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The Top Exhibitions To See In London: May 2025

London's galleries and museums are opening a wave of major exhibitions in May 2025. Highlights include a 30-year survey of South Korean artist Do Ho Suh at Tate Modern, featuring fabric corridors replicating his former homes; two blockbuster shows at the British Museum—Hiroshige's prints of a transforming Japan and an exploration of ancient Indian religious art; a tech-and-nature residency by physicist-artist Jasmine Pradissitto at the London Museum of Water & Steam; and an immersive tree visualization by Marshmallow Laser Feast at Kew Gardens. The Francis Crick Institute also hosts the final weeks of its free multisensory exhibition "Hello Brain!"

What not to miss at Frieze New York 2025

Frieze New York 2025 will take place from 7 to 11 May at The Shed, featuring over 65 leading contemporary art galleries from more than 25 countries. The fair offers collectors access to blue-chip works by major artists and pieces by emerging talents, alongside amenities such as the US debut of Korean luxury beauty brand The Whoo showcasing three South Korean female artists, and a Ruinart champagne bar with a commissioned installation by artist Sam Falls. Notable booths include Mendes Wood DM presenting a new sculpture by Sonia Gomes and works by Kishio Suga, a joint presentation by Apalazzogallery and Emalin featuring Augustas Serapinas, and Tina Kim Gallery highlighting a multigenerational selection of women artists including Maia Ruth Lee.

Do Ho Suh is searching for home in a major new exhibition at Tate Modern

Do Ho Suh's major new exhibition "Walk the House" has opened at Tate Modern's Blavatnik Building, featuring large-scale fabric constructions that recreate architectural fragments from homes the South Korean artist has lived in across Seoul, New York, London, and Berlin. The centerpiece, "Nest/s" (2024), is a monumental sewn passageway made from polyester using a historic Korean fabric technique, incorporating fine details like logos on air vents and light switches. The show also includes "Rubbing/Loving: Seoul Home" (2013-22), a 1:1 paper-and-graphite rubbing of his childhood home, alongside models, drawings, and film that explore memory, migration, and domestic space.

Activity and optimism at Expo Chicago attest to the city's 'fearless' community of collectors and patrons

Expo Chicago's 12th edition opened at Navy Pier on April 24, featuring over 170 galleries from 36 countries, with a strong South Korean contingent supported by the Galleries Association of Korea and notable participation from Canada, Latin America, and smaller US cities. Highlights include a knitted men's locker room installation by Nathan Vincent at Walter Maciel Gallery and a video project by Deborah Oropallo and Andy Rappaport at Catharine Clark Gallery, alongside a tribute to veteran gallerist Rhona Hoffman, who is closing her namesake gallery after nearly 50 years.

Expo Chicago connects the Midwest to the global art market

Expo Chicago returns for its second edition under Frieze ownership from April 24-27, featuring over 170 galleries from 93 cities across 36 countries. The fair includes 50 new exhibitors, a new partnership with the Galleries Association of Korea bringing 20 South Korean galleries, and a curated sector called Contrast. Local stalwarts like Rhona Hoffman and Gray gallery are participating, balancing international growth with Midwestern roots.

Exhibition of Emirati art in Seoul becomes a relic of pre-war UAE life

An exhibition titled 'Proximities,' featuring over 110 works by 47 UAE-based artists, opened at the Seoul Museum of Art (SeMA) in December and closed on March 29. The show, co-curated by Maya El Khalil and SeMA's Eunju Kim, aimed to present nuanced, everyday perspectives of life in the UAE through sections organized by artist-curators like Farah Al Qasimi and Mohammed Kazem, moving beyond stereotypes of gilded excess.

Damien Hirst's studio has been recreated in Seoul for a major exhibition dedicated to him (including the original floor)

Lo studio del celebre artista Damien Hirst è stato ricreato a Seoul per una grande mostra a lui dedicata (c’è pure il pavimento originale)

The National Museum of Modern and Contemporary Art (MMCA) in Seoul has launched "Nothing Is True But Everything Is Possible," the largest retrospective of Damien Hirst’s work ever held in Asia. Spanning 35 years of his career, the exhibition features over 50 iconic works, including his formaldehyde-preserved animals, diamond-encrusted skull, and a recreation of his Pharmacy Restaurant. A unique highlight is the meticulous reconstruction of Hirst’s London studio, complete with the original paint-stained floor transported to South Korea and 30 previously unseen unfinished canvases from his new "River" series.

