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Joe Macken Spent 22 Years Building a Miniature New York by Hand

Joe Macken, a truck driver from upstate New York, spent 22 years building a 50-by-27-foot miniature scale model of New York City entirely from balsa wood, cardboard, and glue. The model, which includes all five boroughs and landmarks like the Twin Towers and One World Trade Center, went viral on TikTok after Macken’s daughter encouraged him to post a video. It is now on display at the Museum of the City of New York in an exhibition titled *He Built This City: Joe Macken’s Model*.

queens museum debra wimpfheimer executive director

The Queens Museum has appointed Debra Wimpfheimer as its new executive director. A Queens native, Wimpfheimer has worked at the museum for over two decades, previously holding roles including director of strategic partnerships and deputy director, and has served twice as interim director.

Recent NYC Exhibition Highlights: Beverly Fishman, NANNYCAM, Dena Novak, and more

The article reviews two recent New York City art exhibitions. The first, "Creators, Educators Art Show" at BASIS Independent on the Upper West Side (June 6-8, 2025), curated by Carmen Lucia Recio, featured works by 17 New York City art teachers and educators, including Noelle Salaun, Nicholas Leeper, Avani Patel, Lynne Marie Rosenberg, Chris Floyd, and Emily Linares. The second, "Samantha Thomas: Love in a Mist" at Anat Egbi Gallery in Tribeca (April 18-June 14, 2025), marks the artist's first New York solo show in over a decade, showcasing her abstract works blending Abstract Expressionism, Color Field, and Pattern & Decoration.

‘Maintenance Artist’ Highlights Mierle Laderman Ukeles’ Radical, Caring Approach to Public Art

A new documentary titled 'Maintenance Artist,' premiering at the Tribeca Film Festival, profiles New York City artist Mierle Laderman Ukeles, who has served as artist-in-residence at the city's Department of Sanitation since 1977. The film traces her radical practice, which began with her 1969 'Manifesto for Maintenance Art' and includes performances like 'Touch Sanitation Performance' (1980), where she shook hands with all 8,500 sanitation workers, thanking each for keeping the city alive. Ukeles' work elevates overlooked labor—trash collection, street-cleaning—as a form of public art.

Joe Macken Spent 21 Years Hand-Assembling a Vast Model of New York City

Joe Macken, a Queens resident, spent 21 years hand-assembling a vast 50-by-27-foot scale model of New York City, completing it in 2025. The model, built from cardboard, glue, and balsa wood, comprises 340 individual sections and is now on long-term display at the Museum of the City of New York in an exhibition titled "He Built This City: Joe Macken’s Model." Visitors can walk around the model and use binoculars to spot familiar buildings and neighborhoods.

After Five Years of Community Building, Social Practice CUNY Initiative to End in 2027

The Social Practice CUNY (SPCUNY) initiative, a major program fostering the intersection of art and social justice across the City University of New York’s 25 campuses, will officially sunset in February 2027. Co-directed by artists Chloë Bass and Greg Sholette, the program will conclude following its final 2025–26 fellowship cohort. The decision to end the project stems from the directors' personal transitions, including Sholette’s upcoming retirement and Bass’s shift away from full-time teaching to focus on her studio practice.

'Greater New York' Exhibit Gets Real at MoMA PS1

MoMA PS1 opened the sixth edition of its quinquennial exhibition 'Greater New York,' featuring over 50 artists from the New York area. The show, which debuted in 2000 as the first joint project between the Museum of Modern Art and P.S.1 Contemporary Art Center, fills all floors of the Queens museum with works addressing local themes such as immigration, taxi drivers, massage parlors, rats, and bodega cats. Notable installations include 'Unfree Free Time' by fields harrington, which pays a delivery driver minimum wage for each hour his bike is displayed, and a mural by the Cevallos Brothers, known for their posters for local businesses.

