Louisa Buck, a prominent art critic and journalist, has been featured in a profile by The Art Newspaper, highlighting her career and contributions to art journalism. The article discusses her role as a columnist and critic, her insights into the contemporary art world, and her longstanding association with the publication.
V&A East has officially unveiled its new museum building in London’s Olympic Park, a striking architectural addition to the city's burgeoning 'East Bank' cultural district. Designed by O’Donnell + Tuomey, the structure features a faceted, honey-colored concrete exterior inspired by the intricate folds of a sleeve in a Vermeer painting and the structural tailoring of Cristóbal Balenciaga. The interior houses a diverse collection of human ingenuity, ranging from Leigh Bowery’s sequined codpieces to historical ceramics, all organized within a framework that emphasizes the process of making.
Julius Bryant’s new book, the fourth volume in his history of the Victoria and Albert Museum, re-examines the 1851 Great Exhibition through its visual legacy. By analyzing paintings, prints, and ephemera—including the vast archive of Charles Wentworth Dilke—Bryant reconstructs the 'Crystal Palace' experience, highlighting the youth of its organizers and the staggering speed of its construction. The narrative shifts focus away from traditional social theory toward the actual visual evidence of the event, from David Roberts’s massive panoramic paintings to the 235 sculptures that defined the era's artistic output.
A large-scale sculpture by Korean American artist Michael Joo collapsed during the opening reception of his solo exhibition at Space ZeroOne in Tribeca, New York. The artwork, titled 'Saltiness of Greatness' (1992) and composed of compressed salt blocks, reportedly fell after being disturbed by a visitor, resulting in minor injuries to four attendees including a curator, a gallerist, and a foundation board member. The gallery, operated by the Hanwha Foundation of Culture, has temporarily closed to review safety procedures following the incident.
Artist Ai Weiwei will unveil a new exhibition titled “Button Up!” at Factory International in Manchester, England, opening July 2. The show features monumental installations made from 30 tons of buttons he rescued from a shuttered British factory in 2019, along with over 3.5 million Lego pieces. Highlights include eight flags sewn with 9,000 buttons each, referencing the Eight-Nation Alliance that invaded China during the Boxer Rebellion, and a new version of his Lego work *History of Bombs*. The buttons were secretly shipped to China, where artisans assembled the works over 281 days.
The Diriyah Biennale Foundation has announced the artist list for the third edition of the Diriyah Contemporary Art Biennale, opening January 30 in the JAX District of Diriyah, near Riyadh. Titled “In Interludes and Transitions,” the biennale is curated by Nora Razian and Sabih Ahmed and features over 65 artists, including more than 20 new commissions. Participants range from historic figures like Pacita Abad and Etel Adnan to emerging voices such as Raven Chacon and Dineo Seshee Bopape, working across painting, installation, film, sound, architecture, and publishing.
Sotheby's sold a Tiffany Studios Magnolia floor lamp for $4.4 million at its Dreaming in Glass auction in New York, making it the most expensive leaded lamp by the decorative arts studio ever sold at auction. The lamp, manufactured around 1910, features a patinated bronze stand and a 28-inch colored glass dome depicting magnolias, and was crafted by Agnes Northrop, Tiffany's star designer, rather than Clara Driscoll. The bidding battle lasted 10 minutes, surpassing the $3 million high estimate.
Museums worldwide are urgently searching for new financial models as government funding declines, wealthy patrons pull back, and corporate sponsors face pressure. A global study published in January by the International Research Alliance on Public Funding for Museums found that in 37 percent of responding countries, 71 to 100 percent of museums now receive most funding from private sources. Institutions are exploring endowments, new revenue streams, and collaborative approaches, with the Louvre becoming the first French museum to create an endowment fund in 2009, raising €175 million. The $85 trillion Great Wealth Transfer offers hope, but next-generation donors prioritize transparency and meaningful engagement over prestige.
London's Victoria and Albert Museum has announced that its new branch, V&A East Museum, will open to the public on April 18, 2026. The five-story building, designed by Irish architecture firm O'Donnell + Tuomey, is located in Queen Elizabeth Olympic Park and will feature exhibitions, live events, site-specific commissions, and performances. The V&A East Storehouse, designed by Diller Scofidio + Renfro, opened earlier this year and offers free behind-the-scenes access to over half a million objects and books from the V&A's collections. Artists Tania Bruguera, Carrie Mae Weems, Rene Matić, and Thomas J. Price have been commissioned to create new works for the museum.
A scientific paper published in PNAS reveals that Jackson Pollock's 1948 masterpiece *Number 1A* contains an extinct variety of manganese blue paint. Using Raman spectroscopy, researchers from Stanford University, City College of New York, and MoMA's conservation department identified the synthetic pigment, which was popular in the 20th century but phased out in the 1990s due to environmental concerns.
