New Mexico State University's University Art Museum will host its annual BFA and MFA thesis exhibitions, opening May 1. The MFA exhibition, 'Where We Ended Up,' features interdisciplinary artists Arch Jones and Ezekiel Martey, while the BFA show, 'Raw Perception,' showcases works by nine graduating students across diverse media including painting, sculpture, photography, and ceramics.
A comprehensive listing of art exhibitions and gallery shows across Marin County, California, for spring 2025. The article highlights dozens of venues including Robert Green Fine Arts in Mill Valley, which will display John Grillo's works from the 1940s beginning in May, alongside shows at Anthony Meier, Art Works Downtown, Bolinas Museum, and many local libraries and cultural centers. Exhibits range from abstract works and pop art to photography, ceramics, and sculptures by artists such as Saif Azzuz, Drew Frazier, Lenore Golub, and Sonny Smith.
Una fotografa italiana ha viaggiato in Palestina per documentare la crescita di due gemelle beduine
Italian photographer Monica Biancardi presents a nearly two-decade-long photographic project documenting the growth of two Bedouin twins, Sara and Sarah, in Palestine. The exhibition, titled 'Il capitale che cresce' (The Capital That Grows), opens at the MAN museum in Nuoro on April 24, 2026, and features black-and-white pigment prints from 2009 to 2023, alongside plexiglass maps and a travel video.
Phoenix is hosting a diverse array of spring art exhibitions across the city. Highlights include the 19th Annual Erotic Art Show at Exposed Gallery, Amy Menousek's feminist fiber work at Five15 Arts, Rachel Rinker's interactive sound and painting show at Tempe Center for the Arts, a group show of Japanese artists in Arizona at Shemer Art Center, and the "Art is History" exhibition at Lisa Sette Gallery, which critically examines art historical narratives.
MoMA PS1's sixth edition of the "Greater New York" quinquennial exhibition has opened, showcasing the work of over 50 artists and collectives. The show aims to capture the current state of New York's art scene, highlighting new and ambitious work created despite challenging economic and political conditions.
Fraenkel Gallery has partnered with New York's Metrograph theater to present a film series curated by six of its represented artists. The series, titled "Fraenkel Gallery Presents," runs from May 8–17, with each artist selecting a film and several introducing their screenings. The collaboration includes an opening event featuring artist Carrie Mae Weems and director Joel Coen.
The Taube Museum of Art in Minot, North Dakota, is calling for artists of all mediums to submit original artwork for a new exhibit titled "Art in Motion." Artists from across the state can submit up to four entries for a $15 fee, with additional entries at $5 each. Submissions are due by May 6, 2026, and the exhibit will run from May 8 through May 30, 2026.
A wave of new artist-run and apartment galleries is emerging in New York's outer boroughs, driven by artists and organizers seizing unconventional, often temporary, spaces. These include the Gallery in Crown Heights, a massive group show staged in a vacant office loft secured with a two-month free lease, and the more established Iowa Projects, which presents solo exhibitions in a domestic setting.
The Hilbert Museum of California Art at Chapman University will host "The Art of the Simpsons," the first-ever art exhibition dedicated to the iconic animated family. The exhibition, opening November 18, 2026, will feature original illustrations and production cels of Homer, Marge, Bart, Lisa, and other Springfield characters, celebrating the show's 39-year history and the museum's 10th anniversary.
A Milano il Rinascimento italiano incontra l’intelligenza artificiale: intervista a Refik Anadol
Refik Anadol's immersive AI artwork, 'Renaissance Dreams,' is on extended daily view at Milan's MEET Digital Culture Center during Design Week. The piece uses artificial intelligence to process a dataset of Italian Renaissance visual and written works from 1300-1600, generating ever-changing audiovisual environments for visitors.
Artists participating in the International Women's Day Art Show at the Orillia Museum of Art and History (OMAH) will share the stories behind their artworks at a monthly story circle hosted by Storytelling Orillia. Ten artists, including show coordinator Juliana Hawke and organizer Sharon Langfield, are expected to speak at the event, which is open to the public.
Une anthologie sur le temps
The publishing house Citadelles & Mazenod has released a new anthology titled "Écrire le temps. De l’Antiquité à nos jours" (Writing Time: From Antiquity to the Present Day). Edited by Pascal Dethurens, the 480-page volume compiles a vast array of literary sources on the concept of time, from ancient thinkers to contemporary writers, and pairs these texts with a wide variety of artistic representations.
