David Kordansky Gallery in Los Angeles is presenting a two-person exhibition featuring the work of Elizabeth Murray and Betty Woodman, on view from March 19 to April 25, 2026. The show brings together paintings and ceramic sculptures from 1982 to 2015, highlighting the artists' shared exploration of the space between two and three dimensions, shaped canvases, and wall-mounted forms.
The Dallas Museum of Art (DMA) has selected several new works for its permanent collection through the Dallas Art Fair (DAF) Foundation Art Acquisition Fund. During the 2026 edition of the fair, curators and donors chose pieces by artists including Hasani Sahlehe, Caroline Monnet, Gloria Klein, Raymond Saunders, and Nicole Eisenman. The acquisitions span a variety of media, from large-scale abstract paintings and triptychs made of industrial materials to wood reliefs and works on paper.
The third edition of Art Mumbai (13-16 November) saw strong sales and record auction prices for Indian Modernists, including MF Husain's *Gram Yatra* (1953) becoming the first Indian painting to sell for over $10 million. The fair, held amid surging private wealth in India, featured leading contemporary galleries reporting up to 90% sales on opening day, with works priced from $1,000 to $300,000. A recent reduction in India's goods and service tax on art from 12% to 5% has further boosted the market.
This article highlights 14 solo shows and one duo exhibition currently on view in New York galleries, curated by CULTURED magazine. Featured artists include Aiza Ahmed, whose debut solo show "The Music Room" at Sargent's Daughters draws on Satyajit Ray's 1958 film; B. Wurtz at Garth Greenan, presenting assemblages of everyday objects; Ali Banisadr at Olney Gleason, with works responding to visual overload; Brock Enright at Club Rhubarb, showcasing eccentric mixed-media pieces; and Jay DeFeo at Paula Cooper, focusing on her 1980s paintings. Each entry includes location, closing date, and a brief curatorial rationale.
The 2025 Aspen Art Fair returns to the Hotel Jerome for its second edition, running through August 2, with over 40 exhibitors from more than 15 countries. The fair has more than doubled in size from its inaugural year, now featuring 44 galleries, curated projects, conversations, and cultural programming. Highlights include a solo exhibition by Marc Dennis at Harper’s, featuring works inspired by the 1990 Isabella Stewart Gardner Museum heist, and Marjorie Strider’s Pop Art relief paintings at Galerie Gmurzynska. The fair is part of Aspen Art Week, which also includes the Aspen Art Museum’s ArtCrush Gala and Auction, Anderson Ranch Arts Center conversations, and public art projects.
Tschabalala Self's sculptural relief "Art Lovers" (2025) will be installed on the façade of the New Museum in New York when it reopens this autumn with a new 60,000 sq. ft expansion designed by OMA. The 13ft-tall artwork depicts a Black couple kissing in a swirling embrace, inspired by Self's 2022 painting "Madly" and the architectural "kiss point" where the new building meets the original Sanaa-designed structure. The commission continues the museum's façade sculpture programme, which previously featured works by Chris Burden, Isa Genzken, and Glenn Ligon.
A group of high-profile artists including Es Devlin, Brian Eno, Nan Goldin, and Grayson Perry are donating works for a London-based charity auction to support humanitarian aid in Palestine. Organized by Choose Love, Gideon Berger Studio, Hope 93 Gallery, and dealer Zayna Al-Saleh, the sale will benefit the Together For Palestine Fund. The auction features a diverse range of media, from Grayson Perry’s ceramics to Nan Goldin’s photography, and will be accompanied by a public exhibition at Hope 93 Gallery from March 26 to April 9.
The National Museum of Contemporary Art in Athens has opened "Why Look at Animals: A Case for the Rights of Non-Human Lives," a major exhibition curated by Katerina Gregos that spans seven floors and features over 60 artists. The show confronts animal exploitation through works such as Ang Siew Ching's video "High-Rise Pigs" (2025), depicting a 26-story factory farm in China, and Art Orienté Objet's charcoal map of endangered species slowly erased by a robotic arm. Other artists include Sue Coe, Igor Grubić, and Janis Rafa, with the exhibition taking its title from a John Berger essay.
The Museum of Modern Art (MoMA) in New York will open a major retrospective of Marcel Duchamp in April 2026, marking the first U.S. retrospective for the artist in over 50 years. The exhibition will feature more than 200 works, including a 1968 replica of his infamous 'Fountain,' spanning his experiments in Cubism, Futurism, film, photography, and his pioneering readymades.
A rare ancient Greek funerary sculpture, the Stele of Medeia (375-350 BCE), is being offered for sale at the TEFAF art fair by the London gallery David Aaron. The piece, priced at £450,000, depicts an unmarried young woman and retains significant original pigment. It has already attracted significant interest from a major US museum.
The Virginia Museum of Fine Arts (VMFA) in Richmond has repatriated 41 terracotta relief fragments valued at approximately $400,000 to Turkey. The works, acquired by the museum in the 1970s from Summa Galleries and antiquities dealer Harlan J. Berk, were determined to have been illegally excavated from a 6th-century B.C.E. Phrygian temple. The repatriation followed an investigation by the Antiquities Trafficking Unit of the Manhattan District Attorney’s Office, which presented evidence of illicit excavation and illegal export to the museum.