François-Xavier Lalanne's functional sculpture "Ostrich Bar" (1965) sold for €11.1 million ($12.5 million) at Sotheby's Paris on May 20, far exceeding its €3–4 million estimate after an 11-minute bidding war. The piece, one of only six ever produced, features two porcelain ostriches gripping a metal shelf with a central egg for ice cubes; it was the artist's personal favorite, kept in his bedroom for over four decades. The sale took place within Sotheby's Important Design sale curated by model Betty Catroux.
German collector Reinhard Ernst, 79, opened Museum Reinhard Ernst in Wiesbaden last year to house his collection of nearly 1,000 abstract works. The museum recently launched “Helen Frankenthaler. Move and Make,” the first major solo show of the Abstract Expressionist painter in Germany in two decades, featuring works from Ernst’s extensive Frankenthaler holdings. Ernst, who built his wealth through high-precision gear manufacturing, discusses his collecting journey, noting that 80% of his purchases come from auctions.
Billionaire art collector and Citadel CEO Ken Griffin stated that the United States is “eroding” its brand due to economic policy changes during President Donald Trump’s first 100 days. Speaking at Semafor’s World Economy Summit on April 23, Griffin warned that the reputation and creditworthiness of US Treasuries are at risk, citing recent tariff-driven sell-offs of government bonds. He expressed concern about policy volatility undermining the goal of reshoring manufacturing and noted that investors using the euro as a reference have lost 20% of their value in four weeks. Griffin also voiced support for DOGE, the Department of Government Efficiency led by Elon Musk, which has recommended cuts to the National Endowment for the Humanities.
French gallerist Kamel Mennour has announced a donation of 180 artworks to the Musée d’Art Moderne (MAM) in Paris. The gift, drawn from his namesake gallery and personal collection, includes works by over 45 artists such as Alicja Kwade, Anish Kapoor, Daniel Buren, and Lee Ufan. The donation will join MAM’s permanent collections after validation by Paris Musées and the French government, with an exhibition planned for 2027 in the museum’s ARC rooms.
The Lisa Yuskavage exhibition has opened at David Zwirner's 533 West 19th Street location in New York, running from May 14 through June 26, 2026. The show features new and recent paintings, works on paper, and a body of collages made on green Color-aid paper, incorporating pastel, egg tempera, gouache, and pasted elements. Many paintings expand on the theme of the artist's studio, with recurring figures appearing across compositions. This marks Yuskavage's tenth solo exhibition with David Zwirner, twenty years after her first show with the gallery in 2006. The exhibition follows her first comprehensive museum presentation of works on paper, 'Lisa Yuskavage: Drawings,' at The Morgan Library and Museum in New York from June 2025 through January 2026.
Gallerie dell'Accademia, one of Venice’s most historic museums, is hosting "Energy in Transition," a major retrospective marking performance artist Marina Abramović’s 80th birthday. The exhibition features iconic works such as "The Lovers: The Great Wall Walk" (1988) and "Balkan Baroque" (1997), for which she became the first woman to win the Golden Lion at the Venice Biennale. Visitors can interact with installations involving crystals, meditation platforms, and energy brushes, transforming Abramović’s once-violent performances into a healing journey. Separately, St. Mark’s Square is hosting an exhibition by Korean artist Lee Ufan, featuring his sculpture "The Kiss."
The article highlights collateral exhibitions at the 2024 Venice Biennale that take place beyond the main venues of the Giardini and Arsenale, offering visitors unexpected discoveries in historic Venetian palazzos and warehouses. Featured shows include Hernan Bas's 'The Visitors' at Ca' Pesaro, exploring tourism's contradictions; 'Turandot: To the Daughters of the East' at Palazzo Franchetti, a group exhibition of women artists from Central Asia; and Amoako Boafo's first solo show in Italy at Palazzo Grimani, presented by Gagosian.
Hong Kong is hosting a vibrant array of must-see art exhibitions in December 2025, as highlighted in a curated guide. Key shows include 'Zao Wou-Ki: Master Printmaker' at M+, focusing on the artist's lithograph prints; 'Violet Veil' by Laura Zhang at The Extension, featuring meditative violet-hued works; 'Guan Yu vs. Wilson Shieh' at JPS Gallery, blending traditional gongbi painting with AI technology; and 'The Villepin House' at Villepin, celebrating the gallery's fifth anniversary with works by Zao Wou-Ki and Myo.
Paris is hosting a busy week of art fairs, headlined by Art Basel Paris returning to the Grand Palais from October 24–26, 2025, under outgoing director Clément Delépine. The fair features 206 galleries across three sections, public programs at nine iconic venues including an inflatable Kermit the Frog by Alex Da Corte and a participatory installation by Harry Nuriev, and a talks series hosted by Edward Enninful. Satellite fairs include Design Miami Paris at L’Hôtel de Maisons, the dealer-run 7 Rue Froissart co-founded by Brigitte Mulholland and Sara Maria Salamone, and others like Paris Internationale and Asia Now.
