The first UK museum presentation of Aleksandra Kasuba’s work: her exhibition Shelters for Senses open at Tate St Ives

Tate St Ives has opened 'Shelters for the Senses', the first UK museum presentation of Lithuanian-American artist Aleksandra Kasuba (1923–2019). Curated by Tate St Ives Director Anne Barlow in collaboration with LNMA curator Elona Lubytė, the exhibition spans seven decades of Kasuba's work, including early paintings, mosaics, public artworks, architectural designs, and spatial environments. A reconstruction of her 'Live-In Environment' (1971) is featured, alongside works donated to Lithuania and kept by the LNMA. The show runs until 4 October.

The ironic and intellectual painting of Renato Varese. The exhibition in Conegliano

La pittura ironica e intellettuale di Renato Varese. La mostra a Conegliano

Palazzo Sarcinelli in Conegliano is hosting a retrospective exhibition dedicated to Renato Varese (1926–2024), a versatile Italian painter, graphic artist, engraver, sculptor, and ceramist. Curated by Lorena Gava, the show marks the centenary of Varese's birth and features around fifty works spanning painting and graphic art, highlighting his ironic, intellectual, and visionary style often described as "Gothic." Concurrently, the artist's heirs have donated thirteen works to the city's civic collections, including the large canvas "Beati gli ultimi" (1997), now housed in a dedicated room named Sala L.R. Varese.

Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.

First Zurbarán exhibition at the National Gallery

The National Gallery in London has opened the first monographic exhibition in the UK dedicated to Francisco de Zurbarán, a leading 17th-century Spanish painter. The show brings together exceptional loans from public and private collections across the UK, Europe, and the United States, including works displayed together for the first time in over a century. Highlights include life-size depictions of saints, soaring altarpieces, and contemplative still lifes, with the exhibition running until 23 August.

The Vatican brings Hildegard of Bingen to the Biennale. "The ear is the eye of the soul", by Brian Eno and Patti Smith

The Holy See Pavilion at the 61st Venice Biennale, titled "The Ear is the Eye of the Soul," centers on the 12th-century Benedictine abbess and visionary Hildegard of Bingen. Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the pavilion spans two Venetian venues—the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice—and features new sound works by 24 artists, musicians, and poets including Brian Eno, Patti Smith, FKA Twigs, Meredith Monk, and Jim Jarmusch. The title is borrowed from the final work of German director Alexander Kluge, who died in March 2026, and his monumental film installation forms a core part of the exhibition.

Haiti’s Visionary: Edouard Duval-Carrié previews Venice-Bound work in Little Haiti

Haitian-American artist and curator Edouard Duval-Carrié has been selected to represent Haiti at the 61st Venice Biennale, titled "Smaller Keys." Ahead of the exhibition, he is opening his Little Haiti studio for a rare one-night preview on Friday, April 24, organized alongside the Tout-Monde Art Foundation. The preview includes a conversation with art historian Erica Moiah James and features works that were not sent to Venice but share the same themes of Haitian history, African connections, and diaspora. Duval-Carrié's Biennale theme centers on the question, "What did Africa bring to the world?" His selection was posthumously confirmed from the notes of chief curator Koyo Kouoh, the first African woman appointed to the role, who passed away last year.

Currently, much that was painstakingly built is being destroyed

"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"

Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.

Griffin Museum of Photography brings summer exhibits to Winchester

The Griffin Museum of Photography in Winchester is presenting a series of summer exhibitions running from late May through July 2026. Featured shows include "Photosynthesis XXI," a collaboration between Burlington and Winchester high schools; "Atelier 40," showcasing emerging and advanced photographers from a year-long portfolio course; "Caleb Cain Marcus: A Thousand Rectangles: On Design and the Expression of Art"; "Cassidy Thurber: I Want the Sun to Shine Down on You," the winner of the 2025 Carolyn Harder Scholarship; the 16th Annual Photobook Exhibition; a Handmade Photobook show; and "Visionary." A satellite location at Griffin Museum @WinCam will host Ellen Feldman's "WE PROTEST" from June 16 to September 1.

Colombia of the 1970s arrives in Milan with an exhibition that feels like a film

La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film

Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.