Frieze London's Focus section, dedicated to galleries aged 12 years or younger, features six standout booths showcasing diverse materials and themes. Artists include Alex Margo Arden (with mannequins from the National Motor Museum), Luís Lázaro Matos (a queer myth of a stranded beluga whale), Rim Park (plant anatomy reliefs and etchings), Lara Fluxà (precarious glass and tar sculptures), and Delaine Le Bas (calico fabric works with protest messages). The section is noted for its variety beyond painting, with climate breakdown emerging as a recurring theme among younger artists.
The article announces "The Subtle Charm of Obsessions," a multidisciplinary exhibition opening April 25, 2025, at the City Museum of Wrocław – Royal Palace. Curated by Jerzy Zajączkowski, the show explores Sigmund Freud's concept of the compulsion to repeat through works by artists based in Wrocław and across Poland, including Tamara Berdowska, the collective Monomoka (Katarzyna and Monika Gwiazdowskie), and Michał Misiak. The exhibition features painting, glass, fabric, and crocheted works, emphasizing rhythm, memory, and the cyclical return to familiar motifs placed in new contexts.
The article highlights the 10 best Paris art shows of 2025, including major exhibitions at the Centre Pompidou, Fondation Cartier, and Fondation Louis Vuitton. Featured shows include Olga de Amaral's sculptural tapestries, Otobong Nkanga's multi-media works, Meriem Bennani's footwear-as-soundscape, Wim Delvoye's 'Énormément Bizarre' at Centre Pompidou, 'Paris Noir: Artistic Circulations and Anti-Colonial Resistance, 1950-2000' at Centre Pompidou, and 'David Hockney 25' at Fondation Louis Vuitton. The year also saw the closure of Centre Pompidou's Beaubourg building for renovation and the relocation of Fondation Cartier to a new site near the Louvre.
The U.S. Supreme Court has struck down a series of sweeping tariffs imposed by the Trump administration, ruling in a 6-3 decision that the executive branch exceeded its authority. Chief Justice John Roberts, writing for the majority, stated that the International Emergency Economic Powers Act (IEEPA) does not grant the president the power to unilaterally impose tariffs of unlimited scope and duration. While tariffs on steel and aluminum remain, the ruling removes the 10 percent global blanket tariff and the 25 percent reciprocal tariffs previously levied against Canada, China, and Mexico.
David Zwirner is opening a new gallery building in Chelsea at 533 West 19th Street, inaugurated by an exhibition of new work by Kenyan-British artist Michael Armitage. Titled "Crucible," the show runs from May 8 to June 27, 2025, and features new paintings and bronze reliefs that explore the theme of migration, using Lubugo bark cloth as a support. This is Armitage's first solo show with the gallery since his representation was announced in 2022 and his first solo presentation in New York since 2019.
The Metropolitan Museum of Art's Costume Institute will open its latest fashion exhibition, "Costume Art," in a new gallery space adjacent to the Great Hall, formerly the museum's gift shop. Curated by Andrew Bolton, the show features 400 objects from the permanent collection, organized thematically around the dressed body—exploring the naked, classical, anatomical, and mortal body—rather than chronologically. The exhibition aims to connect artistic representations of the body with fashion as an embodied art form.
The Los Angeles County Museum of Art (LACMA) has unveiled the David Geffen Galleries, a $724 million concrete-and-glass structure designed by Pritzker Prize-winning architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot horizontal gallery space floats 30 feet above ground and features a non-chronological layout intended to encourage wandering. The interior is characterized by pigment-infused concrete walls, floor-to-ceiling windows with specialized metal curtains by Reiko Sudō, and a lack of traditional white-cube galleries.
A 4,000-year-old limestone relief depicting the three seasons of the ancient Egyptian calendar has been stolen from the Saqqara necropolis near Cairo. The relief, measuring 16 by 24 inches, was cut from the wall of a Fifth Dynasty tomb belonging to high-ranking official Khenti Ka using an electric saw. Egypt's Ministry of Tourism and Antiquities reported the theft on Sunday, and an archaeological committee has been formed to inventory the tomb's contents while the matter is under investigation by the Public Prosecution.
The City Art Centre in Edinburgh is hosting a free exhibition titled "Jean F. Watson: An Artistic Legacy" from May 16 to October 4, 2026. It features over 40 historical and contemporary Scottish artworks acquired through the Jean F. Watson Bequest Fund, including pieces by artists such as JD Fergusson, Elizabeth Blackadder, and Alison Watt. The exhibition highlights the impact of Jean Fletcher Watson (1877-1974), an Edinburgh resident whose financial donations in the 1960s and 1970s helped build a nationally recognized collection of Scottish art, now comprising over 1,000 works.