Best art exhibitions in late 2025: Asia-Pacific

The article highlights the most exciting art exhibitions across the Asia-Pacific region in late 2025. Key shows include a survey of women photographers in Melbourne, a Lee Bul retrospective in Seoul, a Robert Rauschenberg exhibition in Hong Kong, and a Lucie Rie ceramics show in Kanazawa, Japan. Additionally, a new museum opens in Taiwan, and the National Palace Museum in Taiwan hosts a loan exhibition of 81 works from the Robert Lehman Collection at the Metropolitan Museum of Art, featuring artists like Cézanne, Gauguin, and Renoir. Other notable events include 'Prism of the Real' at the National Crafts Museum in Kanazawa, examining Japanese art from 1989 to 2010, and a Kim Tschang-Yeul exhibition at the National Museum of Modern and Contemporary Art in South Korea.

The Centre Pompidou will inaugurate its South Korean branch in a former Seoul aquarium in early June

Le Centre Pompidou inaugurera début juin son antenne sud-coréenne dans un ancien aquarium de Séoul

The Centre Pompidou has announced the official opening date for its new South Korean satellite, the Centre Pompidou Hanwha, scheduled for June 4, 2026. Located in a former aquarium within Seoul’s financial district, the 11,000-square-meter space was redesigned by architect Jean-Michel Wilmotte and will launch with a major cubism exhibition featuring 90 works by masters such as Picasso and Braque. The inauguration was recently marked by a site visit from French President Emmanuel Macron and key cultural officials.

Centre Pompidou Hanwha to open its Seoul space in June 2026.

The Centre Pompidou Hanwha is scheduled to open its doors in Seoul in June 2026, following a three-year construction period. Located within the iconic 63 Building in the Yeouido district, the 10,000-square-meter facility replaces a former aquarium with a four-story "box of light" designed to maximize natural illumination.

Queer Horizon: “Spectrosynthesis Seoul” at Art Sonje Center

The fourth edition of "Spectrosynthesis," Sunpride Foundation's exhibition series dedicated to LGBTQ+ art in Asia, opens at Art Sonje Center in Seoul. Curated by Sunjung Kim and Youngwoo Lee, the show unfolds in two parts: "The Two-Sided Seashell" and "Tender: Invisibly Visible, Unlocatably Everywhere," featuring works by artists including Sin Wai Kin and Young-Jun Tak. The exhibition engages with queer theory, particularly José Esteban Muñoz's concept of queerness as a horizon of potentiality, and responds to South Korea's recent political turbulence, including the 2024 martial law declaration and presidential impeachment.

Seoul’s Centre Pompidou, Three Years in the Making, Will Open in June

The Centre Pompidou Hanwha is scheduled to open in Seoul on June 4, coinciding with the 140th anniversary of diplomatic relations between France and South Korea. Housed in the iconic Tower 63 and designed by architect Jean-Michel Wilmotte, the new institution is a partnership with the Hanwha Foundation of Culture. The agreement includes a four-year brand licensing deal and a schedule of eight monographic exhibitions drawn from the Pompidou’s permanent collection.

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"The World of Studio Ghibli," a traveling immersive exhibition dedicated to the Japanese animation studio, will open at Manarat Al Saadiyat in Abu Dhabi from May 30 to August 20, 2026. The show features large-scale theatrical sets from 16 Studio Ghibli films, including iconic scenes from My Neighbor Totoro, and tickets are available for 125 AED (about $34). The exhibition launched in 2013 and has previously toured Japan, South Korea, Taiwan, Hong Kong, Bangkok, and Singapore.

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The Metropolitan Museum of Art has returned an 18th-century Korean painting, *The Tenth King of Hell* (1798), to Sinheungsa Temple in Sokcho, South Korea. The work, part of a ten-panel series called *Siwangdo* depicting kings of the afterlife, was illicitly taken from the temple in 1954 during the U.S. military presence after the Korean War. The Met purchased the painting in 2007 from a collector via an LLC linked to Bonhams’s Chinese art head. The repatriation was coordinated with the Sokcho Committee for the Return of Cultural Heritage and the Jogye Order of Korean Buddhism. Six other panels were previously returned by LACMA in 2020; three remain abroad.