Athens is launching a vibrant September of art exhibitions, headlined by Art Athina at Zappeion Hall (September 18–22), featuring 72 galleries from Greece and abroad. The month also includes the opening of the Greek pavilion of the Gaza Biennale, a collective project uniting over 50 artists from Gaza across 14 cities worldwide, as well as solo shows by Panos Profitis at MOMus–Museum Alex Mylona and Aristeidis Lappas at The Breeder Gallery.
British Pop artist Peter Phillips has died at age 86. Known for his collage-like, saturated compositions incorporating mechanical parts, comic books, and pin-up imagery, Phillips emerged from Birmingham's industrial landscape and studied at the Royal College of Art alongside peers like David Hockney and R.B. Kitaj. His work, such as *The Entertainment Machine* (1961) and the *Custom Painting* series, reflected his working-class upbringing and fascination with car manufacturing and commercial design.
Korean artists are gaining unprecedented global recognition, with figures like Haegue Yang, Do Ho Suh, Lee Bul, and Mire Lee leading a shift from traditional Dansaekhwa abstraction to more conceptual and contemporary practices. The article highlights how K-pop and Korean soap operas have boosted cultural awareness, drawing new audiences to events like Frieze Seoul and prompting major international galleries such as White Cube, Perrotin, and Pace to open in Seoul. Curators and scholars note that Korean art now engages deeply with globalization, historical trauma, and sociopolitical change, facilitated by biennials in Gwangju, Busan, and Seoul, as well as a surge in art institutions.
The article is an interview with an artist, though the provided text is incomplete and primarily consists of a subscription prompt for The Art Newspaper's digital newsletter. The core content of the interview itself is missing from the given snippet, which only includes the title "Artist interview" and standard footer information about the publication.
Art21 and the CHANEL Culture Fund have partnered to launch 'IRL/url,' a new series of over 30 short documentary films designed for social media. The series, premiering in November 2025, profiles eight contemporary artists—including Neïl Beloufa, Jacolby Satterwhite, and Xin Liu—exploring their work across physical and digital realms. The films will be released on TikTok, YouTube, and Art21's website.
Wohin am Wochenende?
This week's art tips include Anton Corbijn's birthday exhibition at Fotografiska Berlin, featuring iconic portraits alongside personal favorites; the 25th anniversary of Daniel Libeskind's extension at the Jewish Museum Berlin; Refik Anadol's first Belgian AI-driven installation at Brusk in Bruges; the Schirn Kunsthalle Frankfurt's 40th anniversary weekend with free entry and performances; and a Lee Ufan solo show at Dia Beacon in New York, following his Wolfgang Hahn Prize.
The article reviews the 2024 Venice Biennale, focusing on controversies over Russia's and Israel's participation. Protests erupted during opening week, leading the EU to cut funding and the International Jury to resign. As a result, awards like the Golden Lion and Silver Lion will be decided by public vote, with many pavilions and artists withdrawing in protest. The main exhibition, curated under the theme 'Minor Keys,' features standout works by Alfredo Jaar and Carrie Schneider, alongside national pavilions like Austria's provocative entry by Florentina Holzinger.
Dia Art Foundation presents a major solo exhibition of Lee Ufan at SMAC Venice, opening May 9, 2026, as an Official Collateral Event of the 61st Venice Biennale. Curated by Jessica Morgan, the show spans over sixty years of the artist's career, featuring historical and unseen paintings, monumental installations, and new site-specific works across eight rooms. It includes seminal series such as *From Point*, *From Line*, *From Winds*, *With Winds*, *Correspondance*, and *Dialogue*, tracing Lee's evolution from the 1960s to the present.
Ha Chong-Hyun, a leading figure of the Korean Dansaekhwa (monochrome painting) movement, will receive his first North American museum retrospective at the Asian Art Museum of San Francisco. The exhibition, titled 'Ha Chong-Hyun: Retrospective,' opens on September 25 and will feature approximately 50 paintings spanning over 60 years of his career, including new works and pieces showcasing his signature 'Back Pressure Technique.'
Monochrome painting master Ha Chong-Hyun will have his first North American museum retrospective at the Asian Art Museum of San Francisco (AAM) from September 25, 2026, to January 25, 2027. The exhibition, titled "Ha Chong-Hyun: Retrospective," will feature about 50 works spanning over 60 years, including his early Art Informel experiments, his politically charged works, and his iconic "Conjunction" series created with his signature Back Pressure Technique.
Alpha 137 Gallery has listed a unique 1955 work on paper by American modernist Dorothy Dehner titled "Drawing for Sculpture." The piece, executed in brown marker on found stationery from a New York manufacturer’s agent, represents a pivotal moment in Dehner’s career when she transitioned from painting to the abstract sculpture for which she became famous. The work is hand-signed and dated, reflecting her early exploration of three-dimensional forms through graphic media.