Artist Ding Yi, known for his decades-long dedication to the cross motif in abstraction, is preparing for his major Venice exhibition 'Cosmotechnics' at the Fondazione Querini Stampalia. The show, running from 9 May to 22 November 2026, features key archival works alongside a new series of twelve black-and-white basswood relief paintings and two stone steles carved with his signature cross pattern. Ding Yi reflects on his artistic journey, which began in 1988 at the Shanghai Academy of Fine Arts, and his shift from strict geometric grids to more intuitive, cosmic-inspired compositions.
The Denver Art Museum has repatriated a 1,500-year-old marble head of a bearded man to Turkey, following a successful restitution claim. The sculpture, which dates back to the fifth century BCE, was originally unearthed in the agora of the ancient city of Smyrna (modern-day Izmir) and was likely trafficked illicitly before entering the museum's collection. The artifact is now on public display at the İzmir Archaeology Museum.
The Louvre in Paris was forced to close on Monday after museum docents, ticket sellers, and security workers staged a spontaneous strike to protest overcrowding and understaffing during the city's busiest tourist season. The walkout, announced during a routine internal meeting, left visitors frustrated and confused. Union representative Sarah Sefian of CGT-Culture said most staff planned to strike for the full day, though some might return to open a limited "masterpiece route" for ticket holders to see the Mona Lisa and Venus de Milo. The museum typically closes on Tuesdays, and workers may return Wednesday.
A team of archaeologists from Heidelberg University has uncovered a monumental stone relief in Nineveh, Iraq, depicting King Ashurbanipal flanked by two major Assyrian gods, Ashur and Ishtar, along with demigods. The 2,600-year-old relief, measuring nearly 20 feet across and 10 feet high, was found buried in a pit at the northern palace, a site first excavated in the 19th century by Austen Henry Layard. The discovery is part of the Heidelberg Nineveh Project, launched in 2018 after the liberation of Mosul from the Islamic State.
A team of German archaeologists from Heidelberg University has uncovered a monumental stone relief in the throne room of the North Palace of King Ashurbanipal at Nineveh, near Mosul, Iraq. The slab, measuring 5.5 meters long and 3 meters high and weighing 12 tons, depicts the last great Assyrian ruler alongside the deities Ashur and Ishtar, as well as a mythological fish genius. The discovery was announced by Professor Aaron Schmitt, who noted that no other known Assyrian palace reliefs feature major deities, making this find exceptional. The excavation is part of the Heidelberg Nineveh project, ongoing since 2018.
The German Pavilion at the Venice Art Biennale has been transformed into a prefabricated concrete slab building (Plattenbau) for this year's edition, designed by artists Sung Tieu and the late Henrike Naumann, who died suddenly in February at age 41 from cancer. Curator Kathleen Reinhardt described the pavilion as part of a highly political Biennale, with Tieu covering the 1938 fascist-era building with a mosaic of over three million tiles depicting a Berlin apartment block that once housed Vietnamese contract workers. Naumann's interior installation features mint-green references to Soviet barracks in East Germany, a cartography of war, and works including a relief of chairs, a curtain of chainmail, and the performance "Trümmerfrau."
Kent County Council, led by the Reform party, has removed and sold Antony Gormley's early public sculpture 'Two Stones' (1979-81) from outside the Kent History and Library Centre in Maidstone. The council sold the work back to the artist himself in a private sale to raise funds, citing severe financial pressures and a need to avoid increasing costs for residents. The council's most recent accounts valued the work at £859,000, but the final sale price remains confidential.
New Orleans Auction Galleries has announced its upcoming Fine Art and Design sale, featuring 279 lots that span over a century of modern and contemporary art. The auction highlights a diverse range of works, including pieces by Mexican modernist José Clemente Orozco, Abstract Expressionist Grace Hartigan, and Southern Regionalist John McCrady. The selection focuses on themes of identity, social consciousness, and the intersection of text and visual media.
A group of artists led by Elise Engler, Joyce Kozloff, and Martha Rosler has circulated a letter urging the Jewish Museum in New York to intervene and save New Deal-era murals and sculptural reliefs from the Wilbur J. Cohen Federal Building in Washington, D.C. The artworks, created by Jewish artists including Ben Shahn, Philip Guston, and Seymour Fogel, are threatened with demolition after the U.S. government listed the building for accelerated disposal in November 2025 and began soliciting demolition bids in December. The letter, addressed to Jewish Museum board chair Shari Aronson, has been signed by hundreds of artists and art-world figures, including Joan Semmel, Rochelle Feinstein, Joan Snyder, Lucy Lippard, and Kay WalkingStick.
Preservationists are petitioning to save Washington, D.C.'s Wilbur J. Cohen Federal Building, known as the 'Sistine Chapel of New Deal Art' for its 20th-century murals by Philip Guston and Ben Shahn. The Trump administration has listed the building for sale under an 'accelerated disposal' program, raising fears it could be demolished. The nonprofit Living New Deal launched a petition demanding transparency and public participation, as the building is one of 45 federal properties slated for swift sale. The structure, completed in 1940, houses ten New Deal-era artworks including frescoes, relief sculptures, and murals, and has been home to Voice of America since 1954.