Waiting to Be Discovered? Curators Reveal How Emerging Artists Can Get Noticed

Top curators share advice on how emerging artists can get noticed in a tough art world. Key tips include being proactive in building networks, approaching curators directly, and presenting organized online portfolios. Curators like Hitomi Iwasaki (Queens Museum), Marie-Anne McQuay (Liverpool Biennial), and Lisa Long (formerly Julia Stoschek Foundation) emphasize that artists should not wait to be discovered but instead engage with peers, attend shows, and reach out to curators, even those early in their careers.

tribeca film festival mierle laderman ukeles

Filmmaker Toby Perl Freilich has created a documentary titled "Maintenance Artist" about the pioneering artist Mierle Laderman Ukeles, known for her 1969 "Manifesto for Maintenance Art" and her decades-long role as the unsalaried artist-in-resident at the New York City Department of Sanitation. The film, which premieres at the Tribeca Film Festival, features archival footage, interviews with art historians and family, and documents Ukeles's process of curating her archives for the Smithsonian Archives of American Art, highlighting her iconic projects like "Touch Sanitation" (1979-80) and her ongoing work on Freshkills Park.

Beloved CUNY Social Practice Art Program to Shut Down

Social Practice City University of New York (SPCUNY), an artist-led initiative supporting social justice-minded art across the CUNY system, will cease operations in February 2027. Founded in 2021 by artists Chloë Bass and Gregory Sholette with support from the Mellon Foundation, the program distributed over $535,000 in fellowships to 129 faculty and student fellows. The closure is prompted by the departure of both co-directors from their academic positions at Queens College, leaving the independent project without a clear institutional pathway for leadership transition.

How to Extract the Story of Appalachia

The artist collective GRIT has issued a sharp critique of Fia Backström’s exhibition, "The Great Society," currently on view at the Queens Museum. The authors argue that Backström, a European artist, engages in "extractive" storytelling by focusing exclusively on trauma, environmental disaster, and poverty in West Virginia. They contend that the exhibition’s aesthetic choices—such as inverting landscape photographs and omitting human subjects—flatten the region's complexity into a spectacle of misery that alienates the very community it claims to represent.

New York City provides long-term support to five local arts organisations

The New York City Department of Cultural Affairs (DCLA) has inducted five new members into its Cultural Institutions Group (CIG), an exclusive program that provides long-term operational subsidies to private arts organizations operating on public land. The new members—Bric (Brooklyn), Pregones/Puerto Rican Traveling Theater (Manhattan), the Bronx Children’s Museum, the Noble Maritime Collection (Staten Island), and the Louis Armstrong House Museum (Queens)—represent each of the city’s five boroughs. This is the largest expansion of the program, now totaling 39 members, since the 1970s. A celebratory event was held at Bric on September 30, featuring remarks from DCLA Commissioner Laurie Cumbo and Deputy Mayor Adolfo Carrión Jr., along with musical performances by each institution.

The Art of Performing Maintenance

This article explores the work of artist Mierle Laderman Ukeles, who in 1969 wrote her "Manifesto for Maintenance Art" after experiencing a crisis of meaning following the birth of her first child. She proposed that routine maintenance tasks—like cleaning, cooking, and laundry—could be redefined as art when performed in public, particularly in museums. The article traces her early exhibitions at the Wadsworth Athenaeum, where she swept and mopped as performance, and her later projects interviewing passersby on New York City sidewalks and embedding herself in a Manhattan office building, where she invited workers to declare their maintenance tasks art.

Jewyo Rhii: ‘If you don’t die today, you get another opportunity to live’

Jewyo Rhii, a Seoul-born artist from the first generation to come of age during South Korea's dramatic political shifts in the 1980s, has been selected for this year's Korean Artists Today project. Her work, which began as personal explorations of misplacement and survival using ephemeral materials and found objects, evolved around ten years ago into collaborative projects like Love Your Depot (2019), a series of storage-unit-like installations that question the lifespan of artworks. Rhii's practice includes object-oriented performance pieces such as Ten Years Please (2007-17) and Lie on the Han River (2003-06), and she has shown at institutions including the Queens Museum, the National Museum of Modern and Contemporary Art (MMCA) in Seoul, and the Venice Biennale.

How a Museum Built Its Buzz: Popcorn, Puppets and Free Tickets

The Museum of the Moving Image in Queens has doubled its attendance by repositioning itself as a community hub, using strategies such as offering free tickets, popcorn, and puppet shows to attract a broader audience beyond traditional cinephiles.

An Art Museum Has Evolved Along With Its Neighborhood

The Queens Museum is undergoing a significant transformation to better serve its diverse local community, moving away from traditional elitist museum models. Under the leadership of director Sally Tallant, the institution has integrated social services, including a food pantry and community organizing spaces, directly into its operational fabric while maintaining a rigorous contemporary art program.