The Untold Story of Peter Hujar and Paul Thek’s Intimate—and Complex—Bond

Andrew Durbin’s new dual biography, *The Wonderful World That Almost Was*, explores the profound and volatile relationship between photographer Peter Hujar and artist Paul Thek. Spanning from their meeting in the late 1950s to their deaths from AIDS-related complications in the 1980s, the book details how their shared experiences—most notably a 1963 visit to the Capuchin Catacombs in Palermo—fundamentally shaped their artistic trajectories. While Hujar captured the mummified remains in haunting photographs, Thek translated the encounter into his visceral "meat pieces" and wax effigies.

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Artnet News published its quarterly list of the most exhibited living artists in U.S. museums for December 2025, compiled by tracking temporary exhibitions across hundreds of institutions. The list ranks artists based on the number and type of shows they appear in, prioritizing career retrospectives, dedicated exhibitions, and biennial appearances. Among the top artists featured are Marie Watt, whose touring print exhibition "Storywork" and numerous group show appearances earned her a high ranking, and Jeffrey Gibson, known for his installation at MASS MoCA. The article notes that Watt also won the $250,000 Heinz Award in September 2025.

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Artist Chase Hall discusses his new solo exhibition “Momma’s Baby, Daddy’s Maybe” at Galerie Eva Presenhuber in Vienna, which takes its title from a phrase his father told him in childhood. The show explores themes of race, mixed-race identity, fatherhood, and family dynamics, using coffee as a signature medium—Hall layers espresso on raw cotton canvas to create symbolic and formal depth. The exhibition follows his rise from photojournalism to a buzzy painting career, with works acquired by major institutions and auction records at Christie’s.

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Almine Rech is closing her London gallery in Mayfair after more than a decade, as reported by Melanie Gerlis in the Art Newspaper. The space, which opened in 2014 on Savile Row before moving to Grosvenor Hill, hosted exhibitions by artists including Javier Calleja, Chloe Wise, Jeff Koons, and Esther Mahlangu. Rech stated that London remains "important" to her and that she plans to open something in the city in the future, but offered no specifics. The London branch was put into liquidation, with Companies House filings indicating a £6.3 million deficit, though Rech said she owes no money to artists, workers, or suppliers and described the filing as a technical step to restructure a lease. Her gallery will continue operating its other eight locations across Paris, New York, Brussels, Shanghai, Monaco, and Gstaad.

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Sotheby's CEO Charles Stewart told CNBC that the art market has entered a new phase this fall, with supply finally catching up with demand after months of strong bidder activity. New York's marquee auction houses are preparing for sales expected to total more than $1.4 billion, a roughly 50% jump from last year, driven by major consignments including the estate of Leonard Lauder (55 works valued at over $400 million, led by Gustav Klimt's Portrait of Elisabeth Lederer) and collections from Jay and Cindy Pritzker. Christie's highlights include a Monet Nymphéas, a David Hockney portrait, and a Mark Rothko, each estimated at $40–60 million.

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Christie's, Sotheby's, and Phillips are holding their marquee fall 2025 sales in New York next week, with an unusually high volume of inventory. Christie's alone will offer 80 works on Monday night, and across the week 27 lots carry estimates above $10 million—a stark contrast to the tepid May sales. The season is top-heavy, with the $2 million–$5 million range considered the trickiest. Notable consignments include the estate of Leonard Lauder and the collection of Stefan Edlis and Gael Neeson, while many discretionary sellers remain absent. Day sales feature works with significant price drops, such as a Steve Parrino painting last sold for nearly $1 million now estimated at $300,000–$500,000, and an Avery Singer work that sold for $3 million in 2022 now estimated at $600,000–$800,000. Several pandemic-era speculative purchases are also returning to market at steep discounts.

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A new book titled *Hidden Portraits: The Untold Stories of Six Women Who Loved Picasso* by Sue Roe (published by Faber and W.W. Norton) examines the lives of Picasso's six most significant partners: Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, and Jacqueline Roque. The book challenges the narrative that these women were passive muses, instead revealing their personal ambitions and reasons for entering relationships with the artist, drawing on journals and historical context to present their perspectives.

