Artist and curator Kat Knutsen has launched "Curious Figure 3," the third iteration of an exhibition series dedicated to the human form. Now hosted at the Star Store building in New Bedford, the show features 42 artists from across 21 states, including notable works by Joe Vaux and Judith Peck. The exhibition's move to the Star Store follows the displacement of the Co-Creative Center from its original location due to private development.
Art Fund has announced the five finalists for the 2026 Museum of the Year prize, the world’s largest award of its kind. The shortlist includes Norwich Castle Museum and Art Gallery, the Fitzwilliam Museum in Cambridge, The Box in Plymouth, and London’s National Gallery and V&A East Storehouse. The winner, to be announced on June 25 at the Cutty Sark, will receive £120,000, while the four runners-up will each be awarded £20,000.
Northern Irish artist Robyn Ward has announced a major global exhibition titled 'Shards of Dawn,' set to premiere in 2026. The exhibition will debut at Mana Contemporary in New Jersey before traveling to Mana Contemporary Miami during Art Basel and concluding at the Modern Art Museum Shanghai in 2027. Curated by Shai Baitel, the body of work incorporates industrial fragments and discarded materials, marking the second installment of a trilogy that explores themes of memory, fracture, and resilience.
The Ucross Art Gallery hosted an artists’ reception for its latest exhibition, "Resilience," which showcases the work of the 2025 Ucross Fellowship for Native American Artists recipients. Curated by Marwin Begaye, the show features a diverse range of media including sculpture by Gina Herrera, mixed-media works by Wade Patton, and visual and performance art by Sarah Ortegon HighWalking, alongside photography and poetry by writer Annette Saunooke Clapsaddle. The event was highlighted by a collaborative performance involving the Jingle Dress Dance and live woodblock printing.
New York City's spring art season is marked by a series of high-profile exhibitions across major institutions, focusing on themes of vulnerability, technological evolution, and personal identity. Notable highlights include the New Museum's exploration of the human body in the digital age and MoMA's deep dive into the tumultuous relationship and individual resilience of Frida Kahlo and Diego Rivera.
The Arts Council of the Valley is launching two concurrent solo exhibitions at the Smith House Galleries in Harrisonburg, Virginia. 'Young Warriors' by Sukenya Best features vibrant portrait paintings that explore themes of resilience and nature, while 'Water’s Journey' by Anna Freeman showcases ceramic and 2D works focused on the intertidal boundaries between land and water. The opening event on May 1 includes artist talks and a live portrait-drawing pop-up by artist Will Stroud.
Artist Proof Studio (APS) is celebrating its 35th anniversary with a showcase of works that highlight its long-standing commitment to printmaking and arts education in South Africa. The studio continues to serve as a vital hub for emerging and established artists, fostering a community centered on technical excellence and creative collaboration.
The Art Fund has announced the shortlist for the 2024 Museum of the Year award, featuring the National Gallery, V&A East Storehouse, The Box in Plymouth, the Fitzwilliam Museum, and Norwich Castle Museum & Art Gallery. The finalists represent a diverse cross-section of British heritage, ranging from London’s "Goliath" institutions celebrating bicentenaries to regional hubs undergoing major architectural transformations. The winner, to be announced on June 25, will receive a £120,000 prize, while runners-up each receive £20,000.
British-South Asian artist Helena Samarasinghe is presenting her debut solo exhibition, "Reaching, Touching, Shedding," at Camberwell Space in London. The show features a series of vibrant drawings and sculptural cut-out installations that explore the intersections of sport, power, and identity. Developed during her residency as the 2024 Vanguard Prize winner, the works utilize oil, soft pastels, and charcoal to depict brown women engaged in activities like football, wrestling, and athletics, drawing stylistic inspiration from 19th-century Bengali Kalighat painting.
Joshua Johnson, born into slavery in Maryland around 1763, emerged in the late 18th century as the first documented Black professional artist in the United States. After gaining his freedom in 1782, Johnson established himself in Baltimore as a self-taught portraitist, advertising his services in local newspapers and catering to the city's prominent families. His body of work, consisting of approximately 83 attributed paintings, is characterized by a distinct flatness and three-quarter profile compositions typical of early American folk art.