Holly Stevenson – interview

London-based ceramic artist Holly Stevenson discusses her recent and upcoming projects in an interview with Studio International. She had a joint exhibition, "A Hyena Wore My Face Last Night," at C+N Gallery Canepaneri in Milan, with works titled after Leonora Carrington's short story "The Debutante," and a solo exhibition, "Tracing the Irretraceable," at the Freud Museum in London in collaboration with the Jane McAdam Freud Estate. Stevenson reflects on the resurgence of surrealism, particularly feminist perspectives, and the influence of psychoanalysis on her work, noting coincidental timing with a major Carrington exhibition at Palazzo Reali in Milan.

9 Contemporary Artists Conjuring Ghosts

Maxwell Rabb profiles nine contemporary artists who explore ghostly and spectral themes in their work, coinciding with two major museum exhibitions: Kunstmuseum Basel's "Ghosts: Visualizing the Supernatural" (through March 2026) and Tacoma Art Museum's "Haunted." The article traces the historical evolution of ghost imagery in art from Renaissance depictions to 19th-century psychological forms by Goya and Fuseli, through 20th-century surrealist and post-war treatments, and highlights living artists such as Xie Lei and Mariann Metsis who use haunting as a metaphor for memory, loss, and the unseen.

5 Art Novels to Read This Summer

ARTnews has published a list of five art novels to read this summer, all released within the past year. The featured books include Ben Lerner's 'Transcription,' Larissa Pham's 'Discipline,' Deborah Levy's 'My Year in Paris with Gertrude Stein: A Fiction,' Stephanie Wambugu's 'Lonely Crowds,' and Luke Goebel's 'Kill Dick.' Each novel explores how art emerges through relationships—with friends, mentors, parents, lovers, and historical artists—offering a range of perspectives from anxious inner monologues to satirical critiques of the art world.

An Auction Without Bidding: Loïc Gouzer’s Latest Bet on How to Sell Art

Loïc Gouzer's auction app Fair Warning is launching a new sales format called "No Warning." The system eliminates bidding wars; a work is listed with a price, and buyers can either purchase it immediately or submit a single, binding offer. The highest offer is presented to the seller, who decides to accept or reject it, with no public record of the sale unless disclosed by the parties. The first test of the format is a 1999 Elizabeth Peyton watercolor priced at $400,000.

Marcel Duchamp at MoMA, Dorothea Tanning book, Leonora Carrington at the Freud Museum, London—podcast

The Museum of Modern Art in New York is launching the first major U.S. survey of Marcel Duchamp’s entire career in over fifty years, a landmark exhibition that will later travel to Philadelphia. Accompanying this resurgence of interest in avant-garde pioneers are two significant projects focused on women of the Surrealist movement: the publication of Alyce Mahon’s comprehensive new book on Dorothea Tanning and a specialized exhibition at London’s Freud Museum featuring Leonora Carrington’s 1940 painting 'Down Below'.

Inez & Vinoodh Handpick 6 Defining Works From Their New Retrospective

The Dutch photography duo Inez & Vinoodh have launched a major retrospective titled "Can Love Be a Photograph" at the Kunstmuseum Den Haag. Spanning their career since 1986, the exhibition features 150 works that blur the lines between fashion photography, celebrity portraiture, and fine art. To mark the opening, the artists highlighted six defining works—including the digitally manipulated "Thank You Thighmaster" series—that prioritize conceptual depth and psychological mutation over the glossy celebrity culture they are often associated with.

How Caravaggio’s Dark Masterpieces Mirror the Crimes in Netflix’s Ripley

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The Netflix series Ripley, an adaptation of Patricia Highsmith’s novel, utilizes the works of Caravaggio as a central narrative and aesthetic device. The show follows Tom Ripley, a grifter who travels to Italy and eventually adopts the identity of a wealthy acquaintance after committing murder. Throughout the series, Ripley encounters several of Caravaggio's masterpieces, including The Seven Acts of Mercy and David with the Head of Goliath, which serve as dark mirrors to his own descent into violence.

