Brazilian artist Sacha Ingber presents 'Two,' a solo exhibition at Uffner & Liu in New York, featuring works in pigmented resin, ceramics, and functional objects that explore themes of pairing, connection, and codependence. The show includes paired notebooks, ceramic figures sharing handles, and a backgammon board designed for two players, all emphasizing the relational space between objects and bodies.
The Sovereign Asian Art Prize, now in its 22nd year, has announced its 2026 shortlist of 30 artists from 12 Asia-Pacific countries and territories. Among the finalists are three Filipino artists: Joey Cobcobo, Josephine Turalba, and Alvin Zafra. Cobcobo's nominated work, "Ika-8 Utos: Wag Kang Kukurap (Thou Shall Not Steal)," addresses corruption in the Philippines using a recycled canvas walked on by the public. Turalba, a transdisciplinary artist, has exhibited at Art Basel Hong Kong 2025 and serves as director of the Artistic Research Center at Philippine Women's University. The prize is run by the Sovereign Art Foundation, with proceeds from shortlisted works supporting its Make It Better charity program for children in Hong Kong.
Southern Guild, a gallery founded in 2008 by Trevyn and Julian McGowan in Cape Town, South Africa, is opening its first New York City location at 75 Leonard Street in Tribeca on April 24. The gallery, which works with collectible design and contemporary art, will inaugurate the space with two solo exhibitions featuring South African artists Mmangaliso Nzuza and Usha Seejarim. The move follows the transition of its former Los Angeles space and reflects the gallery's expansion from its roots in Cape Town's Silo District, where it operates within a production ecosystem of ceramic studios, bronze foundries, and fabrication workshops.
The article reviews David Boyd Haycock's slim new book 'Art-Quake, 1910,' which examines the explosive 1910 exhibition 'Manet and the Post-Impressionists' at London's Grafton Galleries. The show introduced British audiences to revolutionary artists like Cézanne, van Gogh, Gauguin, Matisse, and Picasso, provoking outrage from critics and the public, who called the works 'evil,' 'hysterical,' and a threat to civilization. The book is part of a series from Old Street publishing that also includes titles on the Degenerate Art exhibition and the Cultural Revolution.
The Fondation Louis Vuitton in Paris will host its first late-night event dedicated to Alexander Calder on Friday, May 8, 2026. Titled "Nocturne Calder #1," the evening features guided micro-tours of the retrospective "Calder. Dreaming in Equilibrium" (April 15–August 16, 2026), a creative workshop inspired by the artist, music, and a food-and-drinks offering. The program also includes a spotlight on the concurrent Armineh Negahdari exhibition. The event runs from 7:00 PM to 10:30 PM, with timed tours and open gallery spaces.
From 26 April 2026 to 10 January 2027, the Vincenzo Vela Museum in Ligornetto, Switzerland, presents "Bertille Bak: Voices from the Earth," the first major solo exhibition in Switzerland of French artist Bertille Bak. The show brings together works from the past fifteen years that combine cinema, visual arts, and field research, focusing on marginalized communities and themes of labor, identity, and resistance. Bak, born in Arras in 1983, creates video installations and narrative devices through long immersions in communities, with her work held in collections such as the Centre Pompidou and the Collection François Pinault.
The Hong Kong Museum of Art (HKMoA) opens its large-scale exhibition "Blooming: The Art of Gardens in East and West" on April 24, featuring over 100 sets of paintings and artefacts from the Palace Museum in Beijing, the Art Institute of Chicago, the Palace of Versailles, and HKMoA's own collection. Works include paintings, prints, lacquerware, sculpture, ceramics, and glassware, with highlights such as Claude Monet's "Water Lilies" and "Water Lily Pond," Zhang Daqian's "Entrance of Bade Garden," and a Ming dynasty bowl with garden scenes. The exhibition also includes a scenographic recreation of the Orchid Pavilion Gathering enhanced with technology for an immersive experience.
