m hka remains museum smak 1234771945
The government of Belgium's Flanders region has reversed its controversial plan to close the M HKA contemporary art museum in Antwerp and transfer its collection to the SMAK museum in Ghent. Under a new plan called "M HKA 2.0," the museum will retain its collection, its museum status, and continue its programming, while SMAK will be operated by the regional government.
The Kanal–Centre Pompidou in Brussels, a major new modern and contemporary art center housed in a converted 1930s Citroën garage, will open on November 28 with a launch program of 10 exhibitions. Its centerpiece, "A truly immense journey," will feature over 350 works from the Centre Pompidou's collection, exploring themes of migration and exchange.
The Prix Marcel Duchamp, France's most prestigious art prize, has announced its 2026 nominees: Joël Andrianomearisoa, Josèfa Ntjam, Laura Henno, and the duo David Brognon and Stéphanie Rollin. The five nominees will exhibit together at the Musée d’Art Moderne de Paris in October, with the winner receiving €35,000. The jury is led by Centre Pompidou director Xavier Rey and includes prominent curators, collectors, and past winners such as Kader Attia.
The Diriyah Biennale Foundation has announced the artist list for the third edition of the Diriyah Contemporary Art Biennale, opening January 30 in the JAX District of Diriyah, near Riyadh. Titled “In Interludes and Transitions,” the biennale is curated by Nora Razian and Sabih Ahmed and features over 65 artists, including more than 20 new commissions. Participants range from historic figures like Pacita Abad and Etel Adnan to emerging voices such as Raven Chacon and Dineo Seshee Bopape, working across painting, installation, film, sound, architecture, and publishing.
The Flemish government's plan to dissolve M HKA, a contemporary art institution in Antwerp, has been met with legal opposition after the museum initiated a legal review that claims the move would be illegal. The review, presented to the press on Tuesday with artists Luc Tuymans and Otobong Nkanga in attendance, argues that the government's proposal—which would close M HKA, transfer its collection to Ghent, and rebrand S.M.A.K. as the Flemish Museum of Contemporary and Current Art by 2028—contains "flagrant illegalities." The plan has drawn widespread condemnation from museum directors and artists, including Anish Kapoor, who demanded the removal of his work from M HKA's website.
The article reviews "Legacies: Asian American Art Movements in New York City," an exhibition at 80WSE in New York, curated by Howie Chen, Jayne Cole Southard, and christina ong, running from September 11 to December 20, 2024. Billed as the first institutional survey of Asian American artists in New York City, the show features 90 artists and spans the period from 1969 to 2001, centering on three key organizations: Godzilla: Asian American Art Network, the Basement Workshop, and the Asian American Arts Centre. The exhibition highlights how many of these artists did not solely make work about their race, complicating the link between identity and art, and includes lesser-known pieces such as David Diao's 1974 painting "Odd Man Out" and a provocative 1985 photograph by Hanh Thi Pham.
Tania Willard, a mixed Secwépemc and settler artist from Neskonlith, British Columbia, has won the 2025 Sobey Art Award, receiving CAD$100,000 ($71,000). The announcement was made at the National Gallery of Canada in Ottawa. The award, established in 2002 by the Sobey Art Foundation, supports contemporary Canadian artists. The five other shortlisted artists—Tarralik Duffy, Chukwudubem Ukaigwe, Sandra Brewster, Swapnaa Tamhane, and Hangama Amiri—each receive CAD$25,000. Willard's land-based, community-focused practice centers Indigenous resurgence, and her site-specific installation *Declaration of the Understory* is on view at Bentway Staging Grounds in Toronto through spring 2026.
The Biennale of Sydney has announced the full artist list for its 2026 edition, titled 'Rememory,' which opens on March 14, 2026. The exhibition is curated by Hoor Al Qasimi, president and director of the Sharjah Art Foundation, marking her second major biennial after the Aichi Triennale. The show will feature over 60 artists and collectives, with a heightened focus on Indigenous art through a partnership with the Fondation Cartier pour l’art contemporain, facilitating 15 commissions by First Nations artists. Notable participants include Emily Jacir, Tuan Andrew Nguyen, and many others from diverse global backgrounds.
