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New Orleans artists mark 20 years since Hurricane Katrina

An ongoing group exhibition titled "This City Holds Us" at Ferrara Showman Gallery in New Orleans marks the 20th anniversary of Hurricane Katrina. The show, which opened on White Linen Night, features work by ten artists affected by the storm and focuses on the city's recovery and artistic reinvestment rather than the destruction. Gallery founder Jonathan Ferrara and director Matthew Weldon Showman curated the exhibition to honor the past while celebrating progress, with artists submitting written testimonies about how the storm shaped their lives and practices.

NEXT in the Gallery: See Pittsburgh-made art in the streets, coffeehouses and a warehouse in Brooklyn

NEXTpittsburgh's August gallery guide highlights a wave of Pittsburgh-made art appearing in streets, coffeehouses, open studios, and even a warehouse in Brooklyn. Featured exhibitions include the Pittsburgh Photography Club's 140-year retrospective at Manos Gallery, Monica Matthews' graphite pencil drawings at Ruckus Coffee Gallery & Café, the juried group show "Living Canvas III" at Studio 4, Kristin Divers' pastel solo show at Mark Rengers Gallery, the multimedia group exhibition "Horizons" at Castle Consortia, and Annie Heisey's paintings at Sweetwater Center for the Arts. The month also includes a one-night solo show by New Orleans muralist Dago at Studio 4.

british museums samurai show reveals the untold story of women warriors 2743921

The British Museum has opened a major exhibition titled "Samurai" that challenges popular perceptions of the warrior class. It reveals that after 1615, half of all samurai were women, though they did not engage in combat, and explores the evolution of samurai from medieval fighters to Edo-period bureaucrats and cultural figures. The show features over 280 objects, from armor and weapons to everyday items like a woman's dressing set, and examines the contrast between historical reality and modern pop culture portrayals.

king tutankhamen egyptian artifact auction grasshopper 1234748248

An intricately carved ivory and wood grasshopper from the Age of Tutankhamun, known as the 'Guennol Grasshopper,' is set to be auctioned by Apollo Art Auctions in July with an estimate of £300,000–£500,000. Egyptian art historians, including German Egyptologist Christian Loeben, have raised concerns that the cosmetic vessel may have been stolen by British archaeologist Howard Carter, who discovered King Tutankhamen’s tomb and allegedly kept some items for his own collection. The auction house states there is no documented evidence linking the object to the tomb, and it has been cleared against the Art Loss Register, but experts like former Met director Thomas Hoving have long connected it to the pharaoh’s burial.

design art precious okoyomon garden

Precious Okoyomon, editor of CULTURED at Home gardens, selects five unconventional natural landscapes that thrive against difficult odds. These include Dumbarton Oaks in Washington DC with its ancient wisteria, the radioactive waste site Dead Horse Bay in Brooklyn where invasive species bloom, the childhood haven Glen Helen Nature Preserve in Ohio, the Persian-inspired Untermyer Gardens in Yonkers, and Derek Jarman's seaside garden beside a nuclear plant in Dungeness, UK. Each location is described through Okoyomon's personal reflections, illustrated by Erin Knutson.

art heist genre film tv books guide

This article from Cultured explores the history and evolution of the art heist genre across film, television, and books. It traces the genre's origins from the 1911 theft of the Mona Lisa by Vincenzo Peruggia to its appearance in 19th-century detective serials by Agatha Christie and Arthur Conan Doyle, and later in French New Wave noirs and slick 1990s heist films. The piece highlights recent entries like Kelly Reichardt's film *The Mastermind* starring Josh O'Connor, and compiles a list of key works including *Animal Crackers* (1930), *How to Steal a Million* (1966), *The Thomas Crown Affair* (1968/1999), and *Hudson Hawk* (1991), noting how the genre reflects changing attitudes toward wealth, crime, and the sublime power of art.