Artist Mark Milroy, an observational painter in his mid-50s who gained a following during the pandemic through Instagram and online shows at Nancy Margolis Gallery, is now holding his debut New York exhibition, "Jumbo," at JJ Murphy gallery through May 16. The show features 18 oil paintings and 12 colored pencil drawings, with subjects ranging from still lifes and portraits to a titular painting referencing the famous P.T. Barnum elephant killed in Milroy's hometown of St. Thomas, Ontario, in 1885. Milroy's work blends personal memory, art historical insight, and a deliberate gaze, drawing influences from Cedric Morris and 15th-century Florentine painting.
The Museum of Contemporary Art Detroit (MOCAD) will present "Olayami Dabls: Detroit Cosmologies," the first comprehensive museum retrospective for Detroit artist Olayami Dabls, running from April 25 to July 12, 2026. Dabls, who began his career as a curator at the Afro-American Museum in Detroit (now the Charles H. Wright Museum of African American History), traces his artistic journey to a transformative moment in the 1970s when he opened a box of African masks that his colleagues feared to handle. This experience led him to investigate how Hollywood and popular culture had demonized African material culture, associating it with horror movies and voodoo, and inspired decades of work as an artist, storyteller, cultural historian, and civic champion.
Yapı Kredi Culture Arts and Publishing has opened a landmark exhibition in Istanbul titled "Imprints on the Century: The Koç Group and the Arts," running until November 29, 2026, at the Yapı Kredi Culture Center in Galatasaray. Curated by YKYM Gallery Director Didem Yazıcı over two years, the show commemorates the 100th anniversary of the Koç Group, tracing its evolution from a small business registered by Vehbi Koç in 1926 to a global industrial conglomerate. The exhibition draws on archives from the Sadberk Hanım Museum, Arter, and the Rahmi M. Koç Museums, highlighting the group's contributions to archaeology, museology, contemporary art, publishing, and theater, including milestones like the first color film in Turkey and the Bauhaus-inspired Küçük Sahne theater.
French sculptor Michel Bassompierre has died at age 78. Known for his monumental bronze and marble animal sculptures—polar bears, gorillas, elephants, pandas, and horses—he depicted them in moments of rest and balance, simplifying forms in the tradition of François Pompon. Bassompierre studied at the École des beaux arts de Rouen under René Leleu, taught applied arts, and later worked with foundries including Venturi Arte in Italy. His major exhibitions include "Fragiles colosses" at the Jardin des plantes in Paris (2019) and a show at the Musée Despiau Wlérick (2021). In February 2025, the municipality of Vertou announced plans for a Michel Bassompierre museum, slated to open in 2028. He was named a Chevalier of the Ordre des Arts et des Lettres in 2010, received the Légion d'honneur in January 2025, and was promoted to Officier des Arts et des Lettres on April 1, 2025.
Julia Stoschek Foundation schließt Berliner Standort
The Julia Stoschek Foundation is closing its Berlin exhibition space at the end of October. The foundation, which specializes in video art, opened the venue in 2016 in a former Czech cultural center on Leipziger Straße, quickly becoming a key destination for time-based art in the city. Over its run, it presented 22 solo and group shows featuring artists such as Arthur Jafa, Ian Cheng, and Mark Leckey, attracting more than 450,000 visitors. The closure is part of a strategic reorientation: the foundation will now focus on its headquarters in Düsseldorf and temporary international projects, building on recent presentations abroad like a show in Los Angeles that drew over 30,000 visitors in early 2026.
The article explores the transformation of cultural travel for artists and art lovers, contrasting the arduous, unknown journeys of historical figures like Eugène Delacroix, Paul Gauguin, and Ella Maillart with today's accessible, curated experiences. It describes how contemporary artists such as Ólafur Elíasson, JR, and Marina Abramović now use travel itself as a medium, creating works that engage with climate change, social issues, and presence. Destinations like the Venice Biennale, AlUla in Saudi Arabia, Naoshima in Japan, and Le Voyage à Nantes are highlighted as hubs where art and travel merge into immersive, sensory experiences.
Julia Langbein's new novel *Dear Monica Lewinsky*, published by Doubleday, follows translator Jean Dornan as she revisits a traumatic relationship with a professor from her youth, set against the backdrop of the 1998 Monica Lewinsky scandal. The story interweaves medieval art, particularly the 13th-century *Golden Legend*, with Lewinsky's public shaming, as Jean prays to Lewinsky for guidance and is visited by a haloed version of her. Langbein, an art historian with a PhD from the University of Chicago, draws on her expertise to explore themes of humiliation, self-estrangement, and collective experience.