Two leading museum organizations, CIMAM (International Committee for Museums and Collections of Modern Art) and L'internationale, have sharply criticized the Flemish government's decision to transfer the collection and mission of Antwerp's M HKA to a newly formed museum in Ghent by 2028. In a statement dated October 10, CIMAM's Museum Watch Committee expressed profound concern, calling the plan based on "false administrative logic" and urging the Flemish minister of culture to reverse the decision. L'internationale also published a statement condemning the lack of transparency and consultation, noting that the plan was announced without input from M HKA's leadership or stakeholders. The building housing M HKA will be renovated into a Kunsthalle, and the government has canceled a planned $151 million new building for the museum.
A scientific paper published in PNAS reveals that Jackson Pollock's 1948 masterpiece *Number 1A* contains an extinct variety of manganese blue paint. Using Raman spectroscopy, researchers from Stanford University, City College of New York, and MoMA's conservation department identified the synthetic pigment, which was popular in the 20th century but phased out in the 1990s due to environmental concerns.
Frieze London and Frieze Masters have announced highlights for their 2025 editions, running concurrently October 15–19 in Regent’s Park. Frieze London will feature ceramics and textiles, including a presentation titled “Three Generations of Female California Ceramics” at The Pit, stoneware sculptures by Sanya Kantarovsky at Modern Art, and textile works by Antonio Pichillá Quiacaín at Portas Vilaseca. Major galleries like Gagosian, Pace, Lehmann Maupin, White Cube, and Lisson will present new works by artists such as Lauren Halsey, William Monk, Do Ho Suh, and Marguerite Humeau. The fair’s curated section “Echoes in the Present” by Jareh Das includes artists like Diambe and Tadáskía, while the Focus section emphasizes installation-based works. Frieze Masters highlights include a booth of 19th- and 20th-century paintings curated by Nicolas Party at Hauser & Wirth, a solo of Peter Hujar’s drag portraits at Pace, and a new Reflections section organized by Abby Bangser focusing on decorative art.
Thieves stole gold worth approximately €600,000 ($700,000) from the Natural History Museum in Paris's Fifth Arrondissement, using an angle grinder and blowtorch to break in during the night. The robbery was detected on Tuesday morning, and the museum's mineralogy gallery closed afterward. Separately, five members of the punk art collective Pussy Riot were sentenced in absentia by a Moscow court to 8–13 years for spreading false information about the Russian military, linked to a 2022 antiwar video. Other news includes the identification of manganese blue in a Jackson Pollock painting, a protest banner at Windsor Castle, new acquisitions at the Norton Museum, an upcoming Victoria and Albert Museum exhibition on Marie Antoinette, a gallery move in New York, and a preview of Calder Gardens in Philadelphia.
The June 18, 2025 edition of ARTnews' Morning Links reports that Iran and Israel have taken protective measures for artworks and heritage sites amid escalating missile strikes. Iran's Cultural Heritage Organization moved artifacts to secure storage and closed museums, while Israeli museums transferred artworks to protected storage, with Suzanne Landau, director of the Israel Museum, noting the country's familiarity with such crises. Other headlines include a government watchdog finding that President Donald Trump illegally slashed funding to the Institute of Museum and Library Services, an interview with Pussy Riot co-founder Nadya Tolokonnikova about her performance at MOCA Los Angeles, earthquake damage to monasteries in northern Greece, and details about the Studio Museum in Harlem's inaugural exhibitions. The digest also covers TEFAF's cameo in the TV show 'And Just Like That', a Jenny Saville drawing heading to auction at Sotheby's, and a profile of previously unknown Surrealist painter Henry Orlik.
The Lucas Museum of Narrative Art, founded by George Lucas and Mellody Hobson, will open in Los Angeles on 22 September with 18 inaugural exhibitions featuring over 1,200 objects. Curated by Lucas himself, the shows span media like photography, architecture, and cinema, as well as genres such as manga, anime, comics, and children's stories. Six solo exhibitions will highlight American artists including Thomas Hart Benton, Frank Frazetta, and Norman Rockwell. The museum's collection now exceeds 40,000 works, including the Separate Cinema Archive and Lucas Archives of film memorabilia.