Putin ‘Won’ the Venice Biennale, Quips Italian Culture Minister

Italian Culture Minister Alessandro Giuli stated that Russian President Vladimir Putin "won" the 2024 Venice Biennale, criticizing Russia's controversial return to the event. Giuli, who repeatedly denounced Russia's presence, told Corriere della Sera that Russian artists in the pavilion cannot express dissent against their regime. The Biennale faced widespread calls to remove Russia, with the EU threatening to withhold a €2 million grant, but organizers argued they lacked legal authority to exclude the country. Protests by Pussy Riot and FEMEN marked the pavilion's opening, while the Biennale's jury resigned en masse after announcing that nations charged with crimes against humanity would be ineligible for Golden Lions.

ai weiwei returns to china 10 years 2740171

Artist Ai Weiwei returned to his native China after 10 years in exile, making a quiet three-week trip to Beijing last month. It was his first visit since authorities returned his confiscated passport in 2015, allowing him to leave China and live in Europe. During the trip, Ai was briefly interrogated at the airport but otherwise faced no interference. He shared photos and videos on Instagram, and told CNN the visit felt like a reconnection after a decade-long disconnection. The trip was partly motivated by a desire for his 17-year-old son and 93-year-old mother to meet.

pussy riot labeled extremist organization by russias justice ministry 1234767119

Russia’s justice ministry has officially designated Pussy Riot, the feminist punk rock band and art collective co-founded by Nadya Tolokonnikova, as an “extremist organization.” The ruling follows a December 15 closed-door hearing at Moscow’s Tverskoy Court, where prosecutor general Alexander Gutsan filed a lawsuit against the group. The designation bans all Pussy Riot activities in Russia and allows the state to seize property of members and their families, and to prosecute anyone supporting the group. Tolokonnikova told ARTnews the group will appeal, calling the decision a source of “anxiety and bureaucratic nonsense.” In September, five members were sentenced to 8–13 years for spreading “fakes” about the Russian military, and Tolokonnikova was placed on Russia’s wanted list in 2023 after her performance *Putin’s Ashes*.

jackson pollock painting lawsuit molly mcqueen 1234753819

Molly McQueen, the granddaughter of actor Steve McQueen, is suing South Carolina lawyer Brent Borchert for a Jackson Pollock painting valued at $68 million. The lawsuit, filed in Los Angeles County Superior Court in August, alleges that Steve McQueen transferred the Pollock drip painting to Borchert's parents, Rudolph and Pamela, in exchange for a motorcycle and a property in Latigo Canyon. When the motorcycle was crashed and the property title never changed hands, McQueen demanded the painting back, but the Borcherts failed to return it. Brent Borchert, who inherited the painting along with his sister Bettina after his parents' deaths, told the Mirror that the deal was 'hazy' and that he is open to a reasonable agreement if evidence supports the claim.

sasan ghandehari lawsuit christies picasso auction guarantee 1234749641

Collector Sasan Ghandehari has filed a lawsuit against Christie’s in the High Court of England & Wales, alleging the auction house failed to disclose that a Picasso painting he guaranteed was owned by a man convicted of drug-related charges. The work, Picasso’s *Femme dans un rocking-chair* (1956), was offered in a February 2023 London evening sale with a third-party guarantee from Ghandehari’s company, Brewer Management Corporation (BMC). Ghandehari claims Christie’s told him the owner was José Mestre Jr., but the painting actually belonged to his father, José Mestre Sr., who was sentenced to nine years in prison after 202 kilos of cocaine were found on a cargo ship in 2010. The lawsuit seeks to cancel the guarantee contract and recover a £4.8 million partial payment.

ed sheeran paintings jackson pollock heni 1234747085

Singer Ed Sheeran is presenting a series of abstract paintings titled the “Cosmic Carpark Paintings” at Heni Gallery in London, with the exhibition opening this Friday. The works, made by dripping and splashing paint onto canvases placed on the floor, closely resemble Jackson Pollock’s drip paintings. Sheeran’s foundation is selling prints for £900 each, with 50% of proceeds benefiting UK schools. Sheeran told the Guardian he painted in a disused Soho car park during tour downtime, and the gallery’s press release describes the works as “inspired by celestial patterns” without mentioning Pollock.

Pussy Riot protest at Venice Biennale forces Russian pavilion to briefly close

On the second day of the Venice Biennale preview, the activist group Pussy Riot staged a chaotic protest at the Russian pavilion, forcing it to temporarily close. Wearing pink balaclavas and carrying flares, about 40 activists—including members of Femen—gathered outside the pavilion, shouting slogans like "Blood is Russia's Art" and attempting to enter before being pushed back by police. Founding member Nadya Tolokonnikova led the protest, condemning Europe for allowing Russian participation despite the war in Ukraine. Separately, the Art Not Genocide Alliance (Anga) demonstrated outside the Israeli pavilion, which was locked from inside, over Israel's war in Gaza.

