Salon des Refusés 2.0
A group exhibition titled "we refuse_d" has opened at the Museum van Hedendaagse Kunst (M HKA) in Antwerp, bringing together 15 artists, many of whom faced cancellations or disinvitations from exhibitions following the October 7, 2023 attacks. The show, referencing the historic 1863 Salon des Refusés, aims to reclaim reputation and amplify marginalized voices, specifically focusing on Palestinian history and artists affected by the cultural fallout.
Quels expos et musées voir en nocturne en ce mois de mai à Paris ?
Paris museums and galleries are extending their hours for evening visits in May, with many offering late-night openings on specific weekdays. The Palais de Tokyo is open until 10pm daily except Tuesday, the Musée du Luxembourg stays open until 10pm on Mondays, and the BnF Richelieu site is open until 8pm on Tuesdays. The Fondation Cartier pour l'art contemporain, newly relocated near the Louvre, welcomes visitors until 10pm on Tuesdays, while the Jeu de Paume stays open until 9pm on Tuesdays. On Wednesdays, the Musée du Louvre extends its hours until 9pm, alongside other museums. Current exhibitions include shows dedicated to Leonora Carrington, Martin Parr, and Nan Goldin, among others.
A major group exhibition titled *Pharmakon* has opened at Galerie Chantal Crousel in Paris, featuring works by over twenty international artists. The show includes both historical and contemporary figures, from Marcel Broodthaers and Felix Gonzalez-Torres to emerging artists, exploring the dual nature of substances that can be both remedy and poison. It presents a diverse range of media, including painting, sculpture, and installation, curated around this central, ambiguous theme.
MSCHF, the art collective known for viral stunts like Big Red Boots and a branded ATM, has launched a project called "Our Cow Angus" in which they purchased a cow named Angus in August 2024 and presold tokens tied to its eventual slaughter. Token holders can cancel their pre-orders via a "Remorse Portal," and if 50% opt out, Angus will be sent to a sanctuary instead of being turned into hamburger patties and leather handbags. As of January 8, only 31.8% of holders had canceled.
Sotheby's has announced that an edition of Maurizio Cattelan's gold toilet sculpture "America" (2016) will be auctioned in its The Now & Contemporary Evening Auction on November 18, 2025, with a starting bid of approximately $10 million based on its 101.2-kilogram weight in gold. The work first gained fame at the Solomon R. Guggenheim Museum in New York in 2009, where over 100,000 visitors used it, and later made headlines when it was stolen from Blenheim Palace in a raid that caused structural damage and flooding. The stolen piece was never recovered and is presumed melted down, making this edition the only one in existence.
Pussy Riot founder Nadya Tolokonnikova co-curated "Resistance Imprisoned," a protest exhibition at Ritsch-Fisch Galerie in Strasbourg, France, featuring artwork created by people currently or formerly imprisoned in Russia, including Ukrainian civilians. The show opened April 19 and runs through May 31, timed to coincide with the first month of the Venice Biennale, which opens May 9. Works include a pen sketch by Lyudmila Razumova, a photojournalist arrested for anti-war graffiti in 2022 and serving a seven-year sentence, alongside pieces by other political prisoners and Ukrainian POWs. The exhibition aims to highlight the human cost of Russia's war and its participation in international cultural events.
The Republic of Cuba has announced its participation in the 61st Venice Biennale with a solo exhibition by artist Roberto Diago titled "Hombres Libres" (Free Man). Curated by Nelson Ramirez de Arellano Conde and located at Il Giardino Bianco, the installation features a series of sculptural heads crafted from salvaged materials like oxidized metal, wood, and plastic. These works, characterized by prominent surface scars, are designed to confront viewers and provoke a dialogue about the enduring nature of memory and dignity.
Henry Taylor's major exhibition 'Where Thoughts Provoke' has opened at the Musée national Picasso-Paris. The show is a survey of nearly four decades of his work, featuring paintings, sculpture, and installation that focus on portraiture, observation, and the politics of looking.
The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.
Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.
A new Banksy mural appeared on a wall in west London on Monday, December 22, 2025, depicting two children in winter clothing lying on their backs and gazing at the sky. The stenciled artwork, located on Queen’s Mews in Bayswater near Notting Hill, was officially claimed by Banksy via Instagram. An identical version was also spotted outside the Centre Point tower in central London, though not yet claimed. The piece has sparked widespread speculation about its meaning, with interpretations ranging from a commentary on childhood imagination and wonder to a satirical critique of consumerism and the replacement of sacred values by utility.