The University of Chicago is hosting a diverse slate of art exhibitions across its campus this spring. Highlights include 'A Bestiary of Ancient Nubia' at the Institute for the Study of Ancient Cultures, 'Beyond Boundaries: Three Decades of Contemporary Chinese Art' and 'Composing Color: Paintings by Alma Thomas' at the Smart Museum of Art, the photography exhibition 'Black Culture in Chicago' at the Logan Center, and 'History on the Edges: Michel-Rolph Trouillot’s Caribbean' at the Regenstein Library.
Compton Verney in Warwickshire is hosting the exhibition 'Bruegel to Rembrandt: Drawing Life, Sketching Wonder,' featuring 50 old master drawings from the Royal Museums of Fine Arts of Belgium. This marks the first time these works, including pieces by Pieter Bruegel the Elder, Rembrandt, and Rubens, have been shown in the UK, offering a rare glimpse into 16th and 17th-century artistic practice through intimate sketches of everyday life.
MixHaus Gallery in Comfort, Texas, has opened a new exhibition titled "Songs of the Ocotillo," featuring a collaboration between local poet Lucy Griffith and Marfa-based mixed-media artist Darlene Marwitz. The show, which launched on April 10, combines Griffith's poetry with Marwitz's textured artworks to explore themes of the ocotillo plant and the landscape of the southern borderlands.
National Gallery Singapore has opened a major exhibition titled 'Passion is Volcanic: Desire in Southeast Asian Art.' The show, which carries an unprecedented R18 rating and prohibits photography, presents a comprehensive exploration of eroticism, pleasure, and the body through a wide range of artworks from the region's collection and loans. It is curated by Dr. Patrick Flores, Dr. Adele Tan, and Dr. Kathleen Ditzig, who frame desire as a culturally specific yet universal force shaped by history and power.
Une IA suggère qu’El Greco pourrait être l’unique auteur du Baptême du Christ
A new scientific study published in the journal Science Advances challenges the long-held belief that El Greco's monumental painting 'The Baptism of Christ' was completed by his workshop. Using a deep-learning tool called PATCH to analyze the painting's surface topography, researchers from Case Western Reserve University found a technical consistency suggesting the work was executed by a single hand, likely El Greco himself, despite visible variations in execution.
Two new art exhibitions are tackling the aesthetics and ideology of the online "manosphere," a network of communities promoting hypermasculinity and often misogyny. The shows, 'The Manosphere: A New Hope?' at the New Museum and 'Soft Boys' at the Institute of Contemporary Art, Los Angeles, use video, sculpture, and installation to dissect this digital subculture and its visual language.
Artist Khaled Sabsabi and curator Michael Dagostino discuss their project 'conference of one’s self' for the Australia Pavilion at the 61st Venice Biennale. Sabsabi explains how the work draws on the twelfth-century Sufi poem 'The Conference of the Birds' by Farīd al-Dīn ʿAṭṭār, mapping its seven spiritual valleys and adding an eighth level of 'wholeness and completeness'. He also reflects on his childhood in Lebanon, migration to Australia, and how his return to Lebanon in 2002 reconnected him with his Sufi lineage, which informs his artistic practice focused on memory, displacement, and social justice.
The Gallery Climate Coalition (GCC), a sustainability charity founded in London in 2020, has launched a new consultancy called Climate Action Services International (Casi) to help galleries, museums, and cultural organizations turn climate commitments into measurable action. Casi offers services such as carbon auditing, decarbonisation strategies, governance advice, and staff training, and follows a pilot phase working with institutions including English Heritage, Hauser & Wirth, and Art Fund. The consultancy is structured as a mission-driven social enterprise that will reinvest 51% of its profits into GCC.
Two new exhibitions will open at the Brno House of Arts on Tuesday, 28 April, with a public vernissage at 6pm. The first, 'Distorted Image: Chapters from the Beginnings of Video Art', is an international show examining how artists in Czechoslovakia, Poland, and Hungary from the 1960s to the 1990s manipulated analogue and digital images to question truth in media, featuring experimental films, early animations, and independent video magazines. The second, 'Words of Dalibor Chatrný', is a retrospective marking the centenary of the Czech artist's birth, focusing on his 'word works' that explore language and the interplay between reading and seeing, while retaining painterly qualities.
