Japanese artist Yuko Mohri has created an exhibition where decomposing fruit powers electronic systems, and visitors move through the installations, becoming part of the circulation of energy within the show. The work explores the unseen energies connecting people and objects, blending organic decay with technological interactivity.
The Hong Kong Jockey Club launched the Harmonious Horse International Exhibition Tour in Tsim Sha Tsui on Friday, featuring large-scale horse sculptures by artist Simon Ma. The opening ceremony at the Hong Kong Cultural Centre Piazza was attended by Secretary for Labour and Welfare Chris Sun Yuk-han and Jockey Club CEO Winfried Engelbrecht-Bresges. The exhibition runs until May 21 at Tsim Sha Tsui before moving to Tamar Park in Admiralty, then traveling to Shanghai, Shenzhen, and Guangzhou. A nighttime light show accompanies the display, and winners of a youth art competition inspired by Xu Beihong's equine paintings were announced.
Song E Yoon's exhibition "Songs Across Time" at Spazio 996/A in Venice, presented as a Collateral Event of the 61st International Art Exhibition – La Biennale di Venezia, pairs her Song E Code with Frédéric Bruly Bouabré's Bété alphabet. In an interview with Kun Sok, Yoon discusses how her work uses dots, intervals, and repetition to create a visual language that exists before conventional meaning, emphasizing bodily encounter, sensation, and the productive role of misreading.
A new art exhibition titled “Occupy Thirdspace III: The Park” opens at San Diego’s Central Library, focusing on International Friendship Park, a state park at the western end of the U.S.-Mexico border. Co-curated by Sara Solaimani and Natalia Ventura, the show features three artist collectives—Las Comadres, Art Made Between Opposite Sides (AMBOS), and Friends of International Friendship Park—to visually tell the park’s story. The park opened in 1971 as a meeting place for families divided by the border but has been closed on the U.S. side since 2020, while remaining open on the Mexico side. The exhibition is the third installment in Solaimani’s series exploring Henri Lefebvre’s concept of “third spaces” as symbolic sites that challenge systems of power.
University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.
KAG in Tokyo is presenting a group exhibition titled "月を射る" (Shooting the Moon), running from May 19 to August 16, 2026. The show takes its starting point from a prose poem of the same name by Korean poet Yun Dong-ju (1917–1945), who wrote it in 1939 under Japanese colonial rule and later died in a Fukuoka prison. The exhibition spans pre-war and wartime educational films, propaganda, performance, and contemporary fieldwork, featuring works by artists such as Inoue Kan (Lee Byung-woo), Choe Seung-hui, Kamei Fumio, Yoshimi Yasushi, Atsugi Taka, Fujii Hikaru, Yamamoto Seiko, T.T. Takemoto, Morita Reine, Gataro, and Shirakawa Masao. It examines the management models formed by the former empire and the spiritual structure of colonialism that underlies contemporary issues, centering on works that carry the "memory of censorship"—banned, deleted, or denied existence by national, administrative, or social norms.
The Carnegie Museums of Pittsburgh have launched a $500 million comprehensive campaign, the largest in their history, to fund capital projects across all four of their institutions: the Carnegie Museum of Art, Carnegie Museum of Natural History, Carnegie Science Center, and The Andy Warhol Museum. The campaign, which has already raised $325 million, will support renovations, new exhibitions, and expanded educational programming, including a major overhaul of the Carnegie Museum of Natural History's dinosaur hall and a new wing for the Carnegie Museum of Art.
Tatiana Malinovscaia's painting "Blue Distance in Quiet Light" (2026) is being offered for sale by Artseeker Gallery. The 100x130 cm acrylic on canvas work features a restrained abstract composition with muted blues, ivories, beiges, and charcoals, built through layered textures and tonal contrasts. Malinovscaia, a self-taught Moldovan artist, explores the interplay between architectural clarity and atmospheric abstraction, with light acting as a central structural element that reveals nuanced variations across the textured surface throughout the day.
The Bloomsburg Children’s Museum in Pennsylvania is hosting an exhibition titled “Graphic Art by Glen Klein and Raku Pottery by Jeff Krankoskie,” featuring works by two artists from Danville. Glen Klein, a graphic artist and former butcher’s son, creates surreal digital prints and photographs, while Jeff Krankoskie specializes in wood-fired raku pottery, a dramatic technique involving red-hot pots plunged into organic materials. The exhibit runs through October and is included with regular museum admission.
Res Publica Verlag sucht Projektmanager:in oder Chef vom Dienst Print
Res Publica Verlag, an independent publisher based in Berlin, is hiring a project manager or print production editor for its magazines Cicero and Monopol, as well as special publications. The role involves managing editorial workflows, asset management systems, ad coordination, and serving as a liaison between the publishing house and editorial teams. The position is for 30 hours per week, starting August 1, 2026, with an optional onboarding from July 1, 2026.
Jason Hoelscher, Gallery Director and Professor of Art at Georgia Southern University, will exhibit his work at The Kalmanson Gallery of Emanuel Arts Council in Swainsboro, Georgia, from May to June. An opening reception is scheduled for May 21, 5–7 p.m., free and open to the public. Hoelscher is a painter, writer, and professor with a PhD in aesthetic philosophy, an MFA from Pratt Institute, and extensive exhibition history across the U.S. and internationally, including airports and museums. He has also written for ARTnews and The Wall Street Journal, and authored the book "Art as Information Ecology" (Duke University Press, 2021).
ロバート・ザオ・レンフイ「アフター・コントロール」@ 京都市立芸術大学ギャラリー@KCUA
The Kyoto City University of Arts Gallery @KCUA is hosting a solo exhibition by Singaporean artist Robert Zhao Renhui titled "After Control" (アフター・コントロール), running from May 16 to July 12, 2026. The exhibition presents works from Zhao's long-term projects on Christmas Island, Singapore, Tokyo, Hampi (India), and Phuket (Thailand), exploring environments shaped by human intervention and the complex interplay between nature and artificiality. Zhao, known for his participation in major international exhibitions including the Thailand Biennale Phuket 2025, the 60th Venice Biennale (2024), and the Gwangju Biennale (2023), uses photography, video, and installation to critically examine how ecosystems transform under human control.