguishes itself from competitors like Frieze, NADA, and Independent by offering an unusually broad range of works—from Modernist paintings and contemporary sculpture to ancient artifacts, fine jewelry, and design. Notable exhibitors include Gagosian showing Kathleen Ryan’s bejeweled fruit sculptures, Thaddaeus Ropac presenting newcomer Eva Helene Pade, and Belgian dealer David Lévy pairing Keith Haring with Willem de Kooning. Design is a particular highlight this year, with galleries such as Sarah Myerscough, Gomide&Co, and Modernity Stockholm showcasing everything from Shaker-inspired chairs to Brazilian modernist furniture and Scandinavian classics.
Marisol Mendez, a Bolivian photographer based in Paris, describes the creation of her striking 2019 photograph featuring Marta Salinas, a theatre actor, holding a bull costume in a field. The image is part of Mendez's series "Madre," which explores womanhood and challenges traditional feminine depictions in Bolivia. Mendez explains that the bull costume, inspired by the Bolivian dance waka tokori, symbolizes masculinity, and the photograph aims to portray a woman comfortable with her masculine energy. The work was inspired by a dream and executed with the help of Mendez's mother, who scouted the location. Mendez is the winner of this year's Saltzman-Leibovitz prize, and her work is featured at Photo London.
Bruno Bischofberger, the influential Swiss gallerist who founded his eponymous gallery in 1963, has died at age 86. He was best known for his decades-long relationship with Andy Warhol, securing right of first refusal on all of Warhol's new works after purchasing eleven early paintings in 1968. Bischofberger also represented Jean-Michel Basquiat internationally from 1982 and gave solo exhibitions to a generation of major artists including Julian Schnabel, David Salle, George Condo, and Francesco Clemente. In 2013, his gallery relocated to a former factory in Männedorf, Switzerland, redeveloped by his daughter and son-in-law.
Dana Awartani, an artist based in Jeddah, will represent Saudi Arabia at the 61st Venice Biennale in 2026, with her pavilion located in the Arsenale under the theme 'Celebrating Visions.' In an interview with ArtReview, Awartani discusses her exhibition, which builds on her practice of foregrounding Arab cultural histories and preserving the region's material heritage. She connects her work to the Biennale's theme 'In Minor Keys' by focusing on repair, healing, and the quiet consequences of conflict, emphasizing craft as a form of quiet resistance against mechanization. The pavilion, she says, reflects the diversity of voices within Saudi Arabia's artistic community rather than a single national narrative.
Photo London, the UK's leading photography fair, launches its 11th edition at a new venue, Olympia in Kensington, London, running from 13–17 May 2026. The fair features a diverse array of exhibitors, including debutants like Agony and Ecstasy gallery, which showcases nostalgic works of Ibiza by Oriol Maspons and Walter Rudolph, and Hackney-based Guest Editions, presenting Laura McCluskey and Thomas Duffield. A new 'Focus' section highlights galleries from Latin America and Central and Eastern Europe, such as Ungallery (Argentina) and Galeria Monopol (Poland). Notable presentations include vintage prints by Japanese master Daido Moriyama at Akio Nagasawa Gallery, and Ketaki Sheth's series 'Twinspotting' at Photoink, which pairs Patel twins in the UK with those in India.
Virginia MOCA hosted a free Community Day on Saturday, May 9, at its new Virginia Beach location, in partnership with Virginia Humanities. The event featured inaugural exhibitions including Nina Chanel Abney: The Pursuit of Happiness and Seamless: Art and Design, along with hands-on art making, live performances, artist demonstrations, a U-Haul art gallery, food trucks, and workshops for all ages.
BlackBook Art Gallery announces its 2026 season in Southampton, featuring two major exhibitions: "The Lost Generation: Then and Now," which pairs New York School legends like Jackson Pollock and Lee Krasner with contemporary artists Julie Mehretu and Rashid Johnson, and "Summer Figuration," showcasing Amy Sherald, Kerry James Marshall, and Toyin Ojih Odutola. Founder Evanly Schindler frames the season around the concept of "urgency," drawing parallels between the postwar abstract expressionist era and today's climate of war, digital saturation, and political polarization. The gallery also plans to open a new location in Detroit's Eastern Market in fall 2026, with the Detroit Salon following in 2028.