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Lebanese-born artist Ali Cherri discusses his latest exhibition, "Last Watch Before Dawn," currently on view at Almine Rech in New York. The show centers on his new film, *The Sentinel* (2025), which explores the psychological and physical toll of military service through the figure of a French soldier. This exhibition marks a shift in Cherri’s practice, as he integrated the creation of sculptures and watercolors directly into the filmmaking process, allowing the gallery space to function as an extension of the cinematic set.

Rare Leonora Carrington Sketches of Her Inner Turmoil Resurface in London Show

Rare sketches by Surrealist artist Leonora Carrington, created during her 1940 confinement in a Spanish psychiatric hospital, have been reunited and are on display at London's Freud Museum. The exhibition, "Leonora Carrington: The Symptomatic Surreal," features sketchbooks that reimagined the hospital as a mythological underworld and served as preparatory studies for her seminal painting Down Below.

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Artnet Auctions has launched its "20th Century Art" sale, featuring works by blue-chip masters including Joan Miró, Yves Klein, and Andy Warhol. The auction, curated by specialists Sylvie François Sturtevant and Jason Rulnick, highlights the distinction between "rarity"—objects that are unusual due to limited production or historical loss—and "scarcity"—where high market demand outstrips the available supply of editioned works.

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The article explores how Emily Brontë's novel *Wuthering Heights* has inspired visual artists across different eras. It details specific works by English artist Edna Clarke Hall, who created hundreds of sketches and watercolors reflecting her personal connection to the story's themes of isolation and turmoil, and by Polish-French modernist Balthus, who produced a series of ink illustrations focusing on the childhood trauma of the protagonists.

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The Musée Marmottan Monet in Paris has opened a new exhibition titled "The Empire of Sleep," curated by neurologist Laura Bossi and museum director Sylvie Carlier. The show gathers 130 artworks from the 19th and 20th centuries, exploring how artists have depicted sleep, dreams, nightmares, and the bed as a site of birth, love, illness, and death. Featured artists include John Everett Millais, Eugène Delacroix, Jean Cocteau, Giovanni Bellini, Gabriel von Max, Evelyn De Morgan, Odilon Redon, Gustave Courbet, Francisco de Goya, and Claude Monet, whose painting *Camille on Her Deathbed* is a centerpiece.

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Taschen has released a monumental two-volume monograph titled "Art Sin Fin" (2026) dedicated to the 96-year-old Chilean filmmaker and polymath Alejandro Jodorowsky. The book, priced at $1,500 and packaged in a Plexiglass box, spans over 2,000 pages and includes film stills, collages, drawings, photographs, comic strips, and performance images curated by Jodorowsky himself in collaboration with Donatien Grau, head of contemporary programs at the Louvre Museum. It covers his entire career, from his surrealist films "El Topo" (1970) and "The Holy Mountain" (1973) to his failed "Dune" adaptation, his comic series like "The Incal" and "The Metabarons," his psychomagic therapy practice, and recent collaborations with his wife Pascale Montandon.

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Artnet News columnist reflects on the fragile state of the art market as 2025 ends, noting that global instability and troubling news have dampened buyer psychology. Despite this, major auction houses reported strong annual sales—Sotheby's at $7 billion (up 17%) and Christie's at $6.2 billion (up 6%)—and a series of high-profile sales, including the Pauline Karpidas collection auction and Leonard Lauder's Gustav Klimt portrait fetching $236.4 million, have sparked renewed momentum. The article quotes advisors and dealers who sense a market bottom has passed, with buyers returning to auctions and fairs like Art Basel Miami Beach.