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The Metropolitan Museum of Art has returned a late-18th century Buddhist painting, *The Tenth King of Hell* (1798), to the Sinheungsa Temple in Sokcho, Gangwon Province, South Korea. The work is believed to have been taken by U.S. troops during the Korean War. The repatriation was celebrated at a ceremony in Seoul attended by Met Director and CEO Max Hollein, Korean government officials, and religious leaders. The painting is part of a larger series of ten scrolls depicting the Ten Kings of the Underworld; three remain abroad, while six others previously at LACMA have already been returned.

for asias art market 2025 has been about rapid fire change 2662988

Art Basel has concluded and the London sales have wrapped, marking a busy first half of 2025 for Asian art markets despite economic uncertainties and geopolitical challenges. New players and trends have emerged: international auction houses aligned their Hong Kong sales with Art Basel Hong Kong for the first time, South Asian art has had a banner year at auction and in institutions, and West Asia is rising with Sotheby's inaugural sale in Saudi Arabia and Art Basel's planned Qatar fair. Asian galleries are expanding into Western capitals, while Western galleries are picking up Asian talent, such as Korean artist Anna Park joining Lehmann Maupin and Rim Park partnering with Kraupa-Tuskany Zeidler. Japanese artist Yu Nishimura had his first U.S. solo show at David Zwirner, and the Labubu plush toy by Kasing Lung became a pop culture sensation.

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The article examines the rise of Taiwanese contemporary art on the international stage, focusing on its growing prominence in digital and technological art. It traces the evolution of digital art in Taiwan through three phases: video art in the 1990s with pioneers like Wang Jun-Jieh and Yuan Goang-Ming, digital media experimentation in the 2000s driven by the tech sector, and a recent phase of internationalization and interdisciplinary integration fueled by the semiconductor industry and government support. Key factors include Taiwan's hardware industry, cultural liberalization after the lifting of martial law in 1987, and sustained policy support from institutions like the National Culture and Arts Foundation (NCAF), the Taiwan Contemporary Culture Lab (C-LAB), and the Taiwan Creative Content Agency (TAICCA).

Centre Pompidou to open Seoul outpost

The Centre Pompidou Hanwha is set to open in Seoul this June, housed in a renovated four-story former aquarium in the Yeouido district. Designed by French architect Jean-Michel Wilmotte, the new outpost is the result of a four-year partnership between the Hanwha Foundation of Culture and the Parisian institution. The museum will launch with the exhibition "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its specific intersections with Korean art history.

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Sotheby’s held its annual modern and contemporary art sale in Singapore on Sunday, achieving $13.1 million across 62 lots with a 94% sell-through rate. The top lot was Adrien-Jean Le Mayeur de Merpres’s *Weavers* (1953) at $1.2 million, followed by Takashi Murakami’s *Blue Signals* (2017) at $1.06 million. New artist records were set for Pacita Abad, whose *Assaulting the eye with Ecstasy* (1984) sold for $389,400, and Singaporean artist Anthony Poon, whose *Colour Waves* (1986) fetched $129,800. Bidders came from Southeast Asia, the US, the UAE, Europe, South Korea, Japan, India, and China.

A decade on, Ilham Gallery continues to engage new audiences with meaningful art

Ilham Gallery in Kuala Lumpur, which opened in August 2015 with the exhibition 'Picturing The Nation,' has marked its tenth anniversary by reflecting on a decade of growth. Over 38 exhibitions across two gallery spaces, the institution has seen its audience expand dramatically—from 4,600 visitors for its first show to over 41,000 for the recent 'The Plantation Plot' (April–September 2025). Director Rahel Joseph notes that the largest demographic is now visitors aged 25 and below, driven by education programs, social media, and a shift toward regional and international collaborations with institutions like the National Gallery Singapore and MAIIAM Contemporary Art Museum. Upcoming projects include a video installation by South Korean artist Eunhee Lee, supported by the Han Nefkens Foundation.

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Korean artist Kim Yun Shin, who turns 90 in 2025, is currently the subject of a two-part solo exhibition spanning Lehmann Maupin's London and New York galleries. Titled after her series "Add Two Add One, Divide Two Divide One," which began in 1975, the shows opened in February 2025 at the gallery's temporary Cork Street space in London and continue at its New York location through May 31, 2025. The exhibitions draw on Eastern philosophy of Yin and Yang, exploring themes of union and division. This follows her debut at the 2024 Venice Biennale, where curator Adriano Pedrosa selected eight of her sculptures for the Central Pavilion under the theme "Foreigners Everywhere." In an interview, Kim discusses her nomadic life—from North Korea to South Korea, Paris, Argentina, and back—and how her experiences as a foreigner shaped her artistic perspective.

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Suki Seokyeong Kang, a South Korean artist known for blending traditional Korean heritage with contemporary abstract forms, died on Sunday at age 47 (48 in Korean reckoning) after a battle with cancer. Her New York representative, Tina Kim Gallery, confirmed the cause. Kang's work spanned painting, textiles, sculpture, and installation, often incorporating postminimalist structures, craft techniques, and industrial materials. Notable series include her precarious "Grandmother Tower" sculptures and "Mountain" pieces made from curved steel and thread. She was born in Seoul in 1977, studied at Ewha Womans University and the Royal College of Art in London, and later became a professor of painting.

