Next stop – infinity! My transcendental experience on Japan’s ‘art island’ guided by its master Lee Ufan

The article profiles Korean-born artist Lee Ufan, who turns 90 next month, and his transcendental art on Japan's Naoshima island. It describes his upcoming major shows: a retrospective in Venice coinciding with the Biennale, and an exhibition at Dia Beacon in New York. Lee, a key figure in the Mono-ha movement, creates works like the steel arch "Porte Vers l'Infini" on Naoshima that engage with nature and perception. The piece traces his career from early violent, resistant sculptures involving cracked glass and boulders to later meditative paintings and installations.

Jarvis Cocker Is Bringing His Eclectic Eye to the Hepworth Wakefield

Musician Jarvis Cocker and his wife, creative consultant Kim Sion, will curate an exhibition titled “The Hodge Podge” at the Hepworth Wakefield in the U.K., opening in May 2027. The show will feature artworks selected by the couple that challenge conventional definitions of art, spanning diverse media and time periods, with artists including Peter Doig, Barbara Hepworth, Jeremy Deller, and Emma Kunz. The exhibition will be bookended by an immersive Dreamachine, a 1959 light-art device by Brion Gysin and Ian Sommerville. Cocker and Sion have outlined their curatorial philosophy in a Hodge Podge Manifesto, celebrating beauty in chaos and disorder.

The Best Booths at Frieze New York, From Cindy Sherman’s Newest Photos to UFOs

The article reviews the best booths at Frieze New York 2026, held at the Shed in Hudson Yards. It highlights eight standout presentations, including Hauser & Wirth's debut of new Cindy Sherman photographs, Andrew Edlin Gallery's themed booth featuring artists like Paulina Peavy and Melvin Way who explore extraterrestrial themes, and Carlos/Ishikawa's display of Evelyn Taocheng Wang's monumental paintings that engage with Agnes Martin and Georgia O'Keeffe. The author notes that while art fairs prioritize commerce, some galleries successfully balance good art with monetization.

Derrick Adams Offers Monumental Tribute to Koyo Kouoh in Venice

American artist Derrick Adams has installed a monumental portrait of the late curator Koyo Kouoh on a building façade near the Arsenale in Venice, ahead of the 2026 Venice Biennale that Kouoh was to curate. The painting, titled "Heavy is the head that wears the crown (2026)," depicts Kouoh with a crown that transforms into the word "JOY" emitting golden light. The project was spearheaded by curator Francesco Bonami, who invited Kouoh to serve on the jury of the 50th Venice Biennale, and is intended as an accessible public homage rather than an exclusive art-world event.

Jarvis Cocker and Kim Sion to curate art exhibition at Hepworth Wakefield

Jarvis Cocker and his wife Kim Sion will curate a new exhibition titled "Hodge Podge" at the Hepworth Wakefield, opening in May 2027. The show brings together a personal selection of works by artists including Jeremy Deller, Peter Doig, Barbara Hepworth, and others, alongside unknown outsider and visionary artists never before exhibited in UK public museums. The exhibition aims to challenge conventional ideas of art and includes an immersive Dreamachine, a flickering light device co-invented by Brion Gysin and Ian Sommerville in 1959.

The Relentless Avant-Garde of The Renaissance Society

The Renaissance Society at the University of Chicago, founded in 1915, has consistently championed avant-garde contemporary art from its modest gallery space on the fourth floor of Cobb Hall. Under the leadership of current director Myriam Ben Salah (since 2020), the institution continues its legacy of presenting visionary works by artists who later become household names, including Henri Matisse, Pablo Picasso, Man Ray, and Félix González-Torres. The article traces the society's history through its pioneering female directors—Eva Watson Schütze, Frances Strain Biesel, and Suzanne Ghez—who shaped its forward-thinking exhibition program, from early modernist shows to local Chicago talent and cross-disciplinary collaborations.

Here is the first and for now only interview with the curators of the 2026 Venice Art Biennale

Ecco la prima e per ora unica intervista ai curatori della Biennale d’Arte di Venezia 2026

The team of the late curator Koyo Kouoh has completed the 61st International Art Exhibition of the Venice Biennale, titled "In Minor Keys," which opens to the public on May 9, 2026. In an exclusive interview, curators Gabe Beckhurst Feijoo, Marie Helene Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayia discuss the challenges of realizing Kouoh's vision after her death, including fundraising, installation design by Wolff Architects of Cape Town, and the use of cardboard as a non-invasive material to create thresholds between spaces.