Southern Guild, a South African gallery founded by Trevyn and Julian McGowan in 2008, has opened a new outpost in Tribeca, New York, after closing its Los Angeles location. The gallery, which began in Cape Town and expanded to a 32,000-square-foot campus, now occupies a 19th-century heritage building with 17-foot ceilings and cast-iron columns. Its inaugural exhibitions feature South African artists Usha Seejarim and Mmangaliso Nzuza, showcasing large-scale works that take advantage of the dramatic vertical space.
The Clay Studio has organized "Radical Americana," a sprawling exhibition series featuring 45 artists across 22 sites in the Philadelphia area. Curated by Jennifer Zwilling, the project includes a central "welcome hub" at The Clay Studio and 25 satellite exhibitions at venues such as the Museum for Art in Wood, Cliveden, and the Historical Society of Pennsylvania. Artists were prompted to reflect on the Declaration of Independence and envision a better future, resulting in works that explore feminism, social justice, and LGBTQ rights through media including ceramics, wood, fiber, metal, glass, paper, and bookmaking. Notable participant Roberto Lugo presents "American Crib: What's Happening?" at The Clay Studio, blending Puerto Rican heritage with historical references.
The exhibition 'Continuum,' curated by artist-curator Gauri Minocha at The Art Hub Gallery in Gurugram, presents over 100 artworks by South Asian artists within a refurbished house turned home gallery. Works are displayed across rooms, hallways, stairways, and terraces, moving away from the traditional white cube model to allow viewers to experience art in a domestic setting. The show spans from the 1950s to 2026, featuring modern masters like Ram Kumar, Jamini Roy, and Rubin Mondal, with each room defined by a distinct color palette and mood.
The Museum of Arts and Design (MAD) in New York will present "Jessica Lichtenstein: Rewilding," the artist's first solo museum exhibition, from May 30, 2026, to April 18, 2027. The immersive installation transforms the third-floor gallery into a lush, overgrown terrain featuring thousands of digitally rendered female nudes that form forests, ruins, and flowering canopies. The exhibition is divided into four sections—Secret Garden, After the Fall, Leave Your Thoughts Here, and Shadow Play—and includes site-specific works like the 2026 piece "Secret Garden" and a 70-foot-long modular sculpture titled "Leave Your Thoughts Here" (2025).
La grande fiera dell’antiquariato di Assisi ha mezzo secolo di storia. L’intervista
AMAB – Assisi Mostra Arte Antiquariato Bastia Umbra, the antique fair founded in Assisi in 1973 and moved to the Umbria Fiere exhibition center in 1989, celebrated its 50th edition in 2025 and will reopen from April 24 to May 3, 2026. The 10-day event features 90 exhibitors and includes special exhibitions marking the 800th anniversary of the death of Saint Francis of Assisi (at Palazzo Collicola in Spoleto and the Galleria Nazionale dell'Umbria in Perugia) and the centenary of the birth of artist Giorgio Ascani, known as Nuvolo, curated by Bruno Corà, as well as a project on costume designer Tita Tegano with costumes from the Renato Bruson collection. Director Emo Antinori Petrini, son of founder Mario, discusses the fair's evolution, its commitment to quality, and its new focus on contemporary art installations and performances.
Le novità del mondo dell’arte selezionate da Artbox su Sky Arte
The new episode of Artbox, a weekly program on Sky Arte airing April 28, surveys current exhibitions across Italy. It features Isaac Julien's show "Museum Dreams" at gres art 671 in Bergamo, running until October 4, where the British artist presents five multi-screen video installations from the late 1990s to today. The episode also covers the exhibition "Etruschi e Veneti. Acque, culti e santuari" at Palazzo Ducale in Venice, exploring water cults through ancient artifacts including recent finds from San Casciano dei Bagni; the show "Giovanni Antonio Bazzi detto il Sodoma. Alla conquista del Rinascimento" at Museo Accorsi-Ometto in Turin; and a profile of Spanish artist Almudena Romero, who uses photosynthesis to create images on leaves. Regular segments include a feature on Symbolism by Maria Vittoria Baravelli and an arts news roundup.
Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico
The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.
Lubbock’s First Friday Art Trail (FFAT), now in its 22nd year, has grown from a small gathering of a few dozen attendees to regularly drawing thousands to the downtown arts district each month. In October 2025, the Louise Hopkins Underwood Center for the Arts (LHUCA) distributed 6,000 wristbands before running out. The event features exhibitions, open studios, craft vendors, music, hands-on activities, drinks, and food trucks, with streets closed to traffic and visitors moving on foot or by trolley. The trail began organically in August 2004, spearheaded by artist Steve Teeters of St. Eligius Studio, and was inspired by a First Friday event in Corpus Christi.
Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.
Harry Chávez: Donde muerde el mito was the first presentation of Peruvian artist Harry Chávez's work at the Museo de Arte de Lima (MALI), held as part of the MALI Colecciones. Intervenciones contemporáneas program. The exhibition recently won the Premio Luces 2026 from El Comercio in the best exhibition category, a public-vote award reflecting its impact. The show explores symbolic conflicts between serpent and feline in Andean and Amazonian mythology, featuring works like 'Salto mortal' and 'Nacimiento del dragón' that depict cosmic struggles and hybrid transformations.
Ali Zolghadri, a Tehran-born fine art photographer, captured a composite image of the central atrium of the Iran Mall in Tehran—the world's largest shopping mall—which was shortlisted in the creative category of the 2026 Sony World Photography Awards. The photograph, taken four months before the US and Israel launched their war on Iran, depicts the mall's futuristic architecture with sweeping curved lines, metallic surfaces, and massive skylights, and includes a lone passerby to emphasize scale. Zolghadri emphasizes that his process involves manual editing in Photoshop without AI, blending three frames and removing unnecessary elements to construct meaning.
An exhibition titled "Resisting Death: Glitches and Ornaments" is on view at CASTLE in Los Angeles from March 21 to May 2, 2026. Curated by Oriane Durand, the show features works by artists Ull Hohn, Bod Mellor, and Bruno Pélassy, presenting 22 images and no videos in the documentation.
The iconic bronze statue of Rocky Balboa, the fictional boxer portrayed by Sylvester Stallone, is moving inside the Philadelphia Museum of Art for the first time starting Saturday, as part of the museum's new exhibition "Rising Up: Rocky and the Making of Monuments." The exhibition, which marks the 50th anniversary of the original film, features over 150 artworks and ancient artifacts, and explores how monuments are created and reinterpreted by artists and communities. The statue had stood outside the museum for more than 20 years and was originally a prop from the 1982 film "Rocky III."
Fernando Botero (1932–2023) returns to Seoul with his largest retrospective in Asia, opening this Friday at the Hangaram Art Museum, Seoul Arts Center. Curated by Lina Botero and organized with the Fernando Botero Foundation, the exhibition features over 112 works, several never before exhibited. The show, titled "Fernando Botero: The Triumph of Form," runs through August 30, 2026, and highlights the Colombian master's signature visual language of volume, sensuality, irony, and humanity.
Ngununggula, the Southern Highlands regional art gallery, has opened a major all-women exhibition titled *Old Days, New Days | Arlta-imankinya, Arlta-errama*, featuring artists from Tangentyere and Yarrenyty Arltere alongside Arrernte and Kalkadoon artist Thea Anamara Perkins. The show includes painting, sculpture, textiles, video, and works on paper, with a focus on women's roles in sustaining family and community life through care, gathering, and storytelling. Key works include Perkins' portrait series from The Slattery Collection and an immersive installation by Marjorie 'Nunga' Williams. The exhibition runs until 14 June 2026.
Claudia Keep's solo exhibition "Water, Water, Everywhere" is now on view at Parker Gallery in Los Angeles, featuring oil paintings that focus on water in everyday settings such as pools, beaches, cafes, and car windows splattered with rain. The show includes multi-panel panoramic works like "River swimmer" and "Pool swimmer," which depict swimmers in dynamic, distorted forms, and frames that extend each painting's color palette. The exhibition runs through May 30, 2026.