‘They accomplished so much, even as they were dying’: the groundbreaking gay art of Peter Hujar and Paul Thek

Author and Frieze Magazine editor-in-chief Andrew Durbin has released a dual biography titled 'The Wonderful World That Almost Was,' chronicling the lives and creative partnership of Peter Hujar and Paul Thek. The book focuses on their relationship from the mid-1950s through the 1970s, detailing their collaborative influence and the development of their respective practices in photography and sculpture before both died of AIDS-related complications in the late 1980s.

MoMA Plans a Retrospective for Marcel Duchamp, the Dada Artist Who Was Unimpressed With His Own Masterpieces

The Museum of Modern Art (MoMA) in New York will open a major retrospective of Marcel Duchamp in April 2026, marking the first U.S. retrospective for the artist in over 50 years. The exhibition will feature more than 200 works, including a 1968 replica of his infamous 'Fountain,' spanning his experiments in Cubism, Futurism, film, photography, and his pioneering readymades.

ArtReview Podcast | Episode 5: Rene Matić

Artist Rene Matić discusses their multidisciplinary practice and cultural influences in the latest episode of the ArtReview Podcast. The conversation explores Matić’s background as a second-generation skinhead of St Lucian heritage, their status as the youngest-ever Turner Prize nominee, and the upcoming commission for the grand opening of the V&A East Museum in April 2026.

Inside LACMA’s 2026 Reopening: What to Know About the New David Geffen Galleries

The Los Angeles County Museum of Art (LACMA) has announced that its highly anticipated David Geffen Galleries will officially open to the public on April 19, 2026. Designed by Pritzker Prize–winning architect Peter Zumthor in collaboration with director Michael Govan, the new facility features a horizontal, elevated design that spans Wilshire Boulevard. The structure will house 26 galleries on a single level, representing the culmination of a nearly two-decade redevelopment project.

At the Guggenheim, Carol Bove Bends Metal—and Minimalism—to Her Will

At the Guggenheim, Carol Bove Bends Metal—and Minimalism—to Her Will

A major new exhibition of Carol Bove's work has opened at the Guggenheim Museum in New York. Titled "Carol Bove: The séance isn't over," the show features over two dozen of the artist's large-scale sculptures, many crafted from delicately arranged steel tubing and precariously balanced metal plates. The installations are strategically placed within the museum's iconic rotunda, creating a dynamic conversation with the Frank Lloyd Wright-designed spiral.

Where Does "Guernica" Belong?

Wohin gehört "Guernica"?

Basque Prime Minister Imanol Pradales has formally requested the temporary transfer of Pablo Picasso’s masterpiece "Guernica" from Madrid to the Basque Country. The proposal seeks to exhibit the monumental 1937 anti-war painting at the Guggenheim Museum Bilbao for nine months starting in late 2026 to coincide with the 90th anniversary of the town's bombing. While the work depicts the destruction of the Basque town of Gernika by Nazi and Italian fascist forces, it has resided at the Museo Reina Sofía in Madrid since 1992.

With her monumental frescoes and trompe-l'œil, Lucy McKenzie offers a "critical archaeology" of modernity

Avec ses fresques monumentales et ses trompe-l’œil, Lucy McKenzie offre une “archéologie critique” de la modernité

Scottish artist Lucy McKenzie has opened a major solo exhibition titled "Plastic Newspaper" at the Crac Occitanie in Sète, France. This is her first large-scale personal exhibition in the country. The show features monumental frescoes, trompe-l'œil, and immersive installations, including a full-scale fake sports shop facade created with her fashion label Atelier E.B. It represents the third stage of a cycle exploring the origins of mass media, examining 19th-century entertainment devices like panoramas and dioramas.

Brooklyn’s Barclays Center Arena Launches Art Program, with Paul Pfeiffer As First Artist-in-Residence

The Barclays Center arena in Brooklyn has launched a multi-year public art initiative called 'Brooklyn Art Encounters.' The program includes a new artist-in-residence component, with Paul Pfeiffer as the inaugural resident, and will feature digital art broadcasts, major new commissions by artists like Sarah Sze, Rashid Johnson, Mark Bradford, and Kambui Olujimi, and a series of public installations on the arena's plaza and in its entrances.

Jordan Wolfson’s Newest Provocation Is a Creepy Prada Ad Campaign

Artist Jordan Wolfson has directed a new advertising campaign for Prada's Spring/Summer 2026 collection. The campaign, titled "I, I, I, I AM… PRADA," features unsettling, computer-generated birds and a bird-man hybrid alongside models including actors Carey Mulligan, Nicholas Hoult, Damson Idris, and Hunter Schafer, continuing Wolfson's signature style of disturbing digital avatars.