Multi-Museum Exhibition Spotlights Legacy of Betsy James Wyeth

A major multi-museum exhibition titled *By Design: The Worlds of Betsy James Wyeth* will open across three U.S. institutions in 2026, re-examining the life and legacy of Betsy James Wyeth. The collaborative project—organized by the Farnsworth Art Museum, Colby College Museum of Art, and Brandywine Museum of Art—is the first to fully explore her role as an innovative designer of immersive spaces and key creative collaborator to her husband, Andrew Wyeth. Each venue highlights a different aspect of her work: the Farnsworth focuses on her built environments in Maine; Colby examines Allen and Benner Islands with new commissions by contemporary artists; and Brandywine centers on Brinton’s Mill and the Wyeths’ creative partnership, drawing from the Wyeth Foundation for American Art.

First UK Ken Price solo exhibition in nearly 10 years to open at Lisson.

Lisson Gallery, in collaboration with Matthew Marks Gallery, will present the first solo exhibition of Ken Price's work in the UK in nearly a decade. The show brings together sculptures and drawings, several shown in London for the first time, spanning the late American artist's five-decade career. Best known for expanding the possibilities of ceramics, Price created intimate yet monumental works that blend abstraction and figuration, with richly layered surfaces achieved through painstaking pigment and sanding processes. The exhibition includes iconic pieces such as 'Prone' (1997), 'Itself' (2003), 'Yin' (2009), and 'Amazon' (2003), alongside rarely seen works on paper that reveal his imaginative, dreamlike landscapes.

브루클린뮤지엄: 패션디자이너 아이리스 반 페르펜전 'Iris van Herpen: Sculpting the Senses'(5/16-12/6)

The Brooklyn Museum will present the North American debut of "Iris van Herpen: Sculpting the Senses" from May 16 to December 6, 2026. The exhibition features over 140 haute couture creations by Dutch fashion designer Iris van Herpen, displayed alongside contemporary art, design objects, and scientific artifacts. It explores her fusion of traditional craftsmanship with cutting-edge technology, sustainability, and themes from nature and science. The show first opened at the Musée des Arts Décoratifs in Paris in 2023 and has traveled to QAGOMA, ArtScience Museum Singapore, and Kunsthal Rotterdam. The Brooklyn presentation coincides with the museum's annual Brooklyn Artists Ball, where Van Herpen will be honored.

At the Grand Palais, Hilma af Klint, a pioneer of abstraction

The article reports on an exhibition at the Grand Palais in Paris dedicated to Hilma af Klint, the Swedish artist recognized as a pioneer of abstract art. The show presents her visionary works, which predate those of better-known male abstractionists like Kandinsky and Mondrian.

Ali Banisadr: Temple of the Mind | Solo exhibition at Buffalo AKG Art Museum

The Buffalo AKG Art Museum will present "Ali Banisadr: Temple of the Mind," a solo exhibition running from June 26 to November 8, 2026. The show occupies the Hemicycle Gallery and, for the first time, the Wilmers Galleries, where Banisadr's works will be installed alongside Surrealist and Abstract Expressionist pieces from the museum's permanent collection. The exhibition includes an installation exploring the artist's influences, featuring works by Andō Hiroshige and Francisco de Goya, as well as studio materials, a new etching created with Mirabo Press, and an audio journey narrated by Banisadr.

Paris exhibition celebrates the visionary world of Hilma af Klint, an artist ahead of her time

A major exhibition at Paris's Grand Palais presents Hilma af Klint's visionary abstract series "Paintings for the Temple" (1906–1915) for the first time in France. The show features works like "The Ten Largest" (1907), which predate the abstract art of Kandinsky, Mondrian, and Malevich by several years. Curated by Pascal Rousseau, the exhibition highlights Af Klint's pioneering use of spirals, geometric forms, and spiritual themes, created in seclusion and long hidden from public view.