The Flemish government in Belgium has reversed its controversial plan to dismantle Antwerp's Museum of Contemporary Art (M HKA). The original proposal would have stripped the museum of its status and transferred its permanent collection to another institution in Ghent, but following significant opposition, authorities have agreed to preserve M HKA as a museum with its collection intact.
Artnet News spoke to seven leading curators about how they identify emerging artists who will become the next big names. The curators, including Amy Smith-Stewart of The Aldrich Contemporary Art Museum and iLiana Fokianaki of Kunsthalle Bern, describe their methods: seeking artists who address erased histories, geopolitical contexts, and marginalized perspectives. The article also references a recent debate sparked by Dean Kissick's polemic 'The Painted Protest' in Harper's, which criticized contemporary art for being overly dictated by identity politics, a view countered by curators who affirm their commitment to socially engaged work.
Swiss artist Jean Tinguely, born 100 years ago on May 22, 1925, is celebrated in a centenary retrospective at Pirelli HangarBicocca in Milan. Known for his kinetic sculptures—clattering, motorized assemblages of cogs, wheels, and found objects—Tinguely emerged from Dada influences in Basel and Paris to become a leading figure of kinetic art. His work satirizes technological reliance and explores themes of mortality, often incorporating animal skulls and planned explosions. Major retrospectives at the Stedelijk Museum (2016) and Pirelli HangarBicocca (2024) have revived interest in his oeuvre.
Artnet News rounds up recent headlines involving Renaissance master Michelangelo di Lodovico Buonarroti Simoni as institutions prepare to celebrate his 550th birthday in 2025. The article highlights three stories: a scene in HBO's *The White Lotus* season three finale that echoes Michelangelo's *Pietà*; the ongoing scholarly debate over whether Michelangelo himself forged the ancient sculpture *Laocoön and His Sons*; and the restoration of Michelangelo's family tomb at the Basilica of Santa Croce in Florence ahead of his birthday.
Le mostre da non perdere a Milano durante i giorni dell’Art Week 2026
Milan Art Week 2026 features a series of major solo exhibitions across the city's premier contemporary art institutions. Fondazione Prada is hosting site-specific installations by Mona Hatoum exploring global instability alongside Cao Fei’s multimedia investigation into the technological revolution of agriculture. Meanwhile, Pirelli HangarBicocca presents Benni Bosetto’s architectural exploration of the female body and Rirkrit Tiravanija’s interactive examination of authorship and communal space.
Milan Art Week 2026 features a robust program of institutional exhibitions alongside the miart and Paris Internationale Milano fairs. Key highlights include Cao Fei’s multimedia exploration of smart agriculture at Fondazione Prada, Anselm Kiefer’s monumental tribute to forgotten female alchemists at Palazzo Reale, and a major retrospective of Rirkrit Tiravanija’s architectural research at Pirelli HangarBicocca.
Robert Grosvenor, a sculptor known for his idiosyncratic works that initially aligned with Minimalism before evolving into unclassifiable forms, died in New York at age 88. His death was confirmed by Paula Cooper Gallery, with no cause given. Grosvenor gained prominence in the 1960s through exhibitions like "Primary Structures" at the Jewish Museum and later created spare, industrial sculptures ranging from ceiling-piercing steel forms to altered car-like objects and works incorporating creosote and water. He appeared in two editions of Documenta and the 2022 Venice Biennale, and a survey of his work opened at the Fridericianum museum in Kassel just days before his death.
Cultured magazine has compiled a guide to art exhibitions worth visiting during Milan Design Week 2026, beyond the main Salone del Mobile fair. Featured shows include Rirkrit Tiravanija's first retrospective at Pirelli HangarBicocca, Cao Fei's exploration of smart agriculture at Fondazione Prada, Anselm Kiefer's dual exhibitions at Palazzo Reale and Lia Rumma Gallery, Gabrielle Goliath's painting show at Galleria Raffaella Cortese, and Dozie Kanu's mirroring of Marc Camille Chaimowicz at Fondazione ICA Milano.