The article recounts the creation and controversy surrounding Michelangelo's fresco of the Last Judgement on the west wall of the Sistine Chapel. While the chapel attracts 25,000 daily visitors and is celebrated as a pinnacle of Renaissance art, the west wall initially provoked scorn from church officials and critics like Biagio da Cesena and Pietro Aretino, who objected to its nudity, pagan imagery, and perceived idolatry. Michelangelo retaliated by painting his detractors into the fresco—Da Cesena as King Minos with donkey ears and a snake biting his genitals, and Aretino as Saint Bartholomew holding flayed skin resembling the artist.
The family behind the Fiat empire, the Agnellis, is under a new investigation into missing artworks and forgeries, as reported by the Times of London. Italian investigators are focusing on 13 works by artists including John Singer Sargent, Pablo Picasso, and Francis Bacon, allegedly missing from the collection founded by Giovanni Agnelli and expanded by his grandson Gianni, who died in 2003. Margherita Agnelli de Pahlen, Gianni’s daughter, claims she is being cheated out of her inheritance by Marella’s children from a previous marriage. Shippers reportedly brought copies of the works to the family’s Rome residence between 2016 and 2018, and Carabinieri are seeking information on the originals.
Ai Weiwei has traveled to Ukraine's eastern front, visiting Kharkiv under Russian bombardment and meeting soldiers, poets, and cultural figures resisting the invasion. He documented the trip on Instagram with stark images and was photographed in black fatigues marked "Khartiia," a volunteer unit now part of Ukraine's National Guard. His next project is a major installation in Kyiv titled "Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White," opening September 14 at Pavilion 13, a renovated Soviet-era hall, commissioned by Ribbon International.
Banksy has unveiled a new street artwork in Marseille, France, located on Rue Félix Fregier. The piece features a painted lighthouse and the stenciled text “I want to be what you saw in me,” set beside a sidewalk bollard whose shadow the lighthouse mimics. The artist posted the work on Instagram, where it quickly garnered over 800,000 likes. The mural marks a notably introspective and emotionally vulnerable departure from Banksy’s typically satirical or politically charged style.
Maya Lin, the renowned artist and designer known for the Vietnam Veterans Memorial, has created new works for a Manhattan skyscraper and a Chicago project, drawing on her deep connection to nature. The article highlights her latest installations that integrate environmental themes into urban architecture, reflecting her ongoing exploration of landscape and ecology.
Danish-Icelandic artist Olafur Eliasson has created a new installation in Utah that combines art and sound to raise awareness about climate change. Drawing on his childhood experiences in Iceland and Denmark, the work uses natural elements and sensory engagement to connect viewers with environmental issues. The piece is part of a broader effort by the artist to use immersive, site-specific art to provoke reflection on humanity's relationship with the planet.
Historic Architecture Emerges from Stone in Matthew Simmonds Ethereal Sculptures
Sculptor Matthew Simmonds meticulously carves miniature, hyper-realistic architectural interiors—including gothic cathedral arches, vaulted ceilings, and stairwells—directly into hunks of Carrara marble and limestone. His recent works, often based on real sites like Bamberg Cathedral or Tuscan cities, reveal ornate, smooth interiors that contrast with the stone's raw exterior, and he is currently using a quieter period to experiment with how light and space within the sculptures can express a sacred quality.
Liang Yuanwei's latest painting cycle, "Pluviophile," culminated in the work "im Kugelhagel Wh·YeGrUm·Br-" (2025), exhibited at Beijing Commune in 2026. The large oil-on-linen piece, tucked at the far end of the gallery, features a burnt reddish-brown field scarred with gouged arcs and scraped-away paint that reveals a gold underlayer, creating an effect of violent impact and luminous aftermath.
Marina Abramović has unveiled her latest immersive exhibition, "Seven Deaths," at Cisternerne in Copenhagen, a subterranean former reservoir. The installation features seven films where Abramović reimagines the tragic ends of famous operatic heroines—such as Tosca and Madame Butterfly—originally made famous by Maria Callas. Accompanied by actor Willem Dafoe, Abramović uses these cinematic vignettes to explore themes of heartbreak, endurance, and the cultural fascination with the "tragic feminine."