Researchers at Art Gallery of Ontario identify painter and subject of 18th-century portrait of Black woman

Researchers at the Art Gallery of Ontario have identified the artist and sitter of an 18th-century portrait of a young Black woman. The painting, purchased in 2020, is now titled 'Portrait of Eleonora Susette' (1775), revealing the subject as a woman born around 1756 in the Dutch colony of Berbice (now Guyana). The artist is Berlin-born Jeremias Schultz, who painted the portrait in Amsterdam after Eleonora Susette was brought there by her enslaver, the artist's cousin.

art arne glimcher pace 125 newbury interview

Arne Glimcher, the 87-year-old founder of Pace Gallery, opened a satellite gallery called 125 Newbury in Tribeca in 2021 after his son Marc, Pace's CEO, told him he would have to wait three years for a show slot. The gallery, named after Pace's original Boston address, operates under Pace's umbrella but focuses on experimental, scholarly exhibitions that often feature artists not represented by Pace. Glimcher recently mounted a Kiki Smith show pairing her 1990s paper mannequins with bronze birds, and he continues to take risks, such as funding a pond for Max Hooper Schneider's exhibition. Despite the gallery not being self-sustaining, Glimcher remains committed to supporting original art and connoisseurship.

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The Detroit Institute of Arts (DIA) has reinstalled its African American galleries, moving them from the back of the museum to a prominent location beside Diego Rivera's iconic "Detroit Industry Murals" (1932–33). The reinstallation is framed by a quote from Alain Locke's 1925 essay "The Legacy of the Ancestral Arts," envisioning the museum as an instrument of cultural education and repair. Complementing this is "Contemporary Anishinaabe Art: A Continuation" (through April 5), the first comprehensive survey of art from the Indigenous inhabitants of the Great Lakes region. The DIA began collecting African American art in 1943 and in 2001 became the first US museum to name a curator devoted to that field, Valerie J. Mercer, who still serves as curator and head of African American art.

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The Frick Collection in New York has promoted Aimee Ng to chief curator, effective November. She succeeds Xavier F. Salomon, who is leaving to become director of the Calouste Gulbenkian Museum in Lisbon. Ng, a curator at the Frick since 2015, has organized exhibitions on Italian Renaissance artists and co-curated the landmark 2023 show "Barkley L. Hendricks: Portraits at the Frick." Her appointment is the second senior leadership choice under director Axel Rüger, who joined in March ahead of the museum's long-awaited reopening.

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Greece is building a cultural coalition with Italy to strengthen its campaign for the return of the Parthenon Marbles from the British Museum. Italy's culture minister Alessandro Giuli pledged support during a visit to Athens and announced the repatriation of 145 ancient coins. Greek culture minister Lina Mendoni is leading efforts to build international backing, and the two countries have devised joint cultural initiatives, including an exhibition of modern Greco-Italian metaphysical painters. Meanwhile, the U.K.'s Labour government has taken a neutral stance on the issue, departing from the previous Conservative government's opposition, and negotiations between Greece and the U.K. are described as "ongoing and constructive."

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The Metropolitan Museum of Art in New York has unveiled the renovated Michael C. Rockefeller Wing, dedicated to the art of Africa, Oceania, and the ancient Americas. Designed by Kulapat Yantrasast of WHY Architecture with Beyer, Blinder, Belle Architects, the 40,000-square-foot wing opened to the public on May 31, showcasing 1,800 objects from 663 cultures across 90 countries. The collection originated from Nelson Aldrich Rockefeller, who began acquiring non-Western art in 1930 and later founded the Museum of Primitive Art in 1957 after the Met initially declined his donation.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

‘I told his family he was HIV positive’: Keith Haring’s best friend on life with the artist as unseen works go on show

A collection of unseen Keith Haring works, including a crib he painted for his best friend's unborn child, is going on display at Sotheby's New York before being auctioned in May 2025. The collection belongs to Kermit Oswald, Haring's childhood friend, and features 20 works, with a 1985 self-portrait estimated at $3m-$5m and the crib valued at $250,000-$350,000. Oswald shares intimate stories of their friendship, from childhood pranks in Kutztown, Pennsylvania, to their move to New York to study at the School of Visual Arts, and Haring's later collaboration with William Burroughs.