The Serpentine x FLAG Art Foundation Prize has announced its selection committee for the inaugural award, the largest contemporary art prize in the UK given to a single artist. The five-person jury includes Michelle Kuo (Chief Curator at Large and Publisher at MoMA), Venus Lau (director of Museum MACAN), Hans Ulrich Obrist, Jon Rider, and artist Rirkrit Tiravanija. The committee met in London on 23rd April to select the first recipient, who will be announced on 12th May. The prize awards £200,000 biennially over ten years, totaling £1 million across five artists, with each recipient developing a new body of work culminating in exhibitions at Serpentine in London and The FLAG Art Foundation in New York.
APC ART has announced the exclusive sale of a rare 1984 Andy Warhol screenprint titled "Kiku Flowers." The work originates from a limited edition of 1,500 produced for a landmark exhibition at the Gendai Hanga Center in Tokyo and is being offered as a comprehensive historical package. The sale includes the original cloth-bound exhibition catalog and primary source documents, such as the original "edition club" order forms used for the Kiku suite.
April 2026 marks a significant month for global art exhibitions, featuring major retrospectives and site-specific installations across Rome, Seoul, London, and Paris. Highlights include Gagosian Rome’s exploration of Francesca Woodman’s surrealist photography, a homecoming retrospective for video-art pioneer Nam June Paik in Seoul, and Senga Nengudi’s performance-based sculptures at London’s Whitechapel Gallery. Additionally, Isaac Julien will debut a new moving-image work at The Cosmic House, while the Fondation Louis Vuitton prepares a large-scale exhibition dedicated to Alexander Calder’s kinetic sculptures.
Tokyo Gendai held its third edition from September 11-14, 2025, in Yokohama, shifting from its original July slot to an early autumn date to attract more international dealers and collectors. The fair reported mixed sales amid a slow economy, with local Japanese collectors making up the vast majority of buyers. Notable sales were reported by Pace Gallery, while other galleries like Anomaly noted a slower start but eventual sales. The fair also featured a new partnership with Art Busan, bringing Korean and Chinese galleries with subsidized booth fees.
The May 2025 roundup of Black art news reports the deaths of two influential figures: international curator Koyo Kouoh and artist-curator Evangeline J. Montgomery, who died at 94. Montgomery's career spanned metalwork, fiber art, and photography, and she was a key advocate and mentor in the African American art community, later working at the U.S. Information Agency. Other highlights include historian Edda L. Fields-Black winning a Pulitzer Prize for her book on Harriet Tubman, the acquisition of Adam Pendleton's entire "Who is Queen" installation by MoMA, and Kapwani Kiwanga winning the Joan Miró Prize. The Met Gala also featured Black dandy style inspired by the Costume Institute's exhibition "Superfine: Tailoring Black Style."
The article highlights seven contemporary artists whose work embodies Black dandyism, timed to the 2025 Met Gala theme 'Superfine: Tailoring Black Style' and the corresponding exhibition at the Metropolitan Museum of Art's Costume Institute. It traces the history of Black dandyism from its 18th-century European roots through its evolution during slavery and the 20th century, emphasizing its role as a defiant, empowering form of self-expression that challenges gender norms and racial stereotypes. Featured artists include Barkley L. Hendricks, Derek Fordjour, and Tyler Mitchell, among others.
Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair, featuring a diverse range of international talent. Highlights include Joy Labinjo’s vibrant figurative paintings at Tiwani Contemporary, which explore Black domesticity and sisterhood, and Cao Fei’s multimedia investigation into the intersection of technology and global agriculture at Pirelli HangarBicocca. Other notable presentations include Anselm Kiefer’s monumental tributes to female alchemists and historical figures, marking a significant moment for contemporary art in the city.
A Milano puoi suonare gratis con la tua band in uno studio di registrazione aperto al pubblico all’HangarBicocca
Pirelli HangarBicocca in Milan has transformed its exhibition space into a functional recording studio as part of a major retrospective for artist Rirkrit Tiravanija. Titled "A Retrospective: The House That Jack Built," the show invites local musical acts to book time slots to perform and record their music live within the gallery. This interactive installation allows the creative process to unfold in front of museum visitors, blurring the lines between a static art display and a community hub.