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Christie’s announced a projected sales total of $2.1 billion for the first half of 2025, matching its H1-2024 figure. While art categories like Impressionist, modern, and Old Masters saw modest growth—Old Masters sales rose 15% to $55 million—luxury categories (handbags, watches, cars, jewelry) surged nearly 30% to $468 million, now accounting for 22% of the total. Notable sales included René Magritte’s *La reconnaissance infinite* (1933) for £10.3 million and Piet Mondrian’s *Composition with Large Red Plane, Bluish Grey, Yellow, Black, and Blue* (1922) for $46.7 million. Guaranteed lots remained low at 1.5%, and the sell-through rate held steady at 88%.

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Walton Ford's new series of paintings, on view at Gagosian in New York through April 19, centers on the Marchesa Luisa Casati and her two cheetahs. The works depict the Milanese heiress and Futurist muse in early 20th-century Venice, but the animals—not the glamorous woman—command the focal point. Ford, known for subverting natural history illustration, uses watercolor to balance trompe-l'oeil realism with painterly abandon, developing the characters across multiple canvases with Italian titles referencing literature by Casati's lover, poet Gabriele D'Annunzio.

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Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.

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Artist George Condo has left Hauser & Wirth and will now be jointly represented by Sprüth Magers and Skarstedt, marking a return to galleries with which he had long-standing relationships. Condo first showed with Monika Sprüth in 1984 and was represented by Skarstedt from 2004 to 2019 before joining Hauser & Wirth in late 2019. Separately, a new BBC documentary titled *Turner: The Secret Sketchbooks* explores whether J. M. W. Turner's creative genius was shaped by childhood trauma and neurodivergence, featuring commentary from artists, actors, and a psychotherapist. The article also reports that Dana Awartani will represent Saudi Arabia at the 2026 Venice Biennale, and that the Trump administration has tightened H-1B visa rules, making it harder for arts institutions to hire foreign specialists.

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The Art Institute of Chicago has opened an exhibition titled 'Strange Realities: The Symbolist Imagination,' drawn entirely from its own collection. The show features works by Vincent van Gogh, Edvard Munch, Odilon Redon, and lesser-known artists like Gustaf Fjaestad, aiming to present Symbolism through its visual output rather than its often vague literary manifestos. The exhibition sidesteps strict definitions of the movement, instead offering a broad range of works from the late 1880s to early 1900s that evoke mystery, doubt, and inner realities.

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The inaugural AIR festival took place in Aspen as part of Aspen Art Week, featuring a mix of talks, performances, and a closed-door retreat for artists, writers, scientists, and theorists. Highlights included a pack of panting huskies, a psychoanalysis talk in a psychedelic chapel, an artist conversing with his AI doppelganger, and a whispery musical performance on a museum rooftop. The festival kicked off with a film by Apichatpong Weerasethakul accompanied by composer Rafiq Bhatia, followed by discussions on dreaming and catastrophe, and site-responsive works by Jota Mombaça and Paul Chan.

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An exhibition titled “The Women of Klimt, Schiele and Kokoschka” has opened at the Belvedere Palace & Museum in Vienna, running from October 22, 2015 to February 28, 2016. The show examines how Gustav Klimt, Egon Schiele, and Oskar Kokoschka depicted women, highlighting the artists' obsessive focus on female subjects against the backdrop of Vienna's changing society and the early 20th-century revolution in gender politics and sexuality.

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A rare self-portrait by 17th-century British painter William Dobson has been jointly acquired by London's Tate and the National Portrait Gallery for £2.37 million ($3.2 million), setting a new record for the artist. The painting, considered the first known self-portrait by a British-born painter, was created in the late 1630s and last sold at Bonhams London in 2016 for just over £1.1 million. It will go on view in London before embarking on a national tour in 2026.

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Jack Whitten's monumental mosaic-painting "9.11.01" (2006) is the focus of this article, which examines the work on view at the Museum of Modern Art. The painting, created in response to the September 11 attacks, uses abstract forms—a cracked black pyramid with dagger-like spines and bootprints—to evoke the trauma of that day. Whitten, who witnessed the first plane strike from his studio in Manhattan, embedded ash and wreckage fragments into the surface, blending abstraction with historical memory.