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A cousin of one of the suspected robbers in the Louvre heist has spoken out in an interview with ABC News. The man, identified as Mehdy, told ABC News' James Longman on "Impact x Nightline" that his cousin was a low-income worker who sold fruit and had children. Four suspects have been arrested in connection with the heist, which occurred on October 19 when robbers used a cherry picker and angle grinder to steal nine pieces of jewelry worth an estimated $102 million from the Louvre's Apollo Gallery. One suspect remains at large, and a crown belonging to Empress Eugénie was later recovered outside the museum.

‘We put our heads above the parapet’: Lubaina Himid on winning her 40-year battle to storm the Venice Biennale

Lubaina Himid, the 71-year-old British artist, is representing Britain at the Venice Biennale with a solo exhibition in the British Pavilion. Known for her decades-long career addressing Black identity and colonial history through paintings, textiles, and cut-out figures, Himid installed her work early and even got married in the lead-up to the biennale. She follows fellow Black British artists John Akomfrah and Sonia Boyce in recent years, completing a trio of artists from the same generation to take over the pavilion.

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Jackie Ferrara, a New York-based artist known for her stacked-wood sculptures, died by physician-assisted suicide in Basel, Switzerland, on October 22 at age 95. She told the New York Times she had fallen twice in the past year and did not want to be dependent on anyone. Assisted suicide is legal in Switzerland even for those who are not terminally ill.

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A painting discovered in an Argentine home in August, initially attributed to 18th-century Italian painter Giuseppe Ghislandi and believed to be Nazi-looted art, has been called into question. Paolo Plebani, curator of the Accademia Carrara in Bergamo, Italy, told the Argentine newspaper Clarín that the work is actually by Giacomo Ceruti, another Northern Italian painter. The painting was previously owned by Jewish art dealer Jacques Goudstikker, who fled the Nazis, and later by former Nazi Friedrich Kadgien, whose daughters Patricia and Alicia owned the Mar del Plata home where it was found. Argentine authorities recovered the painting after placing the daughters and Patricia's husband under house arrest.

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A donation of 500 guitars to the Metropolitan Museum of Art in May 2025, announced via a profile in The New Yorker, has become embroiled in controversy. Mick Taylor, former guitarist for the Rolling Stones, claims through his manager that one of the donated guitars—a Les Paul stolen from the band's French villa in 1971—is his property. The Met initially declined to comment, but later told The New York Times that Taylor played the guitar but never owned it, asserting a well-documented ownership history. The guitars were donated by collector Dirk Ziff, and the museum plans to open a permanent American guitar gallery in 2027.

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Jack Vettriano, the self-taught Scottish painter behind Britain's best-selling image of 2012, *The Singing Butler* (1992), has announced that he may never paint again after dislocating his shoulder. Vettriano told the Independent that he is undergoing physiotherapy but faces a long recovery and cannot paint in the foreseeable future. The news comes as a blow to his devoted fan base, who had been hoping for new work following his 2013–14 retrospective at Kelvingrove Art Gallery and Museum in Glasgow, which drew 123,000 visitors.

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Tim Blum, co-founder of the influential Blum & Poe gallery, is stepping away from the traditional gallery model after more than 30 years. He told ARTnews that the decision was driven by burnout with the relentless cycle of art fairs, openings, and obligations, not by financial strain. His Tokyo and Los Angeles locations will close after summer exhibitions, and a planned New York space may not open as a conventional gallery. Blum will instead pursue a more flexible model involving special projects and collaborations, while continuing to buy and sell art personally.

Martha Graham Took Classic Ballet and Turned It Into Modern Dance. It’s Still Moving Us 100 Years Later

The Martha Graham Dance Company, the oldest professional dance troupe in the United States, is celebrating its 100th anniversary with a worldwide centennial tour. The company is marking the milestone by performing Graham's classic works, like the 1946 ballet *Cave of the Heart*, alongside newer commissions that continue her innovative legacy.