Lee Bul's Retrospective Transforms M+ During Art Basel

The M+ museum in Hong Kong has launched a major retrospective of South Korean artist Lee Bul, timed to coincide with Art Basel Hong Kong 2026. Titled 'Lee Bul: From 1998 to Now,' the exhibition features over 200 works, including her iconic 'Cyborg' and 'Anagram' series, as well as large-scale immersive installations like 'The City of the Sun.' Co-organized with the Leeum Museum of Art, this exhibition marks the artist's largest retrospective to date and traces her evolution from early body-centric performances to complex, sci-fi-inspired urban landscapes.

Twenty Billion Won for a Single Dot: Lee Ufan Masterpieces Head to Auction

South Korea’s leading auction houses, K Auction and Seoul Auction, are headlining their February sales with monumental works by Lee Ufan. Two rare, large-scale 'Dialogue' canvases featuring the artist's signature minimalist dots are expected to fetch significant sums, with estimates reaching up to 2.4 billion won. The auctions also feature major works by other Korean masters, including an early 1955 painting by Kim Tschang-yeul and a blue monochrome piece by the late Chung Sang-Hwa.

The 'Lee Kun-hee Collection' Touring Exhibition Draws 3.5 Million Visitors—Opening the Door for K-Art’s Global Expansion

The Lee Kun-hee Collection touring exhibition, featuring over 330 masterpieces including seven National Treasures, has drawn 3.5 million visitors across South Korea and is now traveling internationally to Washington, Chicago, and London. The exhibition, organized by the National Museum of Korea and the National Museum of Modern and Contemporary Art, Korea (MMCA), showcases Korean art from the Three Kingdoms period to the present, and has been widely covered by outlets like The Washington Post, CNN, and Forbes.

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A wave of significant art world events has unfolded globally, led by a high-profile heist at Italy’s Magnani Rocca Foundation where thieves stole masterpieces by Renoir, Matisse, and Cézanne. Simultaneously, the international community is monitoring the secret trial of artist Gao Zhen in China, who faces imprisonment for sculptures created over 15 years ago that allegedly mock Mao Zedong. Other notable developments include the early closure of Amir Fattal’s exhibition in Mexico City due to antisemitic vandalism and the opening of a landmark LGBTQ-themed exhibition at the Art Sonje Centre in Seoul.

Hotel Room Transforms into Media Art Exhibition Space

South Korea's only media art fair, Loop Plus, was held from April 23 to 26 at the Grand Josun Busan Hotel in Haeundae, Busan. The fair transformed 26 hotel rooms on the 13th floor into exhibition spaces, featuring media artworks from 19 international galleries including Tang Contemporary Art, Esther Schipper, Chiwen Gallery, and Baek Art. Highlights included a 38-minute video installation by Russian artist group AES+F titled *‘Inverso Mundus’*, presented by Tang Contemporary Art, which humorously subverts societal absurdities. The event also included artist booths for Kang Lee-yeon and Lucia Levolino, and institutional booths for the Justice Foundation and Gwangju Media Art Platform. A related festival, Loop Lab Busan 2026, runs until June 28 across multiple venues in Busan.

A 30-year media artist transforms: “I wanted to awaken tradition through painting”

A 30-year media artist transforms: “I wanted to awaken tradition through painting”

Renowned South Korean media artist Park Chan-kyong has returned to his roots with a solo exhibition of paintings titled "Zen Master Eyeball" at Kukje Gallery. The show features over 20 satirical works that reinterpret Buddhist myths, shamanic traditions, and folk beliefs through a lens of "Zen Buddhist Grotesque Science Fiction." By utilizing traditional temple wall painting techniques and architectural layouts, Park explores themes of enlightenment, self-punishment, and the futility of contemporary visual consumption.

What to See in “Spectrosynthesis Seoul 2026”

The 'Spectrosynthesis Seoul 2026' exhibition, opening March 20 at the Art Sonje Center, is the fourth installment of the Sunpride Foundation's series showcasing LGBTQ+ art across Asia. It features over 70 artists, including new commissions, and focuses on the experiences of marginalized communities during Korea's modernization and the queer histories of specific Seoul neighborhoods.

Lee ShinJa's Handwoven Portals

Hyperallergic profiles the work of South Korean textile artist Lee ShinJa, whose handwoven artworks are described as 'portals' that bridge traditional craft and contemporary abstraction. The article highlights her use of traditional Korean weaving techniques to create layered, ethereal pieces that evoke both physical and metaphysical spaces.