Bruges' new city art gallery, BRUSK, opens on Friday in a substantial new building designed by architects Robbrecht and Daem and Olivier Salens. Located in the museum quarter, the gallery features two enormous first-floor exhibition spaces and a light, open ground floor. It debuts with two simultaneous exhibitions: 'Breedbeeld' ('Wide Angle'), a historical show curated by Oxford professor Peter Frankopan and Sibylla Goegebuer, exploring Bruges' medieval global connections through 250 objects including Hans Memling's 'The Passion of Christ'; and 'Latent City', a data-driven installation by Turkish-American artist Refik Anadol that delves beneath the city's surface.
Costa Mesa’s Arts Commission delivered a report to the City Council on Tuesday, calling for a significant increase in arts funding as the city updates its arts and culture master plan. Currently, arts programs are primarily funded by a portion of cannabis tax revenue—about $230,000 annually—but actual expenditures are nearly double that, forcing the city to use general fund revenue to cover the gap. Commissioners recommended establishing a public art fund, increasing the cannabis tax allocation, imposing a 1% public art fee on capital projects over $500,000, and potentially using hotel-stay tax revenue to support the arts. They also proposed expanding the arts grants program, funding a consultant to update the master plan, and creating a dedicated arts specialist position.
The Institute for Primary Facts has transformed New York's Mriya Gallery into the Donald J. Trump and Jeffrey Epstein Reading Room, a pop-up exhibition displaying all 3.5 million pages of the released Epstein files in 3,437 bound volumes. Open from May 8 to May 21 in Tribeca, the installation is the group's first live project, requiring visitors aged 16 and over to book appointments via a platform called Trumpsonian. Only accredited press, Congress, law enforcement, and victims' advocates may open the volumes, due to the Department of Justice's failure to properly redact victims' names.
An exhibition titled 'A Swallow Does Not Make Spring' by French artist Annette Messager has opened at the Musée de la Chasse et de la Nature in Paris. The show transforms the museum's spaces with a menagerie of taxidermy, drawings, and installations, blending the artist's signature surreal and feminist sensibilities with the museum's focus on hunting and nature.
At the Venice Biennale on May 7, 2026, Cuban artist María Magdalena Campos-Pons led a poetry caravan across seven locations in the Giardini to honor Koyo Kouoh, the late curator of the Biennale's main exhibition "In Minor Keys," who died of cancer at age 57 in 2025. The procession, inspired by a 1999 voyage Kouoh took with nine African poets from Dakar to Timbuktu, featured performances by poets Natalie Diaz, Robin Coste Lewis, Batool Abu Akleen, and Anne Waldman, kora player Saliou Cissokho, and Kouoh's husband, Swiss saxophonist Philippe Mall, who played a composition dedicated to her. The event was organized by a team of Kouoh's assistants and advisers, including Marie Hélène Pereira, who served as stand-in lead of the 2026 Biennale.
"Ich bin Punk-Künstlerin, ich geb einen Scheiß drauf"
During the opening week of the Venice Biennale, the Russian activist and Pussy Riot member Nadya Tolokonnikova staged a protest against the Russian pavilion, wearing pink balaclavas and chanting slogans like "Blood is Russia's Art." Meanwhile, Florentina Holzinger's Austrian pavilion, subtitled "I Live in Your Piss," drew massive crowds with its scatological installations and extreme performances, causing wait times of up to two and a half hours. German media critics have widely covered the Biennale's heightened political tone, with debates over boycotts of Russia and Israel, and the tension between art and activism.
On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.
A fire broke out at San Francisco's Vaillancourt Fountain on May 4, 2025, as construction crews used torches to dismantle the 1971 Brutalist structure, igniting debris inside its steel tubes. The San Francisco Arts Commission confirmed the fire was quickly extinguished with no major damage, but the incident has raised concerns about safety protocols, as workers were reportedly not wearing protective gear against potential lead or asbestos exposure, and no public warnings were posted. The dismantling proceeded after a California appeals court denied a request from the local coalition Friends of the Plaza to halt the removal, which the city justified citing asbestos and structural risks.
Florentina Holzinger, a performance artist known for extreme feminist works involving nudity, bodily fluids, and physical endurance, is representing Austria at the 2026 Venice Biennale with a pavilion titled “Seaworld Venice.” Opening May 9, the installation transforms the Austrian Pavilion in the Giardini into an underwater theme park and a functioning sewage treatment plant, where audience urine collected from portable toilets is cleaned and recycled into the tanks. The work explores themes of the human body, ecology, and Venice’s own struggles with sinking infrastructure and mass tourism.