The Cape Ann Museum’s Newest Exhibition, Avery, Gottlieb & Rothko: By the Sea, Coincides With the Reopening of the Museum’s Main Campus

The Cape Ann Museum has opened a landmark exhibition titled "Avery, Gottlieb & Rothko: By the Sea," featuring 82 works by Milton Avery, Adolph Gottlieb, and Mark Rothko. The show explores the artists' formative summers on Cape Ann in the 1930s and '40s, where they escaped New York City and developed a deep artistic camaraderie. The exhibition coincides with the reopening of the museum's main campus after 20 months of renovations, and will travel to The Phillips Collection in Washington, D.C. in October—the first time a Cape Ann Museum-organized exhibition tours to a national museum.

Plan Your Travel Year: 8 Art Shows Worth Traveling for This Year

Major museums across the United States are launching significant exhibitions in 2026, including retrospectives of Frida Kahlo in Houston and Nick Cave in Washington, D.C., and a landmark show on sculptor Edmonia Lewis in Salem. These shows are part of a broader cultural moment, with many institutions mounting exhibitions to coincide with the nation's 250th anniversary, aiming to reframe art historical narratives and highlight previously overlooked artists.

Show at Civil War-era fort spotlights California’s Black history from the 19th century to today

Fort Point, a Civil War-era fortification beneath the Golden Gate Bridge in San Francisco, opens the exhibition "Black Gold: Stories Untold" today through November 2. The show features works by 16 contemporary artists and one collective, exploring 19th-century African American life in California—from the Gold Rush onward—highlighting little-known entrepreneurs, activists, soldiers, and musicians. Curated by Cheryl Haines of the non-profit For-Site, the exhibition includes recent works by artists such as Carla Edwards, Isaac Julien, Alison Saar, Yinka Shonibare CBE, and Hank Willis Thomas, alongside new commissions by Demetri Broxton, Adrian L. Burrell, Mildred Howard, and others. The project was two years in the making, privately funded, and developed with a nine-person advisory committee of Black historians and curators.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.

Who made ancient Egyptian art? Plus, Michaelina Wautier, Robert Rauschenberg’s ‘Bed’—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major art stories. Alexander Morrison visits the Fitzwilliam Museum in Cambridge to explore 'Made in Ancient Egypt,' an exhibition revealing the untold stories of the craftspeople and techniques behind ancient Egyptian objects. Ben Luke speaks with Katlijne Van der Stighelen about the largest-ever exhibition of Baroque painter Michaelina Wautier at the Kunsthistorisches Museum in Vienna, which will travel to the Royal Academy of Arts in London. The episode also features Robert Rauschenberg's iconic work 'Bed' (1955), part of the exhibition 'Five Friends' at the Museum Ludwig in Cologne, which brings together artists John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, and Cy Twombly.

Vermeer’s vandal: the untold story of a vicious attack at London's National Gallery in 1968

In 1968, Vermeer's painting *Young Woman Seated at a Virginal* (1670-72) was vandalized at the National Gallery in London. An unidentified attacker used a sharp instrument, likely a razor blade, to cut around the woman's head, attempting to remove it entirely. The damage was discovered hours later by a visitor, and the painting was swiftly restored; previously unreleased photographs of the attack have now been supplied to The Art Newspaper. The vandal was never caught, and their motivation remains unknown.

In Genoa, an exhibition dedicated to Giovanni Korompay, the Futurist who loved Pink Floyd

A Genova una mostra dedicata a Giovanni Korompay, il futurista che amava i Pink Floyd

A major retrospective exhibition dedicated to Giovanni Korompay, a Venetian painter, sculptor, and illustrator associated with the second wave of Futurism, has opened at the Wolfsoniana in Genoa Nervi. Titled "Korompay, un’antologica," the show runs until November 1st and features around sixty works, including paintings, sculptures, graphic works, photographs, and documents. It explores Korompay's evolution from traditional training under Ettore Tito to his embrace of Futurist aeropainting, exemplified by works such as "Alta velocità" (High Speed), which celebrates a 1934 world speed record set by a Macchi-Castoldi MC 72 seaplane. The exhibition is curated by Alex Casagrande, Matteo Fochessati, Franco Tagliapietra, and Anna Vyazemtseva, with loans from public museums (Mart, Mambo), private collections, and the Fondazione Korompay.