‘Knoxville Girl’ Gets Her Revenge in Wayne White’s New KMA Exhibition

The Knoxville Museum of Art has debuted a major new exhibition by Chattanooga-born artist and puppeteer Wayne White titled "Revenge of the Knoxville Girl." The centerpiece of the show is a ten-foot-tall marionette of the titular character from the famous Appalachian murder ballad, depicted as having crawled out of the river to claim the severed head of her killer, Willy. The installation blends local folklore with references to Cormac McCarthy’s novel *Suttree* and Tennessee Volunteers football culture.

BUSINESS MONDAY: Spotlight on Art in the Berkshires—now open on Castle Street

Art in the Berkshires, founded in 2024 as an online resource, has opened a physical gallery and studio space at 8 Castle Street in Great Barrington, Massachusetts. The venture is led by Shany Porras, an abstract painter and founder who serves as gallery director, aiming to make Berkshire creativity more accessible through artist directories, venue listings, and a weekly newsletter.

Jean-Michel Basquiat | FAE Musée d'Art Contemporain (Sans titre) (Untitled) (1993) | For Sale

An extremely rare original 1993 exhibition poster for a posthumous Jean-Michel Basquiat solo show at FAE Musée d'Art Contemporain in Pully-Lausanne, Switzerland is being offered for sale by Graves International Art. The offset-lithograph poster, featuring Basquiat's untitled 1982 painting, was designed by Pierre Neumann and comes from a private collection in Hamburg, Germany. The listing notes that no other example of this poster has appeared on the secondary market or at auction before, and it is issued unsigned and posthumous.

french art galleries struggle amid wavering art market survey reveals 1234747374

A survey by market researcher Iddem, conducted among the Professional Committee of Art Galleries (CPGA), reveals that 85% of French gallery owners are pessimistic about the art sector's economic outlook in 2025. Turnover among French galleries dropped 6% in 2024, while the global art market fell 12% per the UBS Art Basel 2025 report. Philippe Charpentier, new CPGA president, told Le Monde the market has regressed to 2010 levels, with one-fifth of dealers reporting sales declines of over 20%. France also struggles to attract young collectors, unlike Asian markets where buyers average in their thirties, according to CPGA vice president Magda Danysz.

As Told By: Slavs and Tatars at Rossi & Rossi

Slavs and Tatars, the research-based art collective, opened their first solo exhibition in Hong Kong titled “胡 ( هو / who) are you?” at Rossi & Rossi, running until May 9, 2026. The show gathers iconic projects and new commissions across various media, playfully probing the philosophical question of identity and belonging. Co-founder Payam Sharifi discusses works such as the handblown glass melon sculptures in "Dark Yelblow" (2025), which explore cultural stereotypes and the figure of the Other, and the "Love Me, Love Me Not" series, which recovers original place names and scripts to reveal the layered complexity of empires.

oliver gabet louvre director decorative arts le monde interview 1234759274

Olivier Gabet, director of decorative arts at the Louvre Museum, has publicly opposed suggestions to replace the French crown jewels with copies or move them to less accessible storage after a theft on October 19. Thieves broke into the Apollo Gallery, stealing nine objects including Empress Eugénie’s crown, which was dropped and damaged during the escape. Two suspects were arrested on October 24. Gabet told Le Monde that the crown was deformed and flattened as thieves extracted it through slits cut in the glass case, but it has been recovered and is deemed restorable by experts, with only a few small diamonds and one gold eagle missing.

Kent Monkman at Akron Art Museum: Reimagining North American landscapes

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

Renovated Whitsell Auditorium reopens as a destination for PAM CUT programming in film, new media, and visual storytelling

The renovated Whitsell Auditorium at the Portland Art Museum will reopen on January 10, 2026, as PAM CUT @ The Whitsell, marking the final phase of the museum's $116 million campus transformation. The 293-seat auditorium features upgraded seating, cinema projection, sound, and streaming capabilities, and is paired with the new Blair Family Gallery, which opens with Marco Brambilla's exhibition "Maximalist Dreamscapes." The space will host weekly screenings curated by Amy Dotson and Joanna Sokolowski, with guest curators including Carrie Brownstein and Lance Bangs, and partnerships with Criterion.