The New York Transit Museum's Grand Central Gallery is presenting "Inspired by MetroCard," a free exhibition running through October 2026 that transforms the city's iconic fare card into works of art. The show features paintings, collages, mosaics, and wearable pieces created from thousands of MetroCards by artists including VH McKenzie, Nina Boesch, Juan Carlos Pinto, Barbara Kruger, Nina Vishneva, and Thomas McKean. Curator Jodi Shapiro organized the exhibition, which is located in the museum's gallery and store within Grand Central Terminal's Shuttle Passage.
The Tornabuoni Arte gallery in Florence is hosting "Mario Ceroli. Myth and Matter," an anthological exhibition featuring forty sculptures and installations by the Roman artist Mario Ceroli. The show traces his career from the 1960s to 2000, including his iconic wooden silhouettes, works inspired by Leonardo da Vinci's Vitruvian Man, and pieces referencing Greek myth and the Riace Bronzes. The exhibition runs until May 29 at the gallery's Lungarno Benvenuto Cellini 3 location.
The Kremlin is systematically erasing the memory of Soviet repression under Joseph Stalin from Russian museums. The Gulag Museum in Moscow, which documented Stalin-era crimes, has been rebranded as a "Museum of Memory" focused on Nazi war crimes, with its entire website replaced and exhibitions packed up. Simultaneously, Russia's supreme court banned Memorial, a human rights organization founded to document Stalin-era atrocities, labeling it an "anti-Russian" extremist group. The Yeltsin Presidential Center in Yekaterinburg has also removed references to Memorial from its walls, and the Sakharov Center in Moscow was disbanded and evicted from its facilities.
The Metropolitan Museum of Art will acquire the Neue Galerie's Fifth Avenue building and its collection of 20th-century Austrian and German art, starting in 2028. The collection was built by cosmetics magnate Ronald S. Lauder, who founded the Neue Galerie in 2001.
The iconic Rocky statue, long situated outside the Philadelphia Museum of Art as a popular tourist attraction, has been moved inside the museum. It now serves as the centerpiece of an exhibition that explores themes of race, activism, and violence.
Lista dei piccoli musei d’Italia dedicati alla scrittura. Tra diari, macchine da scrivere e memorie
The article highlights the phenomenon of cultural overbooking, where major museums like the Louvre, Vatican Museums, and British Museum attract millions of visitors, turning art appreciation into a physical endurance test. It then pivots to a series of small, specialized museums across Italy dedicated to writing, diaries, and memory, offering a quieter, more intimate alternative. Featured institutions include the Piccolo Museo del Diario in Pieve Santo Stefano, which houses over 10,000 personal diaries and letters, and the Museo della Lettera d’Amore in Torrevecchia Teatina, with 25,000 love letters. Other stops include the Parco Poesia Pascoli in San Mauro Pascoli, dedicated to the poet Giovanni Pascoli.
Artist and teacher Jamie Jarka, creator of the popular Milo the Seagull mascot for Long Beach Island, has expanded her merchandise to Ron Jon Surf Shop in Ship Bottom, selling prints, stickers, magnets, and nightlights. Jarka will also teach weekly summer art classes at three Island venues: Bayview Park in Brant Beach, Firefly Gallery in Surf City, and Sea Shell Resort and Beach Club in Beach Haven, with schedules and pricing detailed for each location. Additionally, the article covers the 51st annual Art in Bloom movement, with events at Pine Shores Art Association's Stafford gallery and the Long Beach Island Foundation of the Arts and Sciences (LBIF), where garden club members create floral arrangements inspired by artworks. Other news includes the PSAA Tuckerton Art Center's "Blooming Spring" show, a "Glimpses of America" exhibition at Beach Haven Borough Gallery, and a call for South Jersey photographers to submit work for an LBIF photography exhibition and fundraiser celebrating LBI lifeguards.
Nick Cave è alla Biennale 2026. Sette opere tra perdita, memoria e protesta
Nick Cave presents "Two Points in Time at Once" at the 2026 Venice Biennale, a project spanning seven locations across Venice. The installation features a series of bronze works, including the "Amalgam" series (Seated, Origin, Plot, Resuscitation, Meditation) along with "Grapht" and "Siren." This marks a significant material shift from Cave's iconic fabric Soundsuits to bronze, exploring themes of loss, memory, trauma, and protest through a more static yet politically charged presence.