Record-Breaking $110.5 M. Basquiat Painting, Now Owned by Ken Griffin, to Go on View in Miami This Summer

The Pérez Art Museum Miami will present "Basquiat: Figures, Signs, Symbols," an exhibition of approximately ten works by Jean-Michel Basquiat from the collection of billionaire Kenneth C. Griffin. Opening June 25, the show includes the record-breaking 1982 painting "Untitled," which sold for $110.5 million in 2017 and was later acquired by Griffin, alongside other major paintings and a sculpture.

New York Academy of Art Donates $66,000 Linked to Jeffrey Epstein

The New York Academy of Art has donated $66,000 in funds originally received from convicted sex offender Jeffrey Epstein to Girls Educational and Mentoring Services (GEMS), a nonprofit supporting sexually exploited girls. The move redirects all donations the school accepted from Epstein after his 2008 conviction. The academy's board chair, Eileen Guggenheim, who solicited the funds, will retire from her role a month early on April 1, following renewed scrutiny of the institution's Epstein ties.

Riyadh’s New Black Gold Museum Attempts to Convey ‘The Legacy of Oil Through Art’

The Black Gold Museum has officially opened in Riyadh, Saudi Arabia, as a flagship project of the nation’s Vision 2030 initiative. Housed in a Zaha Hadid-designed complex and directed by Jack Persekian, the institution features over 350 artworks by 170 international and local artists, including Manal AlDowayan and Doug Aitken. The museum explores the history and cultural impact of oil through four thematic sections—Encounter, Dreams, Doubts, and Visions—blending historical narrative with contemporary artistic reflection.

Artemisia Gentileschi Masterpiece Goes to Auction—Without Its Face

The Dorotheum auction house in Vienna is set to auction a rare, autograph replica of Artemisia Gentileschi’s 'St. Mary Magdalen' (c. 1620) that is missing its central focus: the saint's face. Discovered in a private German cellar in 2011 and likely mutilated during the looting of postwar Berlin, the fragment has been authenticated by experts Roberto Contini and Riccardo Lattuada. Despite the missing section, infrared analysis confirms Gentileschi’s hand, and the work is estimated to fetch between $120,000 and $170,000.

They Painted the American West. History Painted Them Out

The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.

Gagosian to Debut New Gallery With Duchamp’s “Readymades”

Gagosian has announced that the inaugural exhibition at its new ground-level space at 980 Madison Avenue will feature the iconic "readymades" of Marcel Duchamp. Opening April 25, the show will showcase a series of 14 authorized replicas created in 1964 by Duchamp and dealer Arturo Schwarz, including famous works like "Fountain" and "Bicycle Wheel." The exhibition is timed to run concurrently with a major Duchamp retrospective at the Museum of Modern Art, the artist's first in the United States in over half a century.

The Paradoxical Delights of South America’s Biggest Art Fair

The 22nd edition of SP-Arte has opened at the Oscar Niemeyer Pavilion in São Paulo, featuring 180 exhibitors. As Latin America’s largest art fair, the event continues to serve as a critical bridge for 'South-South' artistic relationships, drawing international curators like the Met’s Brinda Kumar. Despite a slightly smaller footprint than previous years, the fair showcases a robust selection of Brazilian talent alongside international galleries navigating the country's complex market.

Tate Modern to Mount Its First Monet Show Ever

Tate Modern has announced its 2027 exhibition program, headlined by "Monet: Painting Time," the museum's first-ever solo exhibition dedicated to Claude Monet since it opened 26 years ago. The show, opening February 27, 2027, will feature rarely seen works from global lenders and new research, following an initial presentation at the Musée de l'Orangerie in Paris opening this September to mark the centenary of Monet's death.

‘He sent someone to intimidate me’: Christopher Anderson, the photographer who shot Jeffrey Epstein

Photographer Christopher Anderson has revealed the details behind his 2015 encounter with Jeffrey Epstein, whom he photographed for a cancelled New York magazine profile. Anderson describes a series of unsettling interactions, including Epstein's attempts to buy the image rights for $20,000 and the eventual dispatch of a "mafia-esque" intimidator to Anderson's studio to seize a hard drive. The photographer's email exchanges with Epstein’s staff were recently made public as part of the Department of Justice's release of the Epstein files.

What to See in Sydney This Spring 2026

Sydney's art scene is energized by the opening of the 25th Biennale of Sydney, titled 'Rememory' and curated by Hoor Al Qasimi, which explores histories carried in the body rather than physical monuments. Concurrently, four notable exhibitions across the city engage with similar themes of legacy and history. Kirtika Kain's 'Unkept' at the Chau Chak Wing Museum creates a fictional archive from anti-caste traditions to address Dalit lineage and colonial collection politics, while Ron Mueck's 'Encounter' at the Art Gallery of New South Wales uses hyperreal sculpture to confront contemporary brutality and vulnerability.

Marcel Duchamp readymades show to inaugurate new Gagosian Upper East Side gallery.

Gagosian has announced that its new gallery space on the Upper East Side will open with a major exhibition dedicated to Marcel Duchamp. The show, located at 980 Madison Avenue, will feature a comprehensive collection of the artist's iconic readymades, marking a significant addition to the New York spring art calendar.