The Philadelphia Museum of Art has opened a major exhibition titled "Surrealism at 100," marking the centennial of the Surrealist movement. The show brings together a vast array of works from the movement's key figures, including Salvador Dalí, René Magritte, and Max Ernst, alongside lesser-known artists, aiming to capture the full breadth and subversive spirit of Surrealism across painting, sculpture, photography, and film.
The article recounts a personal visit to 'The Art of Banksy' exhibition at the Aotea Centre in Auckland, New Zealand, on July 7, 2024. The author, initially hesitant due to past awkward experiences at art shows, attends the opening and describes the immersive, gritty atmosphere of the 909 sqm space featuring 160 authenticated Banksy pieces. The exhibition includes iconic works like a girl with a heart-shaped balloon and anti-royalist pieces, and the author interviews curator Michel Boersma, who explains the show's growth from 65 pieces in 2018 to its current scale, touring 19 cities and attracting over 1.5 million visitors.
Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.
A major photography exhibition pairing Wolfgang Tillmans and Boris Mikhailov opens today at the Yermilov Centre in Kharkiv, Ukraine, despite ongoing Russian attacks on the city. Titled "Pairs Skating" (April 25–September 28), the show is organized by the non-profit RIBBON International and curated by Maria Isserlis and Tatiana Kochubinska. It features Mikhailov's never-before-shown Crimean seascapes from the 1990s alongside Tillmans's works including "The State We’re In" (2015), with all prints produced specially for the venue, which is a certified bunker allowing public access during the war.
John Barelli, head of security at the Metropolitan Museum of Art from 2001 to 2016, revealed that Banksy illicitly installed a painting at the museum in 2005 with the help of three accomplices who distracted guards. The work, titled 'Last Breath' and depicting a woman in a gas mask, was affixed to a wall with a placard claiming it was a donation. Banksy later requested its return, but Barelli told The New Yorker that the museum had thrown it out—though he admitted to taking it himself upon retirement, saying he might sell it if he needs money.
The article reviews "She's Like the Wind," an annual all-female group exhibition at Deep Space gallery in Jersey City, featuring works by artists Delilah Ray Miske, Leigh Cunningham, and SarahGrace. Miske's painting "Lemon Lime Toe of God" shows only a woman's leg and foot, while Cunningham's oil paintings present figures as blurred forms seen through a translucent curtain, and SarahGrace's textile works depict headless female nudes with suggestive titles like "Provoke" and "Dominate." The show marks a departure from the gallery's typically family-friendly, sex-averse programming.
Pop superstar Ed Sheeran has joined the ranks of celebrity artists, offering his Cosmic Carpark Paintings at £900 each at HENI Gallery in London from 11 July to 1 August, with half the proceeds supporting music education in UK state schools. The article also reviews other celebrity artists including Robbie Williams (whose Moco Museum show is called 'tone deaf' by critic Eddy Frankel), Adrien Brody (showing at Eden Gallery in New York), Lucy Liu (creating erotic lesbian art), Bob Dylan (exhibiting at Halcyon Gallery), and Johnny Depp (represented by Castle Fine Art).
"Das Humboldt Forum wird schon beschossen"
The architectural firm J. Mayer H. and partners Jürgen Mayer H. and Hans Schneider have won the eighth 'Kunst-am-Bau' competition for Berlin’s Humboldt Forum. Their winning installation, titled "Südpfeil" (South Arrow), features a 3.6-meter-long abstract arrow embedded high in the building's facade. The work references the 19th-century discovery of 'Pfeilstörche'—migratory storks that returned to Europe with African arrows in their bodies—which provided the first scientific proof of global migration routes.
Mimmo Paladino returns to Milan with a major exhibition after 15 years, opening on May 16 at Palazzo Citterio's underground Sala Stirling. The show features his iconic series "Dormienti" (Sleepers), 32 anthropomorphic terracotta sculptures in fetal positions, arranged in a theatrical, immersive installation. The exhibition also includes a soundscape by Brian Eno and a selection of 15 drawings on paper from 1973, curated by Lorenzo Madaro and organized by Grande Brera and the Archivio Paladino. It runs until July 26, 2026.
Banksy has installed a new sculpture in Waterloo Place, central London, depicting a suited man with his face covered by a flag walking off a plinth toward his demise. The artist confirmed his authorship via an Instagram video and left his signature on the base. The statue was covertly placed in the early hours of April 29, among existing monuments celebrating the British Empire, including King Edward VII, Florence Nightingale, and the Crimean War Memorial.