Five new exhibitions opened at the Yale Schwarzman Center on April 7, featuring work from 53 young artists including New Haven high school students, Yale undergraduates, and graduate students. The shows explore themes of identity, unity, memory, nature, and emotion through visual art, photography, installation, digital work, and multimedia. Highlights include "Call-to-Connect," an interactive payphone installation by Soleil Piverger; "The View From Here: Accessing Art Through Photography," a smartphone photography exhibition in collaboration with the Yale Center for British Art; and "Rooted in Heritage: Art Across Yale’s Cultural Centers," curated by Carlynne Robinson, featuring works reflecting multicultural communities at Yale.
Der letzte lebende Surrealist
Alejandro Jodorowsky, the 97-year-old Chilean-French artist and filmmaker, is profiled in his Paris apartment as the last living Surrealist. The article reflects on his century-spanning career, from his early pantomime work with Marcel Marceau in the 1950s to his cult films like "El Topo" and "The Holy Mountain," as well as his famously unrealized adaptation of Frank Herbert's "Dune." Jodorowsky shares his philosophy that true art has a beginning but no end, offering a retrospective on a life lived at the intersection of performance, cinema, and visionary creativity.
Robert Koch Gallery, a founding member of AIPAD, will present a group exhibition at The Photography Show 2026, held at the Park Avenue Armory in New York City from April 22–26. The gallery's booth B6 will feature the premiere of key early Edward Burtynsky images in a larger 48 × 60–72 inch format, previously unavailable at that scale, along with recent mine tailing images shown for the first time. Also on view will be photographs from Matt Black's American Geography and New World Atlas series, works by Mimi Plumb, whose retrospective is currently at the High Museum of Art, and pieces by historic photographers including Henri Cartier-Bresson, Robert Frank, Helen Levitt, and Man Ray.
Mendes Wood DM in Brussels presents 'A Serene Look upon the World,' a group exhibition running from 22 April to 30 May 2026. The show features 22 artists including Lucas Arruda, Hiroshi Sugimoto, Lee Ufan, and Daniel Steegmann Mangrané, whose works explore the sublime as a tension between permanence and transformation. The exhibition juxtaposes painting, photography, sculpture, and mixed media to evoke moments of pause before the overwhelming, drawing on philosophical ideas from Longinus and Kant.
The Arts Council of Wales has announced a 19-strong team of early-career artists, curators, and students who will travel to Venice this summer to support Wales' presence at the 61st International Art Exhibition – La Biennale di Venezia, running from May 9 to November 22, 2026. As part of the Invigilator+ programme, participants will spend at least one month in Venice acting as ambassadors for the Wales in Venice exhibition, an official collateral event. The exhibition, titled Sownd, is led by artists Manon Awst and Dylan Huw, jointly organized by Oriel Myrddin in Carmarthen and Oriel Davies in Newtown, with Steffan Jones-Hughes as Curator and Catherine Spring as Exhibition Project Director. The invigilators include Lily Tonkin Wells, Robert Oros, Ophelia dos Santos, Grace Springer, Cerian Wilshire Davies, Megan Evans, Howl Hubbard, Temeka Davies, Llyr Evans, Chloe Goodwin, Abby Pouslon, and Niamh O'Dobhain, while student team members come from Cardiff Metropolitan University, University of Wales Trinity St David, Wrexham University, and Aberystwyth University.
Grant Wood's 1926 mural "Corn Room" has been restored and will serve as the centerpiece of a centennial exhibition at the Sioux City Art Center in Iowa. The mural, created by the painter best known for "American Gothic," depicts a vibrant interior scene dominated by corn motifs, reflecting Wood's regionalist style and his deep connection to the American Midwest.
The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.
The nonprofit organization Awamaki was founded in 2009 to support Quechua communities in Peru's Sacred Valley, particularly women weavers, as they navigate economic shifts and climate change. It now assists nine cooperatives comprising 174 artisans, providing structural support for selling traditional textiles and coordinating tourism to generate income while preserving cultural practices.
Hōhepa Canterbury, a not-for-profit organization, will host its biennial Art and Sculptural Exhibition in Christchurch next month. The event features works from over 50 established and emerging New Zealand artists, including Renata Przynoga and Gwyn Hughes, alongside pieces created by Hōhepa residents. A VIP preview and auction will be held on May 22, followed by public exhibition days on May 23-24, with proceeds funding the organization's wellness and community programs.