New Ways of Seeing at the Outsider Art Fair

The 2025 Outsider Art Fair in New York City, featuring 68 exhibitors at the Metropolitan Pavilion, showcased a vibrant range of work by self-taught and autodidactic artists. The event was marked by strong sales and enthusiastic attendance, serving as an egalitarian counterpoint to more traditional blue-chip art fairs.

The Triumphant New LACMA Has the Potential to Rewrite Art History

The Los Angeles County Museum of Art (LACMA) is set to open its new $724 million David Geffen Galleries, designed by Swiss architect Peter Zumthor. The building features a radical, non-linear layout that eschews traditional chronological and geographical hierarchies, allowing artworks from 15 different curatorial departments to be displayed in conversation with one of another. Despite years of controversy regarding its concrete design and a 10 percent reduction in exhibition space, the museum is positioning the new structure as a flexible "laboratory" for global art history.

Here’s What LACMA’s Lavish New Building Looks Like

The Los Angeles County Museum of Art (LACMA) has finally unveiled its new flagship building, the David Geffen Galleries, designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The concrete-and-glass structure famously straddles Wilshire Boulevard, featuring a continuous glass facade that offers panoramic views of the Los Angeles landscape and newly installed outdoor sculptures. Inside, the layout encourages a non-linear experience, moving visitors through varying light conditions and diverse gallery sizes that house a mix of contemporary and classical works.

Billionaire Collector Ken Griffin’s Basquiat Buying Spree Continues

Billionaire collector Ken Griffin has significantly expanded his holdings of Jean-Michel Basquiat, notably acquiring the 1983 masterpiece 'In Italian' from the collection of Peter Brant. The acquisition came to light through press materials for an upcoming exhibition at the Pérez Art Museum Miami (PAMM) titled "Basquiat: Figures, Signs, Symbols," which will showcase nearly a dozen works from Griffin’s private collection. The show, curated by PAMM director Franklin Sirmans and Griffin’s curator Megan Kincaid, includes other high-profile acquisitions such as the 1982 'Untitled (Skull)' previously purchased from Yusaku Maezawa.

Paige Powell Didn’t Just Document Warhol’s Inner Circle. She Shaped It, Too

Paige Powell, a close confidante of Andy Warhol and former associate publisher of Interview magazine, is presenting a new exhibition of her photographs titled "Private Andy: Religious Services" at Jeffrey Deitch in Los Angeles. The show features intimate, often accidental images from 1986-87 that document Warhol's final days, including his volunteer work at a church and his funeral, revealing his spiritual side and the overlap of life and death.

How Wayne McGregor’s epic ballets draw on help from his artistic friends

Choreographer Wayne McGregor’s upcoming production at the Royal Opera House, 'Alchemies', highlights his career-long commitment to cross-disciplinary collaboration with visual artists and designers. The program features a world premiere with costumes by fashion designer Saul Nash, alongside revivals of 'Yugen' and 'Untitled, 2023'. These works incorporate significant contributions from the art world, including set designs by ceramicist Edmund de Waal and previous collaborations with figures like Tacita Dean and Olafur Eliasson.

Understanding Nifty Gateway’s demise is paramount for NFTs’ fans and critics alike

Nifty Gateway, a once-prominent curated NFT marketplace, has announced its closure after failing to achieve its ambitious goal of converting one billion people into NFT owners. The platform, which initially succeeded by focusing on digital art sales, leveraged social media metrics like Instagram popularity to select artists such as Kenny Scharf, Filip Hodas, and FVCKRENDER, favoring a pop-centric, visually digestible aesthetic.

‘Designed to disorient’: LA art museum unveils enormous concrete gallery, 20 years in the making

The Los Angeles County Museum of Art (LACMA) has unveiled the David Geffen Galleries, a $724 million concrete structure designed by Swiss architect Peter Zumthor. Spanning Wilshire Boulevard, the building features 110,000 square feet of elevated gallery space characterized by curving walls and massive windows. The project marks the culmination of a nearly 20-year revitalization effort led by director Michael Govan, replacing several older buildings with a single, fluid architectural statement.

Curating Around Social Urgencies: How Artists Refuse Quietism

The article focuses on the curatorial approach and artistic ethos of the 2025 edition of the 'Made in L.A.' biennial, highlighting how artists are actively engaging with pressing social and political issues rather than retreating into quietism or abstraction. It examines specific works and the overall thematic drive of the exhibition, which is organized by the Hammer Museum and the Huntington Library, Art Museum, and Botanical Gardens.

Nine Lessons on My Path From Engagement to Leadership

The article is an excerpt from the forthcoming field resource 'Curating Engagement,' featuring a first-person reflection by an arts professional. The author outlines nine lessons learned over two decades of practice, moving from engagement-focused roles to institutional leadership. Key lessons emphasize curiosity as a foundational practice, engagement as a form of service to communities rather than extraction, and the importance of site and history as collaborators in curatorial work.