Cole evolution featured in inaugural exhibition

The Thomas Cole National Historic Site in Catskill, New York, has opened a new exhibition titled “Thomas Cole: An American Visionary,” which marks the debut of the Richard Sharp Gallery in the historic 1815 Main House. The exhibition features 16 original paintings by Thomas Cole, along with drawings, sketches, and studio objects that trace the artist’s development and influence. It explores Cole’s evolution into an internationally recognized artist, his connection to the Catskill Mountains and Hudson Valley, and his role in shaping a visual identity for the young United States, while also highlighting his mentorship of Frederic Church. The gallery was funded and inspired by collector Richard “Rick” Sharp, who donated the centerpiece work “Diagram of Contrasts” to the site’s permanent collection.

Textile Artist Ian Berry on Denim and the Ever-Evolving Art World

British artist Ian Berry, known for creating photorealistic works from recycled denim, is participating in the group exhibition "Textile Art Redefined" at the Saatchi Gallery in London. The show, curated by Helen Adams and inspired by her book "Fine Art Textiles," features 15 visionary textile artists from the U.K. and around the world, running through May 10. Berry's installation "Secret Garden" is made entirely from denim scraps, and he discusses the significance of showing in his hometown and alongside peers he admires.

The ironic and intellectual painting of Renato Varese. The exhibition in Conegliano

La pittura ironica e intellettuale di Renato Varese. La mostra a Conegliano

Palazzo Sarcinelli in Conegliano is hosting a retrospective exhibition dedicated to Renato Varese (1926–2024), a versatile Italian painter, graphic artist, engraver, sculptor, and ceramist. Curated by Lorena Gava, the show marks the centenary of Varese's birth and features around fifty works spanning painting and graphic art, highlighting his ironic, intellectual, and visionary style often described as "Gothic." Concurrently, the artist's heirs have donated thirteen works to the city's civic collections, including the large canvas "Beati gli ultimi" (1997), now housed in a dedicated room named Sala L.R. Varese.

First Zurbarán exhibition at the National Gallery

The National Gallery in London has opened the first monographic exhibition in the UK dedicated to Francisco de Zurbarán, a leading 17th-century Spanish painter. The show brings together exceptional loans from public and private collections across the UK, Europe, and the United States, including works displayed together for the first time in over a century. Highlights include life-size depictions of saints, soaring altarpieces, and contemplative still lifes, with the exhibition running until 23 August.

The first UK museum presentation of Aleksandra Kasuba’s work: her exhibition Shelters for Senses open at Tate St Ives

Tate St Ives has opened 'Shelters for the Senses', the first UK museum presentation of Lithuanian-American artist Aleksandra Kasuba (1923–2019). Curated by Tate St Ives Director Anne Barlow in collaboration with LNMA curator Elona Lubytė, the exhibition spans seven decades of Kasuba's work, including early paintings, mosaics, public artworks, architectural designs, and spatial environments. A reconstruction of her 'Live-In Environment' (1971) is featured, alongside works donated to Lithuania and kept by the LNMA. The show runs until 4 October.

The Vatican brings Hildegard of Bingen to the Biennale. "The ear is the eye of the soul", by Brian Eno and Patti Smith

The Holy See Pavilion at the 61st Venice Biennale, titled "The Ear is the Eye of the Soul," centers on the 12th-century Benedictine abbess and visionary Hildegard of Bingen. Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the pavilion spans two Venetian venues—the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice—and features new sound works by 24 artists, musicians, and poets including Brian Eno, Patti Smith, FKA Twigs, Meredith Monk, and Jim Jarmusch. The title is borrowed from the final work of German director Alexander Kluge, who died in March 2026, and his monumental film installation forms a core part of the exhibition.

Griffin Museum of Photography brings summer exhibits to Winchester

The Griffin Museum of Photography in Winchester is presenting a series of summer exhibitions running from late May through July 2026. Featured shows include "Photosynthesis XXI," a collaboration between Burlington and Winchester high schools; "Atelier 40," showcasing emerging and advanced photographers from a year-long portfolio course; "Caleb Cain Marcus: A Thousand Rectangles: On Design and the Expression of Art"; "Cassidy Thurber: I Want the Sun to Shine Down on You," the winner of the 2025 Carolyn Harder Scholarship; the 16th Annual Photobook Exhibition; a Handmade Photobook show; and "Visionary." A satellite location at Griffin Museum @WinCam will host Ellen Feldman's "WE PROTEST" from June 16 to September 1.

Colombia of the 1970s arrives in Milan with an exhibition that feels like a film

La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film

Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.