‘I was super horny when I made my early work’: Loie Hollowell’s abstract paintings of breasts and vaginas

Loie Hollowell discusses her latest painting series 'Overview Effect,' currently on view at Pace Gallery in London. The series features large-scale canvases with twin concave and convex sculpted circles, inspired by the out-of-body experience she had during the home birth of her daughter. The works continue her abstract exploration of pregnancy, birth, and the female body, following earlier series like 'Split Orb' and 'Dilation Stage' that responded to the difficult birth of her son. Hollowell cites influences including Georgia O'Keeffe, Louise Bourgeois, and Luchita Hurtado, as well as Instagram home-birth photographs and the Ina May Gaskin childbirth book.

Hunker Down With John Skoog

Artist John Skoog has premiered a new black-and-white feature film, 'Redoubt' (2025), starring Denis Lavant, and opened a concurrent exhibition at Moderna Museet in Malmö. The film follows a farmhand building an apocalyptic shelter, while the museum installation features the full-scale, fabricated bunker from the film's production.

'I get strong gut reactions': Jonathan Travis on what he collects and why

Jonathan Travis, a realtor and art collector who has helped drive the migration of New York galleries to Tribeca, discusses his collecting habits in an interview with The Art Newspaper. Travis, a partner at Redwood Property Group, has found Tribeca homes for around 40 galleries and co-founded the Wolf Hill artist residency in Chappaqua, New York, with Ethan Rafii. He shares details about his first purchase (a Nicole Eisenman painting), his most recent acquisition (a Masanori Tomita painting), and his strong gut reactions when buying art in person. He also mentions works in his collection by artists such as Sasha Gordon, Jenna Gribbon, and Arcmanoro Niles, and expresses excitement for the Salvador Dalí show at Di Donna and the May auctions.

At Independent, Joel Mesler’s ‘Death Wish’ Is Part Art Exhibit, Part Market Experiment

Joel Mesler, a former gallerist turned artist, is debuting a new series of figurative paintings titled “Interiors” at the Independent art fair under the deliberately strange name “Joel Mesler Presented by The Estate of Joel Mesler.” The project includes only 12 paintings, which will not be sold through a gallery sales team; only Mesler himself and his former dealer David Kordansky can sell the work. Mesler describes the presentation as part art exhibit, part controlled market experiment, reflecting his frustration with the contemporary art market's loss of intimacy and unpredictability.

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Van Doren Waxter in New York is hosting "Portraits," a solo exhibition dedicated to the late American abstract painter Jackie Saccoccio. The show features five paintings and seven works on paper that showcase Saccoccio’s mature style, characterized by a physically demanding process of dragging, pressing, and dripping paint. These works bridge the gap between gestural abstraction and the psychological depth of traditional portraiture, drawing inspiration from both Abstract Expressionism and Roman Baroque aesthetics.

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Galerie Michael Haas in Berlin is presenting "André Thomkins: Lackskins," a focused exhibition on the Swiss artist's experimental technique developed in the 1950s. Thomkins (1930–1985) created these works by dripping varnish onto water and transferring the floating pigment to paper, a process blending controlled manipulation with chance. The show, running through March 6, 2026, highlights a body of work rediscovered only in the last 15 years, including pieces like "Astronauten" (1962).

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Artnet News critic Ben Davis presents his annual "art words of the year" for 2025, a curated list of terms that capture prevailing moods and ideas in the art world. The list includes "antimemetics" (from writer Nadia Asparhouva and internet fiction), "cyniserity" (coined by art writer David Colman to describe Anne Imhoff's work), "delightmare" (a horror-adjacent feeling linked to overconsumption and AI art, exemplified by Beeple's Art Basel installation), "elite capture" (from philosopher Olúfẹ́mi O. Táíwò's book, now a tool for critiquing identity politics in art), and "K-shaped" (an economic term describing divergent recovery, applied to gallery closures versus record auction sales).