The story of Jean-Michel Basquiat’s brief but dazzling life, as told by an art-world insider

Doug Woodham, former president of Christie's Americas and current managing partner of Art Fiduciary Advisors, has authored a new biography titled "Jean-Michel Basquiat: The Making of an Icon." The book is divided into two halves: the first offers a straightforward biography of Basquiat's life from his gifted childhood in Brooklyn to his rise as a star artist, his friendship with Andy Warhol, and his tragic death from a heroin overdose at age 27. The second half analyzes how Basquiat achieved such early success, examining the influence of his father Gerard, the legal battle with dealer Vrej Baghoomian over the artist's estate, and the roles of collectors like Peter Brant and José Mugrabi. Notably, the Basquiat estate refused permission to include images of his artwork because the book openly addresses sensitive issues about his character and life.

Vermeer’s vandal: the untold story of a vicious attack at London's National Gallery in 1968

In 1968, Vermeer's painting *Young Woman Seated at a Virginal* (1670-72) was vandalized at the National Gallery in London. An unidentified attacker used a sharp instrument, likely a razor blade, to cut around the woman's head, attempting to remove it entirely. The damage was discovered hours later by a visitor, and the painting was swiftly restored; previously unreleased photographs of the attack have now been supplied to The Art Newspaper. The vandal was never caught, and their motivation remains unknown.

‘I'm excited for the future because it's in great hands’: winners of Somerset House's Talent 25 on what the programme means to them

Somerset House in London has announced the first five winners of its Talent 25 programme, a scheme supporting artistic innovators within its creative community. The awardees—Shanti Bell, Tyreis Holder, enorê, Identity 2.0 (founded by Arda Awais & Savena Surana), and Piarvé Wetshi—each receive an £8,000 bursary and mentorship from artist-designer Yinka Ilori to develop new work. Their creations will be exhibited in September as part of the Step Inside 25 Weekend, celebrating 25 years of Somerset House's public opening.

Your weekly dose of wonder: introducing The Specialist, a new podcast by Sotheby's

Sotheby's has launched a new podcast series titled "The Specialist," featuring its global specialists who share behind-the-scenes stories about extraordinary artworks and objects. Each episode focuses on a specific narrative, such as the restitution of a Kandinsky painting lost in Nazi-era Germany, the rediscovery of Rubens' "The Massacre of the Innocents," the story of the shredded Banksy artwork "Love is in the Bin," and the decade-long attribution project for a Vermeer painting. The podcast is available on Apple Podcasts and Spotify.

New Amon Carter Museum exhibitions spotlight distinct views of the American West

The Amon Carter Museum of American Art in Fort Worth is opening two new exhibitions on May 18: “Richard Avedon at the Carter” and “East of the Pacific: Making Histories of Asian American Art.” The Avedon show marks the 40th anniversary of the museum’s original 1985 presentation of his “In the American West” series, featuring 40 portraits alongside archival photographs by Laura Wilson. The second exhibition explores Asian American influence on the West Coast, reframing the U.S. as east of the Pacific.

The story of the Met’s ‘missing’ Banksy

John Barelli, head of security at the Metropolitan Museum of Art from 2001 to 2016, revealed that Banksy illicitly installed a painting at the museum in 2005 with the help of three accomplices who distracted guards. The work, titled 'Last Breath' and depicting a woman in a gas mask, was affixed to a wall with a placard claiming it was a donation. Banksy later requested its return, but Barelli told The New Yorker that the museum had thrown it out—though he admitted to taking it himself upon retirement, saying he might sell it if he needs money.

10 Must-See Museum Exhibitions This Spring

Major museums worldwide are launching a series of high-profile exhibitions this spring that challenge traditional art historical narratives. Highlights include a Marcel Duchamp retrospective at MoMA, a deep dive into Pop art's legacy at the Guggenheim, and significant surveys of icons like Frida Kahlo and Agnes Martin. Meanwhile, UCCA Beijing is presenting a major exhibition of Duan Jianyu, highlighting the evolution of Chinese painting in relation to Western influence.

When the story has already been told -- ‘Gordon Parks: The South in Color’ at Jackson Fine Art

Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.

art cyle warner young artist

Cyle Warner, a 2023 graduate of the School of Visual Arts, is gaining recognition for his mixed-media works that incorporate photographs, textiles, and sculptures to explore personal memory and fill gaps in untold stories. His fiber piece "chasing a second sunrise; it’s no fun running alone" was selected for "The Brooklyn Artists Exhibition" at the Brooklyn Museum’s 200th anniversary last year, and he will be featured in the Bronx Museum’s AIM Biennial opening in January 2026.